A Confederacy of Dunces

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A Confederacy of Dunces
Confederacy of dunces cover.jpg
Author John Kennedy Toole
Country United States
Language English
Genre Comedy, Tragicomedy
Published 1980 (Louisiana State University Press)
Media type Print (hardback and paperback), Audio book
ISBN 0-8071-0657-7
OCLC 5336849
813/.5/4
LC Class PS3570.O54 C66 1980

A Confederacy of Dunces is a picaresque novel by American novelist John Kennedy Toole which appeared in 1980, eleven years after Toole's suicide. Published through the efforts of writer Walker Percy (who also contributed a foreword) and Toole's mother, the book became first a cult classic, then a mainstream success; it earned Toole a posthumous Pulitzer Prize for Fiction in 1981, and is now considered a canonical work of modern literature of the Southern United States.[1]

The book's title refers to an epigraph from Jonathan Swift's essay, Thoughts on Various Subjects, Moral and Diverting: "When a true genius appears in the world, you may know him by this sign, that the dunces are all in confederacy against him." Its central character, Ignatius J. Reilly, is an educated, but slothful 30-year-old man living with his mother in the Uptown neighborhood of early-1960s New Orleans who, in his quest for employment, has various adventures with colorful French Quarter characters. Toole wrote the novel in 1963 during his last few months in Puerto Rico.

Major characters[edit]

Ignatius J. Reilly[edit]

Ignatius Jacques Reilly is something of a modern Don Quixote—eccentric, idealistic, and creative, sometimes to the point of delusion. In his foreword to the book, Walker Percy describes Ignatius as a "slob extraordinary, a mad Oliver Hardy, a fat Don Quixote, a perverse Thomas Aquinas rolled into one." He disdains modernity, particularly pop culture. The disdain becomes his obsession: he goes to movies in order to mock their perversity and express his outrage with the contemporary world's lack of "theology and geometry." He prefers the scholastic philosophy of the Middle Ages, and the Early Medieval philosopher Boethius in particular.[2] However he also enjoys many modern comforts and conveniences, and is given to claiming that the rednecks of rural Louisiana hate all modern technology which they associate with progress. The workings of his pyloric valve play an important role in his life, reacting strongly to incidents in a fashion that he likens to Cassandra in terms of prophetic significance.[3]

Ignatius is of the mindset that he does not belong in the world and that his numerous failings are the work of some higher power. He continually refers to the goddess Fortuna as having spun him downwards on her wheel of fortune. Ignatius loves to eat, and his masturbatory fantasies lead in strange directions. His mockery of obscene images is portrayed as a defensive posture to hide their titillating effect on him. Although considering himself to have an expansive and learned worldview, Ignatius has an aversion to ever leaving the town of his birth, and frequently bores friends and strangers with the story of his sole, abortive journey from New Orleans, a trip to Baton Rouge on a Greyhound Scenicruiser bus, which Ignatius recounts as a traumatic ordeal of extreme horror.

Myrna Minkoff[edit]

Myrna Minkoff, referred to by Ignatius as "that minx", is a Jewish beatnik from New York City, whom Ignatius met while she was in college in New Orleans. Though their political, social, religious, and personal orientations could hardly be more different, Myrna and Ignatius fascinate one another. The novel repeatedly refers to Myrna and Ignatius having engaged in tag-team attacks on the teachings of their college professors. For most of the novel she is seen only in the regular correspondence which the two sustain since her return to New York, a correspondence heavily weighted with sexual analysis on the part of Myrna and contempt for her apparent sacrilegious activity by Ignatius. Officially, they both deplore everything the other stands for. Though neither of them will admit it, their correspondence indicates that, separated though they are by half a continent, many of their actions are taken with the intention of impressing one another.

Irene Reilly[edit]

Mrs. Irene Reilly is the mother of Ignatius. She has been widowed for 21 years. At first, she allows Ignatius his space and drives him where he needs to go, but throughout the course of the novel she learns to stand up for herself. She also has a drinking problem, most frequently indulging in muscatel, although Ignatius exaggerates that she is a raving, abusive drunk.

