Abbott and Costello Meet Dr. Jekyll and Mr. Hyde

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Abbott and Costello Meet Dr. Jekyll and Mr. Hyde
Theatrical release poster
Directed by Charles Lamont
Produced by Howard Christie
Written by Howard Dimsdale
Sid Fields
Grant Garett
John Grant
Lee Loeb
Based on The Strange Case of Dr Jekyll and Mr Hyde 
by Robert Louis Stevenson
Starring Bud Abbott
Lou Costello
Boris Karloff
Music by Joseph Gershenson
Cinematography George Robinson
Edited by Russell Schoengarth
Distributed by Universal Pictures
Release dates August 10, 1953
Running time 76 min.
Country United States
Language English
Budget $724,805[1]
Box office $1.2 million (US & Canada rentals)[2]

Abbott and Costello Meet Dr. Jekyll and Mr. Hyde is a 1953 American comedy horror film directed by Charles Lamont and stars the comedy team of Abbott and Costello, and co-stars Boris Karloff.[3]

Loosely based on the novel The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson, the film follows the story of two American detectives visiting Edwardian London who become involved with the hunt for Dr. Jekyll, who is responsible for a series of murders.[4]


A rash of murders (by an unknown "monster") is plaguing London, and police are baffled. A newspaper reporter, Bruce Adams (Craig Stevens), finds one of the murder victims while coming home from a bar at night and calls the police. The next day, two American policemen, Slim (Bud Abbott) and Tubby (Lou Costello), who are working for the London Police Force, respond to a mob fight at a Women's Suffrage Rally in Hyde Park. Reporter Adams, young suffragette Vicky Edwards (Helen Westcott), Slim, and Tubby, all get caught up in the fray and wind up in jail. Later, Vicky's guardian, Dr. Henry Jekyll (Boris Karloff), bails Vicky and Adams out. Tubby and Slim are thereafter kicked off the police force. Unknown to anyone, however, Dr. Jekyll has developed an injectible serum which transforms him into Mr. Hyde (the "monster" responsible for the recent murders). When Jekyll notices Vicky's and Bruce's mutual attraction, he has more thoughts of murder, injects himself, and transforms once again into Hyde (with the intent of murdering Adams).

Meanwhile, Tubby and Slim decide that in order to get back on the police force they must capture this "monster" (Hyde). While walking down the street that night, Tubby spots Hyde (whom Slim at first mistakes for a burglar). They decide to follow Hyde into a music hall (where Vicky is performing and Adams is visiting her). A chase ensues, and Tubby traps Hyde in a wax museum. However, by the time he brings the Inspector (Reginald Denny), Adams, and Slim to the scene, the monster has already reverted to Dr. Jekyll and Tubby is once again scolded by the Police Inspector. The "good" doctor, however, asks Slim and Tubby to escort him to his home, where Tubby drinks a potion that transforms him into a large mouse. Afterwards, Slim and Tubby bring news of Jekyll's activities to the Inspector, who refuses to believe them.

Later, when Vicky announces to Jekyll her intent to marry Adams, Jekyll (who is secretly in love with Vicky) does not share her enthusiasm and transforms into Hyde right in front of her. Bent, this time, on murdering Vicky, Hyde attempts to attack her, but Bruce, Slim, and Tubby save her and Hyde escapes. During the struggle, however, Jekyll's serum needle is dropped into a couch cushion, which Tubby accidentally falls onto, transforming him also into a Hyde-like monster. Another mad-cap chase insues, this time with Bruce chasing Jekyll's monster and Slim pursuing Tubby's monster (both believing they are after Jekyll). Bruce's chase ends up back at Jekyll's home, where Hyde falls from an upstairs window to his death, revealing to everyone his true identity when he reverts to normal form. Slim then brings Tubby (still in monster form) to the Inspector. Tubby then bites the Inspector (and four officers) and reverts back to himself, much to the chagrin of Slim. However, before Slim and Tubby can be once again derided by the Inspector, the Inspector and his men have each transformed into monsters themselves (probably from Tubby's bite) and chase Slim and Tubby out of the office.



Abbott and Costello Meet Dr. Jekyll and Mr. Hyde was filmed between January 26th and February 20th, 1953 and received an "X" rating in Britain because of the scenes with Mr. Hyde.[5] Furthermore, Boris Karloff (contrary to the credits) only actually played Dr. Jekyll and did not play Hyde. Once the transformation sequences were over, Hyde was, instead, played by stuntman Eddie Parker, who remained uncredited.

In the movie, Bud Abbott's character consistently pronounces Dr. Jekyll's name as "JAKE ull." Most movies about the character pronounce the name as "JEEK ull," which is the British style and the way Stevenson pronounced it, or as "JECK ull," which is the standard American style (as in Jekyll Island). Abbott's pronunciation of the name appears to be unique.


The film received a 6.4 film rating on IMDb based 2,343 user Reviews. Many complained That Dr.Jekyll was perceived as evil himself. There was no struggle in the transformation between Dr. Jekyll and Mr. Hyde, giving the impression that Dr. Jekyll himself enjoyed the acts of Mr. Hyde. This is what brought most of the negative feedback. Other reviews complained about the lack of script and calling it cheap. The site Rotten Tomatoes gave the film a 6/10 score. The movie stands at a rating of 84. It received an audience rating of 3.4 out of 5 from 3,553 user ratings. One of the top critics was Steve Crum from the Kansas City Kansan. Giving the film 3/5 saying "Bud and Lou meet another monster for infrequent laughs."[6][7]

DVD releases[edit]

This film has been released twice on DVD, on The Best of Abbott and Costello Volume Four, on October 4, 2005, and again on October 28, 2008 as part of Abbott and Costello: The Complete Universal Pictures Collection.


  1. ^ Furmanek p 241
  2. ^ 'The Top Box Office Hits of 1953', Variety, January 13, 1954
  3. ^ Miller, Jeffrey S. (2004), Horror Spoofs of Abbott and Costello: A Critical Assessment of the Comedy Team's Monster Films, ISBN 978-0-7864-1922-7 
  4. ^ Stephen Jacobs, Boris Karloff: More Than a Monster, Tomohawk Press 2011 p 365
  5. ^ Furmanek, Bob and Ron Palumbo (1991). Abbott and Costello in Hollywood. New York: Perigee Books. ISBN 0-399-51605-0
  6. ^
  7. ^


  • Wingrove, David. Science Fiction Film Source Book (Longman Group Limited, 1985)

External links[edit]