|Studio album by Genesis|
|Released||14 September 1981|
|Studio||The Farm, Chiddingfold, Surrey|
|Genre||Art rock, new wave, progressive rock, electronic rock, hard rock|
Vertigo (South America)
|Singles from Abacab|
Abacab is the eleventh studio album from the English rock band Genesis, released in September 1981 on Charisma Records in the United Kingdom and Atlantic Records in the United States. The sound is more synth-oriented but sparingly arranged, with less of a dense texture than previous albums. The result has been called art rock.
Abacab became the band's second consecutive UK number one album. It reached number 7 in the U.S. where it was certified double Platinum by the Recording Industry Association of America for over 2 million copies sold.
Background and recording
Genesis initially wrote an album's worth of material which they subsequently discarded because they saw themselves as becoming, in Mike Rutherford's words, "a caricature of ourselves". In what he saw as a major turning point for the group, they made a decision to throw out any songs which sounded like anything they had done before.
The album continued the band's stylistic shift toward a radio-friendly pop music sound. Influences of Brian Eno (Phil Collins had played on his albums frequently), Talking Heads and Peter Gabriel's solo material are evident. "No Reply at All" features the Earth, Wind & Fire horn section (as did Collins' solo album Face Value earlier in 1981).
Genesis produced Abacab by themselves. Engineer Hugh Padgham, who had assisted Collins on Face Value, continued to work on Genesis and Collins recordings through the end of the 1980s.
The album takes its name from an early arrangement of the title track. Rutherford said on the U.S. radio show In the Studio with Redbeard (which spotlighted Duke and Abacab in one episode): "There were three bits of music in 'Abacab', and we referred to them as 'section a', 'section b', and 'section c'... and at different times, they were in different order. We'd start with 'section a' and then have 'section c'... and at one point in time, it spelled Abacab. On the final version, it's not that at all, it's like 'Accaabbaac'."
Three songs from the Abacab sessions—"Paperlate", "You Might Recall", and "Me & Virgil"—were issued on the 3X3 EP. They were also issued on the non-UK releases of 1982's Three Sides Live. Two other songs from the sessions, "Naminanu" and "Submarine", appeared as B-sides on the "Abacab" singles, but were originally intended to be part of "Dodo/Lurker", where the order would have been "Naminanu/Dodo/Lurker/Submarine".
The keyboard sound on "Who Dunnit?" is the result of Banks constantly changing the presets on his Prophet synthesizer as he plays. Live performances of this song featured the novelty of Rutherford playing drums alongside Chester Thompson (although Collins played drums on the studio version).
The album was released with four different embossed covers simultaneously across the country, all depicting the same collage but with the paper shapes in different colours. The four different cover variants are usually identified by the colour of the largest upper shape adjacent to the title lettering; this shape being coloured navy blue, red, peach, and yellow.
Rolling Stone praised the album for shedding the "ivory-tower artistry" of their previous albums, turning to sparse arrangements and "highly rhythmic interplay" and drawing inspiration from popular contemporaries such as XTC and The Police. AllMusic's retrospective review echoed this sentiment with greater emphasis, declaring "Duke showcased a new Genesis... but Abacab was where this new incarnation of the band came into its own." They also argued that although the album is far richer in pop hooks and accessibility than the band's previous works, at its heart Abacab "is truly modern art rock."
Genesis toured in support of the Abacab album between September and December 1981, covering Europe and North America. Shows in New York and Birmingham, England comprised the Three Sides Live album released the following year. The tour also marked the first ever appearance of the Vari-Lite automated lighting system, the development of which had been paid for by the band.
A new version of Abacab was released in the UK and Japan on 2 April 2007. It was released in the US and Canada as part of the Genesis 1976-1982 box set on 15 May 2007. This includes the entire album in remixed stereo, the entire album in surround sound, and related video tracks.
|1.||"Abacab"||Tony Banks, Phil Collins, Mike Rutherford||7:02|
|2.||"No Reply at All"||Banks, Collins, Rutherford||4:41|
|3.||"Me and Sarah Jane"||Banks||6:00|
|4.||"Keep It Dark"||Banks, Collins, Rutherford||4:34|
|1.||"Dodo/Lurker"||Banks, Collins, Rutherford||7:30|
|2.||"Who Dunnit?"||Banks, Collins, Rutherford||3:22|
|3.||"Man on the Corner"||Collins||4:27|
|4.||"Like It or Not"||Rutherford||4:58|
|5.||"Another Record"||Banks, Collins, Rutherford||4:30|
- Additional personnel
- Genesis – production
- Hugh Padgham – engineer
- Bill Smith – album cover
Dead Ringer by Meat Loaf
|UK Albums Chart number one album
26 September 1981 – 9 October 1981
Ghost in the Machine by The Police
- Abacab Genesis Allmusic.com, Stephen Thomas Erlewine
- Neer, Dan (1985). Mike on Mike [interview LP], Atlantic Recording Corporation.
- "Phish - No Reply (Genesis cover)". YouTube. 1973-12-20. Retrieved 2014-06-29.
- Andy Fyfe Q, May 2007, Issue 250.
- Fricke, David (26 November 1981). Abacab review, Rolling Stone.