She falls for Claude Robichaux, a fairly well-off man with a railroad pension and rental properties. At the end of the novel she decides she will marry Claude. But first she agrees with Santa Battaglia (who has not only recently become Mrs. Reilly's new best friend, but also harbors an intense dislike for Ignatius) that Ignatius is insane and arranges to have him sent to a mental hospital.

Others[edit]

  • Santa Battaglia, a friend of Mrs. Reilly, who shows a marked disdain for Ignatius
  • Claude Robichaux, an old man constantly on the lookout for any "communiss" (Communists) who might infiltrate America; he takes an interest in protecting Irene
  • Angelo Mancuso, an inept police officer, the nephew of Santa Battaglia
  • Lana Lee, runs the "Night Of Joy", a downscale French Quarter strip club
  • George, Lana's high-school-aged partner
  • Darlene, the "Night Of Joy's" goodhearted but none-too-bright stripper who has a pet cockatoo
  • Burma Jones, porter/janitor for the "Night Of Joy" who holds on to his job only to avoid being arrested for vagrancy
  • Mr. Clyde, the frustrated owner of Paradise Vendors, a hot dog vendor business
  • Gus Levy, the owner of Levy Pants, a family business in Bywater
  • Mrs. Levy, Gus's wife, who attempts to psychoanalyze her husband and Miss Trixie despite being completely unqualified to do so
  • Miss Trixie, an aged clerk at Levy Pants who suffers from senile dementia and compulsive hoarding
  • Mr. Gonzalez, the meek office manager at Levy Pants
  • Dorian Greene, a flamboyant French Quarter homosexual who puts on elaborate parties
  • Frieda Club, Betty Bumper, and Liz Steele, a trio of aggressive lesbians who run afoul of Ignatius
  • Dr. Talc, a mediocre professor at Tulane who had the misfortune of teaching Myrna and Ignatius
  • Miss Annie, the disgruntled neighbor of the Reillys who professes an addiction to headache medicine

Ignatius at the movies[edit]

Toole provides comical descriptions of two of the films Ignatius watches without naming them; they can be recognized as Billy Rose's Jumbo and That Touch of Mink, both Doris Day features released in 1962.[4] In another passage, Ignatius declines to see another film, a "widely praised Swedish drama about a man who was losing his soul". This is most likely Ingmar Bergman's Winter Light, also released in 1962. In another passage, Irene Reilly recalls the night Ignatius was conceived: after she and her husband viewed Red Dust, released in October 1932.[5]

Confederacy and New Orleans[edit]

Canal Street, New Orleans in the late 1950s; the D. H. Holmes store at right
A "Lucky Dogs" cart from the era of the novel

The book is famous for its rich depiction of New Orleans and the city's dialects, including Yat.[6][7] Many locals and writers think that it is the best and most accurate depiction of the city in a work of fiction.[8]

The city described in the novel differs in some ways from the actual New Orleans. The first chapter mentions the sun setting over the Mississippi River at the foot of Canal Street. As this direction is to the south-east, this is clearly impossible in reality. Possibly this is a joke by Toole related to the fact that the area across the river is known as the "West Bank", despite the fact that because of the twists of the river it is actually to the south or east from parts of central New Orleans. Such details are not likely to be noticed by people who are not familiar with New Orleans.

A bronze statue of Ignatius J. Reilly can be found under the clock on the down-river side of the 800 block of Canal Street, New Orleans, the former site of the D.H. Holmes Department Store, now the Hyatt French Quarter Hotel. The statue mimics the opening scene: Ignatius waits for his mother under the D.H. Holmes clock, clutching a Werlein's shopping bag, dressed in a hunting cap, flannel shirt, baggy pants and scarf, 'studying the crowd of people for signs of bad taste.' The statue is modeled on New Orleans actor John "Spud" McConnell, who portrayed Ignatius in a stage version of the novel.

