A Flock of Seagulls

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"AFOS" redirects here. For ankle-foot orthotics, see Orthotics. For AFOs as a plural, see AFO (disambiguation).
This article is about the British new wave band. For the band's self-titled debut album, see A Flock of Seagulls (album).
A Flock of Seagulls
Origin Liverpool, England
Years active 1979–1986, 1989–present
Labels Jive, I.R.S., Cocteau
Members Mike Score (lead vocals, keyboards)
Joe Rodriguez (lead guitar)
Pando (bass)
Michael Brahm (drums)
Past members Ali Score
Frank Maudsley
Mark Edmondson
Paul Reynolds
Ed Berner
Dean Pichette
A.J. Mazzetti
Sean Pugh
Shavin "Pepper" Duffy

A Flock of Seagulls (also known as Flock of Seagulls) are an English new wave band originally formed in Liverpool by brothers Michael "Mike" Score (keyboards, vocals) and Alister "Ali" James Score (drums), along with Francis Lee "Frank" Maudsley (bass) and Paul Reynolds (guitar).

The group had a string of international hit singles including "I Ran (So Far Away)", "Space Age Love Song," "Wishing (If I Had a Photograph of You)", and "The More You Live, the More You Love", and they became notable in the 1980s for their video for "I Ran (So Far Away)". The band has also won a Grammy Award.


Formation and success[edit]

A Flock of Seagulls was started by Mike Score and his brother Ali in 1979 in Liverpool (The name was taken from The Stranglers song "Toiler on the Sea", according to Mike Score[3]). Mike, who was previously a hairdresser, played keyboards, guitar, and vocals and Ali played drums. Also, their friend Francis Maudsley played bass. The band's original guitarist, Willie Woo, left and was replaced with Paul Reynolds from the band Cindysbeentrippin. After practising above Score's hair salon,[4] the band started playing clubs and eventually got a recording contract.

Eventually, under the management of Tommy Crossan and Mick Rossi (Checkmount Limited), they began to release singles through Jive Records. The group released an EP, Telecommunication, and two singles, "It's Not Me Talking" and "Telecommunication" (both produced by Nelson), on Bill Nelson's Cocteau label; the success of the latter single, which was a club hit, got them a contract with a major label.[4] In 1982, the group's third single "I Ran (So Far Away)", produced by Mike Howlett, the former bass player of the band Gong, became a worldwide hit, reaching number 1 in Australia and the Top 10 in both the US and New Zealand. The A Flock of Seagulls (album) and another single, "Space Age Love Song", were both also successful.[5] In late 1982, the band found major success in their home country with "Wishing (If I Had a Photograph of You)", the first single from their next album Listen, which reached the Top 10.[6] Later, the band was praised for having broken the ground for other musical acts during the advent of the video music area,[7] but as it turned out, 1982 was the peak year of their commercial and critical success.

1983 and after[edit]

Three more singles were released from Listen in 1983, but they were only minor successes in the UK and abroad. Faced with disappointment, the group produced a third album in 1984 called The Story of a Young Heart, with "The More You Live, the More You Love" as the lead single. It was moderately successful, but the album's other two singles – "Never Again (The Dancer)" and "Remember David" – did not make any headway. Faced with sliding sales and a loss of direction, the group relocated to Philadelphia, Pennsylvania, minus Paul Reynolds. In 1986, the band released a new album, Dream Come True, which was panned by the critics and flopped commercially. To promote Dream Come True, two videos (for "Who's That Girl" and "Heartbeat Like a Drum") were filmed in quick succession, the last time the three remaining members were together in a recording or performance capacity until 2003.

Later career[edit]

For the next eighteen years, Mike Score worked with various musicians under the A Flock of Seagulls banner, playing live gigs and occasionally issuing new recordings. In 1989, the group released a single called "Magic" which didn't chart. The follow-up album The Light at the End of the World, which included the single, did not appear until 1996, and similarly did not chart as well.

In 1999, the band re-recorded the Madonna song "This Used to Be My Playground" for the 2000 Madonna tribute album The World's Greatest 80s Tribute to Madonna. In November 2003, the original line-up—Mike and Ali Score, Paul Reynolds and Frank Maudsley—reunited for a one-off performance on the VH1 series, Bands Reunited. In September 2004, they reformed again and played a few shows in the United States, but broke up immediately afterward. Mike Score continues to tour with Joe Rodriguez (1999), Pando (2003), & Michael Brahm (2003) as A Flock of Seagulls.

