A Nero Wolfe Mystery

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A Nero Wolfe Mystery
Title illustration and design by
Aurore Giscard d'Estaing
Also known as Nero Wolfe
The Nero Wolfe Mysteries
Genre Period drama
Written by
Directed by
Composer(s) Michael Small
Country of origin United States
Original language(s) English
No. of seasons 2
No. of episodes 20
Executive producer(s)
  • Susan Murdoch
  • Randi Richmond
Location(s) Toronto, Ontario, Canada
  • Derek Rogers
  • John Berrie
Camera setup Single-camera
Production company(s) Jaffe/Braunstein
Films Ltd. and
A&E Networks
in association with Pearson Television International
Original channel A&E
Original run April 22, 2001 – August 18, 2002
Preceded by The Golden Spiders:
A Nero Wolfe Mystery
External links

A Nero Wolfe Mystery is a television series adapted from Rex Stout's classic series of detective stories that aired for two seasons (2001–2002) on A&E. Set in New York City sometime in the 1940s–1950s,[1] the stylized period drama stars Maury Chaykin as Nero Wolfe and Timothy Hutton as Archie Goodwin. A distinguishing feature of the series is its use of a repertory cast to play non-recurring roles. A Nero Wolfe Mystery was one of the Top 10 Basic Cable Dramas for 2002.[2]

The series won praise for its high production values and jazzy score by Michael Small, and for preserving the language and spirit of the original stories. Most of the teleplays were written by consulting producer Sharon Elizabeth Doyle and the team of William Rabkin and Lee Goldberg, whose "Prisoner's Base" was nominated for an Edgar Award by the Mystery Writers of America.

Nero Wolfe was produced for A&E by Jaffe/Braunstein Films, one of the first production companies to use high-definition video for television. Although the second season was shot in HD, none of the several home video releases of the series has been issued in HD, and only one of the 20 episodes ("The Silent Speaker") has been issued in 16:9 widescreen format.


Archie Goodwin introduces Nero Wolfe as "a man who thinks he's the world's greatest detective. Truth being, he is." Grandly obese and famously eccentric, Wolfe is a genius who lives in—and rarely leaves—a large and comfortably furnished brownstone he owns on West 35th Street in Manhattan. Wolfe maintains an inflexible schedule of reading, tending his 10,000 orchids in the rooftop plant rooms, and dining on the fine cuisine of his master chef, Fritz Brenner. To support his opulent lifestyle and meet the payroll of his live-in staff, Wolfe charges high fees for solving crimes that are beyond the abilities of the police, most often the cigar-chewing Inspector Cramer of Manhattan Homicide. Wolfe sometimes calls upon freelance detectives Saul Panzer, Fred Durkin and Orrie Cather; but he depends upon his assistant Archie Goodwin, the street-smart legman whose wisecracking, irreverent voice narrates the stories.

The wardrobe, cars, furnishings and music place A Nero Wolfe Mystery primarily in the 1940s–1950s.[1] It is technically a whodunit series, but like the original Rex Stout stories Nero Wolfe is less concerned with plot than with the interplay between its characters.

"I think that's something that's appreciated by Nero Wolfe fans," said Maury Chaykin, who stars as Nero Wolfe. "If you become focused on the crime, I think you're kind of in the wrong place. It's more the enjoyment of the characters and their eccentricities, and the reality of those characters."[3]

The Golden Spiders: A Nero Wolfe Mystery[edit]

The series was preceded by the original film The Golden Spiders: A Nero Wolfe Mystery, a Jaffe/Braunstein Films production that aired on A&E March 5, 2000. Veteran screenwriter Paul Monash adapted Rex Stout's 1953 novel, and Bill Duke directed. A&E initially planned that The Golden Spiders would be the first in a series of two-hour mystery movies featuring Nero Wolfe.[4] The high ratings (3.2 million households) and critical praise garnered by The Golden Spiders prompted A&E to consider a one-hour drama series.[5]

"We were so pleased with the reception of the movie that we said, 'Maybe there's a one-hour show (here),'" said Allen Sabinson, A&E's senior vice president for programming, in June 2000:

I don't believe we were thinking, or Maury Chaykin and Timothy Hutton were thinking, there's a series here. These are not people who do series. What happened was they had such a good time, I think they fell in love with their characters. And I think they saw there was a level of respect and care about the filmmaking that they were open when we approached them and asked them, "Would you be willing to do this as a one-hour show?"[6]


Timothy Hutton as Archie Goodwin


Maury Chaykin is the armchair detective Nero Wolfe, a reclusive genius with little patience for people who come between him and his devotion to food, books and orchids. Timothy Hutton is Wolfe's irreverent assistant Archie Goodwin, whose voice narrates the stories. In addition to starring in the series, Hutton directed four episodes and served as an executive producer.

Other members of the principal cast are Colin Fox as Fritz Brenner, Wolfe's master chef; Conrad Dunn (Saul Panzer), Fulvio Cecere (Fred Durkin) and Trent McMullen (Orrie Cather) as the 'teers, three freelance detectives who frequently assist Wolfe; Bill Smitrovich as Inspector Cramer, head of Manhattan's Homicide Bureau; and R.D. Reid as Sergeant Purley Stebbins. Saul Rubinek, who portrayed Saul Panzer in The Golden Spiders, took the role of reporter Lon Cohen in the series.


A distinguishing feature of the series is its use of a repertory cast — Boyd Banks, Nicky Guadagni, Kari Matchett,[7] Debra Monk, George Plimpton, Ron Rifkin, Marian Seldes, Francie Swift, James Tolkan and many other accomplished Canadian and American actors — to play non-recurring roles.

"Just as the series beautifully captures a time when cars with fins, fedoras worn at right angles and women's hats with feathers were all the rage, the existence of such a company also evokes another era," wrote syndicated journalist Jacqueline Cutler, who quotes Timothy Hutton as saying, "I don't think it's been done for a very long time."[8]

"If a stylized, period series based solely on books wasn't enough to separate Nero Wolfe from other TV shows," reported Scarlet Street magazine, "[executive producer Michael] Jaffe decided to employ a returning repertory cast in the guest roles for each episode. He felt that it was necessary to find actors who understood and fit in with the show's unique approach. 'Every other show agonizes about casting,' Jaffe says. 'We don't. We have 20, 30 people in our repertory company and we get great actors to play bit roles.'"[9]:76

Kari Matchett has the distinction of playing a recurring role (Archie Goodwin's sometime girlfriend Lily Rowan) and a non-recurring role (nightclub singer Julie Jaquette) in the same episode, "Death of a Doxy." Nicky Guadagni has the distinction of playing two non-recurring characters (a secretary and Mrs. Cramer) in the same episode, "The Silent Speaker." Its ensemble cast gives A Nero Wolfe Mystery the effect of a series of plays put on by a repertory theatre company.[10][11]


Manhattan Brownstone used for exteriors in A Nero Wolfe Mystery

A Nero Wolfe Mystery is a production of A&E Television Networks and Jaffe/Braunstein Films, Ltd., in association with Pearson Television International. The series was shot in Toronto,[12] with select Manhattan exteriors filmed for the series premiere, "The Doorbell Rang," and seen in subsequent episodes including "Prisoner's Base."[13][14]

Independent producer Michael Jaffe's efforts to secure the rights to the Nero Wolfe stories date back to his earliest days in the business. In the mid-1970s he established a friendship with the Stout estate and was working with his father, Henry Jaffe, a successful attorney turned producer, when the Nero Wolfe rights came on the market. Warner Bros. wanted to adapt the Zeck trilogy for a feature film and approached Henry Jaffe, who traveled to New York to negotiate with the agent for Rex Stout's estate but lost out to Paramount Television.

