1964 theatrical poster
|Directed by||Walter Grauman|
|Produced by||Cecil F. Ford
Lewis J. Rachmil
|Written by||Frederick E. Smith (novel)
|Music by||Ron Goodwin|
|Editing by||Bert Bates|
|Distributed by||United Artists|
|Running time||102 minutes|
|Box office||$1,700,000 (US/ Canada) Please note this figure is rentals accruing to distributors not total gross.|
633 Squadron is a 1964 British film, which depicts the exploits of a fictional Second World War British fighter-bomber squadron and stars Cliff Robertson, George Chakiris and Maria Perschy. The plot was based on a novel of the same name by Frederick E. Smith, published in 1956, which itself drew on several real Royal Air Force operations. The film was directed by Walter Grauman and produced by Cecil F. Ford for the second film of Mirisch Productions UK subsidiary Mirisch Films for United Artists. 633 Squadron was the first aviation film to be shot in colour and Panavision wide screen.
When Norwegian resistance leader Lieutenant Erik Bergman travels to Great Britain to report the location of a German V-2 rocket fuel plant, the Royal Air Force's No. 633 Squadron is assigned to destroy it. The squadron is led by Wing Commander Roy Grant, an ex-Eagle Squadron pilot (U.S. fighter pilots serving in the RAF before America entered the war).
The plant is in a seemingly impregnable location beneath an overhanging cliff at the end of a long, narrow fjord lined with anti-aircraft guns. The only way to destroy the plant is by collapsing the cliff on top of it, a job for 633 Squadron's fast and manoeuvrable de Havilland Mosquitos. The squadron trains in Scotland, where there are narrow valleys similar to the fjord. There, Grant is introduced to Bergman's sister, Hilde. They are attracted to each other, despite Grant's aversion to wartime relationships.
The Norwegian resistance is tasked with destroying the anti-aircraft defences of the facility immediately before the scheduled attack. When unexpected German reinforcements arrive, Bergman returns to Norway to try to gather more forces. However, he is captured while transporting desperately needed weapons, taken to Gestapo headquarters and tortured for information. Since Bergman knows too much, he must be silenced before he breaks. Grant and newly married Flying Officer Bissell are sent in with a single Mosquito to bomb the Gestapo building. Though they are successful, their shot-up Mosquito fighter-bomber crashes on its return, and Bissell is wounded and becomes blind. A tearful Hilde thanks Grant for ending her brother's suffering.
Still worried, Air Vice-Marshal Davis decides to move up the attack to the next day. However, the resistance fighters are ambushed and killed, leaving the defences still intact. Although Grant is given the option of aborting, he decides to press on. The factory is destroyed at the cost of the entire squadron, though a few crews are able to ditch in the fjord. Grant crash-lands but a local man helps Grant's navigator, Flying Officer Hoppy Hopkinson, pull the wounded wing commander from the burning wreckage. Back in Britain, Davis tells a fellow officer who is aghast at the losses, "You can't kill a squadron."
|Character (novel)||Role||Character (film)||Actor|
|Squadron Leader Roy Grenville DSO DFC||Wing Commander||Wing Commander Roy Grant||Cliff Robertson|
|Flying Officer Hoppy Hopkinson||Grenville's Navigator||Flying Officer Hoppy Hopkinson||Angus Lennie|
|Lieutenant Finn Bergman||Norwegian resistance leader||Lieutenant Erik Bergman||George Chakiris|
|Hilde Bergman||Sister of Finn Bergman||Hilde Bergman||Maria Perschy|
|Air Commodore Davies||Air Vice-Marshal Davis||Harry Andrews|
|Wing Commander Don Barrett AFC DFC||Station Commanding Officer||Group Captain Don Barrett||Donald Houston|
|The Brigadier||Liaison with the Norwegian Resistance|
|Squadron Leader Frank Adams||Station Intelligence Officer||Squadron Leader Frank Adams||Michael Goodliffe|
|Warrant Officer Gillibrand||Pilot, B Flight||Flight Lieutenant Gillibrand||John Meillon|
|Jimmie Willcox||Gillibrand's Navigator|
|Flight Lieutenant Scott||John Bonney|
|Bissell||Flying Officer Bissell||Scott Finch (as Scot Finch)|
|Flying Officer Evans||John Church|
|Maisie||Barmaid at Black Swan Inn||Rosie||Barbara Archer|
|Flight Lieutenant Nigel||Sean Kelly|
|Flight Lieutenant Singh||Julian Sherrier|
|Flight Lieutenant Frank||Geoffrey Frederick|
|WAAF Sergeant Mary Blake / Bissell||Suzan Farmer|
|Flight Lieutenant Jones||Johnny Briggs|
|'Teddy' Young||Flight Commander, A Flight|
|Sam Milner||Flight Commander, B Flight|
|Lieutenant Maner||Peter Kriss|
|Jan Ericson||Norwegian resistance fighter||Ericson||Cavan Malone|
|Johansen||Norwegian resistance fighter||Johanson||Richard Shaw|
|Kearns||Landlord of the Black Swan Inn|
|SS Interrogator||Anne Ridler|
Authentic period aircraft were used instead of models or special effects to create most of the aerial sequences. In part, this was because 633 Squadron was the first film shot in colour in Panavision widescreen format, a choice that made the use of archival film (a common expedient and cost-saving measure in previous films) problematic. However, some aerial sequences were created using models and these are very obvious due to the unrealistic ways the models move.
