A Matter of Life and Death (film)
|A Matter of Life and Death|
UK cinema poster
|Directed by||Michael Powell
|Produced by||Michael Powell
|Written by||Michael Powell
|Narrated by||John Longden|
|Music by||Allan Gray|
|Editing by||Reginald Mills|
|Distributed by||Eagle-Lion Films (UK)|
|Release date(s)||1 November 1946 (UK premiere)
15 December 1946 (UK general release)
|Running time||104 minutes|
|Budget||£320,000 (est.) or £650,000.|
A Matter of Life and Death (1946) is a romantic fantasy film created by the British writing-directing-producing team of Michael Powell and Emeric Pressburger, and set in England during the Second World War. It stars David Niven, Roger Livesey, Raymond Massey, Kim Hunter and Marius Goring.
The film was originally released in the United States under the title Stairway to Heaven, which derived from the film's most prominent special effect: a broad escalator linking Earth to the afterlife. The decision to film the scenes of the Other World in black and white added to the complications. They were filmed in Three-Strip Technicolor, but the colour was not fully developed, giving a pearly hue to the black and white shots, a process cited in the screen credits as "Colour and Dye-Monochrome Processed in Technicolor". This reversed the effect in The Wizard of Oz[nb 1]. Photographic dissolves between "Technicolor Dye-Monochrome" (the Other World) and Three-Strip Technicolor (Earth) are used several times during the film.
Squadron Leader Peter Carter (David Niven) is a British Royal Air Force pilot trying to fly a badly damaged and burning Lancaster bomber home after a mission over Germany on 2 May 1945. He has ordered his crew to bail out, without revealing that his own parachute has been shot up. He manages to contact June (Kim Hunter), an American radio operator based in England, and talks with her for a few minutes before jumping without a parachute.
Peter should have died at that point, but Conductor 71 (Marius Goring), the guide sent to escort him to the "Other World", misses him in the thick fog over the English Channel. The airman wakes up the next day on a beach near June's base. At first, he assumes he is in the afterlife, but then discovers to his bewilderment that he is still alive.
Peter meets June, cycling back to her quarters after her night shift, and they fall in love. Conductor 71 (an aristocrat executed in the French Revolution) stops time to explain the situation to Peter and urge him to accept his death and accompany him to the Other World, but Peter demands that the matter be appealed. While Conductor 71 consults his superiors, Peter continues to live his life. Conductor 71 returns and informs him that he has been granted his appeal and has three days to prepare his case. He may choose a defending counsel from among all the people who have died, but has great difficulty picking one.
Peter's visions are diagnosed by June's fascinated friend Doctor Reeves (Roger Livesey) as a symptom of a brain injury – chronic adhesive arachnoiditis from a slight concussion two years earlier – and he is scheduled for surgery. Reeves is killed in a motorcycle accident while trying to find the ambulance that is to take Peter to the hospital, which allows him to act as Peter's counsel.
Reeves argues that, through no fault of his own, his client was given additional time on Earth and during that time he has fallen in love and now has an earthly commitment that should take precedence over the afterlife's claim on him. The matter comes to a head – in parallel with Peter's brain surgery – before a celestial court – the camera zooms out from an amphitheatre to reveal that it is as large as a spiral galaxy. The prosecutor is American Abraham Farlan (Raymond Massey), who hates the British for making him the first casualty of the American Revolutionary War. Reeves challenges the composition of the jury, which is made up of representatives who are prejudiced against the British. In fairness, the jury is replaced by a cosmopolitan mixture of modern Americans whose origins are as varied as those they replace.
Reeves and Farlan both cite examples from British and world history to support their positions. In the end, Reeves has June take the stand (she is made to fall asleep in the "real" world by Conductor 71 so she can testify) and proves that she genuinely loves Peter by telling her that the only way to save his life is to take his place. She steps onto the stairway to the Other World without hesitation and is carried away, leaving Peter behind. Then the stairway comes to an abrupt halt and June rushes back to Peter's open arms. As Reeves triumphantly explains, "...nothing is stronger than the law in the universe, but on Earth, nothing is stronger than love."
The jury rules in Peter's favour. The Judge (Abraham Sofaer) shows Reeves and Farlan the new lifespan granted to the defendant; Reeves calls it "very generous", and Farlan reluctantly agrees to it. The scene then shifts to the operating room, where the surgery is declared a success by the surgeon (also played by Sofaer).
