|Notable African Peruvians:
María Elena Moyano, St. Martin de Porres, Pancho Fierro, Nicomedes Santa Cruz
|Regions with significant populations|
|Lima, Callao, Ica, Piura, Lambayeque|
|Related ethnic groups|
Early history 
The first African Peruvians arrived with the conquistadors in 1521, to return permanently in 1525. One of the biggest imports of African slaves occurred between 1529 and 1537 when Francisco Pizarro was granted permits to import 363 slaves to colonial Peru for public construction, building bridges and road systems. They fought alongside the conquistadors as soldiers and worked like personal servants and bodyguards. In 1533 Afro-Peruvian slaves accompanied Spaniards in the conquest of Cuzco. There were two types of black slaves that came to Peru. Blacks born in Africa were commonly termed bozales("unskilled", "untrained"), which was also used in a derogatory sense. These slaves could have been directly shipped from west or southwest Africa or transported from the Spanish Indies or other Spanish colonies. Afro-Peruvians previously acculturated to Spanish culture and who spoke Spanish were called Ladinos. People of color performed a variety of skilled and unskilled functions that contributed to Hispanic colonization.
In urban areas Afro-Peruvians were cooks, laundresses, maids, handymen, and gardeners. In some cases, they worked in the navy, hospitals, churches and charitable institutions. In 1587, 377 workers of African descent worked in the shipyards. The industry included a significant number of blacks working in quarries, kilns and various construction projects. The work that Spaniards performed would be insufficient to sustain the needs of the population, so blacks essentially kept the economy running. Gradually, Afro-Peruvians concentrated in specialized fields that drew upon their extensive knowledge and training in skilled artisan work and in agriculture. Within the social hierarchy of the slave stratum, the black artisans took the highest position due to their skills. They worked as carpenters, tailors, blacksmiths, swordsmiths and silversmiths. This group exerted more freedom than their fellow companions on large haciendas and in private households. Spanish small-business keepers would dispatch a whole team of servant-artisans to do a job independently and then return to their owner. Furthermore, as their prices rose, black artisans induced even better treatment and sometimes took a role of a low-ranking employee. Skilled artistry constituted a major avenue of social progress for the colored population. Due to their royalty and high skills, Afro-Peruvians gained prestige among Spanish noblemen. They occupied a relatively low social stratum, but nevertheless still had some power over the natives and were in a more favorable position than the emerging class of mestizos. As the mestizo population grew, the role of Afro-Peruvians as intermediaries between the indigenous residents and the Spaniards lessened. The mestizo population increased through liaisons between Spanish and indigenous Peruvians. From this reality, a pigmentocracy became increasingly important to protect the privileges of Spanish overlords and their Spanish and mestizo children. In this system, Spaniards were at the top of the hierarchy, mestizos in the middle, and Africans and the indigenous populations at the bottom. Mestizos inherited the privilege of helping the Spanish administer the country.
As additional immigrants arrived from Spain and aggressively settled Peru, the mestizos attempted to keep the most lucrative jobs for themselves. In the early colonial period, Afro-Spaniards and Afro-Peruvians frequently worked in the gold mines because of their familiarity with the techniques. Gold mining and smithing were common in parts of western Africa from at least the fourth century. However, after the early colonial period, few Afro-Peruvians would become goldsmiths or silversmiths. In the end Afro-Peruvians were relegated to back-breaking labor on sugarcane and rice plantations of the northern coast or the vineyards and cotton fields of the southern coast. In the countryside they were represented in wet-nursing, housekeeping, domestics, cowboys, animal herding etc. After Indians became scarce as labor force on haciendas, the people of color gained a title of yanacona - hitherto only assigned to the status of indigenous servant with full right to own a piece of land and a day to work on it. Afro-Peruvians often displayed negative agency towards the system of slavery dominated by the Spanish by resigning to huido (translated as escape, flight) from haciendas and changing masters on their own initiative or joining cimarrones (armed gangs of runaway slaves that formed small communities in the wilderness and assaulted travel merchants). The indigenous population tended to work in the silver mines, of which they had a more expert knowledge than western Africans or Spanish, even in the pre-Columbian eras.