"We finally got this opportunity," Michael Jaffe said in 2001:

I had chased the rights numerous times. One of the reasons that I never actually tried to make it as a series was that I didn't believe a network would ever let us make it the right way. Then A&E came along, and Allen Sabinson. I've known him for years and years. He swore he'd let me make it the right way.[15][16]

The source material for the two seasons of Nero Wolfe was written between 1939 (Over My Dead Body) and 1966 (Death of a Doxy), with most stories written in the 1950s. Jaffe said he chose to stick with the era for the adaptations "because I thought there was so much style that people could identify with and that we could play off. Ultimately, the most important thing is that the audience remain removed from the show by three or four decades. You can't do what Paramount did and update it and make the language modern. The whole thing doesn't make sense, because the tonal idiom doesn't play in the modern world. You have to separate it; you have to create that proscenium arch; you have to create poetic distance—otherwise there's no art in it."[9]:37

When the series was announced in June 2000, Variety reported that A&E had been licensed to own Nero Wolfe in the U.S. and Canada for an undisclosed fee. Jaffe/Braunstein Films, which retained ownership of the series in the rest of the world, licensed distribution outside the U.S. to Pearson International Television (now FremantleMedia, Ltd.). Producer Michael Jaffe told Variety that the Nero Wolfe episodes would cost $1 million each; sources said the full production cost would be covered by A&E's and Pearson's licensing fees.[17]


Derek Rogers was the director of photography for the first season of A Nero Wolfe Mystery. John Berrie was director of photography for the second season,[18] which was shot in high-definition video.

"Jaffe/Braunstein was one of the first to experiment with HD for television," reported the industry publication HiDef Magazine:

Their landmark series 100 Centre Street ... was one of the first hour dramas to use HDCam as the capture medium. ... Jaffe/Braunstein was also producing the A&E series Nero Wolfe with Timothy Hutton in 35mm film. After the success with HD, Michael [Jaffe] decided that he'd like to try it on the single camera hour drama. At first Hutton was a little nervous about it, but after Jaffe brought experienced DP John Berrie to the program, Hutton was convinced. The entire second season was shot in HD …"[19]

Production design[edit]

Silk orchid prop from A Nero Wolfe Mystery
Gold plated bottle opener from A Nero Wolfe Mystery

They have a wonderful set in Toronto, a wonderful library (for Wolfe). My gosh, it's good. Last year, I spent a very late evening reading a very valuable edition of the Koran.

George Plimpton, during the filming of "Death of a Doxy", October 2001[20]

On the eve of the premiere of Nero Wolfe, The Hollywood Reporter credited "the incredible attention to detail paid by production designer Lindsey Hermer-Bell and set decorator Odetta Stoddard, who not only re-create the world Stout so carefully described but also impart an overall feeling of stylishness and taste."[21]

Before building the sets Hermer-Bell read all of Rex Stout's Nero Wolfe stories and the companion volumes by William S. Baring-Gould and Ken Darby,[22] and she created a complete floor plan to match the detailed descriptions of the brownstone found in the Nero Wolfe corpus.

"There are people who know all the books, and they know all these specifics, and if you screw up, you know, they get really upset … so everything is as per written", Hermer-Bell said.[23]

When A&E cancelled Nero Wolfe in 2002, executive producer Michael Jaffe estimated the value of the sets at $800,000.[24]

Costume design[edit]

A Nero Wolfe Mystery features costume design by Christopher Hargadon. Many costumes were found at vintage shops or in Hargadon's personal collection; some clothes were taken apart and reconstructed with new fabrics to capture the color required. For Wolfe, Hargadon said, "I tried to find fabrics that were thick, to sort of even enhance his size more, things that would be structured to hold a big shape."[25] Hargadon estimated that he and his team created at least 1,000 costumes for each season.[26]

Title design[edit]

Illustrator Aurore Giscard d'Estaing designed title sequences unique to each episode.[27] The main title for the series is an illustration of Queensboro Bridge.


Michael Small wrote the series theme — "Boss Boogie", first heard in the titles for "The Doorbell Rang" — and composed the original music heard in Nero Wolfe. Music producer Richard Martinez was scoring editor for Michael Small's compositions. Kevin Banks was music editor and also handled the production music.[28] Martinez and Banks were nominated for a Golden Reel Award (Best Sound Editing in Television Long Form — Music) for the second-season premiere, "Death of a Doxy".[29]


Title Season Director Teleplay First Broadcast
The Golden Spiders Pilot Bill Duke Paul Monash March 5, 2000
The Doorbell Rang 1.1 Timothy Hutton Michael Jaffe April 22, 2001
Champagne for One 1.2 Timothy Hutton William Rabkin + Lee Goldberg April 29 + May 6, 2001
Prisoner's Base 1.3 Neill Fearnley William Rabkin + Lee Goldberg May 13 + 20, 2001
Eeny Meeny Murder Moe 1.4 John L'Ecuyer Sharon Elizabeth Doyle June 3, 2001
Disguise for Murder 1.5 John L'Ecuyer Sharon Elizabeth Doyle June 17, 2001
Door to Death 1.6 Holly Dale Sharon Elizabeth Doyle June 24, 2001
Christmas Party 1.7 Holly Dale Sharon Elizabeth Doyle July 1, 2001
Over My Dead Body 1.8 Timothy Hutton S.E. Doyle + Janet Roach July 8 + 15, 2001
Death of a Doxy 2.1 Timothy Hutton Sharon Elizabeth Doyle April 14, 2002
The Next Witness 2.2 James Tolkan Sharon Elizabeth Doyle April 21, 2002
Die Like a Dog 2.3 James Tolkan Sharon Elizabeth Doyle April 28, 2002
Murder Is Corny 2.4 George Bloomfield William Rabkin + Lee Goldberg May 5, 2002
Motherhunt 2.5 Alan Smithee Sharon Elizabeth Doyle May 12 +19, 2002
Poison à la Carte 2.6 George Bloomfield William Rabkin + Lee Goldberg May 26, 2002
Too Many Clients 2.7 John L'Ecuyer Sharon Elizabeth Doyle June 2 + 9, 2002
Before I Die 2.8 John L'Ecuyer Sharon Elizabeth Doyle June 16, 2002
Help Wanted, Male 2.9 John L'Ecuyer Mark Stein June 23, 2002
The Silent Speaker 2.10 Michael Jaffe Michael Jaffe July 14 + 21, 2002
Cop Killer 2.11 John R. Pepper Jennifer Salt August 11, 2002
Immune to Murder 2.12 John R. Pepper Stuart Kaminsky August 18, 2002