Various local businesses are mentioned in addition to D. H. Holmes, including Werlein’s Music Store and local cinemas such as the Prytania Theater. Some readers from elsewhere assume Ignatius's favorite soft drink, Dr. Nut, to be fictitious, but it was an actual local soft drink brand of the era. The "Paradise Hot Dogs" vending carts are an easily-recognized satire of those actually branded "Lucky Dogs".

Structure[edit]

The structure of A Confederacy of Dunces reflects the structure of Ignatius's favorite book, Boethius' Consolation of Philosophy. Like Boethius' book, A Confederacy of Dunces is divided into chapters that are further divided into a varying number of subchapters. Key parts of some chapters are outside of the main narrative. In Consolation, sections of narrative prose alternate with metrical verse. In Confederacy, such narrative interludes vary more widely in form and include light verse, journal entries by Ignatius, and also letters between himself and Myrna. A copy of the Consolation of Philosophy within the narrative itself also becomes an explicit plot device in several ways.

Certain aspects of this novel mirror author Toole's real-life experiences. For instance, Ignatius' two main jobs through the course of the novel are pants factory worker and hot dog vendor. For a brief time after graduating from Tulane, author Toole worked at a pants factory. During free time, he spent days in New Orleans' French Quarter, where he helped a friend sell food from a stand. Post-college, Toole also lived with his mother, who was thought to be overprotective. However, in other aspects, the author was quite unlike his most famous character; Toole enjoyed travel, and was known for being neat and well dressed.[citation needed]

The difficult path to publication[edit]

As outlined in the introduction to a later revised edition, the book would never have been published if Toole's mother had not found a smeared carbon copy of the manuscript left in the house following Toole's 1969 suicide at age 31. Thelma Toole was persistent and tried several different publishers to no avail.

Thelma repeatedly called Walker Percy, an author and college instructor at Loyola University New Orleans, demanding he read it. He initially resisted; however, as he recounts in the book's foreword:

...the lady was persistent, and it somehow came to pass that she stood in my office handing me the hefty manuscript. There was no getting out of it; only one hope remained—that I could read a few pages and that they would be bad enough for me, in good conscience, to read no farther. Usually I can do just that. Indeed the first paragraph often suffices. My only fear was that this one might not be bad enough, or might be just good enough, so that I would have to keep reading.

In this case I read on. And on. First with the sinking feeling that it was not bad enough to quit, then with a prickle of interest, then a growing excitement, and finally an incredulity: surely it was not possible that it was so good."[9]

The book was published by LSU Press in 1980. It won the Pulitzer Prize for Fiction in 1981.

While Tulane University in New Orleans retains a collection of Toole's papers, and some early drafts have been found, the location of the original manuscript is unknown.[10]

Film adaptations[edit]

There have been repeated attempts to turn the book into a film. In 1982, Harold Ramis was to write and direct an adaptation, starring John Belushi and Richard Pryor, but Belushi's death prevented this. Later, John Candy and Chris Farley were touted for the lead, both of whom died at an early age, leading many to ascribe a curse to the role.[11]

Director John Waters was interested in directing an adaptation starring Divine as Ignatius when Divine was alive.[12]

British performer and writer Stephen Fry was at one point commissioned to adapt Toole's book for the screen.[13] He was sent to New Orleans by Paramount Studios in 1997 to get background for a screenplay adaptation.[14]

John Goodman, a longtime resident of New Orleans, was slated to play Ignatius at one point.

