Academy Award for Best Picture
| Academy Award for Best Picture | |
|---|---|
| Awarded for | Best Picture of the Year |
| Country | United States |
| Presented by | Academy of Motion Picture Arts and Sciences |
| First awarded | 1929 (for films released in 1927 and 1928) |
| Currently held by | Argo (2012) |
| Official website | www.oscars.org |
The Academy Award for Best Picture is one of the Academy Awards of Merit presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) to producers working in the motion picture industry and is the only category in which every member is eligible to nominate for. Best Picture is considered the most important of the Academy Awards, as it represents all the directing, acting, music composing, writing, editing and other efforts put forth into a film. Consequently, Best Picture is the final award and the conclusion of the annual Academy Awards ceremony. The Grand Staircase columns at the Dolby Theatre in Los Angeles, where the Academy Awards ceremonies have been held since 2002, showcase every film that has won the Best Picture title since the award's inception 85 years ago.
Contents |
History [edit]
At the 1st Academy Awards ceremony (for 1927 and 1928), there were two categories that were seen as equally the top award of the night: Outstanding Picture and Unique and Artistic Production, the previous being won by the war epic Wings, and the latter by the art film Sunrise. The awards were intended to honor different and equally important aspects of superior filmmaking, and in fact the judges and studio bosses who sought to influence their decisions paid more attention to the latter - MGM head Louis B. Mayer, who had disliked the realism of King Vidor's nominated film The Crowd (the third film nominated was Chang: A Drama of the Wilderness), pressured the judges not to honor his own studio's film, and to select Sunrise instead. The following year, the Academy dropped the Unique and Artistic Production award, and decided retroactively that the award won by Wings was the highest honor that could be awarded. Though the award kept the title Outstanding Picture for the next ceremony, the name underwent several changes over the years as seen below, the last being in 1962 when it became Best Picture.
- 1927/28 → 1928/29: Academy Award for Outstanding Picture
- 1929/30 → 1940: Academy Award for Outstanding Production
- 1941 → 1943: Academy Award for Outstanding Motion Picture
- 1944 → 1961: Academy Award for Best Motion Picture
- 1962 → present: Academy Award for Best Picture
As of the 85th Academy Awards ceremony (for 2012), there have been 503 films nominated for the Best Picture award. Notably, the Academy Awards for Best Picture and Best Director have been very closely linked throughout their history. Of the 85 films that have been awarded Best Picture, 62 have also been awarded Best Director.[1] Only four films have won Best Picture without their directors being nominated: Wings (1927/28), Grand Hotel (1931/32), Driving Miss Daisy (1989), and Argo (2012). The only two Best Director winners to win for films which did not receive a Best Picture nomination are distinctly during the early years: Lewis Milestone for Two Arabian Knights (1927/28), and Frank Lloyd for The Divine Lady (1928/29).
On June 24, 2009, AMPAS announced that the number of films nominated in the Best Picture award category would increase from five to ten, starting with the 82nd Academy Awards (2009).[2] The expansion was a throwback to the Academy's early years in the 1930s and 1940s, when eight to twelve films were nominated. "Having 10 Best Picture nominees is going to allow Academy voters to recognize and include some of the fantastic movies that often show up in the other Oscar categories but have been squeezed out of the race for the top prize," AMPAS President Sid Ganis said in a press conference. "I can't wait to see what that list of 10 looks like when the nominees are announced in February."[2] At the same time, the voting system was switched from first-past-the-post to Alternative Vote (also known as Instant Run-off Vote).[3] Two years after this change, the Academy revised the rule again so that the number of films nominated was between 5 and 10, provided that the film earned 5% of the first-place votes during the nominating process. Academy Executive Bruce Davis stated, "A Best Picture nomination should be an indication of extraordinary merit. If there are only eight pictures that truly earn that honor in a given year, we shouldn't feel an obligation to round out the number."[4]
The Award is not without controversy. One point of contention is the lack of consideration of non-English language films for Best Picture. To date, only nine foreign language films have been nominated in the category: Grand Illusion (French, 1938); Z (French, 1969); The Emigrants (Swedish, 1972); Cries and Whispers (Swedish, 1973); Il Postino (Italian/Spanish, 1995); Life Is Beautiful (Italian, 1998); Crouching Tiger, Hidden Dragon (Mandarin Chinese, 2000); Letters from Iwo Jima (Japanese, 2006, but ineligible for Best Foreign Language Film, as it was an American production); and Amour (French, 2012).
Other points of contention include the lack of animated films being nominated (Disney's Beauty and the Beast became the 1st film to get nominated, and Disney-Pixar's Up and Toy Story 3 were nominated after the Academy expanded the number of nominees); no science fiction film has won despite a number of successful nominees; and only two comedies (Shakespeare in Love, 1998; and The Artist, 2011) have won in the last 30 years. Also to date, there has yet to be a documentary nominated for Best Picture, the closest being Chang: A Drama of the Wilderness which was nominated for Unique and Artistic Production in the first year of the Awards.
Twelve films exclusively financed outside the United States have won Best Picture, eleven of which were financed, in part or in whole, by the United Kingdom. Those films were, in chronological order: Hamlet, The Bridge on the River Kwai, Lawrence of Arabia, Tom Jones, A Man for All Seasons, Oliver!, Chariots of Fire, Gandhi, The Last Emperor, Slumdog Millionaire and The King's Speech. The twelfth film, The Artist, was financed by France.
Only a small number of sequels have been nominated for Best Picture of which two have won; Godfather Part II and The Lord of the Rings: The Return of the King. Other nominees include Bells of St. Mary, Godfather Part III, Lord of the Rings: The Two Towers and Toy Story 3. Notably, the only remake to win is The Departed, though a few other winners, such as Mutiny on the Bounty and Ben-Hur, were heavily inspired and influenced by previous films of the same name, they were nevertheless adaptations of the same novel.
No Best Picture winner has been lost, though a few such as All Quiet on the Western Front and Lawrence of Arabia exist only in a form altered from their original, award-winning release form, usually due to editing for reissue (and subsequently partly restored by archivists). Other winners and nominees such as Tom Jones and Star Wars are widely available only in subsequently altered versions. The 1928 film The Patriot is the only Best Picture nominee that is lost; The Racket was believed lost for many years but a print existed in producer Howard Hughes' archives and it has since been shown on Turner Classic Movies while the only surviving complete print of 1931's East Lynne exists within the UCLA film archive.
The Artist (with the exception of a single scene of dialogue) was the first silent film since Wings to win Best Picture. The film was also the first silent nominee since The Patriot, as well as the first Best Picture winner shot entirely in black-and-white since 1960's The Apartment. (Schindler's List, the 1993 winner, was predominantly black-and-white but contained some color sequences.)