Home media[edit]

United States and Canada[edit]

"Nero Wolfe is a beautifully shot series, and its release on DVD is frequently stunning," wrote DVD Talk's Adam Tyner in his comprehensive review of A&E Home Video's "Nero Wolfe: The Complete Classic Whodunit Series":

I didn't feel at all as if I'd been watching a television show. For one, a number of the adaptations are feature-length, and the eye-catching cinematography, set design, and period costuming lean more towards a feature film than a basic cable television series. … I didn't watch Nero Wolfe so much as devour it, and that this is such a rewatchable series makes it especially worth owning on DVD. ... It's worth mentioning that these DVDs present the episodes as they appeared on A&E, and although longer versions aired overseas (several were literally twice as long), none of that additional footage is offered here. ... Expertly crafted, masterfully acted, and unlike much of anything else on television, this collection of the entire two season run of Nero Wolfe is very highly recommended.[10]

The feature-length series pilot, The Golden Spiders, was included on two of A&E's DVD box sets — "Nero Wolfe: The Complete Classic Whodunit Series" and "Nero Wolfe: The Complete Second Season." These two box sets also included a 22-minute behind-the-scenes film, "The Making of Nero Wolfe," as well as a bonus 16:9 widescreen version[10] of "The Silent Speaker," written and directed by Michael Jaffe. All of the other episodes were offered in 4:3 pan and scan format. There were no foreign language subtitles, but the releases included English closed captions.

"The episodes look excellent — clear and colorful — in their broadcast full-frame presentation," wrote Scarlet Street magazine. "The extras are skimpy to the point of frustration, however. ... For that matter, why is "The Silent Speaker" the only episode presented in widescreen format?"[31]

In 2014 the first season of Nero Wolfe was reissued by A&E's new distribution partner, Lions Gate Entertainment. Previous releases via New Video Group are out of print. The series is not yet available for streaming in North America.

Title Media Type Release Date Approximate Length ISBN
The Golden Spiders:
A Nero Wolfe Mystery
VHS videotape
May 30, 2000 94 minutes ISBN 0-7670-2551-2
The Doorbell Rang:
A Nero Wolfe Mystery
VHS videotape
August 20, 2001 100 minutes ISBN 0-7670-3766-9
Nero Wolfe:
The Complete First Season
Region 1 DVD
Three-disc box set[32]
July 27, 2004[33] 10 hours ISBN 0-7670-5499-7
The Golden Spiders:
A Nero Wolfe Mystery
Region 1 DVD+R
(A&E Store exclusive)
October 2004 94 minutes ISBN 0-7670-6719-3
The Doorbell Rang:
A Nero Wolfe Mystery
Region 1 DVD+R
(A&E Store exclusive)
October 2004 100 minutes ISBN 0-7670-6721-5
Nero Wolfe:
The Complete Second Season
Region 1 DVD
Five-disc box set[34]
June 28, 2005[35] 13 hours,
20 minutes
ISBN 0-7670-5508-X
Nero Wolfe:
The Complete Classic
Whodunit Series
Region 1 DVD
Eight-disc box set[36]
April 25, 2006 24 hours,
56 minutes
+ extras
ISBN 0-7670-8893-X
Nero Wolfe:
The Complete First Season
Region 1 DVD
Three-disc set in keep case[32]
2014[37] 10 hours ASIN B00029NKS8


Fritz (Colin Fox) serves a rum and Coke to Priscilla Eads (Shauna Black) in a scene from "Prisoner's Base" seen only in the international version of A Nero Wolfe Mystery

As DVD Talk's 2006 review of Nero Wolfe reported, "longer versions aired overseas (several were literally twice as long)."[10] Nero Wolfe saw its first international DVD release in August 2008, when "Nero Wolfe – Collection One" was offered for sale in Australia by FremantleMedia Enterprises. Distributed by Magna Pacific, "Nero Wolfe — Collection Two" (December 2008) was the first release of an episode containing scenes not available on the A&E Home Video release. The Pearson Television International version presents "Prisoner's Base" as a 90-minute film with a single set of titles and credits, and it includes three scenes (3.5 minutes) found on pp. 3–5, 21 and 27–28 of the script written by Lee Goldberg and William Rabkin.[38]

A Nero Wolfe Mystery began to be released on Region 2 DVD in December 2009, marketed in the Netherlands by Just Entertainment.[39] Like the collections that were sold in Australia, these DVD sets presented the episodes in 4:3 pan and scan rather than their 16:9 aspect ratio for widescreen viewing. The third collection released in April 2010 made the 90-minute features "Wolfe Goes Out" and "Wolfe Stays In" available on home video for the first time; until then, the linked episodes "Door to Death"/ "Christmas Party" and "Eeny Meeny Murder Moe"/"Disguise for Murder" were available only in the abbreviated form sold by A&E Home Video.

In October 2012 a region-free limited-edition box set of the complete series in 4:3 format was released by independent Australian DVD distributor Shock Entertainment,[40] which also made the series available through Australian iTunes.[41] It is a clone of A&E Home Video's "Complete Classic Whodunit Series", with the shorter North American versions of the episodes, the first-season films split into two parts as broadcast by A&E, and A&E's brief "making of" documentary.

Title Media Type Release Date Approximate Length Numeric Identifier
Nero Wolfe — Collection One Region 4 DVD (PAL)
Three-disc set[42]
August 13, 2008 276 minutes UPC 9316797427038
Nero Wolfe — Collection Two Region 4 DVD (PAL)
Two-disc set[43]
December 5, 2008 178 minutes UPC 9315842036140
A Nero Wolfe Mystery — Serie 1 Region 2 DVD (PAL)
Three-disc set[44]
December 11, 2009 270 minutes EAN 8717344739221
A Nero Wolfe Mystery — Serie 2 Region 2 DVD (PAL)
Two-disc set[45]
February 11, 2010 180 minutes EAN 8717344739801
A Nero Wolfe Mystery — Serie 3 Region 2 DVD (PAL)
Two-disc set[46]
April 13, 2010 180 minutes EAN 8717344739481
Nero Wolfe — The Complete Series Region 0 DVD (NTSC)
Eight-disc box set[47]
October 3, 2012 1,496 minutes 5 021456 188062

Adapting the stories for the A&E series[edit]

"It was a screenwriting assignment unlike any other that my writing partner, William Rabkin, and I had ever been involved with," wrote screenwriter Lee Goldberg in the November 2002 issue of Mystery Scene magazine. "Because Nero Wolfe, starring Maury Chaykin as Wolfe and Timothy Hutton as Archie, was unlike any other series on television. It was, as far as I know, the first TV series without a single original script — each and every episode was based on a Rex Stout novel, novella, or short story. That's not to say there wasn't original writing involved, but it was Stout who did all the hard work."

