October 12, 1928|
Brooklyn, New York
|Died||July 27, 2005(aged 76)|
|Training||Art Students League of New York,
Académie de la Grande Chaumière, Paris
|Movement||Abstract expressionism, Post-Painterly Abstraction, Geometric abstraction, Hard-edge painting|
Background and education
Born in Brooklyn, New York in 1928, he grew up in the East Bronx, the son of a poor Jewish family thrown onto welfare during the depression. Held showed no interest in art until leaving the Navy in 1947. Inspired by his friend Nicholas Krushenick, Held enrolled in the Art Students League of New York. In 1949, using the support of the G.I. Bill, he went to Paris for three years, to study at the Académie de la Grande Chaumière. In Paris, he decided that realism was not for him, and moved into abstraction. An admirer of Jackson Pollock, he became an abstract expressionnist. He returned to New York in 1953 and married Giselle Wexler, with whom he had a daughter, Mara. After the break-up with his wife, he went to San Francisco where he met the soon-to-be postmodern dancer and choreographer Yvonne Rainer. They move together to New-York in 1956, got married in 1957 to split up in 1959. In 1969, he married the sculptor Sylvia Stone.
After his first solo Abstract expressionist exhibition in 1959, Held's large-scale paintings of colourful, simple abstract geometric forms gained increasing recognition in America and Europe. In 1962, he was appointed to the Yale University Faculty Of Art (where he would teach until 1980). In 1965, the critic Irving Sandler curated the critically acclaimed Concrete Expressionism show at New York University featuring the work of painters Al Held and Knox Martin and the sculptors Ronald Bladen, George Sugarman and David Weinrib.
In 1966, Held was awarded a Guggenheim Fellowship and received the Logan Medal of the arts. Feeling that he'd reached the end of his style's potential, he shifted in 1967 to black and white images that dealt with challenging perspectives and "spatial conundrums". Some critics dismissed this work as simply disorienting; others declared it Held's finest achievement to date. By the late 1970s, he had re-introduced colour to his work.
- Irving Sandler, From Avant-Garde to Pluralism: An On-The-Spot History (Hard Press Editions, 2006.)
- Irving Sandler, From Avant-Garde to Pluralism: An On-The-Spot History, (Hard Press Editions, 2006.) ISBN 1-889097-68-3
- Al Held interviews, 1975 Nov. 19-1976 Jan. 8, Archives of American Art, Smithsonian Institution
- Biography by the Sheldon Gallery
- Obituary in The Guardian, 2005
- Al Held Foundation
- Al Held in the National Gallery of Australia's Kenneth Tyler collection