Winners and nominees [edit]
In the list below, the winner of the award for each year is shown first, followed by the other nominees. Except for the early years (when the Academy used a non-calendar year), the year shown is the one in which the film first premiered in Los Angeles County, California; normally this is also the year of first release, but it may be the year after first release (as with Casablanca and, if the film-festival premiere is considered, Crash). This is also the year before the ceremony at which the award is given; for example, a film exhibited theatrically during 2005 was eligible for consideration for the 2005 Best Picture Oscar, awarded in 2006. The number of the ceremony (1st, 2nd, etc.) appears in parentheses after the awards year, linked to the article on that ceremony. Each individual entry shows the title followed by the production company, and the producer. Until 1950, the Best Picture award was given to the production company; from 1951 on, it has gone to the producer.
For the first ceremony, three films were nominated for the award. For the following three years, five films were nominated for the award. This was expanded to eight in 1933, to ten in 1934, and to twelve in 1935, before being dropped back to ten in 1937. In 1945 it was further reduced to five. This number remained until 2009, when the limit was raised to ten and later adjusted in 2011, to vary between five and ten.
For the first six ceremonies, the eligibility period spanned two calendar years. For example, the 2nd Academy Awards presented on April 3, 1930, recognized films that were released between August 1, 1928, and July 31, 1929. Starting with the 7th Academy Awards, held in 1935, the period of eligibility became the full previous calendar year from January 1 to December 31.
Winners are listed first in colored row, followed by the other nominees.
1920s [edit]
| Film | Production Company(s) | Producer(s) |
|---|---|---|
| Wings | Paramount, Famous Players-Lasky | Lucien Hubbard |
| The Racket | Caddo, Paramount | Howard Hughes |
| Seventh Heaven | Fox | William Fox |
| Film | Production Company(s) | Producer(s) |
|---|---|---|
| The Broadway Melody | Metro-Goldwyn-Mayer [L] | Irving Thalberg & Lawrence Weingarten |
| Alibi | Feature Productions, United Artists | Roland West |
| The Hollywood Revue of 1929 | Metro-Goldwyn-Mayer | Harry Rapf |
| In Old Arizona | Fox | Winfield Sheehan[G] |
| The Patriot | Paramount | Ernst Lubitsch |
1930s [edit]
| Film | Production company(s) | Producer(s) |
|---|---|---|
| All Quiet on the Western Front | Universal | Carl Laemmle, Jr. |
| The Big House | Metro-Goldwyn-Mayer | Irving Thalberg |
| Disraeli | Warner Bros. | Jack Warner, Darryl F. Zanuck |
| The Divorcee | Metro-Goldwyn-Mayer | Robert Z. Leonard |
| The Love Parade | Paramount | Ernst Lubitsch |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Cimarron | RKO Radio | William LeBaron |
| East Lynne | Fox | Winfield Sheehan[G] |
| The Front Page | Caddo, United Artists | Howard Hughes |
| Skippy | Paramount | Adolph Zukor |
| Trader Horn | Metro-Goldwyn-Mayer | Irving G. Thalberg |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Grand Hotel | Metro-Goldwyn-Mayer | Irving Thalberg |
| Arrowsmith | Goldwyn, United Artists | Samuel Goldwyn |
| Bad Girl | Fox | Winfield Sheehan[G] |
| The Champ | Metro-Goldwyn-Mayer | King Vidor |
| Five Star Final | First National | Hal B. Wallis |
| One Hour with You | Paramount | Ernst Lubitsch |
| Shanghai Express | Paramount | Adolph Zukor |
| The Smiling Lieutenant | Paramount | Ernst Lubitsch |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Cavalcade [H] | Fox | Winfield Sheehan [G] |
| A Farewell to Arms[H] | Paramount | Adolph Zukor |
| 42nd Street | Warner Bros. | Darryl F. Zanuck |
| I Am a Fugitive from a Chain Gang | Warner Bros. | Hal B. Wallis |
| Lady for a Day | Columbia | Frank Capra |
| Little Women[H] | RKO Radio | Merian C. Cooper, Kenneth MacGowan |
| The Private Life of Henry VIII | London Films | Alexander Korda |
| She Done Him Wrong | Paramount | William LeBaron |
| Smilin' Through | Metro-Goldwyn-Mayer | Irving Thalberg |
| State Fair | Fox | Winfield Sheehan[G] |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| It Happened One Night [I] | Columbia | Harry Cohn & Frank Capra |
| The Barretts of Wimpole Street[I] | Metro-Goldwyn-Mayer | Irving Thalberg |
| Cleopatra | Paramount | Cecil B. DeMille |
| Flirtation Walk | First National | Jack L. Warner, Hal B. Wallis, Robert Lord |
| The Gay Divorcee | RKO Radio | Pandro S. Berman |
| Here Comes the Navy | Warner Bros. | Lou Edelman |
| The House of Rothschild[I] | 20th Century, United Artists | Darryl F. Zanuck, William Goetz, Raymond Griffith |
| Imitation of Life | Universal | John M. Stahl |
| One Night of Love | Columbia | Harry Cohn, Everett Riskin |
| The Thin Man | Metro-Goldwyn-Mayer | Hunt Stromberg |
| Viva Villa! | Metro-Goldwyn-Mayer | David O. Selznick |
| The White Parade | Fox | Jesse L. Lasky |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Mutiny on the Bounty [J] | Metro-Goldwyn-Mayer | Irving Thalberg, Albert Lewin |
| Alice Adams | RKO Radio | Pandro S. Berman |
| Broadway Melody of 1936 | Metro-Goldwyn-Mayer | John W. Considine, Jr. |
| Captain Blood[J] | Warner Bros., Cosmopolitan | Hal B. Wallis, Harry Joe Brown, Gordon Hollingshead |
| David Copperfield | Metro-Goldwyn-Mayer | David O. Selznick |
| The Informer[J] | RKO Radio | Cliff Reid |
| The Lives of a Bengal Lancer | Paramount | Louis D. Lighton |
| A Midsummer Night's Dream | Warner Bros. | Henry Blanke |
| Les Misérables | 20th Century, United Artists | Darryl F. Zanuck |
| Naughty Marietta | Metro-Goldwyn-Mayer | Hunt Stromberg |
| Ruggles of Red Gap | Paramount | Arthur Hornblow, Jr. |
| Top Hat | RKO Radio | Pandro S. Berman |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| The Great Ziegfeld | Metro-Goldwyn-Mayer | Hunt Stromberg |
| Anthony Adverse | Warner Bros. | Henry Blanke |
| Dodsworth | Goldwyn, United Artists | Samuel Goldwyn, Merritt Hulbert |
| Libeled Lady | Metro-Goldwyn-Mayer | Lawrence Weingarten |
| Mr. Deeds Goes to Town | Columbia | Frank Capra |
| Romeo and Juliet | Metro-Goldwyn-Mayer | Irving Thalberg |
