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|History of Berlin|
|Weimar Republic (1919–33)|
|Nazi Germany (1933–45)|
|Divided city (1945–90)|
This fertile culture of Berlin extended onwards until Adolf Hitler rose to power in early 1933 and stamped out any and all resistance to the Nazi Party. Likewise, the Nazis decried Berlin as a haven of vice.[clarification needed] A sophisticated, innovative culture developed in and around Berlin, including highly developed architecture and design (Bauhaus, 1919–33), a variety of literature (Döblin, Berlin Alexanderplatz, 1929), film (Lang, Metropolis, 1927, Dietrich, Der blaue Engel, 1930), painting (Grosz), and music (Brecht and Weill, The Threepenny Opera, 1928), criticism (Benjamin), philosophy/psychology (Jung), and fashion. This culture was often considered to be decadent and socially disruptive by rightists.
Film was making huge technical and artistic strides during this period of time in Berlin, and gave rise to the influential movement called German Expressionism. "Talkies", the Sound films, were also becoming more popular with the general public across Europe, and Berlin was producing very many of them.
The University of Berlin (today Humboldt University of Berlin) became a major intellectual centre in Germany, Europe, and the World. The sciences were especially favored — from 1914 to 1933, Albert Einstein served as director of the Kaiser Wilhelm Institute for Physics in Berlin, only leaving after the anti-Semitic Nazi Party rose to power.
The so-called mystical arts also experienced a revival during this time-period in Berlin, with astrology, the occult, and esoteric religions and off-beat religious practices becoming more mainstream and acceptable to the masses as they entered popular culture.
Berlin in the 1920s also proved to be a haven for English writers such as W. H. Auden, Stephen Spender and Christopher Isherwood, who wrote a series of 'Berlin novels', inspiring the play I Am a Camera, which was later adapted into a musical, Cabaret, and an Academy Award winning film of the same name. Spender's semi-autobiographical novel The Temple evokes the attitude and atmosphere of the time.
Street battles between Nazis and Communists
Politically, Berlin was seen as a left wing stronghold, with the Nazis calling it "the reddest city [in Europe] after Moscow." Nazi propagandist Joseph Goebbels became his party's "Gauleiter" for Berlin in the autumn of 1926 and had only been in charge a week before organizing a march through a communist-sympathizing area that devolved into a street riot. The communists, who adopted the motto "Beat the fascists wherever you encounter them!" had their own paramilitary organization called the Roter Frontkämpferbund to battle the Nazis' Sturmabteilung (SA). In February 1927 the Nazis held a meeting in the "Red" stronghold of Wedding that turned into a violent brawl. "Beer glasses, chairs and tables flew through the hall, and severely injured people were left lying covered with blood on the floor. Despite the injuries, it was a triumph for Goebbels, whose thugs beat up about 200 communists and drove them from the hall."
Infrastructure and industrialization
The government began printing tremendous amounts of currency to pay reparations; this caused staggering inflation that destroyed middle-class savings. However, economic expansion resumed after mid-decade, aided by U.S. loans. It was then that culture blossomed especially.
The heyday of Berlin began in the mid-1920s. It became the most industrialized city of the continent. Tempelhof Airport was opened in 1923 and a start was made on S-Bahn electrification from 1924 onwards. Berlin was also the second biggest inland harbor of Germany; all of this infrastructure was needed to transport and feed the over 4 million Berliners throughout the 1920s.
Architecture and urban planning
During the interwar period high-quality architecture was built on a large scale in Berlin for broad sections of the population, including poorer people. In particular the Berlin Modernism housing estates built before the beginning of National Socialism set standards worldwide and therefore have been added to the UNESCO World-heritage list in 2008. 
As a result of the economically difficult situation during the Weimar Republic, housing construction, which up to that time had been mainly privately financed and profit-oriented, had found itself at a dead end. Inflation was on the up and for citizens on low incomes decent housing was becoming increasingly unaffordable.
Consequently, the search was on to find new models for state-initiated housing construction, which could then be implemented with a passion from 1920 on following the creation of Greater Berlin and the accompanying reform of local and regional government. The requirements for the type of flats to be built and the facilities they were to have were clearly defined, and the city was divided into different building zones. Following some basic ideas of the Garden city movement two- to three-storey housing estates that were well integrated into the landscape of the suburbs of the city were planned. The first large estate of this type with more than 2,000 residential units was the so-called Hufeisensiedlung (Horseshoe Estate) designed by Bruno Taut in Berlin, which introduced a new type of high quality housing and became a prominent example for the use of colors in architecture.
