|Born||April 8, 1955
Cleveland, Ohio, USA
|Occupation||Singer, songwriter, writer, director|
Adele Bertei (born Adele Maria Bertei, April 8, 1955) is an American singer, songwriter, writer and director.
Bertei was born in Cleveland, Ohio on April 8, 1955. She is the oldest of three children born to Katherine (née Murphy) and Umberto Bertei. Her father was an Italian immigrant and her mother, 1st generation Irish and French Canadian. Bertei and her brothers became wards of the state of Ohio, resulting in a childhood spent in foster homes, a Catholic convent school for ‘wayward girls’ and a reformatory in Ohio. Bertei never completed a formal education and is an autodidact.
Career in music
Bertei began her career playing guitar and singing in the Wolves, her first band with Laughner. She left Cleveland for New York City in 1977 shortly after Laughner died prematurely of complications due to alcoholism.
Bertei quickly became a seminal figure in the no wave art and music scene in NYC, playing Acetone organ and guitar in the original line up of the Contortions fronted by James Chance. While working as personal assistant to Brian Eno in 1978, Bertei took him to a series of concerts at Artist’s Space in New York, which resulted in Eno producing the iconoclastic LP No New York for the Virgin/Antilles label, featuring the Contortions and three other no wave bands.
The artist Martin Kippenberger brought Bertei to Berlin in 1980 to perform solo at his SO36 club and on her return to the U.S., Bertei started the all-girl punk-funk band the Bloods with guitarist Kathy Rey. The Bloods are considered the first rock and roll band of gay women who were publicly out of the closet. The band toured internationally, opened for the Clash in New York and released the single Button Up, a John Peel favorite on the Au Pair’s label Exit Records in 1981. Button Up was re-released on the British label Soul Jazz Records as part of the compilation New York Noise, Volume 1, released in 2005.
After the Bloods disbanded, Bertei worked as a DJ in Amsterdam and upon returning to New York, was one of the first solo acts to be signed to Geffen Records in 1981. Thomas Dolby produced her first hit dance single Build Me a Bridge, and the success of the single led to an album deal with Geffen, but the company had alienated Dolby. Bertei was sent to an isolated hamlet in England with a different producer and a Fairlight synthesizer. Her fight with the producer overshadowed the mismanagement and she left the label.
Says Bertei of this period in the early 1980’s: Back then, female performers couldn’t be too wild, and certainly not outspokenly gay, even a little. Defying the rules had its consequences. This was exacerbated by the horrid reputation I had in the 1980’s, some of it hyperbole but not all of it completely unfounded. Half-Piaf, half-Hemingway… singing and brawling. Wrestling in public with quite a few demons that I should have dragged to a therapist.
Her relationship with Dolby remained intact and he invited her to sing backing vocals on his next LP, The Flat Earth. Bertei sang a duet with him on the single Hyperactive! which became an international pop hit for Dolby. It was rumored that Dolby had vari-sped Bertei’s voice for her high solo notes in the song but she proved the critics wrong, performing the song live on the Old Grey Whistle Test in 1984 and again during a reunion concert with Dolby in 2010 at London’s Union Chapel. Bertei is alleged to have a three-octave range. During her years in London, Bertei sang backing vocals with various groups live and in the studio, including Culture Club and the Passions. She has written songs for artists as various as the Pointer Sisters, Sheena Easton, Thomas Dolby, Arthur Baker, Jellybean Benitez, the Anubian Lights, Lydia Lunch and Matthew Sweet.
Bertei signed with Chrysalis Records in the late 1980’s and recorded her song When It’s Over produced by David Gamson and Fred Maher of Scritti Politti, with Green Gartside providing guest vocals. Her concept for the music video was a performance in a women’s prison. A legal misstep on the part of the record company prevented the single from being released and promoted and Bertei went on to produce her own LP with songwriting partner Ian Prince. Her anti-apartheid anthem Little Lives, Big Love charted high in Germany, but just as the LP was being released in the U.S., Chrysalis dropped several artists from the label including Bertei. During this period she joined Jellybean Benitez for his LP Just Visiting This Planet, co-writing several songs and singing lead on the international pop hit Just a Mirage in 1987. She performed the song with Jellybean on the UK’s Top of the Pops that year.
Bertei continued to work as a backing vocalist, most notably for Tears for Fears’ Sowing the Seeds of Love tour in 1990 where she also sang backing vox for the opening act, Blondie’s Deborah Harry. After a brief stint of touring with Sophie B. Hawkins as a backing singer, she moved to Los Angeles in 1993 and took a long hiatus from her musical career to write and study directing. Since then her only musical outing has been with the Anubian Lights as lead singer in 2005 and Phantascope, a CD of co-produced and co-written songs on Nona Hendryx’s label Rhythmbank. Bertei directed the music video for the Anubian Light’s song Wild Winter. She left the band in 2006.
