|Written by||Marsha Norman|
|Place premiered||American Repertory Theater
'night, Mother is a 1983 play by Marsha Norman about a daughter, Jessie, and her mother, Thelma (referred to as "Mama" in the play). The play opens with Jessie calmly telling Mama that by morning she will be dead, as she plans to commit suicide that very evening (she makes this revelation all while nonchalantly organizing household items and preparing to do her mother's nails). The subsequent dialogue between Jessie and Mama slowly reveals her reasons for her decision, her life with Mama, and how thoroughly she has planned her own death, culminating in a disturbing – yet unavoidable – climax.
Winner of the 1983 Pulitzer Prize for Drama, the original production at the American Repertory Theater in Cambridge, Massachusetts, starred Kathy Bates as Jessie and Anne Pitoniak as Mama. This production eventually made its way to Broadway, where it played at the John Golden Theatre with the same cast. It received 4 Tony Award nominations: Best Play, Best Actress in a Play (both Bates and Pitoniak) and Best Director (Tom Moore).
The 1986 film version of the same name starred Sissy Spacek and Anne Bancroft as daughter and mother, respectively. Marsha Norman adapted her own play and wrote the screenplay. Tom Moore, who directed the play on Broadway, also directed the film. The film added more characters, whereas the play featured only two performers. The film received lukewarm reviews, though Bancroft received a Golden Globe nomination for Best Actress (Drama) in a Film.
On March 12, 2010 the Mexican version titled "Buenas Noches, Mama" debuted starring Edith González as "Jessie" and Rosa Maria Bianchi as "Thelma". The play has received rave reviews from critics and audiences and since its debut has had sold out shows.
In February, 2014, it was reported that a Broadway revival starring Oprah Winfrey as Thelma and six-time Tony Award winner Audra McDonald as Jessie would play Broadway during the 2015-2016 season. Tony winner George C. Wolfe is linked to direct. 
The scene is the living room/kitchen of a small house on an isolated country road, which is shared by Jessie and her mother. Jessie's father is dead; she is epileptic and unemployable, her loveless marriage ended in divorce; her absent son is a petty thief and ne'er-do-well; her last two jobs failed and, in general, her life is stale and unprofitable. As the play begins Jessie asks for her father's service revolver and calmly announces that she intends to kill herself. At first her mother refuses to take her seriously, but as Jessie sets about tidying the house and making lists of things to be looked after, her sense of desperate helplessness begins to build. In the end, with the inexorability of genuine tragedy, she can only stand by, stunned and unbelieving, as Jessie quietly closes and locks her bedroom door and ends her profound unhappiness in one fatal, stunning and deeply disturbing moment—a moment never to be forgotten by those who have witnessed, and come to understand, her plight.
Jessie Cates: A divorced woman who lives with her widowed mother. She is an epileptic who has experienced seizures most of her life. Nothing in life has worked out for this woman, including raising a grown son who turned out to be a disappointing loser. She has suffered with severe extended depression that has never been treated. In the play her long standing despair has been temporarily relieved by a decision that has her uncharacteristically peaceful and talkative. The usual gray pallor and unsteady physical energy of this woman have given way to a new purpose that is expressed in productivity and detached humor.
Thelma "Mama" Cates: A widow, she is starting to feel her age and has easily allowed her depressed daughter to come and take care of all of the details of her life. She sees life as she wants it to be, rather than how it is. She speaks quickly and enjoys talking. She is a simple country woman who never wanted much and could find a way to be happy with whatever she had, even if it meant lying to herself and others. She has no need for intimacy in relationships, but is energized by social situations.
- Leah D. Frank (1 November 1987). "Theater Reviews - A Very Moving 'Night, Mother'". The New York Times. Retrieved 2008-08-05.
- Elyse Sommer (2004). "A CurtainUp review - 'Night, Mother". CurtainUp. Retrieved 2008-08-05.
- 'night, Mother, 1983 production at the Internet Broadway Database
- 'night, Mother, 2004 production at the Internet Broadway Database
- Potter, Rosanne G. and Struss, Joe (2 April 2002). "Play Concordance: 'night Mother". ISU Play Concordances. Iowa State University. Retrieved 2008-08-05.