Slave trade 
Over the course of the slave trade, approximately 95,000 slaves were brought into Peru, with the last group arriving in 1850. They were initially transferred to Cuba and Hispaniola but continued to Panama, where they were brought to the Viceroyalty of Peru. Slave owners also purchased their slaves in Cartagena, Colombia or Veracruz, Mexico, at trade fairs, and they took back to Peru whatever the slave ships had brought over. Slaves were distributed between encomiendas as a result of the "New laws" of 1548 and due to the influence of the denunciation of the abuses against Native Americans by Friar Bartolomé de las Casas.
Slave owners in Peru preferred slaves who were from specific areas of Africa and who could communicate with each other. Slave owners preferred slaves from Guinea, from the Senegal River down to the Slave Coast, because the Spanish considered them to be easy to manage, and also because they had marketable skills—they knew how to plant rice, train horses, and herd cattle on horseback. The slave owners also preferred slaves from the area stretching from Nigeria to eastern Ghana. The slave owners' third choice was for slaves from Congo, Mantenga, Cambado, Misanga, Mozambique, Madagascar, Terranova (who were probably bought in Porto-Novo, Benin), Mina and Angola. In the 17th century began the process of manumission of people of color. The possibility of buying one's own freedom boosted the emergence of a free Afro-Peruvian social class. Nevertheless, slaves had to pay a high amount to buy their freedom; they were allowed to earn on the side, some raised loans and others received grants of freedom from their master. A class of independent blacks was not entirely equal to Spaniards. Freed people of color enjoyed equal privileges in certain aspects. There are several instances of free Africans buying and selling land as well. Freed blacks engaged in various entrepreneurial activities, of which trade was a significant factor. Moreover, people of African descent with larger economic power were owners of private shops. Nevertheless, the new status of a free citizen brought new challenges and conditions that a man of color had to face. A freed person of color needed to have a job, was required to pay the tribute, was called to serve in the militia to defend the state and was under supervision of the Holy Office. The Crown raised revenues on the freed black population. A decree that compelled former slaves to hire themselves out to and reside with a Spaniard master was another way to limit freedom of emancipated blacks. While some did stay with Spanish in order to save money, the large majority successfully defied the rule and began building "joint communities" to support each other. A discrimination policy with big and long-term impact was the exclusion of blacks and mulattoes from education. Universities and schools largely run by the Church forbade the non-white population to enroll, under the justification that they were "unworthy of being educated". Wealthy, skilled, capable mulattoes however made their way through the political ladder and achieved occupation of minor official posts.
In 1856, President Ramón Castilla y Marquezado declared the freedom of the Afro-Peruvian ethnic groups and abolished slavery, beginning a new stage in history. Today, Afro-Peruvian communities celebrate the landmark decision of Castilla with a popular refrain:
- Que viva mi papá,
- que viva mi mamá,
- que viva Ramón Castilla
- que nos dio la liberta'
- Hooray for my Dad,
- Hooray for my Mom,
- Hooray for Ramón Castilla
- Who gave us liberty
The newly freed citizens typically took the last name of their former owners. For instance, slaves in the service of the Florez family named themselves "Florez" or "Flores".
Afro-Peruvian music 
Afro-Peruvian music has its roots in the communities of black slaves brought to work in the mines along the Peruvian coast. As such, it's a fair way from the Andes, culturally and geographically. However, as it developed, particularly in the 20th century, it drew on Andean, Spanish, and African traditions, while its modern exponents also have affinities with Andean nueva canción. The music was little known even in Peru until the 1950s, when it was popularized by the seminal performer Nicomedes Santa Cruz, whose body of work was taken a step further in the 1970s by the group Perú Negro and then in 2002 by Peru Expresion. Internationally, this form of music has had recent international publicity through David Byrne's Luaka Bop label, issuing the compilation Perú Negro and solo albums by Susana Baca.
Afro-Peruvians today 
Today, Afro-Peruvians (also known as Afrodescent Peruvians) reside mainly on the central and south coast, with the majority of the population in the provinces of Lima, Callao, Nazca, Chincha, Ica and Cañete. Many Afro-Peruvians live on the northern coast in Lambayeque and Piura. The greatest concentration of Afro-Peruvians and mestizos of Afrodescent is in the Callao, an area that has historically received many of the Afro-Peruvians from the north and southern coast.
