About Face (album)
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|Studio album by David Gilmour|
|Released||5 March 1984
6 March 1984 (US)
|Recorded||1983 at Pathé Marconi Studio, Boulogne-Billancourt, France|
|David Gilmour chronology|
|Singles from About Face|
About Face is the second solo album by Pink Floyd guitarist David Gilmour, released in March 1984. It was co-produced by him and Bob Ezrin. Two songs, "All Lovers Are Deranged" and the more radio-friendly "Love on the Air", were co-written by Gilmour and his longtime friend Pete Townshend of The Who (Gilmour composed the music and Townshend wrote the lyrics). The remainder of the songs are credited solely to Gilmour himself. In May of the same year, fellow Floyd counterpart Roger Waters released his first official solo album The Pros and Cons of Hitch Hiking. About Face reached number 21 in the UK and number 32 in the US and was certified gold by the RIAA.
Some of the musicians working with Gilmour were Jeff Porcaro, Pino Palladino, Deep Purple keyboardist Jon Lord, Roy Harper, Michael Kamen (who also worked on The Pros and Cons of Hitch Hiking), Sam Brown, and Steve Winwood.
Doing this album I wanted to make a really good record. I didn't want to do it very very quickly, and I wanted to get the best musicians in the world that I could get hold of to play with me, so I thought I'd just make a little list of all my favourite musicians, you know, best drummer, best bass player, best keyboard player, and I'll work through the list to see who I can get. Jeff Porcaro was top of my drummers list, Pino Palladino was top of my bass players list, and Ian Kewley, or the Rev, as he's known, he actually came and did the bulk of the hammond and piano playing, and he was terrific. Steve Winwood was top of my keyboard playing list but he couldn't do most of the album, but I got him to do a bit. He played hammond organ on "Blue Light." I had a bit more time and was feeling a bit freer about things on this album...just more "accidents" tend to occur.
Music and lyrics
[About Pete Townshend's lyrics on About Face and Townshend's and Gilmour's works on their own solo records while being the force behind very successful bands] "I think Pete feels some restrictions on what he like to do with The Who, as I guess we all feel restrictions within everything we attempt, just because of the types of personalities and role you've created for yourself. I know he's felt uncomfortable about certain things--- things he could express in solo stuff. For me, the restriction was the scale of what Pink Floyd had become more than anything. It's nice to get out and do something on a slightly different scale; go out and do theaters, which is not really a possibility with Pink Floyd until we get a lot less popular."
Allegedly, some of the songs on About Face were being composed by Gilmour when Waters began production of the Pink Floyd album, The Final Cut. Gilmour claims he requested Waters wait another month for Gilmour to complete his own material, but Waters felt he was "on a roll", and already had plenty of material to complete the album, a very personal project about his father's death in World War II, and the further victimization of those who survived it. Waters, seeing Gilmour and Mason's lack of interest in the concept, offered to make The Final Cut as a solo album, but Gilmour and Mason still wanted a Pink Floyd album, of any kind, to sell. "[T]hey know songs don't grow on trees," Waters told David Fricke of Rolling Stone magazine. "They wanted it to be a Floyd record." Songs of Gilmour's that are said[by whom?] to be of the pre-Final Cut period are "Murder", "Out of the Blue", "Near the End" and the musical orchestration for "Love on the Air" and "All Lovers are Deranged".
Gilmour was later interviewed by Texas-based DJ Redbeard, on the radio programme, In the Studio with Redbeard during which the focus was his 2006 solo effort On an Island. He commented on About Face saying, "Looking back on it, it has some great moments on there but the whole flavour of it is too '80s for my current tastes."
"Murder", was an outcry by Gilmour about the senseless killing of John Lennon, a longtime musical peer and inspiration to him. Gilmour embellished the song with a solo fretless bassline, adding an edgy funk groove to the acoustic beginning of the song, leading to an instrumental bridge, where the song picks up in the speed of the beat with more electric instruments. Gilmour collaborated with Townshend on the songs "Love on the Air" and "All Lovers Are Deranged", as Gilmour recalled: "I sent him three songs and he sent back three sets of lyrics. Two of them suited me well. One didn't. He did the two on About Face and he did the other one ['White City Fighting'] on his White City album." The lyrics for "Love on the Air" were written in a day, after Gilmour had asked for Townshend's help. "You Know I'm Right", which was written in similar to Lennon's "How Do You Sleep?", was a dig towards to Waters. "Cruise" was about Ronald Regan having cruise missiles stationed in Britain at the time.