In 2010 Bertei returned to New York for two musical appearances backed by several of her old Contortions band-mates and Bowie bassist Gail Ann Dorsey. Her live solo performances are extremely rare. She is rumored to be working on a solo collection of new and old previously unreleased songs.
Directing and film
Striking a punk-waif look and attitude, Bertei was heavily involved in the underground film scene of the time, collaborating and appearing in films by the Irish filmmaker Vivienne Dick, Scott & Beth B., and in the feminist sci-fi film Born in Flames, directed by Lizzie Borden.
In the 1990s, Bertei directed several period pieces for the Showtime series Women: Stories of Passion and a soft-core comedy feature for Playboy, Secrets of a Chambermaid, which she directed in super-16 mm with an ensemble cast (featuring Mary Woronov of Warhol/Chelsea Girls fame) and a minuscule budget in seven days. She refers to Playboy as her film school period where she was paid to learn the craft. Dick Rosetti, president of production at Playboy Entertainment Group at the time, called the film the best feature Playboy had ever produced. Bertei directed a 35 mm teaser for her original screenplay The Ballad of Johnny Jane, and on the strength of the teaser and script, a then relatively unknown Angelina Jolie signed a letter of intent to play the lead in the film. Amanda Plummer appeared in the trailer and Bertei had other film luminaries such as cinematographer Bill Pope and costumer Arianne Phillips committed to doing the film once the financing came through, but no company would take a chance on a feature film about gay women with an all-female cast in 1996. She continues to direct behind-the-scenes programs and viral videos in the advertising world.
Bertei has been awarded writing fellowships at the Virginia Center for the Creative Arts, as well as the Albert and Elaine Borchard Foundation fellowship for the Tomales Bay Workshops, specifically to work with Dorothy Allison in 2010. In 2012 she ran a successful Kickstarter campaign to buy time toward her own writing work.
Currently Bertei works as a ghostwriter and director in Los Angeles where she resides. She is also the U.S. contributing editor-at-large for the Caribbean arts and culture magazine 6 Carlos. Bertei launched a website in 2011 and based on writing featured there, has been approached to pen her memoirs. She also blogs for the Huffington Post.
- Hell, Richard. Hot and Cold. Powerhouse Books. pp. 47–48.
- Heylin, Clinton. From the Velvets to the Void-Oids. pp. 295, 297, 317, 318, 319.
- Moore, Thurston; Coley, Byron. No Wave: Post-Punk. Underground. New York. 1976-1980. pp. 27,34,36,62,74,120–121,126.
- Reynolds, Simon. Rip It Up and Start Again: Postpunk 1978-1984. p. 151.
- Savage, Jon. England's Dreaming, Revised Edition: Anarchy, Sex Pistols, Punk Rock, and Beyond. pp. 441–442, 517.
- Masters, Marc. No Wave. pp. 83–84, 86–87, 89–90, 93.
- Sheppard, David. On Some Faraway Beach: The Life and Times of Brian Eno. p. 297.
- "No New York Album on Amazon.com".
- "The Bloods play "Bad Time" and the Peppermint Lounge, 1980".
- "The Bloods' album Button Up on Discogs.com".
- "Description and track list for New York Noise, Volume 1".
- "Adele Bertei's Single "Build Me a Bridge" on Beatelectric Blog".
- "Adele Bertei's Single "Build Me a Bridge" on Discogs.com".
- "Adele Bertei Personal Blog".
- "Thomas Dolby and Adele Bertei performing "Hyperactive!"".
- "Adele Bertei's "When It's Over"".
- "Adele Bertei's "Little Lives, Big Love"".
- "Adele Bertei on allmusic.com".
- ""Just a Mirage" music video".
- "Anubian Lights' album Phantascope".
- ""Born in Flames" on IMDB".
- "Women: Stories of Passion" on IMDB".
- ""Secrets of a Chambermaid" on IMDB".
- ""The Ballad of Johnny Jane" on IMDB".
- Adele Bertei Official Website
- Adele Bertei on discogs.com
- Adele Bertei on Barnesandnoble.com
- Adele Bertei on IMDB (Acting)
- Adele Bertei on IMDB (Directing)
- Adele Bertei on The Huffington Post
- The Virginia Center for the Creative Arts Homepage
- Albert and Elaine Borchard Foundation Homepage
- 6 Carlos Homepage