||This article possibly contains original research. (November 2012)|
|This article needs additional citations for verification. (April 2011)|
|Studio album by Yes|
|Released||14 November 1983|
|Recorded||November 1982 - July 1983
Sarm Studios, London
January 1981 (bonus tracks)
|Genre||Pop rock, hard rock, progressive rock|
|Label||Atco – 7 90125 0|
except "Hold On", produced by Trevor Horn + Yes
|Singles from 90125|
90125 is the eleventh studio album from the English progressive rock band Yes, released in 1983 on Atco Records. It was the first studio album since their 1981 breakup and the first to feature Trevor Rabin, and also marked the return of vocalist Jon Anderson, who had quit the band prior to their tenth studio album of 1980. It also marked the first time in twelve years that original keyboardist Tony Kaye had appeared with the group.
The album was titled after its Atco Records catalogue number (for example, 7-90125-1 for the LP).
|This section does not cite any references or sources. (October 2012)|
This new incarnation of Yes came about by circumstance rather than design. In 1980, members Jon Anderson (vocalist) and Rick Wakeman (keyboardist) had left the band, replaced by Trevor Horn and Geoff Downes respectively. The new line-up was short-lived: after an album (Drama) and tour, they disbanded in December 1980. Bassist Chris Squire and drummer Alan White continued to work together, including on the aborted XYZ project and released a single Run with the Fox as a duo in 1981.
Guitarist Trevor Rabin had left South Africa in the late 1970s and had released a series of solo albums. There had been various attempts to place Rabin in a band, including a proposed quartet with Rick Wakeman, John Wetton and Carl Palmer in 1980 and a proposed trio with Keith Emerson and Jack Bruce. Rabin tried out in Asia, alongside Wetton, Palmer and former Yes members Steve Howe and Geoff Downes. However, he had also been put in touch with Squire and White and this was to be his path instead.
Squire, White and Rabin began working together in early 1982, initially considering some of the XYZ material along with songs Rabin had written for a solo album (including the hit "Owner of a Lonely Heart"). The trio decided they needed a keyboard player to fill out their sound. Squire suggested inviting original Yes keyboardist Tony Kaye, whose sparse style he felt would suit the new band's direction. They christened themselves "Cinema" and in November 1982 began recording what they thought was their debut album, consisting mainly of original music Rabin had originally earmarked for a solo album.
Trevor Horn was hired to produce the album.
Everything changed in April 1983 when Jon Anderson was played some of Cinema's recordings (notably "Leave It" and "Owner Of A Lonely Heart") by Squire. The song collective was essentially Rabin's musical ideas and compositions and Jon Anderson was very much impressed and so the thought formed that maybe there could be a reformation of Yes. As Anderson's professed interest was so high, it was realised that - essentially - Yes were reforming. Rabin was dubious at first, not wanting to be perceived as Steve Howe's replacement, but rather the lead guitarist for a new group. However, he quickly changed his mind once Anderson brought in some new lyrics and put his distinctive vocals on the existing music tracks.
By this time, however, the band were without a keyboard player, as Kaye had fallen out with producer Horn, resulting in much of the keyboard work on the album being played by Rabin.
When the band started preparing for a tour to support the album, Eddie Jobson, who had already been considered for the job in 1974, was asked to join, which he accepted. Jobson appeared in the video for the first single, "Owner of a Lonely Heart". In order to consolidate the legal position that this band was Yes, Kaye was brought back.
Released that Autumn on Atlantic Records' subsidiary, Atco, 90125 launched Yes to the MTV age and to a whole new breed of fans. The music was catchy, contemporary and well liked by reviewers and their new fans (many of whom had little clue of the band's previous incarnation). The lead single, "Owner of a Lonely Heart," became the band's first (and only) US #1 hit, driving 90125 to the Top 5 and helping it sell three million copies in the US, by far Yes' most successful album. "It Can Happen", "Changes", and "Leave It" all reached top ten on Hot Mainstream Rock Tracks during 1984 and received heavy airplay. The British sales were not as spectacular, but still solid, and successive hits, such as "Leave It" and "It Can Happen" ensured 90125 had a lengthy chart life. In addition, "Cinema" won the Grammy Award for Best Rock Instrumental Performance in 1985.