The cover of the LP is a little wider than usual, approaching 12 1/2 inches. The inner sleeve bears lyrics and photos of Gilmour, and exists in at least two variations. A sleeve for the UK Harvest edition has rounded corners and opens to the side; one for the USA Columbia edition has square corners and opens to the top, relative to the lyric text. Like the cover, the latter sleeve is wider than it is tall, and may not fit into the outer sleeve if turned 90 degrees.
In one corner of both versions are printed the words "Fleudian slip." Apparently a 'Floydian' play on Freudian Slip, its exact meaning is open to speculation. For example, it may mean nothing at all.
The album featured the single "Love on the Air", with lyrics by Townshend, and the disco-style single "Blue Light", later remixed by François Kevorkian; "Blue Light" was released, backed with "Cruise", on 13 February 1984, while "Love on the Air", backed with "Let's Get Metaphysical" on 24 April. The album was released on 5 March in the UK, and on 6 March in the US. "All Lovers Are Deranged" and "Murder" were released as singles for North American rock radio; the former reaching #10 on Billboard's Mainstream Rock chart.
- Side one
- "Until We Sleep" – 5:15
- "Murder" – 4:59
- "Love on the Air" – 4:19
- "Blue Light" – 4:35
- "Out of the Blue" – 3:35
- Side two
- "All Lovers Are Deranged" – 3:14
- "You Know I'm Right" – 5:06
- "Cruise" – 4:40
- "Let's Get Metaphysical" – 4:09
- "Near the End" – 5:36
- Note: The 2006 remaster has a longer fadeout for "Until We Sleep" and "Near the End" at 5:20 and 5:50, respectively.
Versions of "Blue Light"
- "Blue Light" (Single edit) – 3:52
- "Blue Light" (12" Mix from the "Blue Light" 12" promo single) – 6:10
- "Blue Light" (Instrumental version, B-side of "Blue Light" 12" promo single) – 6:13
Another piece of music written for the album was not used by Gilmour.
He asked Roy Harper and separately, Pete Townshend, to supply lyrics, but felt that those provided were not messages that he could relate to. Harper subsequently used the tune, with his lyrics, as "Hope", on his 1985 album with Jimmy Page, Whatever Happened to Jugula?. Townshend used it with his lyrics as "White City Fighting", which has a markedly faster tempo, on his 1985 album White City: A Novel, on which Gilmour plays.
- Main musicians
- David Gilmour – guitar, lead vocals, bass guitar
- Jeff Porcaro – drums, percussion
- Pino Palladino – bass guitar
- Ian Kewley – Hammond organ, piano (not present during "Blue Light" sessions)
- Additional musicians
- Steve Winwood – Hammond organ on "Blue Light", piano on "Love on the Air"
- Anne Dudley – synthesiser
- Bob Ezrin – keyboards, orchestral arrangement
- Luís Jardim – percussion
- Ray Cooper – percussion
- Jon Lord – synthesizer
- The Kick Horns – brass
- Vicki Brown – backing vocals
- Sam Brown – backing vocals
- Mickey Feat – backing vocals
- Roy Harper – backing vocals
- Steve Rance – Fairlight programming
- The National Philharmonic Orchestra
- Michael Kamen – orchestral arrangement
- Bob Ezrin – producer
- David Gilmour – producer
- Andrew Jackson – engineer
- Kit Woolven – engineer
- James Guthrie – mix engineer, remastering
- Eric Tomlinson – orchestration recorder
- Doug Sax – mastering engineer
- Mike Reese – mastering engineer
- Storm Thorgerson (under the pseudonym "STd") – cover design
The supporting tour for About Face, which lasted from March 31 to July 16, 1984, covering Europe and North America saw Gilmour perform the following songs:
- "Until We Sleep"
- "All Lovers Are Deranged"
- "There's No Way Out of Here"
- "Love on the Air"
- "Short & Sweet"
- "Run Like Hell"
- "Out of the Blue"
- "Let's Get Metaphysical"
- "You Know I'm Right"
- "Blue Light"
- "Near the End"
- "Comfortably Numb"
- "I Can't Breathe Anymore"
- David Gilmour – guitar, keyboards, vocals
- Gregg Dechart – keyboards
- Sue Evans – percussion (5–16 July)
- Mickey Feat – bass guitar
- Jody Linscott – percussion (March–June)
- Mick Ralphs – guitar, vocals
- Raphael Ravenscroft – saxophone, flute, keyboards
- Chris Slade – drums
|Germany Media Control Charts||24|
|Switzerland Swiss Hitparade||15|
|US Billboard 200||32|
Singles – Billboard (US)
|1984||"Blue Light"||The Billboard Hot 100||62|
|1984||"Blue Light"||Mainstream Rock Tracks||35|
|1984||"All Lovers Are Deranged"||Mainstream Rock Tracks||10|
|1984||"Murder"||Mainstream Rock Tracks||11|
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