Ukulele

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Ukulele1 HiRes.jpg
Martin 3K Professional Ukulele
String instrument
Classification String instrument (plucked, nylon stringed instrument usually played with the bare thumb and/or fingertips, or a felt pick.)
Hornbostel–Sachs classification 321.322
(Composite chordophone)
Developed 19th century
Related instruments

The ukulele (play /ˌjuːkəˈleɪliː/ EW-kə-LAY-lee;[1] from Hawaiian: ʻukulele [ˈʔukuˈlɛlɛ]), sometimes abbreviated to uke; is a member of the guitar family of instruments; it generally employs four nylon or gut strings or four courses of strings.[2]

The ukulele originated in the 19th century as an Hawaiian interpretation of the machete,[3] a small guitar-like instrument related to the cavaquinho, braguinha and the rajao, taken to Hawaii by Portuguese immigrants.[4] It gained great popularity elsewhere in the United States during the early 20th century, and from there spread internationally.

The tone and volume of the instrument varies with size and construction. Ukuleles commonly come in four sizes: soprano, concert, tenor, and baritone.

Contents

[edit] History

[edit] Hawaii

Ukuleles are commonly associated with music from Hawaii where the name roughly translates as "jumping flea",[5] perhaps due to the resemblance of the player's finger movements to a "jumping flea". Legend attributes it to the nickname of Englishman Edward William Purvis, one of King Kalākaua's officers, due to his small size, fidgety manner, and playing expertise. According to Queen Liliʻuokalani, the last Hawaiian monarch, the name means “the gift that came here”, from the Hawaiian words uku (gift or reward) and lele (to come).

Developed in the 1880s, the ukulele is based on two small guitar-like instruments of Portuguese origin, the cavaquinho and the rajao, introduced to the Hawaiian Islands by Portuguese immigrants from Madeira and Cape Verde.[6] Three immigrants in particular, Madeiran cabinet makers Manuel Nunes, José do Espírito Santo, and Augusto Dias, are generally credited as the first ukulele makers.[7] Two weeks after they disembarked from the Ravenscrag in late August 1879, the Hawaiian Gazette reported that "Madeira Islanders recently arrived here, have been delighting the people with nightly street concerts."[8]

One of the most important factors in establishing the ukulele in Hawaiian music and culture was the ardent support and promotion of the instrument by King Kalākaua. A patron of the arts, he incorporated it into performances at royal gatherings.[9]

[edit] Canada

In the 1960s, educator J. Chalmers Doane dramatically changed school music programs across Canada, using the ukulele as an inexpensive and practical teaching instrument to foster musical literacy in the classroom.[10] 50,000 schoolchildren and adults learned ukulele through the Doane program at its peak.[11]

[edit] Japan

The ukulele came to Japan in 1929 after Hawaiian-born Yukihiko Haida returned to the country upon his father's death and introduced the instrument. Haida and his brother Katsuhiko formed the Moana Glee Club, enjoying rapid success in an environment of growing enthusiasm for Western popular music, particularly Hawaiian and jazz. During World War II, authorities banned most Western music, but fans and players kept it alive in secret, and it resumed popularity after the war. In 1959, Haida founded the Nihon Ukulele Association. Today, Japan is considered a second home for Hawaiian musicians and ukulele virtuosos.[12]

[edit] United Kingdom

See also: Ukulele Orchestra of Great Britain

The singer and comedian George Formby was perhaps the UK's most famous ukulele player, though he often played a banjolele, a hybrid instrument consisting of an extended ukulele neck with a banjo resonator body. Demand surged in the new century due to its relative simplicity and portability.[13]

[edit] United States

[edit] Pre–World War II

Cover of a 1928 instructional book for the ukulele by Roy Smeck, the "Wizard of the Strings"

The ukulele was popularized for a stateside audience during the Panama Pacific International Exposition, held from spring to fall of 1915 in San Francisco.[14] The Hawaiian Pavilion featured a guitar and ukulele ensemble, George E. K. Awai and his Royal Hawaiian Quartet,[15] along with ukulele maker and player Jonah Kumalae.[16] The popularity of the ensemble with visitors launched a fad for Hawaiian-themed songs among Tin Pan Alley songwriters.[17] The ensemble also introduced both the lap steel guitar and the ukulele into U.S. mainland popular music,[18] where it was taken up by vaudeville performers such as Roy Smeck and Cliff "Ukulele Ike" Edwards. On April 15, 1923 at the Rivoli Theater in New York City, Smeck appeared, playing the ukulele, in Stringed Harmony, a short film made in the DeForest Phonofilm sound-on-film process. On August 6, 1926, Smeck appeared playing the ukulele in a short film His Pastimes, made in the Vitaphone sound-on-disc process, shown with the feature film Don Juan starring John Barrymore.[19]