In order of appearance:
- David Niven as Squadron Leader Peter David Carter
- Kim Hunter as June
- Robert Coote as Flying Officer Bob Trubshawe[nb 2]
- Kathleen Byron as an Angel
- Richard Attenborough as an English Pilot
- Bonar Colleano as an American Pilot
- Joan Maude as Chief Recorder
- Marius Goring as Conductor 71
- Roger Livesey as Dr. Frank Reeves
- Robert Atkins as the Vicar
- Bob Roberts as Dr. Gaertler
- Edwin Max as Dr. Mc Ewan
- Betty Potter as Mrs. Tucker, Reeves' housekeeper
- Raymond Massey as Abraham Farlan
- Abraham Sofaer as The Judge
A Matter of Life and Death was filmed at D&P Studios and Denham Studios in Denham, Buckinghamshire, England, and on locations in Devon and Surrey. The beach scene was shot at Saunton Sands in Devon, and the village seen in the camera obscura was Shere in Surrey. Production took place from 2 September to 2 December 1945, used twenty-nine sets, and cost an estimated £320,000.
The film had an extensive pre-production period due to the complexity of the production:
The huge escalator linking this world with the other, called "Operation Ethel" by the firm of engineers who constructed it under the aegis of the London Passenger Transport Board, took three months to make and cost £3,000 (£92,245 in 2013 pounds). "Ethel" had 106 steps, each 20 feet (6.1 m) wide, and was driven by a 12 h.p. engine. The full shot was completed by hanging miniatures. The noise of the machinery prevented recording the soundtrack live — all scenes with the escalator were dubbed in post-production.
The decision to film the scenes of the "other world" in black and white added to the complications. Where the "other world" is seen, it was filmed in Three-Strip Technicolor, but the colour was not fully developed, giving a pearly hue to the black and white shots, a process cited in the screen credits as "Colour and Dye-Monochrome Processed in Technicolor". (Breaking the fourth wall, Conductor 71 remarks during an early transition, "One is starved for Technicolor up there.")
Other sequences also presented challenges, such as the stopped-action table-tennis game for which Hunter and Livesey were trained by champions Alan Brooke and Viktor Barna; the scene where Carter washes up on the beach, the first scene filmed, where cinematographer Jack Cardiff fogged up the camera lens with his breath to create the look he wanted; and the long, 25-minute trial sequence, which required a set with a 350-foot (110 m) long by 40-foot (12 m) high backcloth.
A Matter of Life and Death was chosen for the first ever Royal Film Performance on 1 November 1946 at the Empire Theatre, in London. The performance was in aid of the Cinematograph Trade Benevolent Fund and £30,000 (£922,452 in 2013 pounds) was raised. It then went into general release in the UK on 15 December 1946. The film subsequently had its US release in New York on 25 December 1946 under the name Stairway to Heaven.
Are the visions real? 
While the film never specifically states whether Peter's visions are real, the actor playing the judge also plays the brain surgeon. As is shown in the paper, "A Matter of Fried Onions" and subsequent work by Diane Broadbent Friedman, there was a large amount of medical research carried out to ensure that the symptoms shown agreed with a correct medical diagnosis of Peter Carter's condition.
The other world 
The producers took pains never to refer to "the other world" as heaven, as they felt that was too restrictive and limiting. An introductory title screen – repeated as the Foreword to the 1946 novelization by Eric Warman – contains an explicit statement: "This is the story of two worlds, the one we know and another which exists only in the mind of a young airman whose life and imagination have been violently shaped by war", adding "Any resemblance to any other world known or unknown is purely coincidental". But it does not say if the other world portrayed is part of the world we know or part of Peter's hallucinations.
Powell and Pressburger objected to the American distributor's renaming the film Stairway to Heaven, but had to put up with it. The distributor believed that American audiences would not want to see a film with the word "Death" in the title, especially just after World War II. When Powell pointed out that the 1934 film Death Takes a Holiday was released without any problems, he was told that the title was acceptable because death was holidaying.
The architecture of the other world is noticeably modernist, a vast and open plan, with huge circular observation holes, beneath which the clouds of Earth can be seen. This vision was later the inspiration for the design of Walsall St Pauls bus station in 2000, by architects Allford Hall Monaghan Morris. The film's amphitheatre court scene was rendered by BT in a TV advertisement c.2002 as a metaphor for communication technology, especially the Internet.
Anglo-American relations 
The film was originally suggested by a British government department to improve relations between the Americans in the UK and the British public following Powell and Pressburger's contributions to this sphere in A Canterbury Tale two years earlier, though neither film received any government funding nor input on plot or production. There was a degree of public hostility towards American servicemen stationed in the UK prior to the D-Day invasion of Europe. They were viewed by some as latecomers to the war and as "overpaid, oversexed and over here" by a public that had suffered three years of bombing and rationing, with many of their own men fighting abroad. The premise of the film is a simple inversion: The English pilot gets the pretty American woman rather than the other way round, and the only national bigotry – against the British – is voiced by the first American casualty of the Revolutionary War. Raymond Massey, portraying an American, was a Canadian national at the time the film was made, but became a naturalised American citizen afterward.