Goldberg and Rabkin adapted four Nero Wolfe stories — Champagne for One, Prisoner's Base, "Murder Is Corny" and "Poison à la Carte" — for A Nero Wolfe Mystery. In his article "Writing Nero Wolfe," Goldberg provides a unique inside look at the process of adapting Rex Stout for the A&E TV series:

Everyone who wrote for Nero Wolfe was collaborating with Rex Stout. The mandate from executive producers Michael Jaffe and Timothy Hutton (who also directed episodes) was to "do the books," even if that meant violating some of the hard-and-fast rules of screenwriting. Your typical hour-long teleplay follows what's known as a four-act structure. ... But Nero Wolfe ignored the formula, forgoing the traditional mini-cliffhangers and plot-reversals that precede the commercial breaks. Instead, we stuck to the structure of the book, replicating as closely as possible the experience of reading a Rex Stout novel...
"It's amazing how many writers got it wrong," says Sharon Elizabeth Doyle, who was head writer for Nero Wolfe. "I mean very good writers, too. Either you get it or you don't. It's so important to have the relationships right, and the tone of the relationships right, to get that it's about the language and not the story. The characters in these books aren't modern human beings. You have to believe in the characters and respect the formality of the way they are characterized. ... There is a pleasure in Wolfe's speeches, what we call the arias," says Doyle. "Wolfe has lots of them, the trick is isolating that one aria you can't live without."[48]

The filmmakers have remained as scrupulously faithful to the original stories as possible, even to the point of retaining the different time settings — this season's episodes have jumped from the 1940s to the 1960s and back without a care. ... What a stunner it is to find them translated so effectively to television.

— S.T. Karnick, National Review[49]

"There's something so dynamic and wonderful about Wolfe and Archie, Fritz and their whole world," Sharon Elizabeth Doyle told Scarlet Street magazine in 2002. Consulting producer for A Nero Wolfe Mystery, Doyle was the show's only full-time writer — overseeing the work of freelance screenwriters, and writing 11 of the teleplays herself:

"I do the most work on the dialogue," she says. "What Stout writes actually sounds good when you say it out loud, but the stuff that makes you laugh out loud and fall on the floor in the books doesn't work most of the time when you transpose it directly into actors' mouths. Frequently I end up moving words — tenderly and respectfully — but retaining as much of the language as possible. I feel a great belief in Rex Stout. I see the script process as writing his second draft."[9]:76

Relationship to literary source[edit]

In the preface to the second edition of his book At Wolfe's Door: The Nero Wolfe Novels of Rex Stout, J. Kenneth Van Dover assessed the fidelity of A Nero Wolfe Mystery to its literary source:

A quarter century after his death, the Nero Wolfe books remain in print (on, it is reported, "a rotating basis") and, as a result of a very popular A&E television series which premiered in 2000, their continuing presence seems assured. ... The success of the series is significant especially because the scripts remained remarkably faithful to the novels. The programs are set in the period, and much of the dialogue is lifted directly from the novel. Effective novelistic dialogue is not usually effective screen dialogue, as Raymond Chandler discovered when he worked on the script for the 1944 film of James M. Cain's Double Indemnity. The A&E series was able to adopt verbatim both the sharp exchanges between Wolfe and Archie, and as well Archie's narration in voiceover. Credit certainly goes to the skills of the repertory actors who played the roles, and especially to Maury Chaykin and Timothy Hutton; but it was Stout who supplied the language and the characters who speak it. And it was Stout who created in words the real pleasures of the novels: the voices and ideas, the rooms and the routines. Producer Michael Jaffe realized this, and with great care recreated those pleasures on film.[50]

"That Nero Wolfe should be so pleasing has at least as much to do with the casting as the scripts," wrote author and cultural critic Terry Teachout in the National Review:

Timothy Hutton plays Archie Goodwin, and I can't see how anyone could do a better job. Not only does he catch Archie's snap-brim Thirties tone with sharp-eared precision, but he also bears an uncanny physical resemblance to the dapper detective-narrator I've been envisioning all these years. No sooner did Hutton make his first entrance in The Golden Spiders than he melded completely with the Archie of my mind's eye. I can no longer read a Stout novel without seeing him, or hearing his voice.
Still, Archie could have wandered out of any number of screwball comedies; Nero Wolfe is a far more complicated proposition. ... Maury Chaykin has doubtless immersed himself in the Wolfe novels, for he brings to his interpretation of the part both a detailed knowledge of what Stout wrote and an unexpectedly personal touch of insight. He plays Wolfe as a fearful genius, an aesthete turned hermit who has withdrawn from the world (and from the opposite sex) in order to shield himself — against what? Stout never answers that question, giving Chaykin plenty of room to maneuver, which he uses with enviable skill.[51]

BookFinder.com — a web-search service that reports the most-sought out-of-print titles — documents that the production of A Nero Wolfe Mystery coincides with Rex Stout's becoming a top-selling author some 30 years after his death. In March 2003, the top four most-wanted mysteries listed by BookFinder.com were all Nero Wolfe novels: Where There's a Will (1940), The Rubber Band (1936), The Red Box (1937) and The League of Frightened Men (1935). The Red Box was the most-searched mystery title in August 2003, and the novel remained as number two on the list in 2004. In 2006, Too Many Women (1947) was fifth on BookFinder.com's list of most-sought out-of-print thrillers, whodunits, classics and modern mystery titles. In 2007, The Black Mountain was in the number five position.[52]

Most of the Nero Wolfe stories adapted for A Nero Wolfe Mystery are available through Bantam's Rex Stout Library, a series of paperbacks featuring new introductions by today's best writers and never-before published Rex Stout memorabilia. Some Bantam volumes, like Prisoner's Base, are emblazoned with the words, "as seen on TV." The Audio Partners Publishing Corporation promoted its bestselling line of Rex Stout audiobooks, unabridged on CD and audiocassette, "as seen on A&E TV."