The album's logo was designed and created by Garry Mouat at Assorted Images on an Apple IIe computer, and a variant would be used on Yes's next studio album Big Generator as well. 90125 (Atco 790 125) reached #16 in the UK chart and reached #5 in the US during a chart stay of 53 weeks. Trevor Rabin's 2003 album 90124 used the same cover design with colour and text variations.
|1.||"Owner of a Lonely Heart"||Trevor Rabin/Jon Anderson/Chris Squire/Trevor Horn||4:29|
|3.||"It Can Happen"||Squire/Anderson/Rabin||5:29|
|8.||"City of Love"||Rabin/Anderson||4:51|
|2004 Reissue Bonus Tracks|
|10.||"Leave It" (Single Remix)||Horn/Rabin/Squire||Same as the "Leave It (Remix)" version on Twelve inches on tape||3:56|
|11.||"Make It Easy"||Rabin||First issued on Yesyears||6:12|
|12.||"It Can Happen" (Cinema Version)||Rabin/Squire||First issued on Yesyears||6:05|
|13.||"It's Over" (Previously Unissued)||Rabin||5:41|
|14.||"Owner of a Lonely Heart" (Extended Remix; Previously Unissued)||Anderson/Horn/Rabin/Squire||Similar to the "Owner of a Lonely Heart (Red and Blue Mix)" version on Twelve inches on tape. This "Extended Remix" begins and ends differently and is actually about 45 seconds shorter||7:05|
|15.||"Leave It" (A Capella Version)||Horn/Rabin/Squire||3:18|
- Jon Anderson – vocals
- Tony Kaye – keyboards
- Trevor Rabin – guitars, vocals, additional keyboards
- Chris Squire – bass, vocals
- Alan White – drums, percussion, backing vocals
- Stuart Bruce, Gary Langan, Julian Mendelsohn: engineers
- Keith Finney: assistant engineer
- Trevor Horn: production, backing vocals
- J.J. Jeczalik, Dave Lawson: keyboard programming
Album – Billboard (North America)
|1984||The Billboard 200||5|
Singles – Billboard (North America)
|1983||"Our Song"||Mainstream Rock Tracks||32|
|"Owner of a Lonely Heart"||Hot Dance Music/Club Play||3|
|Mainstream Rock Tracks||1|
|The Billboard Hot 100||1|
|1984||"It Can Happen"||The Billboard Hot 100||51|
|Mainstream Rock Tracks||5|
|"Leave It"||The Billboard Hot 100||24|
|Mainstream Rock Tracks||3|
|"Changes"||Mainstream Rock tracks||6|
|"Owner of a Lonely Heart"||Hot R&B/Hip-Hop Singles & Tracks||69|
|"Hold On"||Mainstream Rock Tracks||43|
|1985||Mainstream Rock Tracks||27|
- 1984 – Atco – CD
- 2004 – Rhino CD (Remastered with Bonus Tracks)
- 2009 – Audio Fidelity 24 Karat Gold CD (Remastered by Steve Hoffman)
1984 remix albums
In 1984, Yes was one of several artists on the Atlantic/ATCO Records label to release a remix maxi single titled Twelve Inches on Tape. Now a rarity, this Yes release consisted of two mixes of "Leave It" and two mixes of "Owner Of A Lonely Heart".
|1.||"Leave It" (Remix)||Chris Squire/Trevor Rabin/Trevor Horn||Produced by Trevor Horn
Engineered by Gary Langan
|2.||"Owner of a Lonely Heart" (Red and Blue Mix)||Trevor Rabin/Jon Anderson/Chris Squire/Trevor Horn)||Produced by Trevor Horn
Engineered by Gary Langan
|3.||"Leave It" (Hello, Goodbye Mix)||Chris Squire/Trevor Rabin/Trevor Horn||Produced by Trevor Horn
Engineered by Steve Lipson
Edited by Chris Squire and Stewart Bruce
|4.||"Owner of a Lonely Heart" (Album version)||Trevor Rabin/Jon Anderson/Chris Squire/Trevor Horn||Produced by Trevor Horn
Engineered by Gary Langan
Source: ATCO 7-90156-4-A Barcode #: 7567-90156-4
In 2005, a Max Graham remix of "Owner of a Lonely Heart" reached #9 in the UK singles charts, bettering the original's #28 peak.
"Weird Al" Yankovic parodied the song "Leave It" via an inverted video clip where he inserts himself into the group's lineup, while hosting an MTV episode as a guest VJ in the early 1980s following the release of 90125.
- 90125, CD booklet essay, Brian Ives, c.2004.
- "Top Pop Albums 1955–2001", Joel Whitburn, c.2002
- "Album Rock Tracks 1981–1995", Joel Whitburn c.1996
- "90125 Overview". Allmusic. Retrieved 2 February 2014.
- "90125 Review". Pitchfork Media. Archived from the original on 24 May 2011. Retrieved 30 April 2011.
- "90125 Review". Rolling Stone.[dead link]
- Scaruffi, Piero (1999). "Yes". pieroscaruffi.com. Retrieved 16 August 2013.
- "Interview with Deepak Khazanchi". Matchbox Recordings Ltd. Retrieved 30 April 2011.
- "90125 page on the official Yes Discography". Archived from the original on 13 May 2011. Retrieved 30 April 2011.