The film is shot in "cinéma vérité" style. The film chronicles the relationship between the minister, the Rev. L. William Youngdahl, his white Lutheran parishioners and black Lutheran parishioners in the community. Youngdahl was the son of a former governor of Minnesota and federal judge, Luther Youngdahl. The film includes a meeting between Youngdahl and a black barber named Ernie Chambers who tells the minister that his Jesus is "contaminated." At one point another Omaha Lutheran minister, the Rev. Walter E. Rowoldt, of Luther Memorial Lutheran Church, states that "This one lady said to me, pastor, she said, I want them to have everything I have, I want God to bless them as much as he blesses me, but, she says, pastor, I just can't be in the same room with them, it just bothers me." Rev. Rowoldt and other ministers also discuss the concern that blacks moving into white neighborhoods will decrease property values.
The attempt to reach out does not succeed and Youngdahl resigns from his job as minister of the church.