4 Minutes (Madonna song)

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"4 Minutes"
Single by Madonna featuring Justin Timberlake and Timbaland
from the album Hard Candy
Released March 17, 2008 (2008-03-17)
(see release history)
Recorded 2007
Genre Dance-pop, hip hop
Length 4:04 (Album Version)
3:10 (Edit)
Label Warner Bros.
Writer(s) Madonna, Nate "Danja" Hills, Timothy "Timbaland" Mosley, Justin Timberlake
Producer Timbaland, Danja, Justin Timberlake
Certification (see Sales and certifications)
Madonna singles chronology
"Hey You"
(2007)
"4 Minutes"
(2008)
"Give It 2 Me"
(2008)
Justin Timberlake singles chronology
"Release"
(2008)
"4 Minutes"
(2008)
"Dead and Gone"
(2009)
Timbaland singles chronology
"Elevator"
(2008)
"4 Minutes"
(2008)
"Dangerous"
(2008)

"4 Minutes" is a song by American singer-songwriter Madonna from her eleventh studio album Hard Candy. It was released as the lead single from the album on March 17, 2008 by Warner Bros. Records and features American singer-songwriter Justin Timberlake and Timbaland, who also co-wrote and produced the song. Initially known as "4 Minutes to Save the World", the primary motivation behind the development of the song was a sense of urgency about how people should save the planet and the environment from getting destroyed, instead of distracting oneself, but also have fun while being in the process of doing it.[1] According to Madonna the song inspired her to direct her movie I Am Because We Are. Musically "4 Minutes" is an uptempo dance song with an urban, hip-hop beat featuring instrumentation from brass, fog horns and cow bells; the song also presents Timbaland's characteristic bhangra beats.[2] Lyrically the song has a message of social awareness in it and was inspired by Madonna's witnessing of the suffering of the people of Africa.[3]

"4 Minutes" has been critically appreciated for being a loud, busy, energetic track with a hooky chorus and a futuristic sound.[2] Although reviewers called the song one of the most thrilling things Madonna has done in decades and one of Hard Candy's best moments, they also noticed how Madonna appeared more of a featured artist in the song than Timberlake whose vocals were compared to Michael Jackson's.[4] The song achieved worldwide popularity by topping the charts in Australia, Canada, Germany, Italy as well as other European nations. It became Madonna's thirteenth UK number one single thus making her the female artist with the most number ones in Britain.[5] In the United States, "4 Minutes" reached a peak position of three on the Billboard Hot 100, giving Madonna her thirty-seventh Hot 100 top ten hit and breaking the record previously held by Elvis Presley.[6]

The accompanying music video portrayed the idea of the song. It portrayed Madonna and Timberlake singing the song while running away from a giant black screen which devours everything on its path and in the end starts eating up Madonna and Timberlake.[7] It was called heart-pounding and was compared to the music video of "Thriller".[8] Madonna performed the song in the Hard Candy Promo Tour and the Sticky & Sweet Tour where it was performed as the opening song of the rave segment of the tour. Madonna wore a futuristic robotic dress while Timberlake and Timbaland appeared on the video screens, during the performance.[9] The song received a Grammy nomination in 2009 in the Grammy Award for Best Pop Collaboration with Vocals category,[10] but lost to Robert Plant and Allison Krauss for their song "Rich Woman".[11]

Contents

[edit] Writing and inspiration

Sheet music of "4 Minutes" showing the chord progression of the starting of the song as well as the beat rate.

The song was initially referred to as "4 Minutes to Save the World", even by Madonna herself.[12] It received its first airing when Timbaland played part of the song at a concert on December 16, 2007 in Philadelphia.[7] "4 Minutes" is a collaboration by Madonna, Justin Timberlake and Timbaland. They produced the rhythms of the track while penning the lyrics.[1] The song was one of the last songs to be produced for the album.[3] In an interview with MTV Madonna said that she and Timberlake developed the concept of the song through mutual sessions and shrike concepts. When asked about the meaning behind the song and whether it was trying to convey a message, Madonna said,

