A Study in Pink
|"A Study in Pink"|
|Episode no.||Series 1
|Directed by||Paul McGuigan|
|Written by||Steven Moffat|
|Produced by||Sue Vertue|
|Featured music||David Arnold
|Editing by||Mali Evans
|Original air date||25 July 2010|
|Running time||88 minutes|
|List of Sherlock episodes|
"A Study in Pink" is the first episode of the television series Sherlock and first broadcast on BBC One and BBC HD on 25 July 2010. It introduces the main characters and resolves a murder mystery. It is loosely based upon the first Sherlock Holmes novel, A Study in Scarlet.
The episode was written by Steven Moffat, who co-created the series. It was originally filmed as a 60-minute pilot for Sherlock, directed by Coky Giedroyc. However, the BBC decided not to transmit the pilot, but instead commissioned a series of three 90-minute episodes. The story was refilmed, this time directed by Paul McGuigan. The British Board of Film Classification has rated the pilot as a 12 certificate (not suitable for children under 12) for video and online exhibition, and it is included as an additional feature on the DVD released on 30 August 2010.
John Watson (Martin Freeman), an ex-army doctor injured in Afghanistan, meets Sherlock Holmes (Benedict Cumberbatch) through a mutual friend. They become flatmates, sharing rooms at 221B Baker Street owned by landlady Mrs. Hudson (Una Stubbs).
There have been a strange series of deaths, supposed by Detective Inspector Lestrade (Rupert Graves) to be "serial suicides". Sherlock looks at the latest crime scene, which is of a woman in pink, whose name is Jennifer Wilson. Sherlock deduces Wilson is a serial adulterer with an unhappy marriage. Unlike other victims, she left a note, clawing "Rache" into the floor. Sherlock ignores forensic expert, Anderson's, suggestion it's German for "revenge" and settles on "Rachel", deeming the victim died before finishing the scrawl. Sherlock finds splashes of mud on her leg, thrown up by the wheel of a suitcase, and deduces she's from out of town. The police found no suitcase with the body, but Sherlock searches for it, later finding it in a nearby skip.
Meanwhile, John receives a call from a telephone box and is taken to an empty warehouse. There, he meets a man who claims to be Sherlock's "arch-enemy". The man offers money in return for updates on Sherlock's activities, but John refuses. When John returns to 221B, Sherlock asks him to send a text message to Wilson's phone, hoping the murderer will see it and make a move. While waiting at a local restaurant, Sherlock notices a cab and gives chase, using his extensive knowledge of London's streets and alleys to outpace it on foot. However, when he and John catch up with the cab, they find the passenger is a newly arrived American: a perfect alibi.
Believing Sherlock withheld evidence, Lestrade executes a fake drugs bust on his flat. Sherlock presumes "Rachel" was the victim's e-mail address password and the victim planted her phone on the killer so he could be traced by GPS. At the same time John finds the signal's coming from 221B, Mrs. Hudson tells Sherlock a taxi is waiting for him. Sherlock enters the cab. The cabbie (Phil Davis) confesses, but proclaims he doesn't kill; instead, he speaks to his victims and they kill themselves. He challenges Sherlock to solve his puzzle. They arrive at a school building, and the cabbie pulls out a gun and two bottles, each containing an identical pill. The cabbie says one of the pills is harmless, the other poison; he invites his victims to choose one, promising he will swallow the other — and he will simply shoot them if they refuse. Sherlock deduces the cabbie is dying from a brain aneurysm, but that is not the only reason he is killing people.
The cabbie admits a "fan" of Sherlock's contacted him and offered to "sponsor" his work, paying money for each murder, to be left to the cabbie's children. Sherlock realises the gun is actually a novelty cigarette lighter and walks off. However, the cabbie challenges him to choose a pill and see if he can solve the puzzle. Meanwhile, John traced the GPS signal from the phone and followed Sherlock. Through a window in the adjacent building, John sees Sherlock about to take one of the pills, and shoots the cabbie. Sherlock questions the dying cabbie, first about whether he got the pill game right, and then about the identity of his "fan", the cabbie's sponsor. Finally, the cabbie reveals a name: "Moriarty".