On the southern coast of the Ica Region, there are many cotton fields and vineyards, and the area is commonly known for its black populations such as that in El Carmen of the populous Chincha Province. There are other such towns in the Nazca, Ica City and in the district of San Luis in the Cañete Province near Lima, and Nazca to the south of Lima. In Lima, the towns best known for having large concentrations of Afro-descended populations are Puente Piedra, Chorrillos, Rimac, and La Victoria.
Afro-Peruvians also reside in the northern regions of Peru such as La Libertad and Ancash, but the larger populations are concentrated in the northern valley plantations of the regions of Piura and Lambayeque.
Most Afro-Peruvian communities live in rural farming areas where mango, rice, and sugarcane production is present. Contrary to the southern coast, these communities are mainly found away from the coastal shores and into the region of the yungas, where the plain meets the Andes.
The greatest Afro-Peruvian populations of the north coast are found mainly in the outskirts of the Morropón Province and concentrate themselves in Piura and Tumbes. The central province of Morropón is well known for its black communities in cities such as Chulucanas, Yapatera, Chapica del Carmelo, La Matanza, Pabur (Hacienda Pabur), Morropón, Salitral, Buenos Aires, San Juan de Bigote and Canchaque, and to the north Tambogrande. All of these cities belong to the Piura Region, where there are large rice fields and mango plantations. South of the Lambayeque Region and north of La Libertad where sugarcane production was very productive in the past, there are several cities known for their black inhabitants. Examples are the colonial city of Saña in Lambayeque, famous for being the second most important Afro-Peruvian city of the Peruvian north. Tuman, Capote, Cayaltí, and Batán Grande within the region of Lambayeque also have large amounts of Afro-Peruvian populations in the sugarcane region.
The populations of Chancay and Aucallama are known in the province of Huaral, and the town of Acarí, in the province of Caravelí, to the north of Arequipa. In northern regions like Libertad and Ancash, Afro-Peruvians also exist, but in lesser measure, since the great majority of that population is concentrated in the regions of Piura and Lambayeque.
Recently it has been verified that the community with the greatest concentration of Afro-Peruvians is Yapatera in Morropón (Piura), made up of around 7,000 farmers who are largely descended from African slaves of "malagasy" (Madagascar) origin. They are referred to as "malgaches" or "mangaches".
Formerly, Chincha to the south of Lima and other communities in Ica were known as the towns of greatest Afro-Peruvian concentration, but due to the excessive mixing between the Afro inhabitants native to the area and the Andean migrants, the Afro-Peruvian root has been more hybridized. Also, many of the Afrodescent residents of these communities migrated towards Lima for better opportunities.
Government apology 
In November 2009, the Peruvian government issued an official apology to Peru's Afro-Peruvian people for centuries of racial injustice; it was the first such apology ever made by the government. The apology, announced by Women's and Social Development Minister Nidia Vilchez, was initially published in the official newspaper El Peruano. The apology said:
We extend a historical apology to Afro-Peruvian people for the abuse, exclusion and discrimination perpetrated against them since the colonial era until the present.
Vilchez said the government hoped its apology would help promote the "true integration of all Peru's multicultural population."
The government acknowledged that some discrimination persists against Afro-Peruvians, who make up 5-10% of the population of the country. The government's initial statement said, "The government recognizes and regrets that vestiges of racially-motivated harassment are still present, which represent a hindrance to social, economic, labor and educational development of the population at large." Monica Carrillo of the Center for Afro-Peruvian Studies and Promotion indicates that 27 percent of Afro-Peruvians finish high school and just 2 percent get higher or technical education. Although Peru is not the first Latin American government to apologize to its population, it is the first to acknowledge present-day discrimination. Although some human rights groups lauded the government's acknowledgement, other experts criticized the apology overall for failing to reference slavery or promise a change in the status quo.