| San Francisco | Metro-Goldwyn-Mayer | John Emerson, Bernard H. Hyman |
| The Story of Louis Pasteur | Warner Bros. | Henry Blanke |
| A Tale of Two Cities | Metro-Goldwyn-Mayer | David O. Selznick |
| Three Smart Girls | Universal | Joe Pasternak, Charles R. Rogers |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| The Life of Emile Zola | Warner Bros. | Henry Blanke |
| The Awful Truth | Columbia | Leo McCarey, Everett Riskin |
| Captains Courageous | Metro-Goldwyn-Mayer | Louis Lighton |
| Dead End | Goldwyn, United Artists | Samuel Goldwyn, Merritt Hulbert |
| The Good Earth | Metro-Goldwyn-Mayer | Irving Thalberg, Albert Lewin |
| In Old Chicago | 20th Century Fox | Darryl F. Zanuck, Kenneth MacGowan |
| Lost Horizon | Columbia | Frank Capra |
| One Hundred Men and a Girl | Universal | Charles R. Rogers, Joe Pasternak |
| Stage Door | RKO Radio | Pandro S. Berman |
| A Star Is Born | Selznick International, United Artists | David O. Selznick |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| You Can't Take It With You | Columbia | Frank Capra |
| The Adventures of Robin Hood | Warner Bros. | Hal B. Wallis, Henry Blanke |
| Alexander's Ragtime Band | 20th Century Fox | Darryl F. Zanuck, Harry Joe Brown |
| Boys Town | Metro-Goldwyn-Mayer | John W. Considine, Jr. |
| The Citadel | Metro-Goldwyn-Mayer | Victor Saville |
| Four Daughters | Warner Bros., First National | Hal B. Wallis, Henry Blanke |
| Grand Illusion | R. A. O., World Pictures | Frank Rollmer, Albert Pinkovitch |
| Jezebel | Warner Bros. | Hal B. Wallis, Henry Blanke |
| Pygmalion | Metro-Goldwyn-Mayer | Gabriel Pascal |
| Test Pilot | Metro-Goldwyn-Mayer | Louis Lighton |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Gone with the Wind | Selznick, Metro-Goldwyn-Mayer | David O. Selznick |
| Dark Victory | Warner Bros. | David Lewis |
| Goodbye, Mr. Chips | Metro-Goldwyn-Mayer | Victor Saville |
| Love Affair | RKO Radio | Leo McCarey |
| Mr. Smith Goes to Washington | Columbia | Frank Capra |
| Ninotchka | Metro-Goldwyn-Mayer | Sidney Franklin |
| Of Mice and Men | Roach, United Artists | Lewis Milestone |
| Stagecoach | United Artists | Walter Wanger |
| The Wizard of Oz | Metro-Goldwyn-Mayer | Mervyn LeRoy |
| Wuthering Heights | Goldwyn, United Artists | Samuel Goldwyn |
1940s [edit]
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Rebecca | Selznick, United Artists | David O. Selznick |
| All This, and Heaven Too | Warner Bros. | Jack L. Warner, Hal B. Wallis, David Lewis |
| Foreign Correspondent | Wanger, United Artists | Walter Wanger |
| The Grapes of Wrath | 20th Century Fox | Darryl F. Zanuck, Nunnally Johnson |
| The Great Dictator | Chaplin, United Artists | Charlie Chaplin |
| Kitty Foyle | RKO Radio | David Hempstead |
| The Letter | Warner Bros. | Hal B. Wallis |
| The Long Voyage Home | Argosy, Wanger, United Artists | John Ford |
| Our Town | Lesser, United Artists | Sol Lesser |
| The Philadelphia Story | Metro-Goldwyn-Mayer | Joseph L. Mankiewicz |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| How Green Was My Valley | 20th Century Fox | Darryl F. Zanuck |
| Blossoms in the Dust | Metro-Goldwyn-Mayer | Irving Asher |
| Citizen Kane | RKO Radio | Orson Welles |
| Here Comes Mr. Jordan | Columbia | Everett Riskin |
| Hold Back the Dawn | Paramount | Arthur Hornblow, Jr. |
| The Little Foxes | RKO Radio | Samuel Goldwyn |
| The Maltese Falcon | Warner Bros. | Hal B. Wallis |
| One Foot in Heaven | Warner Bros. | Hal B. Wallis |
| Sergeant York | Warner Bros. | Hal B. Wallis, Jesse L. Lasky |
| Suspicion | RKO Radio | Alfred Hitchcock |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Mrs. Miniver | Metro-Goldwyn-Mayer | Sidney Franklin |
| 49th Parallel | GFD, Columbia | Michael Powell |
| Kings Row | Warner Bros. | Hal B. Wallis |
| The Magnificent Ambersons | Mercury, RKO Radio | Orson Welles |
| The Pied Piper | 20th Century Fox | Nunnally Johnson |
| The Pride of the Yankees | Goldwyn, RKO Radio | Samuel Goldwyn |
| Random Harvest | Metro-Goldwyn-Mayer | Sidney Franklin |
| The Talk of the Town | Columbia | George Stevens |
| Wake Island | Paramount | Joseph Sistrom |
| Yankee Doodle Dandy | Warner Bros. | Jack Warner, Hal B. Wallis, William Cagney |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Casablanca | Warner Bros. | Hal B. Wallis |
| For Whom the Bell Tolls | Paramount | Sam Wood |
| Heaven Can Wait | 20th Century Fox | Ernst Lubitsch |
| The Human Comedy | Metro-Goldwyn-Mayer | Clarence Brown |
| In Which We Serve | Two Cities Films | Noël Coward |
| Madame Curie | Metro-Goldwyn-Mayer | Sidney Franklin |
| The More the Merrier | Columbia | George Stevens |
| The Ox-Bow Incident | 20th Century Fox | Lamar Trotti |
| The Song of Bernadette | 20th Century Fox | William Perlberg |
| Watch on the Rhine | Warner Bros. | Hal B. Wallis |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Going My Way | Paramount | Leo McCarey |
| Double Indemnity | Paramount | Joseph Sistrom |
| Gaslight | Metro-Goldwyn-Mayer | Arthur Hornblow, Jr. |
| Since You Went Away | Selznick, United Artists | David O. Selznick |
| Wilson | 20th Century Fox | Darryl F. Zanuck |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| The Lost Weekend | Paramount | Charles Brackett |
| Anchors Aweigh | Metro-Goldwyn-Mayer | Joe Pasternak |
| The Bells of St. Mary's | RKO Radio | Leo McCarey |
| Mildred Pierce | Warner Bros. | Jerry Wald |
| Spellbound | United Artists | David O. Selznick |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| The Best Years of Our Lives | RKO Radio | Samuel Goldwyn |
| Henry V | Two Cities Films | Laurence Olivier |
| It's a Wonderful Life | RKO Radio | Frank Capra |
| The Razor's Edge | 20th Century Fox | Darryl F. Zanuck |
| The Yearling | Metro-Goldwyn-Mayer | Sidney Franklin |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Gentleman's Agreement | 20th Century Fox | Darryl F. Zanuck |
| The Bishop's Wife | RKO Radio | Samuel Goldwyn |
| Crossfire | RKO Radio | Adrian Scott |
| Great Expectations | Cineguild | Ronald Neame |
| Miracle on 34th Street | 20th Century Fox | William Perlberg |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Hamlet | Two Cities Films | Laurence Olivier |
