Afterparty Babies

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Afterparty Babies
Studio album by Cadence Weapon
Released March 4, 2008 (2008-03-04) (United States and Canada)
March 10, 2008 (2008-03-10) (United Kingdom)
Recorded May 2006 – April 2007 at Up in Arms Studios in Edmonton, Alberta
Genre Alternative hip hop, electronic
Length 57:40
Label Anti-Records, Big Dada, Upper Class Recordings
Producer Cadence Weapon and DJ Weezl
Cadence Weapon chronology
Breaking Kayfabe
(2005)
Afterparty Babies
(2008)
Hope in Dirt City
(2012)
Singles from Afterparty Babies
  1. "House Music"
    Released: February 12, 2008

Afterparty Babies is the second album by Canadian rapper Cadence Weapon, released on March 4, 2008 by Anti-Records and Upper Class Recordings in the United States and Canada[1] and March 10, 2008 by Big Dada in the United Kingdom.[2] After signing with US label Anti- and the re-release of his debut album Breaking Kayfabe, he spent eleven months in his hometown of Edmonton to work on new material for his next album.

Whereas Breaking Kayfabe used heavy beats and grime from the electronic genre for its overall sound, Afterparty Babies has a club-feel throughout with elements of house and tech house that go along with Cadence's autobiographical lyrics about inter-personal relationships in his hometown of Edmonton and the youth culture interacting with both the Internet and media in general. The album received great reception from music critics, praising it for its experimentation of the electronic genre and its self-deprecating lyrics with pop culture references.

Background[edit]

Cadence Weapon released his debut album Breaking Kayfabe on November 28, 2005. It received great reception from critics upon release and was shortlisted for the 2006 Polaris Music Prize. Cadence then signed with Anti-Records in hopes of gaining exposure in the United States. After that, he went back to his hometown of Edmonton to work on new material for his next album, while his debut album was re-released by Anti- on March 13, 2007. Regarding the album's title, Cadence said that he got it from his father who occasionally called him that because he was "conceived" after a party his parents went to.[3]

The album cover features Cadence sitting front and center on a stool while behind him are a group of people set up like a High school class photo. Featured on the cover are people who worked on the album like DJ Weezl,[4] DJ Nato, Shout Out Out Out Out's Nik Kozub and several of Cadence's ex-girlfriends.[5] The picture was taken in the basement of The Black Dog, a former pub in Edmonton.[4]

Music and lyrics[edit]

Afterparty Babies takes elements from the electronic genre like house and tech house for its overall sound. Cadence said that he was influenced by artists like Basement Jaxx and Daft Punk,[6] and dance music in general when he found an interest in DJing that opened his mind to the genre as a whole: "I was getting more into DJing myself, listening to dance music, kind of realising that all music is inter-connected, everything is 4/4: you can mix everything together."[4]

For the lyrical content, Cadence took inspiration from Bob Dylan records to tell stories that he drew from an experience he had in Edmonton during the summer of 2006.[4] Another addition that Cadence put into the album was his view of the youth culture being more interested in using the Internet and media in general for their daily lives instead of living that experience in real life.[3] The first track, "Do I Miss My Friends?", is an a capella hip-hop track that uses a loop of Cadence doing hand claps, leg slapping and noises with his mouth.[6] Cadence said in interviews that the track was inspired by both his fear of losing contact with his friends while on tour[5] and his confusion of being with people he didn't know from the summer he spent saying, "What am I doing with these people? Why these people? Why are these people my friends?"[6] The fourth track, "Limited Edition OJ Slammer", was described by Cadence as being "the perfect metaphor for celebrity culture," saying that as a child he had a gold-plated razor blade pog slammer that showed O.J. Simpson and the phrase, "The Juice is Loose."[7] The seventh track, "Messages Matter", was described by AllMusic's Marisa Brown as a song that "comments on the state of the technology-driven social relationships and forms of communication that he sees replacing the human-to-human ones."[8] One of the cuts that the track uses comes from the 1989 Arnold Schwarzenegger film Kindergarten Cop in which he interrogates the children. Cadence said that DJ Weezl handled all the cuts heard throughout the album and that he had nothing do with it. He also said jokingly that because of this that he might be "dead broke because of [Arnold] Schwarzenegger."[9]

Critical reception[edit]

Professional ratings
Aggregate scores
Source Rating
Metacritic 73/100[10]
Review scores
Source Rating
AllMusic 4/5 stars[8]
The AV Club B[11]
Drowned in Sound 9/10[12]
The Guardian 4/5 stars[13]
The New York Times favourable[14]
Paste favourable[15]
Pitchfork Media 7.0/10[16]
PopMatters 6/10 discs[17]
Spin 6/10 stars[18]

Afterparty Babies received generally favourable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 73, based on 20 reviews.[10]

