A Supposedly Fun Thing I'll Never Do Again

A Supposedly Fun Thing I'll Never Do Again
First Edition hardcover
Author(s)	David Foster Wallace
Cover artist	Elizabeth Van Itallie
Country	United States
Language	English
Genre(s)	Non-fiction
Publisher	Little, Brown and Co.
Publication date	1 February 1997
Media type	Print (hardback, paperback)
Pages	353 pp
ISBN	ISBN 0-316-91989-6
OCLC Number	35318437
Preceded by	Infinite Jest
Followed by	Brief Interviews with Hideous Men

A Supposedly Fun Thing I’ll Never Do Again: Essays and Arguments is a 1997 collection of nonfiction writing by David Foster Wallace.

In the title essay, originally published in Harper's as "Shipping Out", Wallace describes the excesses of his one-week trip in the Caribbean aboard the cruise ship MV Zenith, which he rechristens the Nadir. He is ironically displeased with the professional hospitality industry and the "fun" he should be having and explains how the indulgences of the cruise turn him into a spoiled brat, leading to overwhelming internal despair.

Wallace uses footnotes extensively throughout the piece for various asides. Like much of Wallace's work, the essay is written in postmodern style. Another essay in the same volume takes up the vulgarities and excesses of the Illinois State Fair.

This collection also includes Wallace's influential essay "E Unibus Pluram" on television's impact on contemporary literature and the use of irony in American culture.

Essays

Essays collected in the book:

• "Derivative Sport in Tornado Alley" (Harper's, December 1991, under the title "Tennis, Trigonometry, Tornadoes")
• "E Unibus Pluram: Television and U.S. Fiction" (The Review of Contemporary Fiction, 1993)
• "Getting Away from Already Being Pretty Much Away from It All" (Harper's, 1994, under the title "Ticket to the Fair")
• "Greatly Exaggerated" (Harvard Book Review, 1992)
• "David Lynch Keeps His Head" (Premiere, 1996)
• "Tennis Player Michael Joyce's Professional Artistry as a Paradigm of Certain Stuff about Choice, Freedom, Discipline, Joy, Grotesquerie, and Human Completeness" (Esquire, 1996, under the title "The String Theory")
• "A Supposedly Fun Thing I'll Never Do Again" (Harper's, 1996, under the title "Shipping Out")

Excerpt

The following excerpt from the title essay illustrates Wallace's style and use of footnotes:

"... advertisement that pretends to be art is, at absolute best, like somebody who smiles warmly at you only because he wants something from you. This is dishonest, but what's sinister is the cumulative effect that such dishonesty has on us: since it offers a perfect facsimile or simulacrum of goodwill without goodwill's real spirit, it messes with our heads and eventually starts upping our defenses even in cases of genuine smiles and real art and true goodwill. It makes us feel confused and lonely and impotent and angry and scared. It causes despair.^{[Note 1]}

^{Note 1:} This is related to the phenomenon of the Professional Smile, a national pandemic in the service industry; and no place in my experience have I been on the receiving end of as many Professional Smiles as I am on the Nadir: maitre d's, Chief Stewards, Hotel Managers' minions, Cruise Director -- their PS's all come on like switches at my approach. But also back at land at banks, restaurants, airline ticket counters, on and on. You know this smile: the strenuous contraction of circumoral fascia with incomplete zygomatic involvement, the smile that doesn't quite reach the smiler's eyes and that signifies nothing more than a calculated attempt to advance the smiler's own interests by pretending to like the smilee. Why do employers and supervisors force professional service people to broadcast the Professional Smile? Am I the only consumer in whom high doses of such a smile produce despair? Am I the only person who's sure that the growing number of cases in which totally average-looking people suddenly open up with automatic weapons in shopping malls and insurance offices and medical complexes and McDonald'ses is somehow causally related to the fact that these venues are well-known dissemination-loci of the Professional Smile?

Who do they think is fooled by the Professional Smile?

And yet the Professional Smile's absence now also causes despair. Anybody who has ever bought a pack of gum at a Manhattan cigar store or asked for something to be stamped FRAGILE at a Chicago post office or tried to obtain a glass of water from a South Boston waitress knows well the soul-crushing effect of a service worker's scowl, i.e. the humiliation and resentment of being denied the Professional Smile. And the Professional Smile has by now skewed even my resentment at the dreaded Professional Scowl: I walk away from the Manhattan tobacconist resenting not the counterman's character or absence of goodwill but his lack of professionalism in denying me the Smile. What a fucking mess."

(Wallace, 1997. p. 289)

References

• Wallace, D. F. (1997). A Supposedly Fun Thing I'll Never Do Again. Little, Brown. ISBN 0-316-92528-4
• Wallace, D. F. (1996). "Shipping Out", Harper's Magazine, January 1996 (292:1748)

External links

• "Shipping Out: On the (nearly lethal) comforts of a luxury cruise", Harpers Magazine. Also known as "A Supposedly Fun Thing I'll Never Do Again".
• "Ticket to the Fair", Harper's Magazine. Also known as "Getting Away from Already Being Pretty Much Away from It All".
• "The String Theory", Esquire. Also known as "Tennis Player Michael Joyce's Professional Artistry as a Paradigm of Certain Stuff about Choice, Freedom, Discipline, Joy, Grotesquerie, and Human Completeness".
• "E Unibus Pluram: Television and U.S. Fiction", The Review of Contemporary Fiction.
• "David Lynch Keeps His Head" Premiere, 1996
• "Derivative Sport in Tornado Alley", Harper's Magazine. Originally under the title "Tennis, Trigonometry, Tornadoes"