| Johnny Belinda | Warner Bros. | Jerry Wald |
| The Red Shoes | Independent Producers, The Archers | Michael Powell, Emeric Pressburger |
| The Snake Pit | 20th Century Fox | Anatole Litvak, Robert Bassler |
| The Treasure of the Sierra Madre | Warner Bros. | Henry Blanke |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| All the King's Men | Rossen, Columbia | Robert Rossen |
| Battleground | Metro-Goldwyn-Mayer | Dore Schary |
| The Heiress | Paramount | William Wyler |
| A Letter to Three Wives | 20th Century Fox | Sol C. Siegel |
| Twelve O'Clock High | 20th Century Fox | Darryl F. Zanuck |
1950s [edit]
| Film | Production company(s) | Producer(s) |
|---|---|---|
| All About Eve | 20th Century Fox | Darryl F. Zanuck |
| Born Yesterday | Columbia | S. Sylvan Simon |
| Father of the Bride | Metro-Goldwyn-Mayer | Sam Zimbalist |
| King Solomon's Mines | Metro-Goldwyn-Mayer | Sam Zimbalist |
| Sunset Boulevard | Paramount | Charles Brackett |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| An American in Paris | Metro-Goldwyn-Mayer | Arthur Freed |
| Decision Before Dawn | 20th Century Fox | Anatole Litvak, Frank McCarthy |
| A Place in the Sun | Paramount | George Stevens |
| Quo Vadis | Metro-Goldwyn-Mayer | Sam Zimbalist |
| A Streetcar Named Desire | Warner Bros. | Charles K. Feldman |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| The Greatest Show on Earth | Paramount | Cecil B. DeMille |
| High Noon | United Artists | Stanley Kramer |
| Ivanhoe | Metro-Goldwyn-Mayer | Pandro S. Berman |
| Moulin Rouge | Romulus Films | John Huston, John and James Woolf |
| The Quiet Man | Republic | John Ford, Merian C. Cooper |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| From Here to Eternity | Columbia | Buddy Adler |
| Julius Caesar | Metro-Goldwyn-Mayer | John Houseman |
| The Robe | 20th Century Fox | Frank Ross |
| Roman Holiday | Paramount | William Wyler |
| Shane | Paramount | George Stevens |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| On the Waterfront | Columbia | Sam Spiegel [N] |
| The Caine Mutiny | Columbia | Stanley Kramer |
| The Country Girl | Paramount | William Perlberg |
| Seven Brides for Seven Brothers | Metro-Goldwyn-Mayer | Jack Cummings |
| Three Coins in the Fountain | 20th Century Fox | Sol C. Siegel |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Marty | Steven Productions, Hecht-Lancaster Productions | Harold Hecht |
| Love Is a Many-Splendored Thing | 20th Century Fox | Buddy Adler |
| Mister Roberts | Warner Bros. | Leland Hayward |
| Picnic | Columbia | Fred Kohlmar |
| The Rose Tattoo | Paramount | Hal B. Wallis |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Around the World in 80 Days | Michael Todd Productions | Michael Todd |
| Friendly Persuasion | Allied Artists | William Wyler |
| Giant | Warner Bros. | George Stevens, Henry Ginsberg |
| The King and I | 20th Century Fox | Charles Brackett |
| The Ten Commandments | Paramount | Cecil B. DeMille |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| The Bridge on the River Kwai | Columbia, Horizon Pictures | Sam Spiegel |
| Peyton Place | 20th Century Fox | Jerry Wald |
| Sayonara | Warner Bros. | William Goetz |
| 12 Angry Men | United Artists | Henry Fonda, Reginald Rose |
| Witness for the Prosecution | United Artists | Arthur Hornblow, Jr. |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Gigi | Metro-Goldwyn-Mayer | Arthur Freed |
| Auntie Mame | Warner Bros. | Jack L. Warner |
| Cat on a Hot Tin Roof | Metro-Goldwyn-Mayer | Lawrence Weingarten |
| The Defiant Ones | Kramer, United Artists | Stanley Kramer |
| Separate Tables | United Artists | Harold Hecht |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Ben-Hur | Metro-Goldwyn-Mayer | Sam Zimbalist |
| Anatomy of a Murder | Columbia | Otto Preminger |
| The Diary of Anne Frank | 20th Century Fox | George Stevens |
| The Nun's Story | Warner Bros. | Henry Blanke |
| Room at the Top | Remus Films | John and James Woolf |
1960s [edit]
| Film | Production company(s) | Producer(s) |
|---|---|---|
| The Apartment | The Mirisch Company | Billy Wilder |
| The Alamo | Batjac Productions | John Wayne |
| Elmer Gantry | United Artists | Bernard Smith |
| Sons and Lovers | 20th Century Fox | Jerry Wald |
| The Sundowners | Warner Bros. | Fred Zinnemann |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| West Side Story | United Artists | Robert Wise |
| Fanny | Warner Bros. | Joshua Logan |
| The Guns of Navarone | Columbia | Carl Foreman |
| The Hustler | 20th Century Fox | Robert Rossen |
| Judgment at Nuremberg | United Artists | Stanley Kramer |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Lawrence of Arabia | Columbia | Sam Spiegel |
| The Longest Day | 20th Century Fox | Darryl F. Zanuck |
| The Music Man | Warner Bros. | Morton DaCosta |
| Mutiny on the Bounty | Metro-Goldwyn-Mayer | Aaron Rosenberg |
| To Kill a Mockingbird | U-I | Alan J. Pakula |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Tom Jones | Woodfall Films | Tony Richardson |
| America, America | Warner Bros. | Elia Kazan |
| Cleopatra | 20th Century Fox | Walter Wanger |
| How the West Was Won | Metro-Goldwyn-Mayer, Cinerama | Bernard Smith |
| Lilies of the Field | United Artists | Ralph Nelson |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| My Fair Lady | Warner Bros. | Jack L. Warner |
| Becket | Paramount | Hal B. Wallis |
| Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | Columbia | Stanley Kubrick |
| Mary Poppins | Disney | Walt Disney, Bill Walsh |
| Zorba the Greek | 20th Century Fox | Michael Cacoyannis |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| The Sound of Music | 20th Century Fox | Robert Wise |
| Darling | Embassy | Joseph Janni |
| Doctor Zhivago | Vic Films, Appia Films | Carlo Ponti |
| Ship of Fools | Columbia | Stanley Kramer |
| A Thousand Clowns | United Artists | Fred Coe |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| A Man for All Seasons | Highland Films | Fred Zinnemann |
| Alfie | Paramount | Lewis Gilbert |
| The Russians Are Coming, the Russians Are Coming | Sheldrake Films | Norman Jewison |
| The Sand Pebbles | 20th Century Fox | Robert Wise |