Films about 1920s Berlin
The following significant films about 1920s Berlin show the metropolis between 1920 and 1933 (until the Nazi takeover of power):
- Dr. Mabuse the Gambler, 1922 - first (silent) film about the character Doctor Mabuse from the novels of Norbert Jacques, by Fritz Lang
- The Last Laugh, 1924 - the aging doorman at a Berlin hotel is demoted to washroom attendant but gets the last laugh, by F.W. Murnau
- Slums of Berlin (Die Verrufenen), 1925 - an engineer in Berlin is released from prison, but his father throws him out, his fiancée left him and there is no chance to find work. Directed by Gerhard Lamprecht.
- Die letzte Droschke von Berlin, 1926 - showing the life of an old coachman in Berlin still driving the droshky during the time when the automobile arises. Directed by Carl Boese.
- Berlin: Symphony of a Great City, 1927 - expressionist documentary film of 1920s Berlin by Walter Ruttmann
- Refuge (Zuflucht), 1928 - a lonely and tired man comes home after several years abroad, lives with a market-woman in Berlin and starts working for the Berlin U-Bahn. Directed by Carl Froelich.
- Asphalt, 1929 - the Berlin underworld touches a policeman's life, Film Noir classic by Joe May
- Mother Krause's Journey to Happiness , 1929 - depicts the cruelty of poverty in Wedding district and Communism as a rescuing force that reaches a mother and a child too late. Directed by Phil Jutzi.
- People on Sunday, 1930 - Avant-garde look at daily life in Berlin, screenplay by Billy Wilder and Curt Siodmak
- Symphonie einer Weltstadt (Berlin - Wie es war), 1930 - documentary view of Berlin by Leo de Laforgue. First showed in 1950.
- Die drei von der Tankstelle, 1930 - three friends are broke, so they sell their car and open a filling station in Berlin. The film shows the rising level of motorisation in Germany. Directed by Wilhelm Thiele.
- Cyankali, 1930 - a poor female office employee in Berlin gets pregnant, but abortion is not allowed in the Weimar Republic. So she goes to a quack doctor who applies toxic potassium cyanide to her. Directed by Hans Tintner.
- Emil and the Detectives, 1931 - the Adventure film based on the novel Emil and the Detectives by Erich Kästner shows Berlin from children's point of view. Director: Gerhard Lamprecht.
- M, 1931 - Berlin thriller by Fritz Lang; beginnings of film noir and the endings of expressionism
- Berlin-Alexanderplatz, 1931 - first film adaption of the novel Berlin Alexanderplatz from Alfred Döblin, directed by Phil Jutzi
- Looking for His Murderer (Der Mann, der seinen Mörder sucht), 1931 - a man in Berlin plunged in debt does not succeed in committing suicide and has to hire a murderer to kill him within twelve hours. But in the same night he falls in love with a girl who wants to stop the appointed killer. Directed by Robert Siodmak.
- Grand Hotel, 1932 - showing the life of permanent residents in a Berlin Hotel. Directed by Edmund Goulding. Academy Award for Best Picture (1931–1932).
- Kuhle Wampe, 1932 - about a working-class family in Berlin in 1931 where survival is difficult during the Great Depression. Directed by Slatan Dudow.
- Die Umwege des schönen Karl, 1938 - a young waiter comes to Berlin in 1930 to serve at the best wine restaurant, and he tries unsuccessfully to get into the high society. Directed by Carl Froelich.
- Rotation, 1949 - showing the life of a working-class family in Berlin between 1920 and 1945, from the Great Depression over the Third Reich until the Battle of Berlin. Directed by Wolfgang Staudte.
- The Beaverskin (Die Buntkarierten), 1949 - the fate of a typical working-class family in Berlin between 1883 and 1949 facing child labour, trade union engagement, war, depression, unemployment and the rise and fall of Nazism. Directed by Kurt Maetzig.
- Der eiserne Gustav, 1958 - based on the novel by Hans Fallada and telling the true story of horse-drawn cabman Gustav Hartmann from Wannsee district who drove sensationally to Paris in 1928 to demonstrate against the rise of the motorcar taxicab. Directed by George Hurdalek.
- Wolf unter Wölfen, 1964 - the four-part movie based on the novel Wolf Among Wolves by Hans Fallada describes the Hyperinflation in the Weimar Republic in 1923 which led to widespread unemployment, homelessness, starvation and rioting in Berlin. Directed by Hans-Joachim Kasprzik.
- Ganovenehre, 1966 - comedy about the panderer and crime environment in 1925 Berlin. Directed by Wolfgang Staudte.
- Cabaret, 1972 - set in the early 1930s depicting Weimar Berlin from the writings of Christopher Isherwood; film by Bob Fosse
- Memories of Berlin: The Twilight of Weimar Culture, 1976 - Documentary about Berlin's cultural scene during the Weimar Republic, by Gary Conklin
- The Serpent's Egg, 1977 - an unemployed Jew in 1923 Berlin is offered a job by a professor performing medical experiments, foreshadowing Nazi human experimentation. Directed by Ingmar Bergman.
