A House for Mr Biswas
First edition cover
|Author||V. S. Naipaul|
A House for Mr Biswas is a 1961 novel by V. S. Naipaul, significant as Naipaul's first work to achieve acclaim worldwide. It is the story of Mohun Biswas, an Indo-Trinidadian who continually strives for success and mostly fails, who marries into the Tulsi family only to find himself dominated by it, and who finally sets the goal of owning his own house. Drawing some elements from the life of Naipaul's father, the work is primarily a sharply drawn look at life that uses postcolonial perspectives to view a vanished colonial world.
In 1998, the Modern Library ranked A House for Mr Biswas number 72 on its list of the 100 best English-language novels of the 20th century. Time magazine included the novel in its "TIME 100 Best English-language Novels from 1923 to 2005".
Mohun Biswas is born in rural Trinidad to parents of Indian origin. His birth is considered inauspicious as he is born "in the wrong way" and with an extra finger. A pandit prophesies that the newly born Mr. Biswas "will be a lecher and a spendthrift. Possibly a liar as well", and that he will "eat up his mother and father". The pandit further advises that the boy be kept "away from trees and water. Particularly water". A few years later, Mohun leads a neighbour's calf, which he is tending, to a stream. The boy, who has never seen water "in its natural form", becomes distracted watching the fish and allows the calf to wander off. Mohun then hides in fear of punishment. His father, believing his son to be in the water, drowns in an attempt to save him, thus in part fulfilling the pandit's prophecy. This leads to the dissolution of Mr. Biswas's family. His sister is sent to live with a wealthy aunt and uncle, Tara and Ajodha, while Mr. Biswas, his mother, and two older brothers go to live with other relatives.
Mr Biswas is withdrawn prematurely from school and apprenticed to a pandit, but is cast out on bad terms. Ajodha then puts him in the care of his alcoholic and abusive brother Bhandat which also comes to a bad result. Finally, Mr. Biswas, now a young man, decides to set out to make his own fortune. He encounters a friend from his school days who helps him get into the business of sign-writing. While on the job, Mr. Biswas attempts to romance a client's daughter and his advances are misinterpreted as a wedding proposal. He is drawn into a marriage which he does not have the nerve to stop and becomes a member of the Tulsi household. With the Tulsis, Mr. Biswas becomes very unhappy with his wife Shama and her overbearing family, which bears a slight resemblance to the Capildeo family into which Naipaul's father married. He is usually at odds with the Tulsis and his struggle for economic independence from the oppressive household drives the plot. The Tulsi family (and the big decaying house they live in) represents the traditional communal world, the way life is lived, not only among the Hindu immigrants of Trinidad but throughout Africa and Asia as well. Mr. Biswas is offered a place in it, a subordinate place to be sure, but a place that's guaranteed and from which advancement is possible. But Mr. Biswas rejects that. He is, without realizing it or thinking it through but through deep and indelible instinct, a modern man. He wants to exist as something in his own right, and to build something he can call his own. That is something the Tulsis cannot deal with, and that is why their world, though it is decaying like their house, conspires to drag him down. Nevertheless, despite his poor education, Mr. Biswas becomes a journalist, has four children with Shama, and attempts several times to build a house that he can call his own. The notion of owning his own house becomes a symbol of his independence and merit.
This novel is generally regarded as Naipaul's most significant work and is credited with launching him into international fame and renown. The prose is often cited as some of the best writing in contemporary English studies and cemented Naipaul's reputation as one of the finest writers in the language.
The novel was later adapted as a stage musical, with compositions by Monty Norman. One of the songs written for the play, "Good Sign, Bad Sign", was later rewritten as "The James Bond Theme", according to the documentary Inside Dr. No.