| Who's Afraid of Virginia Woolf? | Warner Bros. | Ernest Lehman |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| In the Heat of the Night | United Artists | Walter Mirisch |
| Bonnie and Clyde | Warner Bros., Seven Arts | Warren Beatty |
| Doctor Dolittle | 20th Century Fox | Arthur P. Jacobs |
| The Graduate | Embassy | Lawrence Turman |
| Guess Who's Coming to Dinner | Columbia | Stanley Kramer |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Oliver! | Romulus Films, Warwick Film Productions | John Woolf |
| Funny Girl | Columbia | Ray Stark |
| The Lion in Winter | Haworth Productions | Martin Poll |
| Rachel, Rachel | Warner Bros. | Paul Newman |
| Romeo and Juliet | B.H.E. Productions, Verona Produzione, Dino De Laurentiis | Anthony Havelock-Allan, John Brabourne |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Midnight Cowboy | United Artists | Jerome Hellman |
| Anne of the Thousand Days | Universal | Hal B. Wallis |
| Butch Cassidy and the Sundance Kid | 20th Century Fox | John Foreman |
| Hello, Dolly! | 20th Century Fox | Ernest Lehman |
| Z[K] | O.N.C.I.C., Cinema V | Jacques Perrin, Ahmed Rachedi |
1970s [edit]
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Patton | 20th Century Fox | Frank McCarthy |
| Airport | Universal | Ross Hunter |
| Five Easy Pieces | Columbia | Bob Rafelson, Richard Wechsler |
| Love Story | Paramount | Howard G. Minsky |
| MASH | 20th Century Fox | Ingo Preminger |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| The French Connection | 20th Century Fox | Philip D'Antoni |
| A Clockwork Orange | Warner Bros. | Stanley Kubrick |
| Fiddler on the Roof | United Artists | Norman Jewison |
| The Last Picture Show | Columbia | Stephen J. Friedman |
| Nicholas and Alexandra | Columbia | Sam Spiegel |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| The Godfather | Paramount | Albert S. Ruddy |
| Cabaret | Allied Artists | Cy Feuer |
| Deliverance | Warner Bros. | John Boorman |
| The Emigrants[K] | Svensk Filmindustri | Bengt Forslund |
| Sounder | 20th Century Fox | Robert B. Radnitz |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| The Sting | Universal | Tony Bill, Michael Phillips, Julia Phillips |
| American Graffiti | Lucasfilm, Universal, Coppola Co. | Francis Ford Coppola, Gary Kurtz |
| Cries and Whispers[K] | Cinematograph, Svenska Filminstitutet | Ingmar Bergman |
| The Exorcist | Warner Bros. | William Peter Blatty |
| A Touch of Class | Avco Embassy, Gordon Film Productions | Melvin Frank |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| The Godfather Part II [O] | Paramount | Francis Ford Coppola, Gray Frederickson, Fred Roos |
| Chinatown | Paramount, Coppola Co. | Robert Evans |
| The Conversation | Paramount | Francis Ford Coppola |
| Lenny | United Artists | Marvin Worth |
| The Towering Inferno | 20th Century Fox, Warner Bros. | Irwin Allen |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| One Flew Over the Cuckoo's Nest | United Artists | Saul Zaentz[N], Michael Douglas |
| Barry Lyndon | Warner Bros., Peregrine Productions, Hawk Films | Stanley Kubrick |
| Dog Day Afternoon | Warner Bros. | Martin Bregman, Martin Elfand |
| Jaws | Universal | Richard D. Zanuck and David Brown |
| Nashville | Paramount | Robert Altman |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Rocky | United Artists | Irwin Winkler, Robert Chartoff |
| All the President's Men | Warner Bros. | Walter Coblenz |
| Bound for Glory | United Artists | Robert F. Blumofe, Harold Leventhal |
| Network | Metro-Goldwyn-Mayer, United Artists | Howard Gottfried |
| Taxi Driver | Columbia | Michael Phillips, Julia Phillips |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Annie Hall | United Artists | Charles H. Joffe |
| The Goodbye Girl | Metro-Goldwyn-Mayer, Warner Bros. | Ray Stark |
| Julia | 20th Century Fox | Richard Roth |
| Star Wars | Lucasfilm, 20th Century Fox | Gary Kurtz |
| The Turning Point | 20th Century Fox | Herbert Ross, Arthur Laurents |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| The Deer Hunter | EMI Films, Universal | Barry Spikings, Michael Deeley, Michael Cimino, John Peverall |
| Coming Home | United Artists | Jerome Hellman |
| Heaven Can Wait | Paramount | Warren Beatty |
| Midnight Express | Columbia | Alan Marshall, David Puttnam |
| An Unmarried Woman | 20th Century Fox, Casablanca Filmworks | Paul Mazursky, Tony Ray |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Kramer vs. Kramer | Columbia | Stanley R. Jaffe |
| All That Jazz | 20th Century Fox | Robert Alan Aurthur |
| Apocalypse Now | Zoetrope | Francis Ford Coppola, Fred Roos, Gray Frederickson, Tom Sternberg |
| Breaking Away | 20th Century Fox | Peter Yates |
| Norma Rae | 20th Century Fox | Tamara Asseyev, Alex Rose |
1980s [edit]
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Ordinary People | Paramount | Ronald L. Schwary |
| Coal Miner's Daughter | Universal | Bernard Schwartz |
| The Elephant Man | Paramount, Brooksfilms | Jonathan Sanger |
| Raging Bull | United Artists | Irwin Winkler, Robert Chartoff |
| Tess | Renn Productions, Timothy Burrill Productions | Claude Berri, Timothy Burrill |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Chariots of Fire | Enigma Film Productions | David Puttnam |
| Atlantic City | Cine-Neighbor, Selta Films | Denis Héroux |
| On Golden Pond | ITC, Universal | Bruce Gilbert |
| Raiders of the Lost Ark | Lucasfilm, Paramount | Frank Marshall |
| Reds | Paramount | Warren Beatty |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Gandhi | Columbia | Richard Attenborough |
| E.T. the Extra-Terrestrial | Universal | Steven Spielberg, Kathleen Kennedy[M] |
| Missing | Universal | Edward Lewis, Mildred Lewis |
| Tootsie | Columbia | Sydney Pollack, Dick Richards |
| The Verdict | 20th Century Fox | Richard D. Zanuck, David Brown |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Terms of Endearment | Paramount | James L. Brooks |
| The Big Chill | Columbia | Michael Shamberg |
| The Dresser | Goldcrest, World Film Services | Peter Yates |
| The Right Stuff | Warner Bros., The Ladd Company | Irwin Winkler, Robert Chartoff |
