"Weird Al" Yankovic (album)
|"Weird Al" Yankovic|
|Studio album by "Weird Al" Yankovic|
|Released||May 3, 1983|
Cherokee Studios, Hollywood
|Label||Rock 'n Roll Records
|"Weird Al" Yankovic chronology|
|Singles from "Weird Al" Yankovic|
"Weird Al" Yankovic is the eponymous debut album by American parodist Alfred "Weird Al" Yankovic. The album was the first of many produced by former The McCoys guitarist Rick Derringer. Mostly recorded in March 1982, the album was released by Rock 'n Roll Records as an LP and on Compact Cassette in 1983.
Consisting of five direct parodies and seven original songs, "Weird Al" Yankovic parodies pop and rock music of the late 1970s and early 1980s, and satirizes American culture and experiences of the same time period. Half of the album is made up of parodies, featuring jabs at Toni Basil, Joan Jett, Stevie Nicks, The Knack, and Queen. Yankovic's trademark instrument, the accordion, is used on all songs featured on the album.
Fueled by the underground success of the singles "My Bologna" and "Another One Rides the Bus", the album charted at 139 on the Billboard 200. Critically, however the album received a lukewarm reception, with many reviewers feeling that Yankovic was a throw-away act, and someone who could not overcome the stigma of a novelty record.
After hearing Yankovic's parody of his song "I Love Rock 'n' Roll", "I Love Rocky Road", songwriter Jake Hooker suggested to guitarist Rick Derringer that he would be the perfect producer for the burgeoning parodist. Agreeing, Derringer used his music industry prestige and convinced Cherokee Studios to record an album's worth of Yankovic's songs gratis, to be paid from sales revenue. Then, in March 1982, "Weird Al" Yankovic stepped into a professional recording studio for the first time and recorded nine of the songs for "Weird Al" Yankovic.
The huge irony of my life; [...] it was difficult for me to get signed to a record deal back in early 80s because all the executives were saying "Oh, you do that ... novelty music. You're gonna have maybe one hit if you're lucky and then [...] you'll go right to oblivion. You know, nobody'll ever hear from you again."
After encountering difficulty picking up a record label for the first-time album, Jay Levey (a Los Angeles artists' manager) provided KIQQ-FM with a copy of "I Love Rocky Road". Impressing the program director of the Top 40 station, he played it immediately; "I Love Rocky Road" was one of the most-requested songs by the next day. At the same time, Tad Dowd—head of the new record label, Rock 'n Roll Records—had been trying to convince parent company Scotti Brothers Records to sign the 22-year-old Yankovic. The positive furor over the KIQQ playtest provided Dowd with the leverage needed to convince Scotti Bros. to offer a contract for Yankovic's first album.
Scotti Brothers Records' contract planned an April 1983 release date for a twelve-track album: "I Love Rocky Road" and eight other tracks were already recorded, "Another One Rides the Bus" would be the original 1980 live recording from The Dr. Demento Show, and the last two songs ("Ricky" and "Buckingham Blues") would be recorded at Scotti Brothers' own studios in Santa Monica, California.
To promote the album, Levy coordinated a three-week tour in late Summer 1983 across the United States' East Coast and Midwest for both Yankovic and Dr. Demento. Promoted as "An Evening of Dementia with Dr. Demento in Person Plus 'Weird Al' Yankovic", Demento opened with recorded hits and short comedy films from his show before introducing Yankovic and the band. During their three weeks, the tour played in several famous clubs, including Bottom Line in New York City.
The album cover for "Weird Al" Yankovic was designed by Brazilian artist Rogerio. The band chose Rogerio because of his "MAD Magazine-like drawing style." The cover art specifically features individual elements that correspond with each of the album's twelve songs.
|The Rolling Stone Album Guide|||
Eugene Chadbourne, reviewer for Allmusic, felt that while "Weird Al" Yankovic was a detailed harbinger of parody to come, the album does not hold up well on its own. Chadbourne extolled most of the parodies ("Another One Rides the Bus", "My Bologna", "I Love Rocky Road") for their comedic value in contrast with their originals—songs he supposed to be "pretentious [&] overblown". However, also according to Chadbourne, "Ricky" lacks the comedic connection Yankovic cultivates in later albums, and the original songs "may not seem like they were written in ten minutes, but the ideas behind them don't seem to involve that much contemplation. [They're] like little bits of puff [whose ...] impact on the flow of an album side is more like ballast."