A version adapted by Steven Soderbergh and Scott Kramer, and slated to be directed by David Gordon Green, was scheduled for release in 2005. The film was to star Will Ferrell as Ignatius and Lily Tomlin as Ignatius's mother. A staged reading of the script took place at the 8th Nantucket Film Festival, with Ferrell as Ignatius, Anne Meara as his mother, Paul Rudd as Officer Mancuso, Kristen Johnston as Lana Lee, Mos Def as Burma Jones, Rosie Perez as Darlene, Olympia Dukakis as Santa Battaglia and Miss Trixie, Natasha Lyonne as Myrna, Alan Cumming as Dorian Greene, John Shea as Gonzales, Jesse Eisenberg as George, John Conlon as Claude Robichaux, Jace Alexander as Bartender Ben, Celia Weston as Miss Annie, Miss Inez & Mrs. Levy, and Dan Hedaya as Mr. Levy.[15]

Various reasons are cited as to why the movie has yet to be filmed. They include disorganization and lack of interest at Paramount Pictures, the head of the Louisiana State Film Commission being murdered, and the devastating effects of Hurricane Katrina on New Orleans.[11] When asked why the film was never made, Will Ferrell has said it is a "mystery".[16] A 2007 Cracked.com article titled "The 10 Most Awesome Movies Hollywood Ever Killed"[17] had the version starring Ferrell at #1, and paraphrased him saying that "it's the movie everyone in Hollywood wants to make, but no one wants to finance".

There is currently a version in negotiation with director James Bobin and potentially starring Zach Galifianakis.[18]

In an interview, Steven Soderbergh remarked "I think it’s cursed. I’m not prone to superstition, but that project has got bad mojo on it."[19]

See also[edit]

Notes[edit]

  1. ^ Giemza, Bryan (Spring 2004). "Ignatius Rising: The Life of John Kennedy Toole". Southern Cultures (review) (Cambridge: Chadwyck-Healey) 10 (1): 97–9. ISSN 1534-1488. 
  2. ^ Miller, Karl (March 5, 1999), "An American tragedy. A lifetime of rejection broke John Kennedy Toole. But his aged mother believed in his talent, found a publisher for his novel and rescued his memory from oblivion", New Statesman, retrieved August 25, 2010 .
  3. ^ Lowe, John (December 2008). Louisiana culture from the colonial era to Katrina. LSU Press. p. 164. ISBN 978-0-8071-3337-8. Retrieved 15 March 2011. 
  4. ^ Patteson, Richard F (1982), "Ignatius Goes to the Movies: The Films in Toole's ‘A Confederacy of Dunces’", NMAL: Notes on Modern American Literature 6 (2), item 14 .
  5. ^ Toole 1980, p. 136.
  6. ^ Nagle, Stephen J; Sanders, Sara L (2003). English in the southern United States. Cambridge University Press. p. 181. 
  7. ^ Heilman, Heather; DeMocker, Michael (November 26, 2001). "Ignatius Comes of Age". Tulanian. Tulane University. Archived from the original on 2010-06-06. Retrieved 2010-02-05. 
  8. ^ Miller, Elizabeth ‘Liz’. "An Interview with Poppy Z. Brite". Bookslut. Archived from the original on 16 July 2011. Retrieved 2011-08-01. 
  9. ^ Percy, Walker (1980), Preface  in Toole 1980.
  10. ^ MacLauchlin, Cory (March 26, 2012). "The Lost Manuscript to ‘A Confederacy of Dunces’" (online magazine). The Millions. Retrieved 2012-04-18. 
  11. ^ a b Hyman, Peter (December 14, 2006). "The development hell of ‘A Confederacy of Dunces’". Slate. Archived from the original on 22 January 2009. Retrieved 2009-01-29. 
  12. ^ Allman, Kevin. "John Waters" (interview). Gambit New Orleans News and Entertainment. Best of New Orleans. Retrieved 2011-08-01. 
  13. ^ Fry, Stephen (2005-09-06). "The great stink of 2005". Huffington post. Archived from the original on 2009-09-15. Retrieved 2011-08-01. 
  14. ^ Fry, Stephen (2008), Stephen Fry in America, Harper Collins, p. 138 .
  15. ^ Head, Steve (2003-06-25). "Filmforce". IGN. Archived from the original on 19 July 2011. Retrieved 2011-08-01. 
  16. ^ Stephenson, Hunter (February 29, 2008). "Will Ferrell Talks Land of the Lost, Old School 2, Elf 2 and A Confederacy of Dunces". Slashfilm. Archived from the original on 24 January 2009. Retrieved 2009-01-29. 
  17. ^ Wong, David. "The 10 Most Awesome Movies Hollywood Ever Killed". Cracked. Retrieved 2011-08-01. 
  18. ^ Brodesser-Akner, Claude (2012-05-22), "Exclusive: ‘Dunces’ Finds Its Ignatius in Galifianakis", Vulture .
  19. ^ "Soderbergh in Vulture". vulture.com. Retrieved January 30, 2013. 