Broadcast history[edit]

United States and Canada[edit]

Distributed by the A&E Television Networks in the United States and Canada, A Nero Wolfe Mystery first aired on the A&E Network April 22, 2001. The second season premiered April 14, 2002. The series ran Sundays at 8 p.m. ET and was rebroadcast at midnight. The last original broadcast was Sunday, August 18, 2002. Nero Wolfe continued to air regularly in repeat through 2002 and sporadically in early 2003 before leaving the A&E schedule altogether.[53]

From March 2004 to May 2006, Nero Wolfe appeared Saturdays at 8 p.m. ET on another of the A&E Networks, The Biography Channel.[54]


FremantleMedia, Ltd., distributes A Nero Wolfe Mystery outside the U.S. and Canada. The series has been broadcast on public and commercial networks, cable television and satellite systems throughout the world, and was presented throughout Europe and Africa on the Hallmark Channel.[55]


In its debut season on A&E, A Nero Wolfe Mystery averaged a 1.9 rating.[59] The first three weeks (April 14–28, 2002) of the second season of Nero Wolfe averaged a solid 1.9 rating in cable homes, Variety reported.[60] Broadcasting and Cable reported that Nero Wolfe had averaged a 1.7 rating for the month of May 2002, while viewing levels for the A&E Network overall were 1.1.[61] In mid-June 2002 Multichannel News wrote, "Nero Wolfe, in its second cycle of episodes, is drawing solid ratings in the 1.5 to 2.0 Nielsen Media Research range."[62]

A Nero Wolfe Mystery was one of the Top 10 Basic Cable Dramas for 2002.[2]

Reviews and commentary[edit]

  • John Leonard, New York Magazine (April 16, 2001) — Imperious and mysterious, Rex Stout's Nero Wolfe was always a natural for television. Finally, A&E got him right.[63]
  • Diane Holloway, Cox News Service (April 20, 2001) — The music is big-band smooth, the cars are shiny with tail fins and the dialogue is snappy, almost musical. At times conversations sound like fingers rhythmically popping. ... The antithesis of today's gritty cop dramas, A&E's new Nero Wolfe series is slick and classy. Nobody spinning the dial will mistake the lavish sets, fabulous period costumes and moody lighting for NYPD Blue. The camera doesn't jiggle; it glides.
  • John Levesque, Seattle Post-Intelligencer (April 20, 2001) — Like so many characters in noir-ish films of the 1940s and 1950s, Wolfe and Goodwin are ebulliently over the top: loud, proud and full of themselves. It's a bit much for anyone expecting the less theatrical performances of today. And yet it fits remarkably well with today's reality programming. Wolfe, after all, is ruder than anyone on Survivor.[64]
  • Howard Rosenberg, Los Angeles Times (April 20, 2001) — A witty, beguiling, colorful, pulse-pounding hoot of a weekly series set in the '50s... The greatest of fun... From straw hat to natty black-and-white wingtips, Archie is the swaggering, milk-drinking, street-savvy legman of this unequal union, Wolfe the cultured closer who rakes in big fees while rarely venturing outdoors on business. The "oversized genius," as Archie irreverently titles him, is 275 pounds of authoritarian harrumph packed into a custom-made three-piece suit. A derrick couldn't budge him from that ornately furnished brownstone, where he is an antique among antiques, hovering over his personal chef while cultivating his gourmandise ("I must see about those cutlets") as assiduously as he does his beloved orchids in a glassed-in plant room. ... Archie is the only man on TV who wears a snap-brim hat like he means it.[65]
  • Julie Salamon, The New York Times (April 20, 2001) — The charming A&E series is an expansion of last year's Nero Wolfe movie special, starring Maury Chaykin as the massive Wolfe and Timothy Hutton as skinny Archie Goodwin, his investigator and sidekick. ... This actor has retained his lanky boyishness. Sometimes his big-shouldered, baggy suits seem to be gliding along by themselves.[66]
  • Alan Johnson, The Columbus Dispatch (April 22, 2001) — The series is actually better than the movie — stylish, well-acted and backed by a compelling retro-jazz theme ... What it lacks in shoot'em-up action, Nero Wolfe makes up for in style.
  • David Kronke, The Daily News of Los Angeles (April 22, 2001) — Nero Wolfe, alas, is undone by uneven performances and a sense that it's more witty and urbane than it really is. Hutton is too antic — he seems to be playing the sassy newsroom copy boy in a '30s B-picture — and his narration tries far too hard to push jokes that just aren't funny. Maury Chaykin, a normally reliable character actor, is alternately flat or rudderlessly blustery as Wolfe.
  • Laura Urbani, Pittsburgh Tribune-Review (April 22, 2001) — Hutton has found a series of which he can be proud. Most actors would kill to be a part of such a witty and classy production.[67]
  • James Vance, Tulsa World (April 22, 2001) — Stout's books are mysteries, but they're invariably more about the people involved than the mysteries themselves. Hutton, an Academy Award–winning actor (for 1980's Ordinary People), is ideal casting for Archie, and the lesser-known Chaykin is a surprisingly satisfactory choice to flesh out the combination of growls and tics that make up Nero Wolfe. To that mix Hutton and his partners in production have added the concept of repertory casting that will see the same nucleus of performers returning in different roles each week.[68]
  • Frazier Moore, Associated Press (May 3, 2001) — Fast-paced and stylish, there's no mystery why it's so much fun to watch. ... The series' look is bright and plushly appointed. The music swings like a night at the Stork Club.
  • Gene Amole, Rocky Mountain News (May 11, 2001) — Maury Chaykin is perfect as Wolfe, and Timothy Hutton, who also produces and directs the series, is the ideal Archie. Somehow, they have reproduced with unerring accuracy Wolfe's four-story brownstone mansion ... What wonderful, campy scripts!
  • Don Dale, Style Weekly (May 21, 2001) — Maury Chaykin makes an excellent Nero Wolfe in A&E’s new series based on Stout’s books. And Timothy Hutton is nicely cast as Goodwin. ... The soundtrack of the series gets an A+: It’s full of hot '30s and '40s club jazz. So do the writers, especially for capturing the exquisite subtleties of the complex relationship between Wolfe and Goodwin, most often expressed in the conversational games they’re so fond of — and so good at.[69]
  • Molly Haskell, The New York Observer (December 23, 2001) — The A&E television show based on Rex Stout's mystery novels, with Timothy Hutton and Maury Chaykin, is a class act, a witty and playful take on the 30's that never overdoes it.[70]
  • Martin Sieff, United Press International (December 25, 2001) — The great veteran actor Maury Chaykin was born to play Nero. And Timothy Hutton is equally perfect as his leg-man and always squabbling employee/amanuensis/Dr. Watson/Captain Hastings sidekick, Archie Goodwin. ... Hutton, an Oscar winner, and Chaykin are at the heart of it all. They have done many prestigious things in their careers and no doubt will do many more. But it is clear they know they will never have more fun than doing this.[71]
  • Robert Bianco, USA Today (April 12, 2002) — For reasons I can't explain, A&E is dedicated to preserving Nero Wolfe, its thuddingly mediocre series starring Timothy Hutton and Maury Chaykin as Rex Stout's famed detective team. The stars are miscast, the production is chintzy and the books defy adaptation, but A&E keeps plugging.
  • S. T. Karnick, National Review (May 10, 2002) — Timothy Hutton, who also serves as executive producer for the show, is just brilliant as Archie Goodwin, managing to express the gumshoe's toughness (which I had been rather skeptical of his ability to do) as effectively as he shows his moral strength and emotional complexity. ... Chaykin quite simply is Nero Wolfe, playing the role with impressive confidence and subtlety.[72]
  • Jonathan Storm, Pittsburgh Post-Gazette (June 11, 2002) — One of TV's most stylish shows.
  • John Doyle, The Globe and Mail (July 12, 2002) — An absolute delight ... What's fun here is that everybody is having a great time with the arch dialogue, fabulous clothes and general silliness. It's all done with such flair and good humour that you can't help being absorbed. Most of the guys are "saps," all of the women are "dames" and, as Archie Goodwin, Timothy Hutton obviously adores saying things like, "The hell of it was, she was beautiful."
  • Terry Teachout, National Review (August 12, 2002) — Chaykin and Hutton are as good in tandem as they are separately, for they understand that the Wolfe books are less mystery stories than domestic comedies, the continuing saga of two iron-willed codependents engaged in an endless game of one-upmanship. ... At least half the fun of the Wolfe books comes from the way in which Stout plays this struggle for laughs, and Chaykin and Hutton make the most of it, sniping at each other with naughty glee.[73]
  • Carey Henderson, Speakeasy (November 5, 2002) — Timothy Hutton, along with the ever pompous Maury Chaykin, stars in — and directs — this amazing weekly 'who done it' on A&E. ... Wolfe takes us back to a time (or maybe just transports us to a new one) where television could be good. The bad guys lose, the good guys win, and the suits are sharper than a razor.[74]
  • Robert Fidgeon, Herald Sun (November 12, 2003) — For those who enjoy stylish, well-written and superbly performed television, you won't get much better than this series.
  • Tom Keogh, Amazon.com (2004) — The Complete First Season includes all the pleasures and surprises of the show's first mysteries, above all the tempestuous, symbiotic, and highly entertaining relationship between Wolfe (Maury Chaykin), a corpulent recluse who grows orchids and analyzes clues from a distance, and the acerbic knight-errant, Goodwin (Timothy Hutton, also an executive producer on the series), Wolfe's underpaid eyes and ears on the world. Hutton also directs the two-part "Champagne for One" with a snap and verve reminiscent of old Howard Hawks comedies, but it is on "Prisoner's Base" that all of the series' best elements are firing at once … All in all, Nero Wolfe refreshes the television detective genre.[75]
  • Stephen Lackey, Cinegeek (2004) — Take one part Crime Story, one part Sherlock Holmes, and a lot of smart quick-witted and sarcastic humor and you have A&E's gone-before-its-time television adaptation of Nero Wolfe. I can't recommend this series enough.[76]
  • Michael Rogers, Library Journal (December 2004) — A&E’s Nero Wolfe is so good, it’s criminal. Highly recommended.
  • Stuart Kaminsky, Publishers Weekly (December 19, 2005) — I ended up writing the last episode, "Immune to Murder," based on one of Rex Stout's short stories. I thought it was a terrific series, by the way. I don't know for sure why it didn't continue.
  • Steve Lewis, Mystery*File (February 5, 2009) — The finest TV series ever based on the works of an American mystery writer.[77]


