A&M Records

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A&M Records
A&M Records logo.png
Parent company Universal Music Group
Founded 1962
Founder Herb Alpert
Jerry Moss
Status Active
Distributor(s) Interscope Geffen A&M
(In the US)
Polydor Records
(Outside the US)
Genre Various
Country of origin United States
Location Santa Monica, California
Official website Official website

A&M Records is an American record label owned by Universal Music Group that operates under the mantle of its Interscope Geffen A&M unit.

History[edit]

Beginnings[edit]

A&M Records was formed in 1962 by Herb Alpert and Jerry Moss. Their first choice for a name was Carnival Records, under which they released two singles before discovering another label had taken the Carnival name first. The company was subsequently renamed A&M, after Alpert's and Moss's initials. From 1966 to 1999, the company's headquarters were on the grounds of the historic Charlie Chaplin Studios at 1416 North La Brea Avenue, near Sunset Boulevard in Hollywood.

Throughout the 1960s and 1970s, A&M had such acts as Herb Alpert & the Tijuana Brass, Baja Marimba Band, Burt Bacharach, Sérgio Mendes & Brasil ’66, The Sandpipers, We Five, The Carpenters, Chris Montez, Elkie Brooks, Lee Michaels, Captain and Tennille, The Flying Burrito Brothers, Quincy Jones, Lucille Starr, Stealers Wheel, Gallagher and Lyle, Barry DeVorzon, Perry Botkin, Jr., Marc Benno, Liza Minnelli, Rita Coolidge, Wes Montgomery, Paul Desmond, Bobby Tench, Hummingbird, Toni Basil, and Paul Williams. Folk artists Joan Baez, Phil Ochs and Gene Clark also recorded for the label during the 1970s. Billy Preston joined the label in 1971, followed by Andre Popp and Herb Ohta in 1973.

In the late 1960s, through direct signing and licensing agreements, A&M added several British artists to its roster, including Cat Stevens, Joe Cocker, Procol Harum, Humble Pie, Fairport Convention, Free, The Move, and Spooky Tooth. In the 1970s, under its manufacturing and distribution agreement with Ode Records, A&M released albums by Carole King and the comedy duo Cheech & Chong. Other notable acts of the time included Nazareth, Y&T, the Tubes, Styx, Supertramp, Chris de Burgh (who went on to greater mainstream success in the 1980s), Rick Wakeman, the Ozark Mountain Daredevils, Chuck Mangione, Squeeze, and Peter Frampton. On March 10, 1977, A&M signed the Sex Pistols after the band had been dropped by EMI. However, A&M dropped the band within a week.[1] A&M sustained its success during the 1980s with a roster of noted acts that included Orchestral Manoeuvres in the Dark, Henry Badowski, Janet Jackson, the Police, Sting, The Brothers Johnson, Falco, Atlantic Starr, the Go-Go's, Bryan Adams, Suzanne Vega, Righeira, Brenda Russell, Jeffrey Osborne, Oingo Boingo, Human League, Ozark Mountain Daredevils, Sharon, Lois & Bram, Annabel Lamb, Jim Diamond, Vital Signs, Joe Jackson, and Scottish rock band Gun. They also, through a deal with Christian music label Myrrh, distributed back catalog recordings of Amy Grant as well as her new recordings, starting with 1985's Unguarded, to the mainstream marketplace, a vital component in her subsequent breakthrough as a mainstream artist.

Within a decade of its inception, A&M became the world's largest independent record company[citation needed]. A&M releases were initially issued in the United Kingdom by EMI's Stateside Records label, and then under its own name by Pye Records until 1967. A&M releases were also issued in Australia through Festival Records until 1989. A&M Records Ltd.[2] was established in 1970, with distribution handled by other labels with a presence in Europe. A&M Records of Canada Ltd.[3] was also formed in 1970, and A&M Records of Europe in 1977. In 1979, A&M entered a distribution agreement with RCA Records (which later became BMG) in the USA, and with CBS Records (whose successor Sony Music Entertainment later absorbed BMG) in many other countries.

Over the years, A&M added specialty imprints: Almo International[4] for middle of the road; Omen Records (1964–1966)[5] for soul; Horizon Records[6] for jazz (1974–1978); AyM Discos[7] for Latin-American; Vendetta Records[8] for dance music (1988–1990); and Tuff Break Records for hip-hop music (1993–1995).[9]

The PolyGram years[edit]

A&M was bought by PolyGram in 1989. Alpert and Moss continued to manage the label until 1993. The sale to PolyGram stipulated that Alpert and Moss had an integrity clause allowing them to control the label's image through 2009. In 1998, Alpert and Moss sued PolyGram for breach of the integrity clause, eventually settling for an additional $200 million payment.[10]

In 1991, A&M launched Perspective Records[11] as a joint venture with producing team Jimmy Jam and Terry Lewis. Jam and Lewis stepped down as CEOs of the imprint in 1997, but they remained on as consultants. In 1999, the label was absorbed into A&M. In the mid-1990s, A&M began distributing its PolyGram sister label Polydor Records in the USA.