The public ceremony for the apology held on 7 December 2009 in the Great Dining Room of the Government Palace, with the presence of President Garcia, Minister of Women and Social Development, Nidia Vilchez, the only Afro Peruvian Congress member Martha Moyano, along with the former mayor of El Carmen, Hermes Palma-Quiroz, and the founder of the Black Movement Francisco Congo, Paul Colino-Monroy.
In the ceremony, President Garcia said:
We are here together for an unusual act without precedent, to apologize to the Afro Peruvian people but most deeply pardon to the Black race, that our voice can be heard in the countries inflicted with the slavery commerce, which tore so many men and women, millions of them, and took them away to the ends of the planet to work in plantations.
List of renowned Afro-Peruvians 
- List of Afro-Latinos
- Adriana Zubiate, Miss Peru Universe 2002
- Alejandro Romero Cáceres (aka Gordo Casarreto), comedian
- Andrés Mandros Gallardo, historian, leader of Francisco Congo group
- Andres Soto, singer-songwriter
- Antonio Oblitas, lieutenant of Tupac Amaru II
- Arturo "Zambo" Cavero, singer and percussionist
- Ballumbrosio Family, with Amador Ballumbrosio as head of the family and his fourteen children, all musicians, percussionists, dancers
- Caitro Soto (Pedro Carlos Soto de la Colina), musician, composer, cajon player
- Cecilia Tait, former volleyball player and regarded as among the best players of all time in the spike. Congresswoman-elect of the Republic during the 2001–2006 legislative period.
- "Chocolate" Algendones, great percussionist, a specialist in the cajon. Founding member of the group Perú Negro, a member of Matalaché and Peru Jazz. He accompanied Chabuca Granda on percussion.
- Cristian Ramirez, famous viola and piano player and composer in Peru
- Eva Ayllón, pop singer, interpreter of folk music and renowned Afro-Peruvian
- Francisco Congo, leader of Maroon/Cimarron resistance group during the colonial period
- Francisco Fierro ("Pancho Fierro"), artist
- Gerónimo Barbadillo, former soccer player, played Italian football in the 1980s
- Guajaja, popular Peruvian musician
- Héctor Chumpitaz Gonzales, former soccer player, former captain of Americas 1970–1980
- Immortal Technique (Felipe Andres Coronel), hip-hop artist and activist
- Jefferson Farfán, current soccer player of Schalke 04 in Germany
- José Campos Dávila "Cheche", dean of social sciences and humanities at La Cantuta University
- José Carlos Luciano "Pepe", sociologist, pioneer in the Afro-Peruvian movement
- José Gil de Castro, "Mulato Gil de Castro", artist, hero of the Peruvian Revolution as well as renowned soldier in Chilean army
- Jose Luis Perez Sanchez-Cerro, current Peruvian ambassador to Spain and world human rights activist
- José Luis Risco, congressman
- José Rayo, revolutionary leader during war of independence
- Juan Joya, former soccer player of Alianza Lima Peru, Peñarol Uruguay and River Plate Argentina
- Juan Manuel Valdez, first Afro-Peruvian doctor, author, poet, and parliamentarian
- Julio César Uribe, former soccer player, idol of Junior de Barranquilla Americas and Mexico. He also played for Italian football in the 1980s
- Julio Meléndez, named the greatest Boca Juniors stopper
- Leon Escobar, revolutionary, took over the presidential palace for over a week
- Lucha Reyes, interpreter, folk music singer known for her voice in Peruvian Waltz. In Mexico well known for participating in Boleros.
- Lucía Charún-Illescas, the first Peruvian novelist of African descent. Researcher, lecturer and author of the novel Malambo (2001)
- Lucila Campos, singer and member of Perú Negro
- Luis Miguel Sánchez Cerro, president of Peru
- Luisa Fuentes, better known as Lucha Fuentes, volleyball player with the Peruvian national team who won numerous international titles, winning five championships and three South American Panamerican Subchampionships. She participated in two Olympics (Mexico and Montreal) and six world championships.