"Well I don't think it's important to take it too literally. I think the song more than anything is about having a sense of urgency; about how we are you know living on borrowed time essentially and people are becoming much more aware of the environment and how we're destroying the planet. We can't just keep distracting ourselves we do have to educate ourselves and wake up and do something about it. You know at the same time we don't want to be boring and serious and not have fun so it's kind of like well if we're going to save the planet can we have a good time while we are doing it?"[1]

Interviewer Ingrid Sischy said that the song is a ballad for the world, with the great big marching band.[3] Madonna has also confessed that the song was her inspiration behind the documentary I Am Because We Are that she produced.[3] She emphasized on the title further by saying,

"Well, it's kind of a funny paradox. It's like we're saying, "We're running out of time. People, wake up. But, if we are going to save the world, can we please have a good time while we're doing it?"[3]

[edit] Music and lyrics

"4 Minutes" is an uptempo dance song with an urban, hip-hop beat[13] and has the bass of a marching band, a hard clanging beat and instrumentation from a brass that is played in a high riff,[7] as well as fog horns and cow bells.[2] The song is written in the key of G minor. It is set in compound time with a moderate tempo of 115 beats per minute.[14] Madonna and Timberlake's vocal range spans two octaves from F3 to Bb5.[14] The song has a chord progression like D—G—C—F—A--D.[14] The song starts with Timbaland's characteristic bhangra beats and he sings the first lines repeatedly eight times. After Timbaland's part is over, the song has Madonna and Timberlake singing trading verses.[7] The song moves towards a hard clanging beat as Madonna sings the line the "road to hell is paved with good intentions." Madonna and Timberlake then start the chorus with Timberlake singing the main line "We’ve only got four minutes to save the world" in a Michael Jackson inspired voice.[7] It continues in the same momentum in the second verse and second chorus where the track ends after a brief breakdown where every other beat ceases except for the bhangra beats, the brass riffs and Madonna singing the words tick-tock repeatedly after which it ends.[7] According to Jon Pareles of The New York Times, lyrically although the song sounds like that four minutes is the time it takes to have a guaranteed pop hit or the time taken for a quick sexual intercourse, in reality it is the only song from Hard Candy which has a message of social awareness in it, with the sound of the clock ticking emphasizing it.[15] Regarding the line "Sometimes I feel what I need is a you intervention", Madonna explained that,

"Yeah, meaning, sometimes I think you need to save me. In many ways, going to Africa and having the experiences I had gave me such an incredible outlook and such an appreciation that I didn't have before. I kind of went through it when the whole AIDS thing first hit New York and I was watching all my friends drop like flies. Suddenly you go, "Oh, my God, life is precious and what am I complaining about? I'm alive." But you forget. You just forget. We live very comfortable lives and, unfortunately, we have to have our noses rubbed in other people's pain and suffering to realize how much we have and how much we have to be grateful for, and to tune into that frequency of appreciation. We have to do it on a regular basis."[3]

[edit] Remix

The official remix features Flo Rida, Justin Timberlake, and Timbaland.

[edit] Critical reception

Caryn Ganz of the Rolling Stone magazine described the song as having "a marching band aesthetic as blasting brass play a scale-like riff", and called the song "a loud, busy, energetic track." Justin Timberlake's singing was compared with the singing of Michael Jackson.[7] Billboard magazine reviewer and editor Chuck Taylor said that with the song Madonna "is poised to score her first top 10 hit since 2005's 'Hung Up.' [...] There's an awful lot going on in the busy dance track [...] but the trade-off chorus between Madge and Justin of "We've only got four minutes to save the world" is hooky enough unto itself to sell the song." He went on to add that "4 Minutes" qualifies as an event record "between superpowers who not only share equal billing, but sound gangbusters together. Expect instantaneous penetration for this spring break '08 anthem."[2] Mark Savage of BBC described "4 Minutes" as sounding "so futuristic it could realistically have been beamed in from the end of the world."[16] Andy Gill of The Independent called "4 Minutes" as one of Hard Candy's saviors and noted that "the Mardi Gras marching-band bumping rumbustiously along" is one of the album's "most ambitious offerings."[17] Joey Guerra of Houston Chronicle compared the track to the work of Nelly Furtado and called it a bid for radio play.[18]