| Tender Mercies | EMI Films, Universal | Philip S. Hobel |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Amadeus | Orion | Saul Zaentz |
| The Killing Fields | Enigma Film Productions | David Puttnam |
| A Passage to India | G.W. Films, Thorn EMI | John Brabourne, Richard Goodwin |
| Places in the Heart | Tri-Star | Arlene Donovan |
| A Soldier's Story | Columbia | Norman Jewison, Ronald L. Schwary, Patrick Palmer |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Out of Africa | Universal, Mirage Enterprises | Sydney Pollack |
| The Color Purple | Warner Bros. | Steven Spielberg, Kathleen Kennedy, Frank Marshall, Quincy Jones |
| Kiss of the Spider Woman | Island Alive, FilmDallas Pictures, HB Filmes | David Weisman |
| Prizzi's Honor | 20th Century Fox, ABC Motion Pictures | John Foreman |
| Witness | Paramount | Edward S. Feldman |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Platoon | Hemdale | Arnold Kopelson |
| Children of a Lesser God | Paramount | Burt Sugarman, Patrick J. Palmer |
| Hannah and Her Sisters | Orion | Robert Greenhut |
| The Mission | Enigma Film Productions, Goldcrest Films, Kingsmere | Fernando Ghia, David Puttnam |
| A Room with a View | Merchant Ivory | Ismail Merchant |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| The Last Emperor [O] | Recorded Picture Company, Yanco Films, TAO Films, AAA, Soprofilms | Jeremy Thomas |
| Broadcast News | 20th Century Fox | James L. Brooks |
| Fatal Attraction | Paramount | Stanley R. Jaffe, Sherry Lansing |
| Hope and Glory | Goldcrest Films, Nelson Entertainment | John Boorman |
| Moonstruck | Metro-Goldwyn-Mayer | Patrick J. Palmer, Norman Jewison |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Rain Man | United Artists | Mark Johnson |
| The Accidental Tourist | Warner Bros. | Lawrence Kasdan, Charles Okun, Michael Grillo |
| Dangerous Liaisons | Warner Bros., Lorimar, N.F.H. Productions | Norma Heyman, Hank Moonjean |
| Mississippi Burning | Orion | Frederick Zollo, Robert F. Colesberry |
| Working Girl | 20th Century Fox | Douglas Wick |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Driving Miss Daisy | Warner Bros. | Richard D. Zanuck, Lili Fini Zanuck |
| Born on the Fourth of July | Universal | A. Kitman Ho, Oliver Stone |
| Dead Poets Society | Touchstone | Steven Haft, Paul Junger Witt, Tony Thomas |
| Field of Dreams | Universal | Lawrence Gordon, Charles Gordon |
| My Left Foot | Ferndale Films, Granada Television International | Noel Pearson |
1990s [edit]
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Dances with Wolves | TIG Productions | Jim Wilson, Kevin Costner |
| Awakenings | Columbia | Walter F. Parkes, Lawrence Lasker |
| Ghost | Paramount | Lisa Weinstein |
| The Godfather Part III | Paramount, American Zoetrope | Francis Ford Coppola |
| Goodfellas | Warner Bros. | Irwin Winkler |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| The Silence of the Lambs | Orion | Edward Saxon, Kenneth Utt, Ron Bozman |
| Beauty and the Beast | Walt Disney Feature Animation | Don Hahn |
| Bugsy | TriStar, Mulholland, Baltimore | Mark Johnson, Barry Levinson, Warren Beatty |
| JFK | Warner Bros. | A. Kitman Ho, Oliver Stone |
| The Prince of Tides | Columbia | Barbra Streisand, Andrew S. Karsch |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Unforgiven | Warner Bros., Malpaso | Clint Eastwood |
| The Crying Game | Palace Pictures | Stephen Woolley |
| A Few Good Men | Columbia, Castle Rock Entertainment | David Brown, Rob Reiner, Andrew Scheinman |
| Howards End | Merchant Ivory | Ismail Merchant |
| Scent of a Woman | Universal | Martin Brest |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Schindler's List | Universal, Amblin Entertainment | Steven Spielberg, Gerald R. Molen, Branko Lustig |
| The Fugitive | Warner Bros. | Arnold Kopelson |
| In the Name of the Father | Universal, Hell's Kitchen | Jim Sheridan |
| The Piano | Jan Chapman Productions | Jan Chapman |
| The Remains of the Day | Columbia, Merchant Ivory | Mike Nichols, John Calley, Ismail Merchant |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Forrest Gump | Paramount | Wendy Finerman, Steve Tisch, Steve Starkey |
| Four Weddings and a Funeral | PolyGram Filmed Entertainment, Working Title Films | Duncan Kenworthy |
| Pulp Fiction | Miramax | Lawrence Bender |
| Quiz Show | Hollywood | Michael Jacobs, Julian Krainin, Michael Nozik, Robert Redford |
| The Shawshank Redemption | Columbia, Castle Rock Entertainment | Niki Marvin |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Braveheart | Paramount, Icon, 20th Century Fox | Mel Gibson, Alan Ladd, Jr., Bruce Davey |
| Apollo 13 | Universal, Imagine Entertainment | Brian Grazer |
| Babe | Universal, Kennedy Miller Productions | Bill Miller, George Miller, Doug Mitchell |
| The Postman (Il Postino)[K] | Cecchi Gori Group Tiger Cinematografica, Esterno Mediterraneo Film, Blue Dahlia, Penta Film | Mario Cecchi Gori, Vittorio Cecchi Gori, Gaetano Daniele |
| Sense and Sensibility | Columbia, Mirage | Lindsay Doran |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| The English Patient | Miramax, Tiger Moth Productions | Saul Zaentz |
| Fargo | PolyGram | Ethan Coen |
| Jerry Maguire | Gracie Films, TriStar | James L. Brooks, Laurence Mark, Richard Sakai, Cameron Crowe |
| Secrets & Lies | Thin Man Films | Simon Channing-Williams |
| Shine | Momentum Films | Jane Scott |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Titanic | Paramount, 20th Century Fox, Lightstorm Entertainment' | James Cameron, Jon Landau |
| As Good as It Gets | TriStar | James L. Brooks, Bridget Johnson, Kristi Zea |
| The Full Monty | Redwave Films | Umberto Pasolini |
| Good Will Hunting | Miramax | Lawrence Bender |
| L.A. Confidential | Warner Bros. | Curtis Hanson, Arnon Milchan, Michael G. Nathanson |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Shakespeare in Love | Miramax, Universal, Bedford Falls Company | David Parfitt, Donna Gigliotti, Harvey Weinstein, Edward Zwick, Marc Norman |
| Elizabeth | PolyGram Filmed Entertainment, Gramercy | Shekhar Kapur, Alison Owen, Eric Fellner, Tim Bevan |
| Life Is Beautiful[K] | Melampo Cinematografica, Pacific Pictures | Elda Ferri, Gianluigi Braschi |