The film and the novel follow the same basic plot, but many details were changed for the film. In the novel on which the film was based, Roy Grant was British. Robertson, a U.S. actor, was cast because he was popular internationally at the time and because an American central character improved the production's access to finance and worldwide audiences. Additionally, Robertson was an experienced pilot, owned a Supermarine Spitfire and was personally interested in making the film as an accurate portrayal of wartime flying. Although he was refused permission to fly for the purposes of the film, his scenes stand out as a realistic depiction of operational flying. When Robertson expressed reservations about the script, director Walter Mirisch engaged U.S. scriptwriter Howard Koch, resident in London, to rewrite the film to placate him. At the end of the film it is unclear whether Grant survives the mission or not. However, in the book he does survive, although he is taken captive as a prisoner of war. In the novel, much more time was devoted to the men of the squadron's personal lives than we see in the finished film. Several more 633 Squadron books were written to follow up the original story, but these were never adapted.
The scenes were shot in the Scottish Highlands near Glencoe, with most of the attack sequences filmed above Loch Morar and Loch Nevis. The distinctive outline of the island of Eigg can be seen behind some of the cockpit shots. While the spectacular aerial scenes used real aircraft, more dangerous sequences were created with models.
RAF Bovingdon substituted for the fictional RAF Sutton Craddock bomber airfield. The riverbank where Robertson's character romances Maria Perschy's was also used in a similar early scene in the Bond film From Russia with Love. Some scenes were filmed at Staverton Airport, Gloucestershire, and the nearby Churchdown Hill could be seen in some shots.
Walter Grauman, the director, collected flying period aircraft, creating the "Mirisch Air Force" or M.A.F. as it was dubbed. Grauman's wartime experience as a North American B-25 Mitchell bomber pilot helped create an authentic aviation epic.
The film features eight De Havilland Mosquitos, a superlative aircraft nicknamed the "Wooden Wonder" by wartime crew due to its innovative structure, remarkable versatility and unprecedented levels of performance. As the Royal Air Force had recently retired the type in 1963, civilian operators leased mostly former converted bomber examples (TT Mk 35) to the RAF for target-towing. Scouring RAF airfields at Exeter, South Devon, Henlow, Shawbury and the Central Flying School at Little Rissington provided not only ten authentic aircraft, but also vehicles and equipment from the war.
Eight Mosquitos were primarily used, five airworthy and others that could be taxied on runways or used as set dressing. The airworthy TT 35 Mosquitos were converted to resemble a fighter-bomber variant (FB Mk VI). The TT 35 models had their clear nosecones and side windows painted over and dummy machine gun barrels fitted. One airworthy Mosquito was a T3 with a solid nose, which only required the fitting of dummy gun barrels. It lacked the two-stage Merlin engines, V-shaped windscreen and bulged bomb bay of the TT 35s. At least one surplus Mosquito was destroyed in a simulated crash scene.
The Mosquitos used in the film were:
- RS709 - flown in the film (now on display at the National Museum of the United States Air Force at Wright-Patterson AFB in Dayton, Ohio)
- RS712 - flown (now owned by Kermit Weeks, on display at the EAA AirVenture Museum, Oshkosh, Wisconsin)
- RS715 - cockpit section only
- RS718 - written off in simulated crash sequence.