Sal Cinquemani of Slant Magazine called the song "a blatant advertisement for the rest of the album".[19] Chris Williams of Entertainment Weekly called the song as a "flirty duet".[20] Ben Thompson of The Guardian said that the song has a hard to escape sense "that all concerned are going through the motions - effortlessly, sometimes brilliantly - but going through the motions, none the less".[21] Joan Anderman of The Boston Globe said that the "song is a sure thing, a chart-topper for its sheer star power as well as instant musical allure, and on the eve of Madonna's 50th birthday - adventures and missteps and house-music meditations under her belt - "4 Minutes" feels a lot like an icon's can't-miss gift to herself." However he noticed that the " shift in the power structure [is nowhere] more blatant than on the album's irresistible first single, "4 Minutes," where Madonna sounds like a featured guest trying to keep pace with Timbaland's colossal beats and Timberlake's nimble melody."[22] Freedom du Lac of The Washington Post complimented the song and said that its "a busy, brassy song propelled by a detonative marching-band beat, and it's one of the most thrilling things Madonna has done in this decade."[23] Stephen Thomas Erlewine of Allmusic talked about the melodic and rhythmic hook of the song. But he expressed disappointment that Madonna's voice is "drowned out by Timbaland's farting four-note synth — which might not have been so bad if the tracks were fresher and if the whole enterprise didn't feel quite so joylessly mechanical."[4]

[edit] Chart performance

In the United States, the song debuted at number sixty-eight on the Billboard Hot 100 for the issue dated April 5, 2008 based solely on airplay.[24] The next week, the song jumped sixty-five places to reach number three on the chart. The jump was spurred by first week digital sales of 217,000 which made the song enter at the Hot Digital Songs chart at number two behind Mariah Carey's single "Touch My Body." This was Madonna's first top ten hit since 2005's "Hung Up," and was her thirty-seventh Hot 100 top ten hit; thus breaking Elvis Presley's record of the artist with the most top ten hits.[6] "4 Minutes" was also her highest charting single on the Hot 100 since 2000's "Music" topped the chart. It became the ninth top ten hit for Timberlake.[25] On the Pop 100 chart, it jumped twenty-nine places and reached number three, ultimately peaking the chart at two.[26] The song also became a success on the dance charts peaking both the Hot Dance Club Play and the Hot Dance Airplay charts.[27][28] On August 18, 2008 the single was certified two times platinum by the Recording Industry Association of America(RIAA) for sales and shipment of two million digital downloads.[29]

"4 Minutes" was also a success in Oceania. The song made its debut at number-three on the Australian ARIA Singles Chart for the issue dated April 14, 2008,[30] and ascended to its peak at number-one two weeks later for the issue dated April 28, 2008, where it spent three consecutive weeks.[31] "4 Minutes" has been certified platinum by the Australian Recording Industry Association(ARIA) for sales of 70,000 copies.[32] In New Zealand "4 Minutes" made its debut at number fourteen on the New Zealand Singles Chart for the issue dated March 31, 2008,[33] and ascended into the top ten to finally peak at three for the issue dated April 28, 2008.[34] "4 Minutes" has been certified gold by the Recording Industry Association of New Zealand(RIANZ) for sales in excess of 7,500 copies.[35]

In Canada, the song debuted at number twenty-seven for the issue dated April 5, 2008,[36] peaking the chart the next week.[37] The song spent nine non-consecutive weeks on the top of the chart, being interrupted in its run by Rihanna's single "Take a Bow" for the issue dated May 24, 2008 for one week.[38]

"4 Minutes" made its debut on the Official UK Singles Chart at number-seven on March 23, 2008 based on download sales alone, thus making it her sixtieth top ten single in the United Kingdom.[39] On the issue dated, April 20, 2008 the song rose to the top of the chart, thus giving Madonna her thirteenth UK number one single. The song made Madonna the female solo artist with the most number one singles in the British chart history, with Kylie Minogue next at seven.[5] The single also reached the top of the Eurochart Hot 100 Singles chart for four weeks.[40]

The song achieved similar popularity in the rest of Europe by topping the charts in Belgium (Flanders and Wallonia), Denmark, Finland, Germany, Italy, Netherlands, Norway and Switzerland and reaching number two in Austria, France and Sweden.[41]

[edit] Music video

Still from the music video showing Madonna and Justin Timberlake kissing while the black background starts devouring them thus showing Timberlake's insides.