| Saving Private Ryan | DreamWorks, Paramount | Steven Spielberg, Ian Bryce, Mark Gordon, Gary Levinsohn |
| The Thin Red Line | 20th Century Fox | Robert Michael Geisler, John Roberdeau, Grant Hill |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| American Beauty | DreamWorks | Bruce Cohen, Dan Jinks |
| The Cider House Rules | Miramax, FilmColony | Richard N. Gladstein |
| The Green Mile | Castle Rock Entertainment, Warner Bros. | Frank Darabont, David Valdes |
| The Insider | Touchstone, Forward Pass Productions | Pieter Jan Brugge, Michael Mann |
| The Sixth Sense | Hollywood, Spyglass Entertainment | Frank Marshall, Kathleen Kennedy, Barry Mendel |
2000s [edit]
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Gladiator | DreamWorks, Universal | Douglas Wick, David Franzoni, Branko Lustig |
| Chocolat | Miramax | David Brown, Kit Golden, Leslie Holleran |
| Crouching Tiger, Hidden Dragon[K] | Sony Pictures Classics | William Kong, Hsu Li Kong, Ang Lee |
| Erin Brockovich | Universal, Columbia, Jersey Films | Danny DeVito, Michael Shamberg, Stacey Sher |
| Traffic | USA Films, Bedford Falls Company | Edward Zwick, Marshall Herskovitz, Laura Bickford |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| A Beautiful Mind | Universal, DreamWorks | Brian Grazer, Ron Howard |
| Gosford Park | Sandcastle 5 Productions, Zestwick | Robert Altman, Bob Balaban, David Levy |
| In the Bedroom | Miramax | Graham Leader, Ross Katz, Todd Field |
| The Lord of the Rings: The Fellowship of the Ring | New Line Cinema, Wingnut Films | Peter Jackson, Fran Walsh, Barrie M. Osborne |
| Moulin Rouge! | 20th Century Fox, Bazmark | Martin Brown, Baz Luhrmann, Fred Baron |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Chicago | Miramax | Martin Richards |
| Gangs of New York | Miramax | Alberto Grimaldi, Harvey Weinstein |
| The Hours | Paramount, Miramax | Scott Rudin, Robert Fox |
| The Lord of the Rings: The Two Towers | New Line Cinema, Wingnut Films | Barrie M. Osborne, Fran Walsh, Peter Jackson |
| The Pianist | RP Productions, Heritage Films, Babelsberg Studios, Runteam | Roman Polanski, Robert Benmussa, Alain Sarde |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| The Lord of the Rings: The Return of the King | New Line Cinema, Wingnut Films | Barrie M. Osborne, Peter Jackson, Fran Walsh |
| Lost in Translation | Focus Features | Ross Katz, Sofia Coppola |
| Master and Commander: The Far Side of the World | 20th Century Fox, Miramax, Universal | Samuel Goldwyn, Jr., Peter Weir, Duncan Henderson |
| Mystic River | Warner Bros., Malpaso | Robert Lorenz, Judie G. Hoyt, Clint Eastwood |
| Seabiscuit | Universal, DreamWorks | Kathleen Kennedy, Frank Marshall, Gary Ross |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Million Dollar Baby | Warner Bros., Malpaso | Clint Eastwood, Albert S. Ruddy, Tom Rosenberg |
| The Aviator | Warner Bros., Miramax | Michael Mann, Graham King |
| Finding Neverland | Miramax | Richard N. Gladstein, Nellie Bellflower |
| Ray | Universal, Anvil Films | Taylor Hackford, Stuart Benjamin, Howard Baldwin |
| Sideways | Fox Searchlight | Michael London |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Crash | BlackFriar's Bridge, Harris Company, ApolloProScreen | Paul Haggis, Cathy Schulman |
| Brokeback Mountain | Focus Features | Diana Ossana, James Schamus |
| Capote | United Artists, A-Line Pictures, Cooper's Town Productions, Infinity Media | Caroline Baron, William Vince, Michael Ohoven |
| Good Night, and Good Luck | Section Eight Productions | Grant Heslov |
| Munich | DreamWorks, Universal | Steven Spielberg, Kathleen Kennedy, Barry Mendel |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| The Departed | Warner Bros., Plan B Pictures, Initial Entertainment Group, Vertigo Entertainment | Graham King |
| Babel | Paramount Vantage, Anonymous Content, Zeta Film | Alejandro González Iñárritu, Steve Golin, Jon Kilik |
| Letters from Iwo Jima[K] | Warner Bros., Malpaso | Clint Eastwood, Steven Spielberg, Robert Lorenz |
| Little Miss Sunshine | Fox Searchlight | David T. Friendly, Peter Saraf, Marc Turtletaub |
| The Queen | Granada Productions | Andy Harries, Christine Langan, Tracey Seaward |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| No Country for Old Men | Miramax, Paramount Vantage | Scott Rudin, Ethan Coen, Joel Coen |
| Atonement | Working Title | Tim Bevan, Eric Fellner, Paul Webster |
| Juno | Fox Searchlight | Lianne Halfon, Mason Novick, Russell Smith |
| Michael Clayton | Warner Bros. | Jennifer Fox, Kerry Orent, Sydney Pollack |
| There Will Be Blood | Paramount Vantage, Miramax | Paul Thomas Anderson, Daniel Lupi, JoAnne Sellar |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Slumdog Millionaire [O] | Celador, Film 4 | Christian Colson |
| The Curious Case of Benjamin Button | Paramount, Warner Bros. | Kathleen Kennedy, Frank Marshall, Cean Chaffin |
| Frost/Nixon | Universal, Imagine, Working Title | Ron Howard, Brian Grazer, Eric Fellner |
| Milk | Focus Features | Bruce Cohen, Dan Jinks |
| The Reader | The Weinstein Co., Mirage, Neunte Babelsberg Film | Anthony Minghella, Sydney Pollack, Donna Gigliotti, Redmond Morris |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| The Hurt Locker | Voltage Pictures, First Light Productions, Kingsgate Films | Kathryn Bigelow, Mark Boal, Nicolas Chartier, Greg Shapiro |
| Avatar | Lightstorm Entertainment, 20th Century Fox | James Cameron, Jon Landau |
| The Blind Side | Warner Bros. | Gil Netter, Andrew A. Kosove, Broderick Johnson |
| District 9 | Wingnut Films | Peter Jackson, Carolynne Cunningham |
| An Education | Finola Dwyer Productions, Wildgaze Films | Finola Dwyer, Amanda Posey |
| Inglourious Basterds | The Weinstein Co., Universal, Band Apart, Zehnte Babelsberg Film | Lawrence Bender |
| Precious | Lions Gate Entertainment | Lee Daniels, Sarah Siegel-Magness, Gary Magness |
| A Serious Man | Focus Features | Joel Coen, Ethan Coen |
| Up | Pixar, Disney | Jonas Rivera |
| Up in the Air | Paramount | Daniel Dubiecki, Ivan Reitman, Jason Reitman |
2010s [edit]
| Film | Production company(s) | Producer(s) |
|---|---|---|
| The King's Speech | Bedlam Productions, See-Saw Films | Iain Canning, Emile Sherman and Gareth Unwin |