- Manuel Ricardo Palma Soriano, poet, writer, author of the brilliant Peruvian Traditions
- María Elena Moyano, civil leader
- Mario Bazán, Olympic athlete
- Martha Moyano, congresswoman
- St. Martin de Porres, famous Limeño saint, first black saint
- Mauro Mina, former South American light-heavy weight champion boxer
- Micaela Bastidas Puyucahua, revolutionary and wife of Tupac Amaru II
- Negro Guadalupe, military leader
- Nicomedes Santa Cruz, folklore, Afro-Peruvian writer and poet rescuer of the Decima Limeña and northern Cumanána
- Pablo Branda Villanueva (aka Melcochita), salsa singer and comedian of world renown
- Rafael Santa Cruz, actor
- Ronaldo Campos, one of the founders of Perú Negro and preserver of Afro-Peruvian rhythms played on the cajon
- Rosa Elvira Cartagena, Miss Peru World 1999, and model for Sabado Gigante, Univision
- Susana Baca, musician who is well known at the international level (won a Grammy for Best Folk Album in 2002). She is a renowned composer, singer and scholar of the rhythms of "Afro" descent in Peru. She is responsible for recovering almost forgotten harmonies and rhythms of Afro-Peruvian music.
- Tatiana Espinoza, actress
- Teófilo Cubillas, considered the greatest Peruvian soccer player of all time
- Victoria Santa Cruz, folklore and director of the Conjunto Nacional de Folclore del Instituto Nacional de Cultura
See also 
||This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. (February 2008)|
- Afro-Latino Roots
- Lockhart, James. Spanish Peru, 1532-1560: A Social History, 2nd ed., Madison, Wis., University of Wisconsin Press, 1994 p. 196
- Lockhart, James. Spanish Peru, 1532-1560: A Social History, 2nd ed., Madison, Wis., University of Wisconsin Press, 1994 p.195
- Bowser, Frederick P. The African slave in colonial Peru, 1524-1650, Stanford, California, Stanford University Press, 1974 p.126
- Bowser, Frederick P. The African slave in colonial Peru, 1524-1650, Stanford, California, Stanford University Press, 1974 p.125
- Brockington, Lolita, "The African Diaspora in the Eastern Andes: Adaptation, Agency, and Fugitive Action, 1573–1677". The Americas, 57(2), 2000, p. 212
- Lane, Kris (October 2000). "Captivity and Redemption: Aspects of Slave Life in Early Colonial Quito and Popayán". The Americas (The Academy of American Franciscan History) 57 (2): 231. ISSN 0003-1615. JSTOR 1008204.
- Bowser, Frederick P. The African slave in colonial Peru, 1524-1650, Stanford, California, Stanford University Press, 1974 p.312
- "Lima apologizes to Afro-Peruvians for abuses". Associated Press. November 29, 2009. Retrieved 2 December 2009.
- "Afro-Peruvians get government apology for abuse". Agence France-Presse. November 29, 2009. Retrieved 2 December 2009.
- "Peru apologises for abuse of African-origin citizens". BBC News. 29 November 2009. Retrieved 2 December 2009.
- "Government Begs "Historical Pardon" from Afro-Peruvians for Past Abuses". Latin American Herald Tribune (Venezuela). Retrieved 2 December 2009.
-  "President Garcia apologizes to Afro-Peruvians for discrimination", Andina, Peru official news agency, 7 December 2009.
-  "Peru apologizes to Afro Peruvians but it Fails to Prevent and Fight Racism and Discrimination peruanista.blogspot.com, 8 December 2009.
-  "Peru apologizes to Afro Peruvians but it Fails to Prevent and Fight Racism and Discrimination" peruanista.blogspot.com, 8 December 2009.
-  YouTube video of the apology ceremony.
- "Adriana Zubiate. La mezcla ideal". La República. May 21, 2006. Retrieved 2 December 2009.
- Blanchard Slavery and Abolition in early Republican Peru
- Browser, F.P. The African Slave in Colonial Peru
- Lockhart, J. Spanish Peru: A Colonial Society
- Millones, Luis Minorias étnicas en el Perú
- Museo Afro Peruano
- Joshua Project - Afro-Peruvian
- Peruvian Music
- Peru Negro
- Imágen(Es) E Identidad Del Sujeto Afroperuano En La Novela Peruana Contemporánea
- Pobreza, discriminacion social e indentidad: El caso de la poblacion afrodescendiente en el Peru
- Black Conquistadors: Armed Africans In Early Spanish America