The music video was directed by French duo Jonas & François who previously directed Justice's video for the single "D.A.N.C.E.",[42] with choreography by Jamie King, who worked on Madonna’s Confessions, Re-Invention and Drowned World tours as well as her video for the single "Sorry". Japanese hip-hop dancing duo Hamutsun Serve also made an appearance in the video. Rolling Stone said that the video had Madonna and Timberlake playing superheroes while tackling physical obstacles.[7] Madonna wore a cream colored corset, glistening black boots and her characteristic platinum blond wavy hair while Timberlake wore mainly denims and had a scarf wrapped around his neck.[13] Regarding the idea behind the music video, Madonna said in an interview that it was conceptualistic. She further explained that the video was shot like a march past. According to her, "It's a movement, and we want to take everybody with us."[3] About the idea of a black screen devouring everything, Madonna said,

"None of us did[understand the black screen]. It was just, you know, it's very conceptual. We basically gave the song to the two French directors [Jonas & Francois] and they came up with the only concept that I thought was interesting, with this black sort of amorphous graphic line slowly eating up the world. I just liked that as a concept."[1]

The video used soft focus, gentle lighting and airbrushing looks on Madonna.[43] The video started with Timbaland chanting the line "I'm outta time and all I got is 4 Minutes" in front of a giant timer screen which started counting down from "4 Minutes". As he sang a black geometric patterned screen came from behind and started engulfing all the music devices. Madonna was then shown pushing a car into a home and got inside. She started singing the main verse of the song. The home owners were oblivious to the fact that she was inside their home. Timberlake joined Madonna and they methodically ran away from the screen which ate people's hands and legs showing their insides. They came out into the same car yard when the chorus started. Madonna and Timberlake did a routine jumping on the cars to escape from the screen and finally moved into a supermarket. There they danced on the conveyor belt of the counter and then went to a bathroom as the second verse started. They removed a piece of their clothing as Madonna was shown in a cream corset and Timberlake in denims.[13] As the second chorus started they came in front of the same screen where Timbaland was singing and immediately started choreographed dancing. Madonna stripped down to her corset and did a back arching.[43] She moved her body as the last "tick-tock, tick-tock" sounded and Timbaland's voice broke into the encore. Madonna and Timberlake danced on a long stage as the black screen approached them from both sides. The video ended with both of them approaching each other and kissing as the black screen caught them devouring Timberlake, and the inside of Madonna's cheeks.[43]

Regarding the video, Madonna said it was like "Goody goody gum drops" referring to the album title.[13] The New York Times compared the momentum of the video with the music video of "Thriller", "In the Air Tonight" and "Shadows of the Night" and called it heart-pounding.[8] However they also said that the video did not yield a breakout Madonna look compared to her videos from the 1980s.[44] Singer Miley Cyrus created her own version of the video and posted it on her youtube channel. It portrayed Miley and her backup dancer Mandy Jiroux fighting ninjas and they take part in a choreographed dance battle with the crew from "Step Up 2 the Streets" which included the film's director, John Chu, star Adam Sevani, and "Step Up" star Channing Tatum. There was even a cameo by Cyrus' grandmother. Madonna responded in her own video, which portrayed her cleeaning the set of her follow up single "Give It 2 Me", and said, "All you people out there who are making videos to my new single, '4 Minutes,' keep up the good work, nice job."[45] The video was nominated for a VMA at the 2008 MTV Video Music Awards in the "Best Dancing In A Video" category but lost to the Pussycat Dolls single "When I Grow Up".[46]

[edit] Live performance

Madonna wearing a robotic dress with red shoulder plates, performs "4 Minutes" in the futuristic rave segment of the Sticky & Sweet Tour while Justin Timberlake appears in the screens - October 30, 2008, BC Place Stadium, Vancouver, Canada.