| Black Swan | Fox Searchlight | Scott Franklin, Mike Medavoy and Brian Oliver |
| The Fighter | Paramount | David Hoberman, Todd Lieberman, and Mark Wahlberg |
| Inception | Warner Bros. | Christopher Nolan and Emma Thomas |
| The Kids Are All Right | Focus Features | Gary Gilbert, Jeffrey Levy-Hinte and Celine Rattray |
| 127 Hours | Cloud Eight, Decibel Films, Darlow Smithson Productions | Danny Boyle, John Smithson and Christian Colson |
| The Social Network | Columbia | Dana Brunetti, Ceán Chaffin, Michael De Luca and Scott Rudin |
| Toy Story 3 | Pixar, Disney | Darla K. Anderson |
| True Grit | Paramount | Ethan Coen, Joel Coen, and Scott Rudin |
| Winter's Bone | Roadside Attractions | Alix Madigan and Anne Rosellini |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| The Artist | La Petite Reine, ARP Sélection | Thomas Langmann |
| The Descendants | Fox Searchlight | Jim Burke, Alexander Payne and Jim Taylor |
| Extremely Loud and Incredibly Close | Warner Bros. | Scott Rudin |
| The Help | Touchstone, DreamWorks | Brunson Green, Chris Columbus and Michael Barnathan |
| Hugo | Paramount | Graham King and Martin Scorsese |
| Midnight in Paris | Sony Pictures Classics | Letty Aronson and Stephen Tenenbaum |
| Moneyball | Columbia | Michael De Luca, Rachael Horovitz and Brad Pitt |
| The Tree of Life | Fox Searchlight | Sarah Green, Bill Pohlad, Dede Gardner and Grant Hill |
| War Horse | Touchstone, DreamWorks | Steven Spielberg and Kathleen Kennedy |
| Film | Production company(s) | Producer(s) |
|---|---|---|
| Argo | Warner Bros. | Grant Heslov, Ben Affleck, and George Clooney |
| Amour[K] | Les Films du Losange, X Filme Creative Pool, Wega Film Production | Margaret Menegoz, Stefan Arndt, Veit Heiduschka and Michael Katz |
| Beasts of the Southern Wild | Fox Searchlight | Dan Janvey, Josh Penn, and Michael Gottwald |
| Django Unchained | The Weinstein Co., Columbia | Stacey Sher, Reginald Hudlin, and Pilar Savone |
| Les Misérables | Universal, Working Title Films | Tim Bevan, Eric Fellner, Debra Hayward, and Cameron Mackintosh |
| Life of Pi | 20th Century Fox | Gil Netter, Ang Lee, and David Womark |
| Lincoln | Touchstone, DreamWorks, 20th Century Fox | Steven Spielberg and Kathleen Kennedy |
| Silver Linings Playbook | The Weinstein Co. | Donna Gigliotti, Bruce Cohen, and Jonathan Gordon |
| Zero Dark Thirty | Columbia | Mark Boal, Kathryn Bigelow, and Megan Ellison |
Notes [edit]
-
- A : The official name of the award from 1927/1928 to 1928/29 was Outstanding Picture.
- B : The official name of the award from 1929/30 to 1940 was Outstanding Production.
- C : The official name of the award from 1941 to 1943 was Outstanding Motion Picture.
- D : The official name of the award from 1944 to 1961 was Best Motion Picture.
- E : The official name of the award since 1962 has been Best Picture.
- F : There were two categories that were seen as equally the top award at the time: "Outstanding Picture" and Unique and Artistic Production where the winner for the latter was Sunrise (production company: Fox; producer: William Fox). This category was dropped immediately after the first year of the Academy Award and the former category was retroactively seen as the top award.[5]
- G1 2 3 4 5 : Head of studio
- H1 2 3 : The Academy also announced that A Farewell to Arms came in second, and Little Women third.
- I1 2 3 : The Academy also announced that The Barretts of Wimpole Street came in second, and The House of Rothschild third.
- J1 2 3 : The Academy also announced that The Informer came in second, and Captain Blood third.
- K1 2 3 4 5 6 7 8 : Nominated motion picture with non-English dialogue track (AMPAS: foreign language film).[6] Four of which – Z; Life is Beautiful; Crouching Tiger, Hidden Dragon; and Amour – won the Academy Award for Best Foreign Language Film.[7]
- L : Production company with the most nominations (38) and the most awards (5). Applying only from 1927/1928 to 1950.[8]
- M : Person with the most nominations (8 nominations, 0 awards). Applying only from 1951 to 2012.[8]
- N : Person with the most awards (3 awards, Spiegel 4 nominations, Zaentz 3 nominations). Applying only from 1951 to 2008.[8]
- O1 2 3 : Winner with partly non-English dialogue track (AMPAS: foreign language).[9]
See also [edit]
- List of Best Picture milestones
- List of Big Five Academy Award winners and nominees
- List of Academy Award-winning films
- List of superlative Academy Award winners and nominees
- List of actors who have appeared in multiple Best Picture Academy Award winners
- Academy Award for Best Unique and Artistic Production
- BAFTA Award for Best Film
- Golden Globe Award for Best Motion Picture – Drama
- Golden Globe Award for Best Motion Picture – Musical or Comedy
- Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture
- Films considered the greatest ever
- Lists of films
- List of film production companies
- List of presenters of Best Picture Academy Award
- Golden Raspberry Award for Worst Picture
References [edit]
- ^ [1][dead link]
- ^ a b Joyce Eng (24 June 2009). "Oscar Expands Best Picture Race to 10 Nominees". TV Guide Online. Retrieved 2009-06-24.
- ^ Poll: Vote on the Oscars Like an Academy Member, Rob Richie, Huffington Post, 16 February 2011
- ^ Nikki Finke (2011-06-14). "OSCAR SHOCKER! Academy Builds Surprise & Secrecy Into Best Picture Race: Now There Can Be Anywhere From 5 To 10 Nominees". Deadline Hollywood. MMC. Archived from the original on 23 July 2011. Retrieved June 15, 2011.
- ^ "Best Pictures - Facts & Trivia (part 1)". Filmsite.org. Archived from the original on 9 January 2010. Retrieved 2009-12-31.
- ^ "Oscar Trivia". Oscars.org. Retrieved 2009-11-13.
- ^ Variety Staff (2007-03-01). "Best Foreign Film". Variety. Retrieved 2009-11-13.
- ^ a b c "Academy Awards Statistics". Academy of Motion Picture Arts and Sciences. Retrieved 2009-11-13.
- ^ "Best Pictures - Facts & Trivia (part 2)". Filmsite.org. Retrieved 2009-11-13.
External links [edit]
- Oscars.org (official Academy site)
- Oscar.com (official ceremony promotional site)
- The Academy Awards Database (official site)
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