The film was twice adapted for the American Lux Radio Theater, both with the title "Stairway to Heaven", starring Ray Milland on 27 October 1947 (episode 587) and featuring David Niven on 12 April 1955 (episode 918).
In popular culture 
- A still from the film – the final "escalator" scene, with the trial court reunited at Carter's surgery – was used as the cover for Phil Collins's 1989 single "Something Happened on the Way to Heaven".
- The British pop duo Pet Shop Boys used the escalator in the video for "Go West".
- The film inspired the song "A Matter of Life and Death" by Rinaldi Sings, featured on the 2005 album What's It All About. The song features a sample of Kim Hunter's voice from the film.
- The film is also referenced in an episode of the British sketch comedy TV series Big Train, where three separate doomed pilots get their wires crossed with each other while talking to the female radio operator.
- A short sequence, in which Peter Carter asks June her name, was used in the Opening Ceremony of the 2012 Summer Olympics, in the "Frankie and June" musical number.
- This film is referenced in Bill & Ted's Bogus Journey (1991) with an escalator leading to heaven which has statues on either side. The Bill & Ted version includes statues of Powell & Pressburger.
- The Simpsons: Homer Simpson in: 'Kidney Trouble' (1998) - Homer comes around from the operation and we see this via a blinking eyelid sequence.
- J. K. Rowling and Daniel Radcliffe, while discussing the near-death or afterlife scenes from Harry Potter and the Deathly Hallows – Part 2, revealed A Matter of Life and Death to have been their favourite film and something that each had had in mind when working on the scenes in Harry Potter.
See also 
- Geoffrey Macnab, J. Arthur Rank and the British Film Industry, London, Routledge (1993) p192
- Powell, 1986
- "Get Carter tops British film poll". BBC News. BBC. 3 October 2004. Retrieved 22 June 2012.
- Warman, 1946
- IMDB Filming Locations, IMDB Business Data
- UK CPI inflation numbers based on data available from Lawrence H. Officer (2010) "What Were the UK Earnings and Prices Then?" MeasuringWorth.
- Stafford, Jeff "A Matter of Life and Death" (article) on TCM.com
- "Crowds Cheer the King and Queen.". The Times (London). 2 November 1946. p. 4.
- "Cinemas". The Sunday Times. 15 December 1946. p. 8.
- Betts, Ernest (27 December 1945). "Spotlight". Daily Express (London). p. 2.
- "Festival de Cannes: A Matter of Life and Death". festival-cannes.com. Retrieved 17 July 2009.
- Friedman, Diane Broadbent. "A Matter of Fried Onions". Seizure. Retrieved 1 October 2009.
- Stein, Ruthe. "Michael Powell's 'Age of Consent' on DVD". SFGate.com. Retrieved 11 January 2009.
- Rattray, Fiona (2 July 2000). "Top deck". The Independent. Archived from the original
|url=(help) on 28 July 2002. Retrieved 15 February 2012.
- BT "filtrum" ad
- Desowitz, Bill "Resurrecting a Cosmic Fantasy of Love and Death" New York Times (31 October 1999)
- Lux Theater details
- Screen Director's Playhouse details
- Robert Montgomery Presents details
- A Matter of Life and Death on stage, 1994
- A Matter of Life and Death on stage, 2007
- Christie, Ian (1994). Arrows of Desire: the films of Michael Powell and Emeric Pressburger. London: Faber & Faber. ISBN 0-571-16271-1.
- Christie, Ian (2000). A Matter of Life and Death. London: British Film Institute. ISBN 0-85170-479-4.
- Powell, Michael (1986). A Life in Movies: An Autobiography. London: Heinemann. ISBN 0-434-59945-X.
- Powell, Michael (1992). Million Dollar Movie. London: Heinemann. ISBN 0-434-59947-6.
- Warman, Eric (1946). A Matter of Life and Death. London: World Film Publications.
- A Matter of Life and Death at the Internet Movie Database
- A Matter of Life and Death is available for free download at the Internet Archive [more]
- A Matter of Life and Death at the British Film Institute's Screenonline Full synopsis and film stills (and clips viewable from UK libraries).
- A Matter of Life and Death at the TCM Movie Database
- BFI's Top Twenty (British) Films
- Bus to Paradise, a review of the film inspired Walsall Bus Station.
- Reviews and articles at the Powell & Pressburger Pages
- Trailer at Virgin.net