When A&E announced the cancellation of Nero Wolfe in August 2002. the network took the unusual step of posting an "Important Message" on its website:

We at A&E remain extremely proud of Nero Wolfe. It is a high quality, beautifully produced and entertaining show, unlike anything else currently on the television landscape. Although it performed moderately well amongst tough competition for two seasons, it simply did not do well enough for us to be able to go on making it, given the current television climate.[78]

The New York Times recalled that television climate, and A&E's response to it, in June 2004:

Two years ago Nick Davatzes, president and chief executive of A&E Television Networks, called his executives to a retreat, to "wallow in the mud," as he described the exercise. From that wallowing emerged an overhaul in management and outlook, including the conclusion that reality television could not be ignored if the network wanted younger viewers.[79]

"I do know A&E's decision not to continue didn't have anything to do with ratings; it was their highest-rated series," Timothy Hutton told columnist Marilyn Beck in November 2002. Beck reported that Hutton would be happy to make one or two Nero Wolfe TV movies a year.[80]

Maury Chaykin reflected on the cancellation of Nero Wolfe in a 2008 interview. "I'm a bit jaded and cynical about which shows succeed on television. I worked on a fantastic show once called Nero Wolfe, but at the time A&E was transforming from the premiere intellectual cable network in America to one that airs Dog the Bounty Hunter on repeat, so it was never promoted and eventually went off the air."[81]