- Schöner Gigolo, armer Gigolo, 1978 - a Prussian officer returns home to Berlin following the end of World War I. Unable to find employment elsewhere, he works as a gigolo in a brothel run by a Baroness; by David Hemmings.
- Despair, 1978 - against the backdrop of the Nazis' rise, a Russian émigré and chocolate magnate in Berlin goes slowly mad. Directed by Rainer Werner Fassbinder.
- Pinselheinrich, 1979 - episodes from the life of famous Berlin illustrator Heinrich Zille. Zille gets dismissed from his work, starts to live from his funny and socially critical drawings but uses his earnings and rising fame to help people who are poorer than him. Directed by Hans Knötzsch.
- Berlin Alexanderplatz, 1980 - elaborate film of the novel written by Alfred Döblin. Made for television (in many parts) by Rainer Werner Fassbinder.
- Fabian, 1980 - in the late 1920s Berlin a copywriter observes the night life with his friend, gets unemployed during the Great Depression, but meets a new girlfriend. When his friend commits suicide and his girlfriend leaves him for a film career, he loses his livelihood. Based on the novel by Erich Kästner and directed by Wolf Gremm.
- Als Unku Edes Freundin war, 1981 - during the 1920s a circus driven by Sinti comes to the outskirts of Berlin. A Sinti girl becomes the friend of a poor German boy who tries to buy a bicycle to earn money for his family as a paperboy. Directed by Helmut Dziuba.
- Claire Berolina, 1987 - portrait of Claire Waldoff who became a famous cabaret singer in 1920s Berlin and was close friends with composer Walter Kollo, writer Kurt Tucholsky and illustrator Heinrich Zille. She was an important part of cultural and lesbian life in Berlin until the Nazi Machtergreifung ended her success. Directed by Klaus Gendries.
- Kai aus der Kiste, 1988 - during the hyperinflation in the Weimar Republic 1923 in Berlin a boy and his friends start a campaign of competitive advertising for an American chewing gum brand and use the resources of the metropolis for it. Based upon the novel by Wolf Durian and directed by Günter Meyer.
- Hanussen, 1988 - while recovering from being wounded during World War I, the Doctor discovers that Austrian Klaus Schneider possesses empathic powers. After the war, Schneider changes his name into Erik Jan Hanussen and goes to Berlin to perform as a hypnotist and mind reader. When he predicts Adolf Hitler's Machtergreifung and the Reichstag fire, the Nazis murder him. Directed by István Szabó.
- Spider's Web (Das Spinnennetz), 1989 - based on the 1923 novel by Joseph Roth and focused on a young opportunistic Leutnant who suffered personal and national humiliation during the downfall of the German Empire, and now becomes increasingly active in the right-wing underground of the early 1920s Berlin. Directed by Bernhard Wicki.
- A Letter Without Words, 1998 - reconstructing the life of a wealthy, Jewish amateur filmmaker in Berlin during the 1920s and early 1930s on the basis of authentic filmic material presented by her granddaughter. Directed by Lisa Lewenz.
- Invincible, 2001 - the true story of a Jewish strongman in 1932 Berlin by Werner Herzog
- Sass, 2001 - based on the true story of brothers Franz and Erich Sass from Moabit district, who became the most famous and innovative bank robbers during 1920s Berlin. Directed by Carlo Rola.
- Love in Thoughts (Was nützt die Liebe in Gedanken), 2004 - about the so-called Steglitz student tragedy in 1927, when two young men made a suicide pact under the influence of alcohol, music and sex, which lead to a tragedy. Directed by Achim von Borries.
- Nacht über Berlin, 2013 - a Jewish doctor and SPD-deputy at Reichstag faces the rising rows between Communists and Nazis in Berlin, the growing antisemitism, the Nazi Machtergreifung until the Reichstag fire, followed by the end of the key civil liberties in 1933.
See also: List of films set in Berlin
- Berlin Alexanderplatz (novel)
- Erik Jan Hanussen
- Glitter and Doom - German Portraits from the 1920s
- Potsdamer Platz
- Weimar Culture
- Universum Film AG (UFA)
- Kirkus UK review of Laqueur, Walter Weimar: A cultural history, 1918-1933
- Mitchell, Otis C. (2008). Hitler's Stormtroopers And The Attack On The German Republic, 1919-1933. McFarland & Company. p. 109. ISBN 978-0-7864-3912-6.
- Uwe Klussmann (29 November 2012), The Ruthless Rise of the Nazis in Berlin Der Spiegel
- Berlin Modernism Housing Estates. Inscription on the UNESCO World Heritage List; German/English; Editor: Berlin Monument Authority - ISBN 978-3-03768-000-1