Abraham Zapruder (May 15, 1905 – August 30, 1970) was an American manufacturer of women's clothing, but was best known for his home movie documenting the assassination of U.S. President John F. Kennedy on November 22, 1963.
Zapruder was born on May 15, 1905, into a Russian Jewish family, in the city of Kovel, the Russian Empire. He received only four years of formal education in Russia. In 1920, amid the turmoil of the Russian Civil War, his family emigrated to the United States, settling in Brooklyn, New York. Studying English at night, he found work as a clothing pattern maker in Manhattan's garment district. He and his wife Lillian (1913–1993) married in 1933 and had two children.
In 1941, Zapruder moved to Dallas to work for Nardis, a local sportswear company. He was first listed in the Dallas telephone directory in either 1948 or 1949. In 1949 he co-founded Jennifer Juniors, Inc., producing the Chalet and Jennifer Juniors brands. His offices were in the Dal-Tex Building, directly across the street east of the Texas School Book Depository.
Witness to Kennedy assassination
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Inadvertent filming of assassination
At the time of the assassination, Zapruder was an admirer of President Kennedy and considered himself a Democrat. Not originally intending to bring his camera to work in order to film the motorcade, Zapruder, at the insistence of his assistant, retrieved it from home before going to Dealey Plaza.
The camera was an 8 mm Bell & Howell Zoomatic Director Series Model 414 PD—top of the line when it was purchased in 1962. Zapruder waited atop a concrete pedestal along Elm Street, his receptionist Marilyn Sitzman prepared to steady him from behind, and began filming as the President's limousine turned onto Elm Street in front of the Book Depository. The next 26.6 seconds were captured on 486 frames of Kodak Kodachrome II safety film.
Walking back to his office amid the confusion following the shots, Zapruder encountered The Dallas Morning News reporter Harry McCormick, who was acquainted with Agent Forrest Sorrels of the Secret Service's Dallas office. McCormick offered to bring Sorrels to Zapruder's office. Zapruder continued to his office where he sent his assistant Lillian Rogers to find a Secret Service agent, in case McCormick failed to find Sorrels. McCormick did find Sorrels, outside the Sheriff's office at Main and Houston, and together they went to Zapruder's office.
Zapruder agreed to give the film to Sorrels on the condition it would be used only for investigation of the assassination. The group took the film to the television station WFAA to be developed.
After it was realized that WFAA was unable to develop Zapruder's footage, in the late afternoon it was taken to Eastman Kodak's Dallas processing plant where it was immediately developed. Because under the Kodachrome process different equipment is required for duplication than for simple development, around 6:30 p.m. the developed original was taken to the Jamieson Film Company, where three additional copies were exposed; these were returned to Kodak around 8 p.m. for processing. Zapruder kept the original, plus one copy, and gave the other two copies to Sorrels, who sent them to Secret Service headquarters in Washington.
While at WFAA, Zapruder described on live television what he had seen:
Sale of rights
Late that evening, Zapruder was contacted at home by Richard Stolley, an editor at Life magazine (and first editor of the future People magazine). They arranged to meet the following morning to view the film, after which Zapruder sold the print rights to Life magazine for $50,000. Stolley was representing Time/Life on behalf of Publisher Charles Douglas Jackson. The following day (November 24), Life purchased all rights to the film for a total of $150,000 (an inflation adjusted equivalent of about $1.125 million in 2013). Zapruder gave the first $25,000, about $187,000 in 2013 dollars, to the widow of Dallas policeman J.D. Tippit, who was murdered on the same day as President Kennedy.
The night after the assassination, Zapruder is said to have had a nightmare in which he saw a booth in Times Square advertising "See the President's head explode!" He determined that, while he was willing to make money from the film, he did not want the public to see the full horror of what he had seen. Therefore, a condition of the sale to Life was that frame 313, showing the fatal shot, would be withheld. Although he made a profit from selling the film, he was so disturbed by the nightmare he had filmed that he did not keep a copy. He never owned or used another camera again.
On November 22, United States PRS Special Agent Maxwell D. Phillips sent a hand-written memo to Secret Service head James Rowley, stating that, "According to Mr Zapruder the position of the assassin was behind Mr Zapruder." But in his testimony to the Warren Commission Zapruder was less certain:
Zapruder added that he had assumed the shots came from behind him not only because the President's head went backwards from the fatal shot, but also that the wound on the side of the President's head was facing that direction. He also said he believed it because police officers ran to the area behind him.
- Passenger list, S.S. Rotterdam, Port of New York, July 12, 1920, sheet 73, lines 4–7. Zapruder's father Israel had emigrated in advance of the rest of the family.
- Richard B. Trask, National Nightmare on Six Feet of Film (Yeoman Press, 2005), p. 18. ISBN 0-9638595-4-4.
- Visit to reference services, Dallas Public Library (downtown), June 1985, R. S. Fritzius.
- Betty Temple Howell, Southwest Styles: CASUAL OR DRESSY Keep It Smart! The Christian Science Monitor, Oct 26, 1953 Women Today Pg. 10, (1148 words) Forecast for spring from the Dallas Fashion Market emphasizes the importance of fabric in achieving the soft, fluid look… and different age groups by Chalet. of Texas, a firm just four years old in the Dallas market.
- Testimony of Abraham Zapruder, Clay Shaw Trial Transcripts, page 7 of 101, AARC the assassination archives and research center.
- Interview of Marilyn Sitzman by Josiah Thompson, 1966.
- "Interview with Abraham Zapruder (November 22, 1963)". YouTube (video) (WFAA). 00:35–00:43. Retrieved April 14, 2014.
- Transcript of WFAA's interview with Zapruder, from the Sixth Floor Museum. Retrieved 2008-10-28.
- The Inflation Calculator, using the Consumer Price Index.
- "Kennedy’s Assassination: How LIFE Brought the Zapruder Film to Light". LIFE. October 24, 2013. Retrieved 2013-11-14.
- Richard Stolley, “What Happened Next . . . ,” Esquire, November 1973, pp. 134–135.
- The Warren Commission Report reproduced frame 313 in 1964, and Life magazine eventually did as well, in its issue of October 2, 1964, p. 45.
- Warren Commission Document CD87
- Testimony of Abraham Zapruder, Warren Commission Hearings and Exhibits, vol. 7, p. 572.
- Testimony of Abraham Zapruder, Warren Commission Hearings and Exhibits, vol. 7, p. 571.
- Testimony of Abraham Zapruder, State of Louisiana v. Clay Shaw, February 13, 1969, p. 2.
- "A. Zapruder Dies; Took JFK Films", The Dallas Morning News, August 31, 1970.
- Warren Commission Hearings, Testimony of Abraham Zapruder, vol. 7, p. 569.
- Zapruder's testimony during the Clay Shaw trial
- The Zapruder Camera - Bell & Howell 414PD Director Series - Overview and User's Manual
- Zapruder Film
- Abraham Zapruder at the Internet Movie Database
- Works by or about Abraham Zapruder in libraries (WorldCat catalog)
- Abraham Zapruder collected news and commentary at The New York Times
- Abraham Zapruder at the Notable Names Database