  1. ^ a b Vitaris, Paula, "Miracle on 35th Street: Nero Wolfe on Television"; Scarlet Street, issue #45, 2002, page 37. The exception is the second-season premiere directed by Timothy Hutton. "For Death of a Doxy, Tim decided to play it in the early sixties," producer Michael Jaffe said. "If you look at that episode, it's really fun, because everything—the wardrobe, the art direction—is different, since it's a different generation. It breaks our mold."
  2. ^ a b Multichannel News, February 24, 2003
  3. ^ Gorman, Brian, "Series revives classic gumshoe style." Winnipeg Free Press (Tribune Media Services), August 17, 2002
  4. ^ Dempsey, John, "A&E embarks on ambitious mystery plan"; Daily Variety, January 15, 1999
  5. ^ Dempsey, John, "Wolfe series at the door for A&E"; Variety, June 26, 2000; "A&E packs 'Wolfe'"; Variety, June 22, 2000
  6. ^ Stark, Steven J., "A&E cries for more 'Wolfe': 1-hour series"; The Hollywood Reporter, June 22, 2000
  7. ^ multiplicity: Nero Wolfe Mysteries
  8. ^ Cutler, Jacqueline, "Former wunderkind Hutton stays busy with Wolfe series". Casa Grande Dispatch, April 28–May 4, 2001
  9. ^ a b c Vitaris, Paula, "Miracle on 35th Street: Nero Wolfe on Television"; Scarlet Street, issue #45, 2002
  10. ^ a b c d Tyner, Adam, "Nero Wolfe: The Complete Classic Whodunit Series", DVD Talk, April 25, 2006
  11. ^ "A&E TV Series, Cast of Characters from the Show". The Wolfe Pack, February 25, 2007, archived from the original at the Internet Archive December 19, 2008. Retrieved 2014-01-04. 
  12. ^ "And Hutton, bless him, took pains to make sure that the stoop, meticulously recreated in a freezing Ontario warehouse soundstage really did have seven steps." Sieff, Martin, "Happy Christmas, Santa Wolfe"; United Press International (December 25, 2001)
  13. ^ Landman Keil, Beth, "Timothy Hutton Directs, Traffic Stops". New York, October 30, 2000, page 14. "Hutton's new A&E series, Nero Wolfe … obtained permission to film on West 76th Street for Saturday, October 14, and Sunday, October 15."
  14. ^ WireImage (image numbers 253302 – 253308) and Getty Images (image number 1302172) document the location photography directed by Timothy Hutton on October 15, 2000, also seen in the A&E documentary, "The Making of Nero Wolfe"
  15. ^ Jaffe, Michael, "A Labor of Love: The Nero Wolfe Television Series." December 2001 address to the Wolfe Pack, reprinted in The Nero Wolfe Files, edited by Marvin Kaye (2005, Wildside Press; ISBN 0-8095-4494-6) pp. 86–88. Allen Sabinson became a programming consultant for A&E in 1999, and was named the network's senior vice president for programming in spring 2001.
  16. ^ Jaffe/Braunstein Films, Ltd., secured the rights to the Nero Wolfe stories in 1998 (U.S. Copyright Office Document Number V3412D882, recorded March 13, 1998).
  17. ^ Dempsey, John, "A&E packs 'Wolfe'"; Variety, June 22, 2000
  18. ^ "Full Cast and Crew", A Nero Wolfe Mystery. Internet Movie Database. Retrieved 2014-01-02.
  19. ^ Denke, Conrad, "Jaffe/Braunstein — HD Reaches the MOW Mainstream"; Hi Def Magazine, Vol. 7, Issue 2 (2005 pdf), pp. 8–12
  20. ^ Hughes, Andrew S., "Plimpton's been there, done that, enjoys doing it". South Bend Tribune, October 14, 2001
  21. ^ Garron, Barry, "Nero Wolfe". The Hollywood Reporter, April 20, 2001
  22. ^ "Small screen version of the great man … Some reflections on a visit to the set of the TV production of The Golden Spiders". Winnifred Louis, Merely a Genius at GeoCities, December 2001, archived from the original at Oocities.com. Retrieved 2013-12-31. 
  23. ^ "A Conversation with Lindsey Hermer-Bell". Nero Wolfe, A&E, archived from the original at the Internet Archive August 18, 2001. Retrieved 2013-12-31. 
  24. ^ Vitaris, Paula, "Wolfe at the Door — and Out!" Scarlet Street, issue number 46 (2002), page 20. "This week we tore down $800,000 in sets."
  25. ^ "A Conversation with Chris Hargadon". Nero Wolfe, A&E, archived from the original at the Internet Archive August 18, 2001. Retrieved 2013-12-31. 
  26. ^ Zekas, Rita, "Nero to Hero: A Total Fabrication" Toronto Star, May 25, 2002
  27. ^ "Gallery". Nero Wolfe, A&E, archived from the original at the Internet Archive August 1, 2001. Retrieved 2013-12-31. 
  28. ^ "The Doorbell Rang" music cue sheet and notes on the music by Kevin Banks at The Wolfe Pack, official site of the Nero Wolfe Society. Retrieved 2013-12-31.
  29. ^ "Awards". A Nero Wolfe Mystery at the Internet Movie Database. Retrieved 2013-12-31. 
  30. ^ ACTRA Award Revived in Honour of 60th Anniversary: Ten Award Nominees Announced by ACTRA Toronto (February 3, 2003); The ACTRA Awards in Toronto; retrieved 7-1-08
  31. ^ Vitaris, Paula, review of "Nero Wolfe: The Complete Second Season" in Scarlet Street, issue number 54 (2005), p. 30. "There isn't anything collected in this box set besides the episodes themselves, plus bios and filmographies for Hutton and Chaykin," Vitaris wrote in her earlier review of the first-season DVD set (issue 51, 2004, pp. 25-26). "No commentaries, no interviews, no behind-the-scenes footage, no info about Rex Stout and his work. Nothing."
  32. ^ a b Features include the following. Disc 1: "The Doorbell Rang," "Champagne for One" parts 1 + 2. Disc 2: "Prisoner's Base" parts 1 + 2, "Eeny Meeny Murder Moe," "Disguise for Murder." Disc 3: "Door to Death," "Christmas Party," "Over My Dead Body" parts 1 + 2.
  33. ^ Actually released in June 2003 for exclusive sale by A&E Store and select outlets
  34. ^ Features include the following. Disc 1: "Death of a Doxy" double episode (one set of titles and credits), "The Next Witness," "Die Like a Dog." Disc 2: "Murder Is Corny," "Motherhunt" double episode, "Poison à la Carte." Disc 3: "Too Many Clients" double episode, "Before I Die," "Help Wanted, Male." Disc 4: "The Silent Speaker" double episode, "Cop Killer," "Immune to Murder." Disc 8: "The Golden Spiders," "The Making of Nero Wolfe," "The Silent Speaker" double episode in 16:9 letterbox format.
  35. ^ Actually released in June 2004 for exclusive sale by A&E Store and select outlets
  36. ^ Features include the following. Disc 1: "The Doorbell Rang," "Champagne for One" parts 1 + 2. Disc 2: "Prisoner's Base" parts 1 + 2, "Eeny Meeny Murder Moe," "Disguise for Murder." Disc 3: "Door to Death," "Christmas Party," "Over My Dead Body" parts 1 + 2. Disc 4: "Death of a Doxy" double episode (one set of titles and credits), "The Next Witness," "Die Like a Dog." Disc 5: "Murder Is Corny," "Motherhunt" double episode, "Poison à la Carte." Disc 6: "Too Many Clients" double episode, "Before I Die," "Help Wanted, Male." Disc 7: "The Silent Speaker" double episode, "Cop Killer," "Immune to Murder." Disc 8: "The Golden Spiders," "The Making of Nero Wolfe," "The Silent Speaker" double episode in 16:9 letterbox format.