The police arrive later and Sherlock starts deducing the shooter's identity, before realising it's John. Sherlock feigns shock to cover for John, telling Lestrade to ignore everything he said. Sherlock and John leave the scene but run into the man who had abducted John earlier, who turns out to be Sherlock's elder brother, Mycroft (Mark Gatiss); John now understands Mycroft tried to bribe him out of concern for Sherlock. Mycroft instructs his secretary Anthea (Lisa McAllister) to increase their surveillance status.
The episode is loosely based on A Study in Scarlet and contains allusions to other works by Arthur Conan Doyle. Moffat said of "A Study in Pink" and A Study in Scarlet: "there are many elements of the story, and the broad shape of it, but we mess around with it a lot". Tom Sutcliffe of The Independent points out, "Fans will recognise at once that the close-reading Sherlock applies to John's mobile phone is drawn from an almost identical analysis of a pocket watch. More slyly oblique is the conversion of the lost ring that Holmes uses to lure the killer in A Study in Scarlet into a lost 'ring', a mobile phone that can be used to contact the killer directly." The episode also uses an identical clue to the original story, but gives it a different meaning: both stories feature "Rache" written at the scene of the crime. In the original story, Holmes notes that the word is German for "Revenge". In this version, he scoffs at the idea and deduces that the victim was trying to write "Rachel".
The mention by Mrs. Hudson of "Mrs. Turner who lives next door" is a reference to a point in "A Scandal in Bohemia", where Holmes' landlady is once named as Mrs. Turner, instead of as Mrs. Hudson.
The feverish shout of "the game, Mrs. Hudson, is on!" is a reference to a line in "The Adventure of the Abbey Grange", "the game is afoot", which is frequently accredited to Holmes in adaptations. In the 2013 mini-episode "Many Happy Returns", a newspaper headline tantalisingly reads "The game is back on" as a harbinger of the character's imminent return.
The cabbie is dying of a brain aneurysm, while the antagonist of A Study in Scarlet is dying of an aortic aneurysm.
John's reference in the final scene to having been shot in the shoulder (but developing a psychosomatic limp in the leg) is an allusion to a continuity error in the Conan Doyle stories: in the original A Study in Scarlet Watson's injury is said to be in his shoulder, but in Conan Doyle's later Holmes stories, it is said to be in his leg.
The second murder victim's name is James Phillimore, a reference to a case Holmes failed to solve in "The Problem of Thor Bridge". The final victim's smartphone is located using a fictional service called "Mephone".
The text messages Sherlock sends John are taken nearly word for word from a telegram Holmes sends Watson in "The Adventure of the Creeping Man".
The character Angelo, whom Sherlock saved from a murder charge by proving to the police that he was on the other side of London housebreaking, is a clear reference to a minor character in the 1946 Sherlock Holmes film Dressed to Kill, whom Holmes similarly helped by proving he was elsewhere in London blowing open a safe.
The case Sherlock is working on when he meets John involves a guilty brother with a green ladder. This is an apparent reference to an unfinished story found after Conan Doyle's death since completed as "The Adventure of the Tall Man" and included (sometimes as only the original outline) in some editions of the Sherlock Holmes Apocrypha.
The story was originally filmed as a 60-minute pilot for Sherlock, directed by Coky Giedroyc. It was planned to be broadcast in mid- to late 2009. The intention was to produce a full series should the pilot prove to be successful. However, the first version of the pilot – reported to have cost £800,000 – led to rumours within the BBC and wider media that Sherlock was a potential disaster. The BBC decided not to transmit the pilot, requesting a reshoot and a total of three 90-minute episodes. The Sun reported an unnamed source as saying, "The crew couldn't just re-use footage because the series is now totally different. The stories are now more intricate and detailed, so they basically had to start again." The newly shot episode, says journalist Mark Lawson, was "substantially expanded and rewritten, and completely reimagined in look, pace and sound. The first series of Sherlock was produced in reverse order; "A Study in Pink" was the last of the three to be produced. This was because episode writer and co-creator Steven Moffat was busy with the fifth series of Doctor Who. Background information on Sherlock and Mycroft's relationship was cut out of the final episode as it was viewed as giving too much away.
