A Man Called Horse (film)

From Wikipedia, the free encyclopedia
  (Redirected from A Man Called Horse (1970 film))
Jump to: navigation, search
A Man Called Horse

Theatrical release poster
Directed by Elliot Silverstein
Produced by Frank Brill
Sandy Howard
Written by Jack DeWitt
Dorothy M. Johnson
Starring Richard Harris
Judith Anderson
Music by Leonard Rosenman
Lloyd One Star
Cinematography Robert Hauser
Gabriel Torres
Editing by Philip W. Anderson
Distributed by National General Pictures
Release date(s) April 28, 1970 (1970-04-28)
Running time 114 minutes
Country United States
Language English

A Man Called Horse is a 1970 American Western film starring Richard Harris and directed by Elliot Silverstein.

Contents

[edit] Plot

The film is based on a short story, "A Man Called Horse", published in 1968 in the book Indian Country by Dorothy M. Johnson. Partially spoken in Sioux, the film tells the history of an English aristocrat, John Morgan, who is captured by a Native American tribe.

Initially enslaved and mocked by being treated as the animal of the title, Morgan comes to respect his captors' culture and gain their respect. He is aided in understanding the Sioux by a captive, Batise, the tribe's fool, who had tried to escape and was hamstrung behind one knee. When one of the warriors takes a vow never to retreat in battle, Morgan's changing perspective is shown, as he turns angrily on the uncomprehending Batise, telling him "Five years you've lived here, and you've learned nothing about these people – all his death is to you is a means of escape."

Determining that his only chance of freedom is to gain the respect of the tribe, he overcomes his repugnance and kills two warriors from another tribe, which allows him to claim warrior status. After his victory, he proposes marriage to one of the women with the horses taken in battle as dowry, and undergoes painful initiation rites, taking the native name "Horse" as his Sioux name. He becomes a respected member of the tribe and ultimately their leader.

[edit] Cast

The tribal people were acted by members of the Rosebud Sioux tribe of South Dakota.

[edit] Sequels

Two sequels to the original movie were made, both with Harris reprising his role:

[edit] Representation of cultures

The film notably treats both sides dispassionately, from the view of neither the white man nor the American Indian tribe, but encompassing both cultures; its representation of tribal practices and rituals (including the Sun Dance) is described as based upon historical records (stated in the on-screen text prologue on the DVD version of the movie).

However, some Indian activists criticized the film harshly. Buffy Sainte Marie said, "Even the so-called authentic movies like A Man Called Horse—that's the whitest of movies I've ever seen."[1] Vine Deloria, Jr. said, "As we learned from movies like A Man Called Horse, the more 'accurate' and 'authentic' a film is said to be, the more extravagant it is likely to be in at least some aspects of its treatment of Indians."[2]

[edit] References

  1. ^ Friar, Natasha A. (1972), The Only Good Indian: The Hollywood Gospel, Drama Book Specialists, p. 124, ISBN 0-910482-21-7 
  2. ^ Quoted in Churchill, Ward (1996), "And They Did it Like Dogs in the Dirt... An Indigenist Analysis of Black Robe", From a Native Son: Selected Essays in Indigenism, 1985–1995, South End Press, p. 423, ISBN 0-89608-553-8, http://books.google.com/books?id=nrCWZZJD48MC&pg=PA423#v=onepage&q=&f=false, retrieved 2009-10-22 

[edit] External links

Personal tools
Namespaces
Variants
Actions
Navigation
Interaction
Toolbox
Print/export
Languages