Sources[edit]

  • Toole, John Kennedy (1980), A Confederacy of Dunces, LSU Press, ISBN 0-8021-3020-8 .

Further reading[edit]

Scholarly studies
  • Clark, William Bedford (1987), "All Toole's children: A reading of ‘A Confederacy of Dunces’", Essays in Literature 14: 269–80 .
  • Dunne, Sara L (2005), "Moviegoing in the Modern Novel: Holden, Binx, Ignatius", Studies in Popular Culture 28 (1): 37–47 .
  • Kline, Michael (1999), "Narrating the Grotesque: The Rhetoric of Humor in John Kennedy Toole's A Confederacy of Dunces", Southern Quarterly 37 (3–4): 283–91 .
  • Leighton, H Vernon (2007–12), John Kennedy Toole Research, Winona  , three scholarly articles (including one free full text) and other materials.
  • Lowe, John (2008), "The Carnival Voices of ‘A Confederacy of Dunces’", Louisiana Culture from the Colonial Era to Katrina, Baton Rouge, LA: Louisiana State UP, pp. 159–90 .
  • MacLauchlin, Cory (2012), Butterfly in the Typewriter: The Tragic Life of John Kennedy Toole and the Remarkable Story of ‘A Confederacy of Dunces’ (biography), Da Capo Press, ISBN 978-0-306-82040-3  (literary analysis, chapter 15).
  • McNeil, David (1984), "A Confederacy of Dunces as Reverse Satire: The American Subgenre", Mississippi Quarterly 38: 33–47 .
  • Palumbo, Carmine D (1995), "John Kennedy Toole and His Confederacy of Dunces", Louisiana Folklore Miscellany 10: 59–77 .
  • Patteson, Richard F; Sauret, Thomas (1983), "The Consolation of Illusion: John Kennedy Toole's ‘A Confederacy of Dunces’", Texas Review 4 (1–2): 77–87 .
  • Pugh, Tison (2006), "'It's Prolly Fulla Dirty Stories': Masturbatory Allegory and Queer Medievalism in John Kennedy Toole's ‘A Confederacy of Dunces’", Studies in Medievalism 15: 77–100 .
  • Rudnicki, Robert (2009), "Euphues and the Anatomy of Influence: John Lyly, Harold Bloom, James Olney, and the Construction of John Kennedy Toole's Ignatius", Mississippi Quarterly 62 (1–2): 281–302 .
  • Simmons, Jonathan (1989), "Ignatius Reilly and the Concept of the Grotesque in John Kennedy Toole's ‘A Confederacy of Dunces’", Mississippi Quarterly 43 (1): 33–43 .
  • Simon, Richard K (1994), "John Kennedy Toole and Walker Percy: Fiction and Repetition in ‘A Confederacy of Dunces’", Texas Studies in Literature & Language 36 (1): 99–116, JSTOR 40755032 .
  • Zaenker, Karl A (1987), "Hrotsvit and the Moderns: Her Impact on John Kennedy Toole and Peter Hacks", in Wilson, Katharina M, Hrotsvit of Gandersheim: Rara Avis in Saxonia?, Ann Arbor, MI: Marc, pp. 275–85 .

External links[edit]

  • "John Kennedy Toole" (review), Spike . Written when the latest film adaptation was still scheduled to go ahead.
  • Slate  on the problems plaguing the film adaptation.
  • PPrize (photos)  of first edition Confederacy of Dunces.
  • Ignatius host, Google . A tour of Confederacy locations.