On 4 February 2013, Score indicated via his YouTube account that he was pursuing his solo career. He released the singles "All I Wanna Do" in February 2013, and "Somebody Like You" in January 2014. On 1 March 2014, Score released a solo album, Zeebratta.


Due to their memorable and unusual style and appearance, A Flock of Seagulls are sometimes referred to with ironic appreciation. The New Musical Express wrote: "Of course, everyone remembers this group now for singer Mike Score's ridiculous back-combed haircut and the fact that they are mentioned in Pulp Fiction. So now they're kind of cool, but in the early '80s it was a different story."[8] In a 2007 article for The Guardian, Alfred Hickling described the group as "dreadful", and unfavourably compared them to Liverpool new wave peers OMD and other acts of the time.[9]

Their dramatic style has drawn much criticism and parody, but the band has also been recognized as a pioneering act, capturing the zeitgeist of their time, particularly with the guitar work of Paul Reynolds and sonically multi-layered hits such as "Space Age Love Song," "Telecommunication," and "Modern Love Is Automatic."[10] The band also is noted for creating a successful concept album, their debut, which alludes to an alien invasion of earth.[11] Billboard writer Robert Christgau applauded their "mechanical lyrics, about a mechanical end of the world," while noting the "aural pleasure" of both the band's debut album and the follow-up.[12]

The band's lyrics have been noted to have allusions to both dystopian environments as well as dragons.[13]

The video for "I Ran" was low budget (even for the time) but enjoyed enormous success, and is well remembered in part due to its heavy rotation on MTV. The group has the record for actual number of video plays, both due to the lack of other music videos available during the music channel's early years, and the demand for the futuristic look.[14]


Grammy Award[edit]

The album track, "D.N.A." from A Flock of Seagulls, won a Grammy Award in 1983 for Best Rock Instrumental Performance.[15]

See also[edit]


  1. ^ a b Erlewine, Stephen Thomas. "A Flock of Seagulls – Artist Biography". AllMusic. All Media Network. Retrieved 27 August 2014. 
  2. ^ a b Larkin, Colin (2011). "A Flock of Seagulls". Encyclopedia of Popular Music (5th ed.). Omnibus Press. ISBN 0-85-712595-8. 
  3. ^ Flock Of Seagulls Interview on MadPod Part 1. YouTube. Retrieved 6 November 2013. 
  4. ^ a b Thompson, Dave (2000). Alternative Rock. Hal Leonard Corporation. pp. 141–42. ISBN 978-0-8793-0607-6. Retrieved 20 January 2013. 
  5. ^ Greene, Andy (8 August 2012). "Where Are They Now? 1982's Biggest Pop Acts – A Flock of Seagulls". Rolling Stone (Jann Wenner). Retrieved 22 March 2015. 
  6. ^ "A Flock of Seagulls". Official Charts Company. Retrieved 6 November 2013. 
  7. ^ Cross, Charles R. (30 August 2001). "Never mind the hair bands, here's a Flock of Seagulls!". Associated Press. Salon.com. Retrieved 6 November 2013. 
  8. ^ "252-281: The '80s". 501 Lost Songs (NME): 53. 2011. 
  9. ^ Hickling, Alfred (19 March 2007). "The Electric Hills". The Guardian. Retrieved 5 November 2013. 
  10. ^ Carpenter, Megan M. (2010). "Space Age Love Song: The Mix Tape in a Digital Universe". Works.bepress.com. Retrieved 6 November 2013. 
  11. ^ Duxbury, Janell R. (1988). Shakespeare Meets the Backbeat: Literary Allusion in Rock Music. Taylor & Francis. 
  12. ^
  13. ^ Cohen, Sara & Strachan, Robert (2005). Oswalt, Philipp, ed. Music Cultures and the Appropriation of Urban Space (pdf). Shrinking Cities. vol. 1: International Research (Ostfildern-Ruit, Germany: Hatje Cantz Verlag). p. 398. ISBN 3-7757-1682-3. Retrieved 6 August 2005. 
  14. ^ Janosik, MaryAnn (2006). The Greenwood Encyclopedia of Rock History: The video generation, 1981-1990. Greenwood Press. ISBN 978-0-3133-2943-2. Retrieved 6 November 2013. 
  15. ^ "A Flock of Seagulls – Awards". Allmusic. All Media Network. Retrieved 6 November 2013.