  37. ^ Reissue of out-of-print box set by new distributor Lionsgate
  38. ^ The "Prisoner's Base" script is available for PDF download on Lee Goldberg's Web site. The three longer scenes are transcribed in an FAQ at the Internet Movie Database, and available in a PDF document on the Wolfe Pack web site.
  39. ^ Just Entertainment, accessed April 6, 2010
  40. ^ DVD Dealer Guide (page 12), Shock Entertainment. Retrieved 13 September 2012
  41. ^ Nero Wolfe: The Complete Series, Shock Entertainment. Retrieved 7 February 2013
  42. ^ Features include "The Golden Spiders," "The Doorbell Rang" and "Champagne for One." Each 90-minute film is presented with a single set of titles and credits. Screen format is 4:3 full frame. Rated M (mild crime themes and mild violence) by the Commonwealth of Australia. (Retrieved April 7, 2012)
  43. ^ Features include "Prisoner's Base" (presented as a 90-minute film with a single set of titles and credits), "Eeny Meeny Murder Moe" and "Disguise for Murder." Screen format is 4:3 full frame. Rated PG (mild violence) by the Commonwealth of Australia. (Retrieved April 7, 2012)
  44. ^ Features include "The Golden Spiders," "The Doorbell Rang" and "Champagne for One." Screen format is 4:3 full frame. Dutch subtitles. Recommended for age 12 and over. [1] [2]
  45. ^ Features include "Over My Dead Body" and "Death of a Doxy." Screen format is 4:3 full frame. Dutch subtitles. Recommended for age 12 and over. [3] [4]
  46. ^ Features include "Wolfe Goes Out" ("Door to Death" and "Christmas Party" linked as a 90-minute feature) and "Wolfe Stays In" ("Eeny Meeny Murder Moe" and "Disguise for Murder" linked as a 90-minute feature). Screen format is 4:3 full frame. Dutch subtitles. Recommended for age 12 and over. [5] [6]
  47. ^ Shock Entertainment (retrieved August 25, 2012); DVD Dealer Guide (PDF), Shock Entertainment (retrieved September 13, 2012)
  48. ^ Goldberg, Lee, "Writing Nero Wolfe"; Mystery Scene, issue #77, Holiday 2002 (published November 2002), pp. 27–28 and 30
  49. ^ Karnick, S.T., "Wolfe a la Tube: An A&E series loyal to its source"; National Review, May 10, 2002
  50. ^ Van Dover, J. Kenneth, At Wolfe's Door: The Nero Wolfe Novels of Rex Stout; 1991, Borgo Press, Mitford Series; second edition 2003, p. vii (James A. Rock & Co., Publishers; Hardcover ISBN 0-918736-51-X / Paperback ISBN 0-918736-52-8)
  51. ^ Teachout, Terry, "A Nero as Hero"; National Review, August 12, 2002
  52. ^ BookFinder.com reports for March 2003, August 2003, 2004, 2006, and 2007
  53. ^ A&E at the Wayback Machine (archived August 17, 2002) home page of August 17, 2002, retrieved from the Internet Archive. "The Doorbell Rang" aired Sunday, December 29, 2002. In 2003, A&E presented "The Golden Spiders" February 23, and "Death of a Doxy" February 20 and April 13.
  54. ^ Biography Channel at the Wayback Machine (archived May 9, 2006) schedule of May 13, 2006, retrieved from the Internet Archive
  55. ^ Hallmark Channel international sites in April 2003 recorded episodes of both seasons of A Nero Wolfe Mystery airing in 36 countries: Angola, Belgium, Benin, Burkina Faso, Burundi, Cameroon, Central African Republic, Czech Republic, Denmark, Equatorial Guinea, Finland, Gabon, Ghana, Guinea, Iceland, Ivory Coast, Kenya, Madagascar, Mali, Mozambique, Netherlands, Niger, Nigeria, Norway, Rwanda, Sao Tome & Principe, Slovakia, South Africa, Swaziland, Sweden, Tanzania, Togo, Tunisia, Uganda, Zambia and Zimbabwe.
  56. ^ Screen captures of the Pearson Television International version of "The Silent Speaker" broadcast on Hot Action, subtitled in Hebrew
  57. ^ "グルメ探偵 ネロ・ウルフ −A Nero Wolfe Mystery−". Archived from the original on 2009-10-23. 
  58. ^ Broadcast listing for October 17, 2005, in 15 min Vilnius, No. 33; archived at Scribd; retrieved March 23, 2010
  59. ^ Ulmstead, R. Thomas, "A&E Cans Nero Wolfe", Multichannel News, August 25, 2002
  60. ^ Dempsey, John, "View shifts; A&E moves talker, nabs good ratings on Wolfe", Variety, May 5, 2002
  61. ^ Milano, Allison, "The ubiquitous Biography", Broadcasting and Cable, May 27, 2002
  62. ^ Applebaum, Simon, "Fremantle catching on with cable", Multichannel News, June 16, 2002. The A&E Network ended 2002 with a 1.0 rating, reported Multichannel News (January 5, 2003).
  63. ^ Leonard, John, "Super Nero", New York Magazine, April 16, 2001
  64. ^ Levesque, John, "Wolfe back on the case in jolly, stylish 'Doorbell Rang'"; Seattle Post-Intelligencer, April 20, 2001
  65. ^ Rosenberg, Howard, "The Dueling Detectives: In a Sunday night matchup, A&E's 'Nero Wolfe' easily defeats CBS' 'Murder on the Orient Express' on style points alone"; Los Angeles Times, April 20, 2001
  66. ^ Salamon, Julie, "A Sleuth Who Has Flair (And Maybe a Thesaurus"; The New York Times, April 20, 2001
  67. ^ Urbani, Laura, A&E's new series brings top talent to television"; Pittsburgh Tribune-Review, April 22, 2001
  68. ^ Vance, James, "Timothy Hutton, Leader of the (Wolfe) Pack"; Tulsa World, April 22, 2001
  69. ^ Dale, Don, "The Thinking Man's Mystery" at the Wayback Machine (archived January 13, 2002); Style Weekly, May 21, 2001
  70. ^ Haskell, Molly, "Beware a Brand-New Kind of Man"; The New York Observer, December 23, 2001
  71. ^ Sieff, Martin, "Happy Christmas, Santa Wolfe"; United Press International, December 25, 2001
  72. ^ Karnick, S. T., "Wolfe a la Tube: An A&E series loyal to its source"; National Review, May 10, 2002
  73. ^ Teachout, Terry, "A Nero as Hero"; National Review, August 12, 2002
  74. ^ Henderson, Carey, "Nero Wolfe: An A&E original Series" at the Wayback Machine (archived September 15, 2004); Speakeasy, November 5, 2002
  75. ^ Keogh, Tom, Amazon.com editorial review, Nero Wolfe: The Complete First Season, June 2004
  76. ^ Lackey, Stephen, DVD Review: Nero Wolfe The Complete First Season at the Wayback Machine (archived February 19, 2005); Cinegeek, 2004
  77. ^ Lewis, Steve, TV Review: A Nero Wolfe Mystery: The Doorbell Rang (2001); Mystery*File, February 5, 2009
  78. ^ "Important Message about Nero Wolfe from A&E" at the Wayback Machine (archived May 20, 2003)
  79. ^ Salamon, Julie, "When Group Therapy Means Coming Clean on TV"; The New York Times, June 22, 2004
  80. ^ Beck, Marilyn and Stacy Jenel Smith, "World of 'Cat in the Hat' the right place for Fanning". Inland Valley Daily Bulletin, November 18, 2002
  81. ^ Farquharson, Vanessa, "Whole lot of Chaykin going on"; National Post, August 21, 2008. "After some initial advertising for the April second season premiere, A&E stopped publicizing the show," Scarlet Street magazine (No. 46, p. 20) reported in late 2002.

External links[edit]