Adana Printing Machines

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An Adana press

Adana Printing Machines were manufactured from 1922–1999, in Twickenham, England. Although most of the printing presses produced by Adana were aimed at hobby printers, they were frequently put to commercial use. Adanas are still to be found throughout the world in the hands of colleges, enthusiasts and professional printers.

The earliest Adana models were flat-bed presses but they were to become most famous for their "Eight-Five" and other vertical platen presses.

History of the Adana[edit]

Originally founded as The Adana Agency in 1922 by Donald Aspinall, the company's assets were bought by Frederick Ayers in 1940 and the company relaunched as Adana (Printing Machines) Limited in 1946. In 1990 the assets were again sold, this time to Caslon Limited who continued to produce a small number of presses for a further nine years. Throughout the years, both the company and its presses were usually referred to as "Adana" or "The Adana".

Donald Aspinall[edit]

Donald Affleck Aspinall was born in South Kensington, London, in 1899. Unusually for the time, his parents separated, and his father Herbert left the seven-year-old Donald and his brothers, John and Cecil, in the sole care of their mother, Lilian.

In 1917 Donald served in World War I, presumably having lied about his age. Later that year he returned from the front suffering from shell-shock. While recovering, he began working on the design of a small flat-bed printing press. He advertised it in The Model Engineer in 1918 and was overwhelmed by the response. The teenage Aspinall is said to have tried to hand the money over to the local constabulary, rather than face the prospect of fulfilling so many orders. He was persuaded that this was not a wise move by an understanding policeman, and he eventually produced enough machines to fill the orders.

After losing his job five years later, Aspinall founded the Adana Agency and turned his hobby into a business. From premises in Twickenham, he began selling flat-bed wooden presses to hobby printers. The competitive pricing and self-inking system ensured its success.

In 1928 he married Dorothy Lucas. They later had two children, Robert and Diana. The company was going from strength to strength, with new models launched regularly, showrooms opening in London and Manchester, and official distributors enlisted in New York and Perth, Western Australia.

A decade later, the company's fortunes declined. In 1939 Aspinall suffered the first of several strokes and the economic pressures of World War II left the Adana Agency in meltdown. After a meeting of the creditors, the company's assets were sold to Frederick Ayers.

Until his death in 1948, Aspinall continued to correspond with Frederick Ayers, sharing advice and ideas for new designs.

Aspinall's engineering achievements are sometimes dismissed as he borrowed so heavily from American designs, but his business acumen and talent for re-working existing ideas (such as creating a revolving ink-disk for his flat-bed presses) are widely acknowledged.

Frederick Ayers[edit]

Engineer Frederick Ayers became involved with the company in 1923 when his company started supplying parts to the fledgling Adana Agency. He became friends with Aspinall, and began to offer design advice. As one of the company's creditors, he was able to purchase the assets cheaply in 1940 when the company became insolvent.

The War Years[edit]

Like many others, the company was effectively on hold during World War II, with a skeleton staff supplying only parts and sundries. They were asked to supply small flat-bed presses for the Resistance movement in Europe but little else happened until 1945 when production began again on a very limited basis. Ongoing rationing meant raw materials were in short supply and it wasn't until around 1950 that the company was able to trade at full capacity again.

Post War Expansion[edit]

By 1952, Adana had distributors in Italy, Turkey, Greece, India, Finland and Canada. They continued to expand until Adanas were available in nearly 100 countries around the world.

The End of Adana[edit]

There were unavoidable price increases as parts and labour became more expensive. Adana presses were virtually indestructible and the company had a policy of supplying parts, so there was little incentive to buy new when second-hand presses were readily available. Lithography was drawing away much of the commercial market and letterpress printing (along with many crafts) became unfashionable as the 1980s brought new technology into homes.

The company was wound down and the assets sold to Caslon Limited who continued to produce the more popular presses until 1999 when the last Eight-Five was sold in Japan. Caslon still supply parts and refurbish old Adanas to new condition.

Other activities[edit]

Adana also cast type and published many books. Their magazine-style catalogues (containing practical printing advice alongside price lists) such as 'Popular Printing' and 'Printcraft' were much loved and have become highly collectable.

The name[edit]

The official story behind the name Adana states that Donald Aspinall named the company after the city of Adana in Turkey, having served there during World War I. In his book on Adanas, printing historian Bob Richardson notes that Aspinall's army unit never saw action in Turkey and relates another theory;

Donald's son Robert suggested recently that his father had simply used his initials, together with an extra letter from his first and last names (A and N), and juggled them to create the word ADANA. It was short, easy to remember and had a pleasant, rather exotic sound.[1]

Even if he had served in Turkey, it seems unlikely that Aspinall would choose a name that recalled the military service that so traumatised[citation needed] him as a young man. It is possible that the company created a fictional back-story that was more satisfying than the reality. Adana is known to have fictionalised other aspects of the company's history for marketing purposes.

The Eight-Five[edit]

The now iconic Adana Eight-Five was launched in 1953, filling a gap between the High Speed Number 2 and the High Speed Number 3. The name was taken from the dimensions of its platen, 8 x 5 in. They continued to be produced until 1999 and many thousands are still in use.

Other Presses of Note[edit]

Some of the presses manufactured by Adana include the following:

  • The 45/- (1922)
  • Foolscap Folio Treadle Platen (1926)
  • Steel version of the 45/- Press (1927)
  • Model 3 Model 4 (1927)
  • Octavo Treadle launched (1927)
  • A tiny press for children, the Adana 'Baby' (1927)
  • A starter kit called the 'Compactum' (1928)
  • The Octavo Platen, Adana's first vertical platen (1933)
  • Flat-Bed Rotary Series launched (1933)
  • The High Speed No 1 launched, a vertical platen inspired by the designs of Kelsey (1934)
  • Quarto 1A built on plywood base, single ink roller & rider roller, spring loaded ink disk rotation (1934)
  • Flat-bed Rotary Series withdrawn, possibly because of infringement on designs by a mysterious company called Anvil Ltd (1935)
  • High Speed No 2 (iron H/S 2, later alloy H.S. 2), inside chase 6" x 4" double the size of the No 1 (1935)
  • No 3 Quarto, an iron press weighing over 100 lbs, inside chase 10" x 7.5" (1938)
  • QFB - 1945 Flat-Bed, Quarto Flat Bed, plywood construction(1945)
  • Treadle/Power Platen 47 (1947)
  • T/P48 (Treadle/Power)inside chase 9.5" x 7" (1948)
  • QH - Quarto Horizontal, the last flat-bed to be produced aluminium and steel castings (1950)
  • No 3 H/S, inside chase 8.5" x 5.5" (1950)
  • Adana Thermograph, for producing relief effects (1950)
  • 8x5 - Adana Eight-Five (1953)
  • Adana 9x6 Treadle Machine (1956)
  • 5x3 - Adana Five-Three (1956)
  • Ayers Jardine Showcard Press (1960)
  • Adana P71/P71S (1970)

Notes[edit]

  1. ^ Richardson, B: The Adana Connection, page 17. British Printing Society, 1997.

References[edit]

  • Richardson, Bob (1997). The Adana Connection. British Printing Society. ISBN 1-901220-03-6.