A Damsel in Distress (1937 film)

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A Damsel in Distress
A-Damsel-in-Distress-1937.jpg
A Damsel in Distress film poster
Directed by George Stevens
Produced by Pandro S. Berman
Written by P. G. Wodehouse, S.K. Lauren, Ernest Pagano
Starring Fred Astaire
George Burns
Gracie Allen
Joan Fontaine
Music by George Gershwin (songs)
Cinematography Joseph H. August
Edited by Henry Berman
Distributed by RKO Pictures
Release dates
  • November 19, 1937 (1937-11-19)
Running time 98 minutes
Country United States
Language English
Budget $1,035,000[1]
Box office $1,465,000[1]

A Damsel in Distress (RKO) is a 1937 English-themed Hollywood musical comedy film starring Fred Astaire, Joan Fontaine, George Burns, and Gracie Allen. With a screenplay by P. G. Wodehouse, loosely based on his novel of the same name, music and lyrics by George and Ira Gershwin, it is directed by George Stevens. It is the second (and last) Astaire musical directed by Stevens; the first was Swing Time.

Plot[edit]

Everyone on staff at Tottney Castle knows that the lovely Lady Alyce Marshmorton must marry soon, so a wager is proposed as to the identity of the lucky man. With all the likely candidates already claimed, young footman Albert places a bet on a "Mr. X," someone totally out of the blue.

Lady Alyce secretly has a romantic interest in an American no one from her family has yet met. She leaves the castle one day to venture into London, where by chance she encounters Jerry Halliday. He is an American entertainer, accompanied by press agent George and secretary Gracie, but not well enough known to be recognized by Lady Alyce.

Jerry is incorrectly led to believe that he is the American that Lady Alyce is in love with. He goes to the castle, encouraged by Albert but discouraged by Keggs, a scheming butler whose money is on another beau. The closest Jerry can get to Lady Alyce is a castle tour, at least until Albert can sneak him upstairs.

False impressions abound, as Jerry also fails to recognize Lady Alyce's father, the lord of the manor. He gets slapped in the face in a Tunnel of Love, misunderstanding the young lady's intentions entirely. In the end, however, he and Lady Alyce do find romance.

Overview[edit]

The film was made at George Gershwin's instigation, an enthusiasm that Wodehouse mischievously attributed[2] to the fact that his novel was about a successful American songwriter named George Bevan. Gershwin died of a brain tumor while the film was in production. The picture was released four months after his death.

For this, the first Astaire RKO film not to feature Ginger Rogers, the nineteen year-old Fontaine was chosen, with Burns and Allen drafted in to provide the comedy. It soon emerged that Fontaine couldn't dance, but Stevens persuaded Astaire not to replace her with Ruby Keeler.[3] The film was the first Astaire picture to lose money, costing $1,035,000 to produce and losing $65,000.[2][1]

The "Stiff Upper Lip" routine garnered co-choreographer Hermes Pan the 1937 Academy Award for Best Dance Direction.

Orchestrator Robert Russell Bennett and conductor Victor Baravalle had previously worked together on the original stage production of Show Boat, as well as the 1936 film version. They would work together twice more, on the Astaire-Rogers films Carefree (1938) and The Story of Vernon and Irene Castle (1939), before Baravalle's sudden death in 1939.

Key songs and dance routines[edit]

The choreography explores dancing around, past, and through obstacles, and in confined spaces.

  • "I Can't Be Bothered Now": sung by Astaire while executing a tap solo with cane in the middle of a London street and escaping on a bus.
  • "Put Me to the Test": Astaire, Burns, and Allen comic tap dance with whisk brooms, a routine inspired by vaudeville duo Evans and Evans and introduced to Astaire by Burns, who quipped: "Gracie and I ended up teaching Astaire how to dance".[4]
  • "Stiff Upper Lip": sung by Gracie Allen and followed by an innovative extended comic dance by Astaire, Burns, and Allen through a fairground funhouse, complete with hall of mirrors.
  • "Things Are Looking Up": Astaire sings one of Gershwin's "most beautiful, yet underappreciated ballads",[2] followed by a romantic dance through the woods with Fontaine, where George Stevens uses trees to hide Fontaine's terpsichorean shortcomings.
  • "A Foggy Day (in London Town)": Astaire introduces what has become a standard in the Great American Songbook, sung while alternately walking and dancing solo through a wooded landscape.
  • "Nice Work If You Can Get It": the film's second Gershwin standard is introduced by Astaire and chorus, followed by an Astaire tap solo, executed while confined by and playing a set of drums. It was shot in one continuous take.
  • The movie also features two faux madrigals written by the Gershwins: "Sing of Spring" and "The Jolly Tar and the Milkmaid". These are performed by a group of madrigal singers, with Astaire joining in on the latter song.

Cast[edit]

Notes and references[edit]

  1. ^ a b c Richard Jewel, 'RKO Film Grosses: 1931-1951', Historical Journal of Film Radio and Television, Vol 14 No 1, 1994 p57
  2. ^ a b c Mueller, John (1986). Astaire Dancing - The Musical Films. London: Hamish Hamilton. pp. 126–137. ISBN 0-241-11749-6. 
  3. ^ Thomas, Bob (1985). Astaire, the Man, the Dancer. London: Weidenfeld & Nicolson. p. 148. ISBN 0-297-78402-1. 
  4. ^ Burns, George. Gracie: A Love Story. G.P Putnam and Sons. pp. 204–206. 

External links[edit]