- TA639 - flown (now on show at the RAF Museum Cosford, Shropshire)
- TA719 - flown (now on show at the Imperial War Museum Duxford)
- TJ118 - cockpit section only
- TV959 - at RAF Bovingdon Airfield, but not flown
- TW117 - flown (now on show at National Museum of Aviation, Bodo, Norway)
No German aircraft of the right type were available; consequently Messerschmitt Bf 108 aircraft were used to represent the Messerschmitt Bf 109. Bergman's original escape from Norway is in a Miles Messenger.
The primary camera aircraft, a North American B-25 Mitchell set up as a camera ship by Greg Board (of The War Lover fame) and flown by him, also appears in the film, dropping Bergman back into Norway. The director and former Mitchell bomber pilot Walter Grauman was delighted to fly the B-25 himself, acting as co-pilot in the right-hand seat.
A technical advisor, former RAF Group Captain Thomas Gilbert "Hamish" Mahaddie, told Walter Mirisch that, considering the number of aircraft used in the film, Mirisch "commanded the 14th largest air force in the world" at the time.
The Royal Air Force (RAF) did not form a unit called "633 Squadron" during the Second World War. However, there was a 613 Squadron, equipped with Mosquitos, and credited with an attack on a Dutch Central Population Registry building on 11 April 1944, where the Germans held their Dutch Gestapo records.
A multinational Allied war effort is depicted: in addition to an American central character, the film features members of the Norwegian resistance, airmen from India, New Zealand and Australia. This reflects three historical facts: first, airmen of many nationalities joined the RAF proper; second, under the British Commonwealth Air Training Plan, airmen from Commonwealth air forces were frequently assigned to RAF units and; third, many squadrons belonging to Commonwealth air forces, or European governments-in-exile were under the operational control of the RAF during the war.
The film draws from many of the real operations of 617 Squadron, in particular their attack on the German battleship Tirpitz in a Norwegian fjord, although that squadron used four-engine Avro Lancaster heavy bombers to carry the Barnes Wallis designed, 6-ton Tallboy Earthquake bombs, not the twin-engine de Havilland Mosquitos depicted. The Mosquito, however, was used by 618 Squadron, also involved with another of Barnes Wallis' "bouncing bombs" called High Ball. Though High Ball was never used operationally, 618 Sqn was used as a special operations unit and is, probably, the closest match to "633".
The 'German fighters' are actually Messerschmitt Bf 108 Taifuns which were frequently substituted for the superficially similar Messerschmitt Bf 109 in films of this period.
While critics derided the wooden acting and hackneyed plot, especially the miscast Mirisch Pictures contract star George Chakiris, the aerial scenes were considered spectacular and with Ron Goodwin's music remained the main attraction. The extensive footage of the Mosquito was also of considerable interest to aviation enthusiasts. 633 Squadron appears on the list of "The 100 Greatest War Films" voted by the public of the UK and is featured in the 2005 documentary of the same name.
The film's climax shows the squadron flying through a deep fjord while being fired on by anti-aircraft guns. George Lucas stated that this sequence inspired the "trench run" sequence in Star Wars.
633 Squadron is well known in the UK for its regular appearances on television, and became almost a part of the Christmas schedule. Although erroneously considered a sequel, the film Mosquito Squadron is similar to 633 Squadron and influenced by it, even using footage from the original.
The musical score of 633 Squadron was written by the British composer Ron Goodwin and became well known to the public after the film's initial release.
- Mirisch 2008, p. 204.
- "Big Rental Pictures of 1964". Variety, 6 January 1965, p. 39.
- O'Hara 1989, p. 86.
- Schnepf 1964, p. 43.
- Mirisch 2008, p. 201.
- Schnepf 1964, p. 44.
- O'Hara 1989, p. 87.
- Schnepf 1964, p. 50.
- Schnepf 1964, p. 45.
- Hardwick and Schnepf 1983, p. 68.
- "Mahaddie." imdb.com, Retrieved: 6 December 2009.
- Mirisch 2008, p. 202.
- RAF Squadrons[dead link]
- Dolan, Edward F. Jr. Hollywood Goes to War. London: Bison Books, 1985. ISBN 0-86124-229-7.
- Hardwick, Jack and Ed Schnepf. "A Buff's Guide to Aviation Movies". Air Progress Aviation, Vol. 7, No. 1, Spring 1983.
- Mirisch, Walter. I Thought We Were Making Movies, not History. Madison, Wisconsin: University of Wisconsin Press, 2008. ISBN 978-0-299-22640-4.
- O'Hara, Bob. "633 Squadron." The Making of the Great Aviation Films, Volume 2, 1989.
- Schnepf, Ed, ed. "633 Squadron." Air Classics Summer Issue #2, 1964.