Opening title for the short Vitaphone film His Pastimes (1926)

The ukulele soon became an icon of the Jazz Age.[20] Highly portable and relatively inexpensive, it also proved popular with amateur players throughout the 1920s, as is evidenced by the introduction of uke chord tablature into the published sheet music for popular songs of the time,[20] a role that would eventually be supplanted by the guitar in the early years of rock and roll.[21] A number of mainland-based instrument manufacturers, among them Regal, Harmony, and Martin, added ukulele, banjolele, and tiple lines to their production to take advantage of the demand.

[edit] Post–World War II

Boy in Hawaii wearing lei and holding a Maccaferri "Islander" plastic ukulele
alt text
a modern red ukulele

From the late 1940s to the late 1960s, plastics manufacturer Mario Maccaferri turned out about 9 million inexpensive ukuleles.[22] The ukulele continued to be popular, appearing on many jazz songs throughout the 1950s, 1960s, and 1970s.[23] Much of the instrument's popularity was cultivated via The Arthur Godfrey Show on television.[24] Singer-musician Tiny Tim became closely associated with the instrument after playing it on his 1968 hit "Tiptoe Through the Tulips".

[edit] Post-1990 Revival

After the 1960s, the ukulele declined in popularity until the late 1990s, when interest in the instrument reappeared.[25] During the 1990s, new manufacturers began producing ukuleles and a new generation of musicians took up the instrument.

Hawaiian musician Israel Kamakawiwo'ole helped re-popularise the instrument, in particular due to his 2003 medley of "Over the Rainbow" and "What a Wonderful World", used in films, television programs, and commercials. The song reached #12 on Billboard's Hot Digital Tracks chart the week of January 31, 2004 (for the survey week ending January 18, 2004).[citation needed]

[edit] Types

Soprano pineapple ukulele, baritone ukulele and taropatch baritone ukulele.
Ukuleles in a music store.

[edit] Construction

Ukuleles are generally made of wood, although variants have been composed partially or entirely of plastic. Cheaper ukuleles are generally made from ply or laminate woods, in some cases with a soundboard of an acoustically superior wood such as spruce. More expensive ukuleles are made of solid hardwoods such as mahogany (Swietenia spp.) Some of the most expensive ukuleles, which may cost thousands of dollars, are made from koa (Acacia koa), a Hawaiian wood.

Typically ukuleles have a figure-eight body shape similar to that of a small acoustic guitar. They are also often seen in non-standard shapes, such as cutaway shape and an oval, usually called a "pineapple" ukulele, invented by the Kamaka Ukulele company, or a boat-paddle shape, and occasionally a square shape, often made out of an old wooden cigar box.

These instruments may have just four strings; or some strings may be paired in courses, giving the instrument a total of six or eight strings.

Instruments with 6 or 8 strings in 4 courses are usually called taropatch ukuleles, and used to be common in a concert size, but now the tenor size is more common for 8-string taropatch ukuleles. The 6 string, 4 course version, has 2 single and 2 double courses, and is sometimes called a Lili'u, although this name is also applied to the 8-string version.[26]

[edit] Sizes

Four sizes of ukuleles are common: soprano, concert, tenor, and baritone. The less common sopranino has a nut to bridge of under 13 inches. The bass ukulele anchors the other end of the size spectrum.[citation needed]

The soprano, often called "standard" in Hawaii, is the smallest and was the original size. The concert size was developed in the 1920s as an enhanced soprano, slightly larger and louder with a deeper tone. Shortly thereafter, the tenor was created, having more volume and deeper bass tone. The baritone was created in the 1940s.