The episode was set in 2010 rather than the Victorian period and so used modern devices such as mobile phones, TX1 London cabs and nicotine patches rather than the traditional pipe and other period props. The change from a pipe to a nicotine patch reflected changing social attitudes and broadcasting regulations. Director Paul McGuigan says that using modern technology is in keeping with Conan Doyle's character, pointing out that "In the books he would use any device possible and he was always in the lab doing experiments. It's just a modern-day version of it. He will use the tools that are available to him today in order to find things out". Sherlock Holmes still lives at the same Baker Street address as in Conan Doyle's stories. However, it was filmed at 185 North Gower Street. Baker Street was impractical because of heavy traffic, and the number of things labeled "Sherlock Holmes", which would need to be disguised.
Filming on the pilot began in January 2009 on location in London and Cardiff. It was written by Moffat and directed by Coky Giedroyc. A seven-hour night shoot took place on 20/21 January at the No Sign bar in Wind Street, Swansea. The bar had been redesigned as an Italian restaurant for the shoot, where Holmes and Watson dined. Location managers selected the bar as the venue because they needed a building that could double as an Italian restaurant that was close to an alley. On 21 January, scenes were shot in Newport Road, Cardiff. Location shooting concluded on 23 January with scenes filmed on Baker Street, London. During that week, filming was also done on location in Merthyr Tydfil.
According to Moffat and Gatiss, the BBC liked the pilot so much that they ordered three 90-minute films. However, the pilot version of "A Study in Pink" had been produced as a 60-minute film. The producers felt that they could not simply add another half an hour to the episode—they had to film it again. Producer Sue Vertue adds that additional footage to increase the length would not have matched because a different director of photography and a superior camera was used when filming the series.
"A Study in Pink" was first broadcast on BBC One on 25 July 2010. Overnight viewing figures showed that the episode was watched by a total of 7.5 million viewers on BBC One and BBC HD. Final viewing figures were up to 9.23 million viewers and averaged a 28.5% share of the UK audience with a high AI rating of 87. The episode was downloaded 1.403 million times on BBC's online iPlayer, the third most-requested programme of 2010.
The episode won a Peabody Award in 2010 "for bringing the beloved Victorian sleuth into the high-tech present while remaining faithful to his creator’s original conception." It received positive reviews. The Guardian's Dan Martin said, "It's early days, but the first of three 90-minute movies, "A Study in Pink", is brilliantly promising. It has the finesse of Spooks but is indisputably Sherlock Holmes. The deduction sequences are ingenious, and the plot is classic Moffat intricacy. Purists will take umbrage, as purists always do." However, Sam Wollaston, also for The Guardian, was concerned that some elements of the story were unexplained. Tom Sutcliffe for The Independent also suggests that Holmes was "a bit slow" to connect the attributes of the killer to a London taxicab driver, but his review is otherwise positive. He wrote, "Sherlock is a triumph, witty and knowing, without ever undercutting the flair and dazzle of the original. It understands that Holmes isn't really about plot but about charisma ... Flagrantly unfaithful to the original in some respects, Sherlock is wonderfully loyal to it in every way that matters". IGN's Chris Tilly rated the episode 7.8 out of 10, describing it as "an excellent 90-minute origin story wrapped in a rather uninspired mystery that fails to fully take flight". He was positive towards the introduction of the two lead characters and actors, but felt the mystery was "something of an anticlimax" and Inspector Lestrade was "the only weak link". Serena Davies of The Daily Telegraph particularly praised Cumberbatch and stated that the show "worked because it was having fun" and was "hugely enjoyable". Her only criticism was the Holmes was "too legible" and lacked the mystery previously seen in other portrayals of the character. The A.V. Club reviewer John Teti gave "A Study in Pink" a grade of a B, feeling that the modern-day upgrades were too forced and that the resolution was "overwrought". However, he praised the show for being "bold" and Freeman for being "eminently watchable", though the more youthful take on Holmes "[infected] the performances at times". Den of Geek selected "A Study in Pink" as one of the best TV episodes of 2010, describing it as "a masterclass in how to write an opening episode".
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|Wikiquote has quotations related to: Sherlock (TV series)|
- "A Study in Pink" at the Internet Movie Database
- "A Study in Pink" at TV.com
- Newsarama: Annotations on "A Study in Pink" - Listing the connections between the episode and the original Holmes stories, compiled by comic book historian Alan Kistler.