The song was performed during the Hard Candy Promo Tour and 2008-2009's Sticky & Sweet Tour. In the Hard Candy Promo Tour, "Give It 2 Me" was performed as the fourth song of the setlist. Madonna wore a shiny black dress with black tails, Adidas track pants and high-heeled, lace-up boots.[47] Justin Timberlake appeared alongside Madonna to sing the song in the Roseland Ballroom of New York.[48] As Timbaland appeared on the video screens, the familiar beats of the song started when the four side-stage video screens began to glide across the stage and then swiveled around to reveal Timberlake behind one and Madonna behind the other. They performed the song in choreography similar to the music video[47] with Madonna pushing Timberlake against a wall in the end.[49]

In the Sticky & Sweet Tour, "4 Minutes" was performed as the opening song of the "Futuristic rave with Japanese influence" section.[50] During the last segment of the show, Madonna wore a futuristic robotic dress designed by Heatherette, with plates on her shoulder and a wig with long curled hair.[9][51] The performance had video screens displaying Timbaland and Timberlake. Madonna and her dancers emerged from behind the screens and she started the song in an apparent duet with Timberlake from the screens as both of them performed the same choreography. Timberlake joined Madonna in person for the show at Los Angeles' Dodger Stadium on November 6, 2008, the same show in which Britney Spears appeared alongside Madonna to perform "Human Nature".[52] When Timberlake appeared onstage in person, he performed the song with Madonna in choreography similar to the kind in the Hard Candy Promo Tour.[53] Timbaland joined Madonna during the performance at Dolphin Stadium in Miami. The song was used as a mashup during the introduction video called, "The Sweet Machine" and intermediate video "Get Stupid", a save-the-world video that portrayed good intentions with overkill, juxtaposing John McCain with Hitler and Barack Obama with Mahatma Gandhi.[9] It was also used as mashups during songs like "Vogue" and "Hung Up".[54][55]

[edit] Track listings and formats

UK CD 1
  1. "4 Minutes" (Album Version) – 4:04
  2. "4 Minutes" (Bob Sinclar Space Funk Remix) – 5:39
UK CD 2 / AUS CD Single
  1. "4 Minutes" (Album Version) — 4:04
  2. "4 Minutes" (Bob Sinclar Space Funk Remix) – 5:39
  3. "4 Minutes" (Junkie XL Remix) – 6:16
UK 12" Vinyl
  1. "4 Minutes" (Edit) – 3:10
  2. "4 Minutes" (Bob Sinclar Space Funk Edit) – 4:57
  3. "4 Minutes" (Junkie XL Remix Edit) – 4:39
  4. "4 Minutes" (Tracy Young House Radio) – 3:33
International CD Single
  1. "4 Minutes" (Album Version) – 4:04
  2. "4 Minutes" (Bob Sinclar Space Funk Remix) – 5:39
US 7 TRACK PROMOTIONAL CD
  1. "4 Minutes" Same 6 tracks as US Maxi-Single but includes the otherwise unavailable (Tracy Young House Dub) – 7:54
EU / US Maxi CD Single
  1. "4 Minutes" (Bob Sinclar Space Funk Remix) – 5:39
  2. "4 Minutes" (Junkie XL Remix) – 6:16
  3. "4 Minutes" (Tracy Young House Mix) – 7:55
  4. "4 Minutes" (Peter Saves Paris Remix) – 8:52 (misprinted as 8:37)
  5. "4 Minutes" (Rebirth Remix) – 7:57
  6. "4 Minutes" (Junkie XL Dirty Dub) – 4:52
U.S. Digital Maxi Single
  1. "4 Minutes" (Edit) – 3:11
  2. "4 Minutes" (Peter Saves Paris Edit) – 4;49
  3. "4 Minutes" (Bob Sinclar Space Funk Edit) – 3:23
  4. "4 Minutes" (Junkie XL Dirty Dub Edit) – 4:05
U.S. 2 x 12" Vinyl
  1. "4 Minutes" (Bob Sinclar Space Funk Remix) – 5:39
  2. "4 Minutes" (Peter Saves Paris Remix) – 8:52
  3. "4 Minutes" (Tracy Young House Mix) – 7:55
  4. "4 Minutes" (Junkie XL Dirty Dub) – 4:52
  5. "4 Minutes" (Album Version) – 4:05
  6. "4 Minutes" (Rebirth Remix) – 7:57
  7. "4 Minutes" (Junkie XL Remix) – 6:16