Type Scale length[27] Total length Tuning[28]
soprano or standard 13" (33 cm) 21" (53 cm) A4-D4-F#4-B4 or G4-C4-E4-A4
concert 15" (38 cm) 23" (58 cm) G4-C4-E4-A4, A4 D4 F#4 B4, or G3-C4-E4-A4
tenor 17" (43 cm) 26" (66 cm) G3-C4-E4-A4, G4-C4-E4-A4, A4 D4 F#4 B4, or D4-G3-B3-E4
baritone 19" (48 cm) 30" (76 cm) D3-G3-B3-E4

[edit] Tuning

Ukulele standard tuning About this sound Play (help·info).
"My dog has fleas" tuning. About this sound Play (help·info)

Traditional tuning for the soprano ukulele was D6-tuning: A4 D4 F#4 B4, but standard tuning for concert and tenor ukuleles the C6-tuning instead: G4 C4 E4 A4. The G string is tuned an octave higher than might be expected. This is known as reentrant tuning. Some prefer "Low G" tuning on the tenor, with the G in sequence an octave lower. The baritone is usually tuned to D3 G3 B3 E4, which is the same as the highest four strings of the standard 6-string guitar.

Another common tuning for concerts is D-tuning, A4 D4 F#4 B4, one step higher than the G4 C4 E4 A4 tuning. D tuning is said by some to bring out a sweeter tone in some ukuleles, generally smaller ones. This tuning was commonly used during the Hawaiian music boom of the early 20th century, and is often seen in sheet music from this period. D tuning with a low 4th, A3 D4 F#4 B4 is sometimes called "Canadian tuning" after its use in the Canadian school system, mostly on concert or tenor ukuleles, and extensive use by James Hill and Chalmers Doane.[citation needed]

Hawaiian ukuleles may also be tuned to open tunings, similar to the Hawaiian slack key style.[29]

[edit] Related instruments

Ukulele varieties include hybrid instruments such as the guitalele (also called guitarlele), banjo ukulele (also called banjolele), harp ukulele, and lap steel ukulele. There is an electrically amplified version, the electric ukulele. The resonator ukulele is louder and of different tone quality from traditional wooden ukuleles, producing sound by one or more spun aluminum cones (resonators) instead of the wooden soundboard. The Tahitian ukulele, another variant, is usually carved from a single piece of wood and does not have a hollow soundbox.[citation needed]

Close cousins of the ukulele include the Portuguese forerunners, the cavaquinho (also commonly known as machete or braguinha) and the slightly larger rajao. Other stringed variants include the Puerto Rican bordonua, the Venezuelan cuatro, the Colombian tiple, the timple of the Canary Islands, the Spanish vihuela, and the Andean charango traditionally made of an armadillo shell. In Indonesia, a similar Portuguese-inspired instrument is the kroncong.[citation needed]

[edit] Audio samples
Ukulele chords
A chord being played on a ukulele – 47 kB
Problems listening to this file? See media help.
Henry Kailimai's hene
A piece being played on a ukulele – 327 kB
Problems listening to this file? See media help.