During the 1990s, the company continued to release albums by Soundgarden, Extreme, Amy Grant, John Hiatt, Sting, Blues Traveler, Barry White, and Aaron Neville, as well as material from new artists Sheryl Crow, Therapy?, CeCe Peniston, Ridel High and the Gin Blossoms. The company released the soundtracks Robin Hood: Prince of Thieves, The Three Musketeers, Sabrina, The Living Sea, Demolition Man, and Lethal Weapon 3.

Universal Music Group[edit]

In 1998, PolyGram was bought by Seagram and merged into Universal Music Group, which was formed in 1996 as the successor to MCA Music Entertainment Group, of which MCA Records had been the flagship. A&M was subsequently merged into Universal Music Group's then newly formed Interscope Geffen A&M label group. Its Canadian division was absorbed into Universal Music Canada at that time, which included Jann Arden alongside other artists from Canada.

The A&M lot on La Brea Avenue was shut down in January 1999. During the farewell celebration, the company's staff placed a black band over the A&M sign above the main entrance, indicating the death of the company. The old A&M studios and executive offices are now the home of Jim Henson Productions, which operates Henson Recording Studios. Most of the company's workforce, some of whom had been with the company for a decade or more, were let go; while many of its artists were dropped. The label's more prominent acts such as Sting, Sheryl Crow, Bryan Adams and Chris Cornell, however, would remain on its roster.

In response to the down-sourcing, Al Cafaro stated,

Alpert and Moss sued Universal Music Group in 2000, claiming that they had violated a contractual agreement stating that A&M Records would be allowed to retain its corporate culture[citation needed]. The suit was later settled.

A&M catalog albums that did not fit the current pop music format (which also includes rock, rap, and R&B) of their new parent division were transferred to other Universal divisions for management - for example, Verve Records now manages A&M's jazz catalog, not including Herb Alpert's recorded output which Alpert acquired in the settlement with Universal Music and are licensed to Shout! Factory (however, Verve does manage the Horizon Records catalog).[13]

The first multi-platinum A&M Records release under Universal Music Group and Interscope was Sting's 1999 album Brand New Day. Into the 2000s, despite A&M's having become significantly smaller in stature, with a more streamlined roster, the label would release albums by such newer acts as Vanessa Carlton, The Pussycat Dolls, Nicole Scherzinger, The Black Eyed Peas, Fergie and Keyshia Cole.

In February 2007, Interscope-Geffen-A&M partnered with Octone Records to relaunch the A&M label, now headed by James Diener and called A&M/Octone Records with worldwide distribution handled by parent Universal Music Group. The existing Octone roster was transferred to the A&M/Octone label and all new artist signings are made under the A&M/Octone joint venture.[14] Acts that were already signed to the label before the merger with Octone, however, would remain on the main A&M label.

Subsidiary and associated labels[edit]

Former[edit]

Current[edit]

See also[edit]

References[edit]

  1. ^ Southall, Brian (2007). Sex Pistols: 90 Days at EMI. Bobcat Books Ltd., London. pp. 138–9. ISBN 978-1-84609-779-9. 
  2. ^ "A&M Records Ltd.". On A&M Records.com. 2007. 
  3. ^ "A&M Records Canada". On A&M Records.com. 2003. 
  4. ^ "Almo International". On A&M Records.com. 2003. 
  5. ^ "Omen Records". On A&M Records.com. 2007. 
  6. ^ "Horizon Records History". On A&M Records.com. 2003. 
  7. ^ "AyM Discos History". On A&M Records.com. 2003. 
  8. ^ "Vendetta Records". On A&M Records.com. 2007. 
  9. ^ "Tuff Break". On A&M Records.com. 2007. for hip hop music (1993-1995)
  10. ^ "Herb Alpert's Vivendi Deal Has $200-Million Encore Performance". LA Times.com. 1999. 
  11. ^ "Perspective Records". On A&M Records.com. 2006. 
  12. ^ Black Thursday: A&M Shuts Its Doors
  13. ^ "Herb Alpert". Shout! Factory. Archived from the original on 16 July 2011. Retrieved 2011-07-16. 
  14. ^ Todd, Martens (February 20, 2007). "Interscope Geffen A&M Shifting To Octone". Billboard. Retrieved February 8, 2010. 

External links[edit]