Adam Cohen (musician)
||This article's use of external links may not follow Wikipedia's policies or guidelines. (December 2012)|
September 18, 1972 |
Montreal, Quebec, Canada
|Instruments||Vocals, guitar, keyboards|
|Associated acts||Low Millions|
Adam Cohen (born September 18, 1972) is a Canadian musician and singer-songwriter. As a recording artist, he has released three major label albums, two in English and one in French. His upcoming album "We Go Home" will be released on September 15/16, 2014. Currently residing in Los Angeles, the musician, who is Leonard Cohen's son, also is the ambassador of the Cohen family to art exhibits of Leonard Cohen Art, attending and doing press and media for openings around the world for his father's paintings and drawings.
Cohen was born September 18, 1972 in Montreal, but spent many years of his childhood living with his American expat mother, Suzanne Elrod, in Paris and in the south of France, after his parents separated. He spent parts of his childhood on the Greek island Hydra, in Greenwich Village, and in Los Angeles. He taught himself to play guitar, drums and piano by age 12. He worked as a roadie in 1990, and studied international relations at Syracuse University. He moved to Los Angeles in 1996 to focus on his music career, after having lived and played in bands in New York City. The "song demo" that led to his signing his first record deal created a bidding war between Maverick, Capitol Records and Sony, Adam (then 26 years old) eventually signing with the same label as his father, Columbia Records.
He was signed by Columbia Records in 1997. He achieved some success as a songwriter for other artists. He co-wrote "Lullaby in Blue", a song about a woman who gave up a child for adoption. Bette Midler recorded it for her album Bathhouse Betty and described it as her favorite on the album: "I've never heard a pop song about a person who gives their child up and is missing the child... The first time I heard that song, I burst into tears."
His 1998 debut album was well regarded critically—Stephen Holden of The New York Times called it "grimly perceptive" and "a promising beginning". The album went on to produce a radio hit "Cry Ophelia"  which was well received and charted (Canadian radio charts in particular) but the project as a whole was not a big commercial success.
He decided to focus on French-language material and was signed to Capitol Records Canada, which released Mélancolista. Featured on this French language record is a popular duet with famous French actress Virginie Ledoyen (the song is entitled "Happiness" ), evoking the well known duet between Serge Gainsbourg and Brigitte Bardot.
Representatives from Capitol inquired about English-language material, and soon after being signed to a deal for his French album, Adam traveled to New York to meet with executives from Manhattan Records. He was signed to a deal after 15 minutes of a solo acoustic performance; the deal led to the Low Millions project.
Regarding the influence from his poet-balladeer father, Cohen has said, "He's tremendously helpful. Forget that I am his son. I was tutored in lyric-writing by Leonard Cohen and I had his sensibilities to draw upon. And I'm not just talking genetically. I could literally talk to the cat and he could lean over my notebook and point to a couple of phrases and say, 'These are strong, these are weak.' How can I consider myself anything but incredibly fortunate." In addition to his father, he has said that his musical influences include Randy Newman, Serge Gainsbourg, Prince, U2. He characterized his French-language work as musically distinct from his English recordings, the former being more "sumptuous and cinematic", and sounding like "Sade—if she were a Frenchman". In 2009, Adam recorded a cover of his father's song "Take This Waltz", which appeared on the benefit album War Child Presents Heroes.
In 2007, Cohen effectively quit the music business after deep disillusionment set in. Despite his having a few modest hits at radio and opportunities to tour the world, fame and fortune failed to materialize with the release of Cohen’s three major-label albums,1998’s self-titled debut, 2004’s French-language Mélancolista, and 2004’s Ex-Girlfriends, which Cohen made with his band, Low Millions. “I was chasing a sound that was not entirely my own,” Cohen says of his pop-rock efforts. “My goal wasn’t to be good, my goal was to be successful.”
Chasing radio airplay meant that a series of personal songs that Cohen had written over the years had never made their way on to any of his albums. “The thing I regret now is not having had the guts and maturity to show a side of myself that’s always been there because I thought it needed to be tempered and disguised,” he says. “It’s taken a long time for me to find my voice, to drop a certain notion of who I think I should be. Like A Man is a sort of a coming of age album. It’s embarrassing to say that at 39 I’m coming of age but here I am.”
Three years ago and three albums into a career that began with his 1998 self-titled debut, Cohen decided that he and the music business should call it quits. Talked into giving it one last go, he released his best and biggest album to date. Like A Man (2011) was an elegant, intimate beauty. His songs, performed on a nylon-string guitar, both had a deep connection and engaged in deep personal conversation with one of his greatest musical influences, Leonard Cohen. Adam’s father.
In a break between tours, he went into the studio and emerged with a new album, which he scrapped. It didn’t feel honest.
We Go Home, Cohen’s fifth album, is by all definitions homemade. He recorded his songs in rooms as familiar to him as his name. Since the band was playing in Europe, Adam decided to set up shop in the little white house on the Greek island of Hydra where he had spent much of his childhood. They continued recording in Montreal, where Adam was born, in the house where he spent his earliest years.
Some of the themes on We Go Home continue the conversation that Like A Man began. “My last album was about me finally claiming my belonging to a tradition and finding my voice within that tradition. My new album,” Adam Cohen states, “is about me raising my voice.”
Cohen’s latest effort We Go Home will be released in September 2014.
- Adam Cohen (1998, Columbia Records)
- Mélancolista (2004, Capitol Records)
- Like a Man (April 3, 2012, Decca Label Group) Gold certification in Canada
- We Go Home (2014, Rezolute Music/Cooking Vinyl)
- "Cry Ophelia" from Adam Cohen
- "Tell Me Everything" from Adam Cohen
- "Happiness" from Mélancolista (featuring Virginie Ledoyen)
- "What Other Guy" from Like a Man
- "Like A Man" from Like a Man
- "Sweet Dominique" from Like a Man
- "We Go Home" from We Go Home
- "Eleanor" from Ex-Girlfriends
- "Statue" from Ex-Girlfriends
- Farber, Jim (2005-01-16). "Birth of a ladies' man: Singer-songwriter Adam Cohen is proud to be a chip off the old block". New York Daily News. p. 16.
- Kelly, Brendan (2004-05-26). "Adam Cohen following in famous father's footsteps". CanWest News Service. p. 1.
- Takiff, Jonathan (2004-09-24). "Versatile Adam Cohen readies albums: One, in his name, will be in French; the other is called 'Ex-Girlfriends'". Philadelphia Daily News. p. 69.
- Newman, Melinda (1998-09-05). "Midler makes Warner Bros. debut with 'Bathhouse Betty'". Billboard 110 (36): 15–16.
- Holden, Stephen (1998-11-27). "New pop music for middle age". The New York Times. p. E1. Retrieved 2008-04-10.
- Hochman, Steve (2004-08-01). "Pop eye: Adam Cohen's 'divide and conquer' strategy". Los Angeles Times. p. E46.
- Gold, Kerry (2005-02-26). "The second coming of Adam Cohen". The Vancouver Sun. p. D1.
- "Canadian album certifications – Adam Cohen – Like a Man". Music Canada.
- Official website
- Adam Cohen on Myspace
- Adam Cohen at the Internet Movie Database
- Low Millions Official website
- Low Millions on Myspace