Marisa Brown of AllMusic gave the album four out of five stars, praising the production and Cadence's tongue-in-cheek lyrics, calling it "hipster rap that isn't trying to hard to be hip" and concluded with saying its "an album that accepts its imperfections as a part of its charm, and, all things considered, a pretty irresistible release."[8] Dorian Lynskey of The Guardian also gave the album four out of five stars, applauding Cadence for his subject matter saying, "Pemberton doesn't strain to impress. He doesn't need to: his darting intelligence and racing imagination are evident in every line."[13] Sean O'Neal of The AV Club graded the album with a B, calling it an improvement over Breaking Kayfabe by praising its storytelling and pop culture references saying, "Throughout, Pemberton comes off like a clever friend who just happens to be lyrically gifted: [He's] the perfect hip-hop hero for the Myspace age."[11]

Jon Pareles of The New York Times gave the album a favourable review, admiring Cadence's lyrical mocking and use of sound saying, "He backs up his insolence with dense, tricky productions that pile samples and scratching atop techno and electro beats and go increasingly haywire as he gets more worked up."[14] Dan Raper of PopMatters gave the album a six out of ten, repeating what everyone said about the production and the lyrics throughout but felt that it limited Cadence's public appeal concluding with, "You get the feeling he wouldn’t want to be one of the "rappers on the radio" anyway."[17] Josh Modell of Spin also gave the album a six out of ten, feeling that Cadence takes too much from indie hip-hop and that he should be more of an "equally passionate goofball" that might put him into the mainstream.[18]

Track listing[edit]

All songs written and composed by Cadence Weapon. 

No. Title Length
1. "Do I Miss My Friends?"   5:11
2. "In Search of the Youth Crew"   4:13
3. "True Story"   3:34
4. "Limited Edition OJ Slammer"   3:52
5. "Juliann Wilding"   3:43
6. "Real Estate"   3:42
7. "Messages Matter"   3:44
8. "Your Hair's Not Clothes!"   3:29
9. "Tattoos (And What They Really Feel Like)"   3:30
10. "The New Face of Fashion"   3:28
11. "Getting Dumb"   4:38
12. "House Music"   5:37
13. "Unsuccessful Club Nights"   3:54
14. "We Move Away"   5:05

Personnel[edit]

Adapted from the Afterparty Babies liner notes.[19]

References[edit]

  1. ^ "Cadence Weapon Has Afterparty Babies". Chart Attack. November 15, 2007. Retrieved April 24, 2014. 
  2. ^ "After Party Babies / Cadence Weapon / Release / Big Dada". Big Dada. Retrieved April 15, 2014. 
  3. ^ a b Khanna, Vish (March 2008). "Cadence Weapon • Interviews". Exclaim!. Ian Danzig. Retrieved April 24, 2014. 
  4. ^ a b c d Byrne, Niall (March 12, 2008). "Interview: Cadence Weapon". State. Retrieved April 24, 2014. 
  5. ^ a b Khanna, Vish (March 2008). "Cadence Weapon (Page 3) • Interviews". Exclaim!. Ian Danzig. Retrieved April 24, 2014. 
  6. ^ a b c Tedder, Michael (March 10, 2008). "Q&A with Cadence Weapon". self-titled. Retrieved April 25, 2014. 
  7. ^ Khanna, Vish (March 2008). "Cadence Weapon (Page 2) • Interviews". Exclaim!. Ian Danzig. Retrieved April 26, 2014. 
  8. ^ a b c Brown, Marisa. "Afterparty Babies – Cadence Weapon". AllMusic. All Media Network. Retrieved July 10, 2011. 
  9. ^ "Cadence Weapon Fears Arnold Schwarzenegger". Chart Attack. April 9, 2008. Retrieved April 26, 2014. 
  10. ^ a b "Afterparty Babies Reviews". Metacritic. CBS Interactive. Retrieved April 10, 2014. 
  11. ^ a b O'Neal, Sean (March 8, 2008). "Music: Cadence Weapon: Afterparty Babies · Music Review". The AV Club. The Onion. Retrieved April 10, 2014. 
  12. ^ Nizzzz, Chrizzz (2008-03-04). "Album Review: Cadence Weapon – Afterparty Babies". Drowned in Sound. Retrieved 2014-04-10. 
  13. ^ a b Lynskey, Dorian (February 22, 2008). "CD: Cadence Weapon, Afterparty Babies". The Guardian. Guardian Media Group. Retrieved April 10, 2014. 
  14. ^ a b Pareles, Jon (March 16, 2008). "Sounds Soft and Tough, and a Star in the Trunk". The New York Times. The New York Times Company. Retrieved April 10, 2014. 
  15. ^ Reeves, Mosi (March 5, 2008). "Cadence Weapon: Afterparty Babies". Paste. Retrieved April 10, 2014. 
  16. ^ Howe, Brian (March 4, 2008). "Cadence Weapon: Afterparty Babies". Pitchfork Media. Retrieved April 10, 2014. 
  17. ^ a b Raper, Dan (March 17, 2008). "Cadence Weapon: Afterparty Babies – PopMatters Music Review". PopMatters. Archived from the original on March 18, 2008. Retrieved March 10, 2014. 
  18. ^ a b Modell, Josh (March 6, 2008). "Cadence Weapon, 'Afterparty Babies' Review". Spin. Spin Media. Retrieved April 10, 2014. 
  19. ^ Afterparty Babies (liner notes). Cadence Weapon. Anti-. Upper Class. 2008.