A Sunday Afternoon on the Island of La Grande Jatte

	A Sunday Afternoon on the Island of La Grande Jatte
	Georges Seurat, 1884–1886
	Oil on canvas
	207.6 × 308 cm, 81.7 × 121.25 in
	Art Institute of Chicago

From Wikipedia, the free encyclopedia

Jump to: navigation, search

A Sunday Afternoon on the Island of La Grande Jatte (French: Un dimanche après-midi à l'Île de la Grande Jatte) is Georges Seurat's most famous work, and is an example of pointillism that is considered by some to be one of the most remarkable paintings of the 19^th century, belonging to the Post-Impressionism period.

The island of la Grande Jatte is in the Seine in Paris between La Defense and the suburb of Neuilly, bisected by the Pont-de-Levallois. Although for many years it was an industrial site, it is today the site of a public garden and a housing development. In 1884, the island was a bucolic retreat far from the urban center.

Seurat spent two years painting it, focusing scrupulously on the landscape of the park. He reworked the original as well as completed numerous preliminary drawings and oil sketches. He would go and sit in the park and make numerous sketches of the various figures in order to perfect their form. He concentrated on the issues of color, light, and form. The painting is approximately 2 by 3 metres in size (approx. 6 feet 8 inches x 10 feet 10 inches).

Motivated by study in optical and color theory, he contrasted miniature dots of colors that, through optical unification, form a single hue in the viewer's eye. He believed that this form of painting, now known as pointillism, would make the colors more brilliant and powerful than standard brush strokes. To make the experience of the painting even more vivid, he surrounded it with a frame of painted dots, which in turn he enclosed with a pure white, wooden frame, which is how the painting is exhibited today at the Art Institute of Chicago.

In creating the picture, Seurat employed the then-new pigment zinc yellow (zinc chromate), most visibly for yellow highlights on the lawn in the painting, but also in mixtures with orange and blue pigments. In the century and more since the painting's completion, the zinc yellow has darkened to brown—a color degeneration that was already showing in the painting in Seurat's lifetime.^[1]

The painting in its current residence, the Art Institute of Chicago.

[edit] References in popular culture

The Stephen Sondheim musical Sunday in the Park with George is based on the painting.
The painting is featured in the 1986 film Ferris Bueller's Day Off.
Parodied in the Family Guy episode, "The Tan Aquatic with Steve Zissou" (on the part where Stewie goes to the museum to see this painting as one of his last wishes before he dies - however the museum is incorrectly referred to The Chicago Museum of Art).
In the famous zero-gravity opening scene of the 1968 film Barbarella, a section of the painting is visible.
In 2004, 20^th Century Fox's The Simpsons were featured in a poster titled "A Day at the River" which imitates Seurat's famous painting. A mid-1990s Looney Tunes calendar also includes a parody.
Also in The Simpsons, the episode entitled "Mom and Pop Art" features Barney re-creating an exact replica of this painting.
In PC and Commodore 64 versions of the video game Maniac Mansion, a shredded print of the painting hangs over the decaying dining room table.
Old Deaf School Park, a park in Columbus, Ohio attempts to replicate the piece in three-dimensional topiary.[1]
Nancy Cameron was posed in front of a copy of the painting, dressed in a similar way, for the January, 1976, edition of Playboy.
A 1989 Sesame Street book featured a spoof called "Sunday in the Park with Big Bird".
The Nintendo game Animal Crossing: Wild World has this painting for sale under the name "Calm Painting"
A scene in Looney Tunes: Back in Action has Elmer Fudd chasing Bugs Bunny and Daffy Duck into this painting. When Elmer comes out, he is still in pointilism form, so Bugs takes advantage of this, and blows Elmer away with a small fan.
A former restaurant at the Mall of America called "Minnesota Picnic" featured a mural rather close in style and size to the Seurat original.
The song "Camouflage" from Third Eye Blind's 1999 album Blue references the painting in the line "Be a dream in color even on a winter's night/Thinking George Seurat afternoon bathed in light"
In 2006, a group of volunteers staged the scene with modern clothing.[2]
Joshua Ferris' 2007 novel Then We Came to the End, a book about the workplace, life and labor, places two workaholic lovers in front of the painting, on exhibit at the Art Institute of Chicago.

[edit] Footnotes

^ Gage, John (1993). Color and Culture: Practice and Meaning from Antiquity to Abstraction. Boston: Little, Borwn, pp. 220, 224. .

[edit] Related works by Seurat

Bathers at Asnières, 1883-1884	Figures assises, 1884	Die Insel La Grande Jatte mit Ausflüglern, 1884	Paysage et personnages, 1884-1885
Groupe de personnages, 1884-1885	Esquisse d'ensemble, 1884-1885	Femmes au bord de l'eau, 1885-1886	Sunday Afternoon on La Grande Jatte, 1884-1886