[edit] Charts, sales and procession

[edit] Charts

Chart (2008) Peak
Position
Australian ARIA Singles Chart[31] 1
Austrian Singles Chart[41] 2
Belgian Singles Chart (Flanders)[41] 1
Belgian Singles Chart (Wallonia)[41] 1
Canadian Hot 100[37] 1
Danish Singles Chart[41] 1
Dutch Top 40[41] 1
Eurochart Hot 100 Singles[40] 1
Finnish Singles Chart[41] 1
French SNEP Singles Chart[41] 2
German Singles Chart[41] 1
Irish Singles Chart[56] 1
Italian FIMI Singles Chart[41] 1
New Zealand RIANZ Singles Chart[34] 3
Norwegian Singles Chart[41] 1
Romanian Top 100[57] 1
Spanish Singles Chart[58] 1
Swedish Singles Chart[41] 2
Swiss Singles Chart[41] 1
UK Singles Chart[5] 1
U.S. Billboard Hot 100[6] 3
U.S. Billboard Hot Dance Club Play[27] 1
U.S. Billboard Pop 100[26] 2

[edit] Sales and certifications

Country Provider Certification Sales
Australia ARIA Platinum[32] 70,000+
Belgium IFPI Gold[59] 15,000+
Germany IFPI Platinum[60] 300,000+
Mexico AMPROFON 2x Gold[61] 20,000+
New Zealand RIANZ Gold[35] 7,500+
Spain PROMUSICAE 2x Platinum[62] 80,000+
United States RIAA 2x Platinum[29] 2,000,000+

[edit] Chart procession and succession

Preceded by
"Bleeding Love" by Leona Lewis
U.S. Billboard Hot Dance Airplay number-one single
June 7, 2008 - June 14, 2008
Succeeded by
"Pocketful of Sunshine" by Natasha Bedingfield
Canadian Hot 100 number-one single (first run)
April 12, 2008 - May 24, 2009
Succeeded by
"Take a Bow" by Rihanna
Preceded by
"Chasing Pavements" by Adele
Norwegian Singles Chart number-one single (first run)
March 25, 2008 – April 15, 2008
Succeeded by
"Mercy" by Duffy
Preceded by
"Touch My Body" by Mariah Carey
U.S. Billboard Hot Dance Club Play number-one single
May 17, 2008 - May 31, 2008
Succeeded by
"Pocketful of Sunshine" by Natasha Bedingfield
Preceded by
"Il Mondo Che Vorrei" by Vasco Rossi
Italian FIMI Singles Chart number-one single
April 4, 2008 - April 12, 2008
Succeeded by
"A Te" by Jovanotti
Preceded by
"American Boy" by Estelle featuring Kanye West
UK Singles Chart number-one single
April 20, 2008 – May 18, 2008
Succeeded by
"That's Not My Name" by The Ting Tings
Preceded by
"Mercy" by Duffy
German Singles Chart number-one single
April 25, 2008 – May 15, 2008
Succeeded by
"Summer Love" by Mark Medlock
Eurochart Hot 100 number-one single
May 3, 2008 - June 14, 2008
Succeeded by
"Mercy" by Duffy
Preceded by
"Il avait les mots" by Sheryfa Luna
Belgian Wallonia Singles Chart number-one single
April 26, 2008 – May 24, 2008
Succeeded by
"No Stress" by Laurent Wolf
Preceded by
"Low" by Flo Rida featuring T-Pain
Australian ARIA Singles Chart number-one single
April 28, 2008 – May 19, 2008
Succeeded by
"Sweet About Me" by Gabriella Cilmi
Preceded by
"Lost Highway" by Kurt Nilsen featuring Willie Nelson
Norwegian Singles Chart number-one single (second run)
May 13, 2008 – May 20, 2008
Succeeded by
"Scared of Heights" by Espen Lind
Preceded by
"Wit Licht" by Marco Borsato
Dutch Top 40 number-one single
May 24, 2008 – May 31, 2008
Succeeded by
"This Is the Life" by Amy Macdonald
Preceded by
"Take a Bow" by Rihanna
Canadian Hot 100 number-one single (second run)
May 31, 2008 – June 21, 2008
Succeeded by
"I Kissed a Girl" by Katy Perry
Preceded by
"The Galway Girl" by Mandy and Sharon Shannon
Irish Singles Chart number-one single
May 15, 2008 – May 22, 2008
Succeeded by
"Take a Bow" by Rihanna