[edit] See also

[edit] Notes

  1. ^ "ukulele". Oxford English Dictionary. Oxford University Press. 3rd ed. 2001.
  2. ^ Erich M. von Hornbostel & Curt Sachs, "Classification of Musical Instruments: Translated from the Original German by Anthony Baines and Klaus P. Wachsmann." The Galpin Society Journal 14, 1961: 3-29.
  3. ^ Tranquada and King (2012). The Ukulele, A History. Hawaii University Press. ISBN 978-0-8248-3634-4. 
  4. ^ Norden, Ernest E.. "Portuguese Americans". Multicultural America. http://www.everyculture.com/multi/Pa-Sp/Portuguese-Americans.html. Retrieved 2009-02-23. 
  5. ^ Beloff 2003, p. 13
  6. ^ Nidel, Richard (2004). World Music: The Basics. Routledge. p. 312. ISBN 978-0-415-96800-3. 
  7. ^ Roberts, Helen (1926). Ancient Hawaiian Music. Bernice P. Bishop Museum. pp. 9–10. 
  8. ^ King, John (2000). "Prolegomena to a History of the ‘Ukelele". Ukulele Guild of Hawai'i. http://www.ukuleleguild.org/history.php. Retrieved 2008-06-11. 
  9. ^ "David Kalakaua (1836–1891), Inaugural Hall of Fame Inductee, 1997". Ukulele Hall of Fame Museum. 2008. http://ukulele.org/?Inductees:1997-1998:David_Kalakaua. Retrieved 2008-06-11. 
  10. ^ Karr, Gary, and McMillan, Barclay (1992). "J. Chalmers Doane". Encyclopedia of Music in Canada. University of Toronto Press. http://www.thecanadianencyclopedia.com/index.cfm?PgNm=TCE&Params=U1ARTU0000986. Retrieved 2008-06-09. 
  11. ^ Beloff 2003, p. 111
  12. ^ Beloff, Jim (2003). The Ukulele: A Visual History. Backbeat books. p. 110. ISBN 978-0-87930-758-5. 
  13. ^ Fladmark, Judy (2010-02-19). "Ukulele sends UK crazy". BBC News. http://news.bbc.co.uk/2/hi/uk_news/magazine/8523082.stm. 
  14. ^ Lipsky, William (2005). San Francisco's Panama-Pacific International Exposition. Arcadia Publishing. p. 36. ISBN 978-0-7385-3009-3. 
  15. ^ Doyle, Peter (2005). Echo and Reverb: Fabricating Space in Popular Music Recording, 1900–1960. Wesleyan. p. 120. ISBN 978-0-8195-6794-9. 
  16. ^ "Jonah Kumalae (1875–1940), 2002 Hall of Fame Inductee". Ukulele Hall of Fame Museum. 2007. http://www.ukulele.org/?Inductees:2002-2003:Jonah_Kumalae. Retrieved 2008-06-02. 
  17. ^ Koskoff, Ellen (2005). Music Cultures in the United States: An Introduction. Routledge. p. 129. ISBN 978-0-415-96588-0. 
  18. ^ Volk, Andy (2003). Lap Steel Guitar. Centerstream Publications. p. 6. ISBN 978-1-57424-134-1. 
  19. ^ Whitcomb, Ian (2000). Ukulele Heaven: Songs from the Golden Age of the Ukulele. Mel Bay Publications. p. 11. ISBN 978-0-7866-4951-8. 
  20. ^ a b Whitcomb, Ian (2001). Uke Ballads: A Treasury of Twenty-five Love Songs Old and New. Mel Bay Publications. p. 4. ISBN 978-0-7866-1360-1. 
  21. ^ Sanjek, Russell (1988). American Popular Music and Its Business: The First Four Hundred Years. Oxford University Press. p. 95. ISBN 0-19-504311-1. 
  22. ^ Wright, Michael. "Maccaferri History: The Guitars of Mario Maccaferri". Vintage Guitar. http://www.vguitar.com/features/brands/details.asp?AID=1071. Retrieved 2008-06-02. 
  23. ^ "The Ukulele". Peterborough Music. 3 March 2002. http://www.peterboroughmusicltd.com/ukulele.irs. Retrieved 2011-09-15. The Ukulele
  24. ^ "Arthur Godfrey (1903–1983), 2001 Hall of Fame Inductee". Ukulele Hall of Fame Museum. 2007. http://www.ukulele.org/?Inductees:2000-2001:Arthur_Godfrey. Retrieved 2008-06-02. 
  25. ^ John Shepherd (27 February 2003). Continuum encyclopedia of popular music of the world: VolumeII: Performance and production. Continuum International Publishing Group. pp. 450–. ISBN 978-0-8264-6322-7. http://books.google.com/books?id=pJvzEzjahkQC&pg=PA450. Retrieved 16 April 2011. 
  26. ^ http://stringedinstrumentdatabase.110mb.com/u.htm
  27. ^ The "Scale" is the length of the playable part of the strings, from the nut at the top to the bridge at the bottom.
  28. ^ On the soprano, concert, and tenor instruments, the most common tuning results in a "bottom" string that is not the lowest, as it is tuned a 5th higher than the next string (and a Major 2nd below the "top" string).
  29. ^ Kimura, Heeday. How to Play Slack Key Ukulule. 

[edit] References

  • Beloff, Jim (2003) [1997]. The Ukulele: A Visual History (Revised & Expanded ed.). San Francisco: Backbeat Books. ISBN 0-87930-758-7. 
  • King, John (2012). The Ukulele: A History. Honolulu, Hawaii: University of Hawaii Press. ISBN 974-0-8248-3634-4. 

[edit] External links

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