Academy Award for Best Cinematography

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Academy Award for Best Cinematography
Presented by Academy of Motion Picture Arts and Sciences
Country United States
Official website http://www.oscars.org

The Academy Award for Best Cinematography is an Academy Award awarded each year to a cinematographer for work in one particular motion picture.

Contents

[edit] History

Charles Rosher, the first recipient in 1928

In its first film season, 1927–28, this award (like others such as the acting awards) was not tied to a specific film; all of the work by the nominated cinematographers during the qualifying period was listed after their names. The problem with this system became obvious the first year, since Karl Struss and Charles Rosher were nominated for their work together on Sunrise but three other films shot individually by either Rosher or Struss were also listed as part of the nomination. The second year, 1929, there were no nominations at all, although the Academy has a list of unofficial titles which were under consideration by the Board of Judges. In the third year, 1930, films, not cinematographers, were nominated, and the final award did not show the cinematographer's name.

Finally, for the 1931 awards, the modern system in which individuals are nominated for a single film each was adopted in all profession-related categories. From 1939 to 1967 (with the single exception of 1957), there were also separate awards for color and for black-and-white cinematography. Since then, the only black-and-white film to win is Schindler's List (1993).

Floyd Crosby won the last Academy Award to go to a silent film for Tabu in 1931. Hal Mohr won the only write-in Academy Award ever, in 1935 for A Midsummer Night's Dream. Mohr was also the first person to win for both black-and-white and color cinematography.

No winners are lost, although some of the earliest nominees (and of the unofficial nominees of 1928-29) are lost, including The Devil Dancer (1927), The Magic Flame (1927), and Four Devils (1928). The Right To Love (1930) is incomplete, and Sadie Thompson (1927) is incomplete and partially reconstructed with stills.

[edit] Superlatives

Category Name Superlative Year Notes
Most Awards Leon Shamroy 4 awards 1942 Awards resulted from 18 nominations
Joseph Ruttenberg 1958 Awards resulted from 10 nominations
Most Nominations Leon Shamroy 18 nominations 1965 Nominations resulted in 4 awards
Charles B. Lang, Jr. 1972 Nominations resulted in 1 award
Oldest Winner Conrad L. Hall Award at 76 2002 Hall died just 2 months before the awards ceremony. Hall is also the oldest non-posthumous winner, at age 73, in 1999.
Oldest Nominee Asakazu Nakai Nomination at 84 1985 Shared nomination with two others
Youngest Winner Charles B. Lang, Jr. Award at 30 1932/33
First nomination, age 28
Youngest Nominee
Most nominations without a win (deceased) George Folsey 13 nominations
Most nominations without a win (living) Roger Deakins 9 nominations

[edit] Winners and nominees

[edit] 1920s

[edit] 1930s

(Special Award presented to W. Howard Greene and Harold Rosson for the color cinematography of The Garden of Allah)

(Upon recommendation of a committee of cinematographers, a Special Award is presented to W. Howard Greene for the color cinematography of A Star is Born)

(Special Award presented to Oliver Marsh and Allen Davey for the color cinematography of Sweethearts)
From 1939, there were separate awards for Black and White and for Color:

[edit] 1940s

[edit] 1950s

For 1957, there was a single award:

From 1958, there were separate awards for Black and White and for Color again:

[edit] 1960s

From 1967, there was a single award again:

[edit] 1970s

[edit] 1980s

[edit] 1990s

[edit] 2000s

[edit] 2010s

[edit] External links

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