[edit] Release history

Region Date Format
Germany[63] April 11, 2008 CD
France[64] April 14, 2008 CD
Australia[65][66] March 17, 2008 Digital download
April 18, 2008[67] Remixes digital download
April 19, 2008 CD
United Kingdom[68][69] March 17, 2008 Digital download
April 21, 2008 CD
June 2, 2008 12" Picture disc
United States[70] March 25, 2008 Digital download
April 15, 2008 Remixes digital download
April 29, 2008 CD single

[edit] References

  1. ^ a b c d MTV News (March 13, 2008). "Madonna Talks Filth, Wisdom And Confectionary". MTV. MTV Networks. http://www.mtv.com.au/news/madonna-talks-filth-wisdom-and-confectionary-119df29f-3b4e-4529-ae5f-b7b00bc322aa/. Retrieved on 2009-04-24. 
  2. ^ a b c d Taylor, Chuck (March 29, 2008). "4 Minutes: Single review". Billboard.com. Nielsen Business Media, Inc.. http://www.billboard.com/bbcom/content_display/reviews/singles/e3ie4bd24ee9875ae5648800d6508cece71. Retrieved on 2008-04-14. 
  3. ^ a b c d e f g Sischy, Ingrid (April 21, 2008). "Madonna: the one and only, on her life unchained". Interview magazine. CNET Networks, Inc.. http://findarticles.com/p/articles/mi_m1285/is_3_38/ai_n24945443/pg_6. Retrieved on 2008-08-21. 
  4. ^ a b Erlewine, Stephen Thomas (April 29, 2008). "allmusic ((( Hard Candy > Overview )))". Allmusic. Macrovision Corporation. http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:dxfuxzejldhe~T1. Retrieved on 2009-05-04. 
  5. ^ a b c Sexton, Paul (April 21, 2008). "Madonna Racks Up 13th U.K. No. 1 Single". Billboard. Nielsen Business Media, Inc. http://www.billboard.com/bbcom/esearch/article_display.jsp?vnu_content_id=1003791791. Retrieved on 2009-05-05. 
  6. ^ a b c Pietroluongo, Silvio (April 2, 2008). "Mariah, Madonna Make Billboard Chart History". Billboard. Nielsen Business Media, Inc.. http://www.billboard.biz/bbbiz/content_display/industry/e3i6e3ee63e14562801a9fec423980c1927. Retrieved on 2009-05-05. 
  7. ^ a b c d e f g h Ganz, Caryn (February 15, 2008). "Madonna’s New Album and Video: Exclusive Rolling Stone Preview". Rolling Stone. Real Networks. http://www.rollingstone.com/rockdaily/index.php/2008/02/15/madonnas-new-album-and-video-exclusive-rolling-stone-preview/. Retrieved on 2009-05-04. 
  8. ^ a b Heffernan, Virginia (April 17, 2008). "Madonna Cleans House". The New York Times. The New York Times Company. http://themedium.blogs.nytimes.com/2008/04/17/madonna-cleans-house/?scp=4&sq=madonna%204%20minutes&st=cse. Retrieved on 2009-05-04. 
  9. ^ a b c Pareles, Jon (October 5, 2008). "Aerobic, Not Erotic: The Concert as Workout". The New York Times. The New York Times Company. http://www.nytimes.com/2008/10/06/arts/music/06mado.html?_r=1&scp=6&sq=sticky%20&%20sweet%20tour&st=cse. Retrieved on 2009-04-27. 
  10. ^ Harris, Chris (December 4, 2008). "Lil Wayne, Coldplay Lead Grammy Nominations". MTV. MTV Networks Entertainment Group. http://www.mtv.com/news/articles/1600678/20081204/coldplay.jhtml. Retrieved on 2009-04-27. 
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