Reviewing Yankovic in 2008, Brian Raftery of Wired magazine wrote that "Ricky" introduced the world to "an accordion-playing spaz with a coif like Rick James and a voice like an urgent goose." In 1983, Yankovic was considered a fad of the time—comparing him to parachute pants and Contras—and "thoroughly disposable."
"Weird Al" Yankovic is the only album in Yankovic's discography in which the accordion is prevalent in every song; in subsequent albums it's only used where deemed appropriate or wholly inappropriate for comedic effect.
- "Ricky" (orig. Mike Chapman, Nicky Chinn, arr. "Weird Al" Yankovic) – 2:36
- "Gotta Boogie" (Yankovic) – 2:14
- A play on words discussing a man with a "boogie" on his finger and his quandary therein.
- "I Love Rocky Road" (orig. Jake Hooker, arr. Yankovic) – 2:36
- "Buckingham Blues" (Yankovic) – 3:13
- A blues song satirizing the socialite lifestyle of the Prince and Princess of Wales (Prince Charles and Diana). Originally, the song was going to a be a parody of "Jack & Diane" by John Mellencamp; worried about spoiling a Jack and Diane movie deal, Mellencamp shot down the parody. Yankovic considered tweaking the "Jack & Diane" melody to avoid the song being a true parody, but decided against it and later rewrote it as an original song. Answering a fan in 1998, Yankovic replied that he would not rewrite and rerecord the song in light of the death of Diana.
- "Happy Birthday" (Yankovic) – 2:28
- Style parody of Tonio K, one of Yankovic's favorite artists. A morbidly depressing birthday song detailing ails of the world, including poverty, nuclear holocaust, and eventual solar cataclysm. Only seeing two popular birthday songs at the time—"Happy Birthday to You" by Patty and Mildred J. Hill, and "Birthday" by The Beatles—Yankovic decided to write his own "severely twisted version of one."
- "Stop Draggin' My Car Around" (orig. Tom Petty, arr. Yankovic) – 3:16
- "My Bologna" (orig. Doug Fieger, Berton Averre, arr. Yankovic) – 2:01
- "The Check's in the Mail" (Yankovic) – 3:13
- "Another One Rides the Bus" (orig. John Deacon, arr. Yankovic) – 2:40
- "I'll Be Mellow When I'm Dead" (Yankovic) – 3:39
- "Such a Groovy Guy" (Yankovic) – 3:02
- Narrated narcissism specifically noting fashion, demeanor, dominance and submission, and relationship breakup. Yankovic wrote the song for a woman he was dating in homage of her previous boyfriend who, upon the breakup asked her, "I’m such a groovy guy! Why would you break up with me?" Out of concern the individual may not be aware of his status, Yankovic does not identify him.
- "Mr. Frump in the Iron Lung" (Yankovic) – 1:54
- "It's Still Billy Joel to Me", Yankovic's 1980 parody of Billy Joel's "It's Still Rock and Roll to Me", was originally planned for this album. Wary of the song being considered "dated" three years later, and doubtful that Joel would give his blessing, the band never bothered to ask.
- Yankovic's parody of The Kinks' song "Lola"—"Yoda"—was written in 1980 (during the initial theatre run of The Empire Strikes Back), and a "huge hit" on The Dr. Demento Show. However, the complexities of receiving permission from filmmaker George Lucas and the Kinks' publishers delayed its release until 1985.
Charts and certifications
|1981||"Another One Rides the Bus"||104|
|1983||"I Love Rocky Road"||106|
- The credits on "Weird Al" Yankovic give special thanks to Jim West. West was playing guitar with Yankovic and the band at live performances, but was not present for recording the album.
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