Alan Freed

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Alan Freed
Alan Freed 1957.JPG
Born (1921-12-15)December 15, 1921
Windber, Pennsylvania, U.S.
Died January 20, 1965(1965-01-20) (aged 43)
Palm Springs, California, U.S.
Resting place
Lake View Cemetery, Cleveland, Ohio[1]
Occupation Radio/Television/Screen personality
Years active 1945–65
Spouse(s) Betty Lou Bean (1943–49; divorced; 2 children)
Marjorie J. Hess (1950–58; divorced; 2 children)
Inga Lil Boling (1959–65; his death)

Albert James "Alan" Freed (December 15, 1921 – January 20, 1965), also known as Moondog, was an American disc jockey.[2] He became internationally known for promoting the mix of blues, country and rhythm and blues music on the radio in the United States and Europe under the name of rock and roll. His career was destroyed by the payola scandal that hit the broadcasting industry in the early 1960s.

Early years[edit]

Freed was born to a Russian-Jewish immigrant father, Charles S. Freed, and Welsh-American mother, Maude Palmer, in Johnstown, Pennsylvania. In 1933, Freed's family moved to Salem, Ohio where Freed attended Salem High School, graduating in 1940. While Freed was in high school, he formed a band called the Sultans of Swing in which he played the trombone. Freed's initial ambition was to be a bandleader; however, an ear infection put an end to this dream.

While attending Ohio State University, Freed became interested in radio. Freed served in the Army during World War II and worked as a DJ on Armed Forces Radio. Soon after World War II, Freed landed broadcasting jobs at smaller radio stations, including WKST (New Castle, PA); WKBN (Youngstown, OH); and WAKR (Akron, OH), where, in 1945, he became a local favorite for playing hot jazz and pop recordings.[3] Freed enjoyed listening to these new styles because he liked the rhythms and tunes.

Career[edit]

Freed is commonly referred to as the "father of rock'n'roll" due to his promotion of the style of music, and his introduction of the phrase "rock and roll", in reference to the musical genre, on mainstream radio in the early 1950s. He helped bridge the gap of segregation among young teenage Americans, presenting music by African-American artists (rather than cover versions by white artists) on his radio program, and arranging live concerts attended by racially mixed audiences.[4] Freed appeared in several motion pictures as himself. In the 1956 film Rock, Rock, Rock, Freed tells the audience that "rock and roll is a river of music that has absorbed many streams: rhythm and blues, jazz, rag time, cowboy songs, country songs, folk songs. All have contributed to the big beat."

WAKR Akron[edit]

In 1945 Alan Freed joined WAKR and became a local favorite, playing hot jazz and pop recordings. The radio Editor for the Akron Beacon Journal followed Freed and his "Request Review" [1] nightly program of dance. When he left the station, the non-compete clause in his contract limited his ability to find work elsewhere, and he was forced to take the graveyard shift at Cleveland's WJW radio where he eventually made history playing the music he called "Rock and Roll."[5]

WJW Cleveland[edit]

In the late 1940s, while working at WAKR (1590 AM) in Akron, Ohio, Freed met Cleveland record store owner Leo Mintz. Record Rendezvous was one of Cleveland's largest record stores, who had begun selling rhythm and blues records. Mintz told Freed that he had noticed increased interest in the records at his store, and encouraged him to play them on the radio.[6] In 1951, Freed moved to Cleveland and, in April 1951, he was under a non-compete with WAKR, however through the help of William Shipley the RCA distributor in Northern Ohio, he was released from his non-compete and joined WJW radio on a midnight radio program sponsored by Main Line, the RCA Distributor and Record Rendezvous. Freed peppered his speech with hipster language and with a rhythm and blues record called "Moondog" as his theme song, broadcast R&B hits into the night.

Mintz proposed buying airtime on Cleveland radio station WJW (850 AM) to be devoted entirely to R&B recordings, with Freed as host.[6] On July 11, 1951, Freed started playing rhythm and blues records on WJW.[7] Freed called his show "The Moondog House" and billed himself as "The King of the Moondoggers". He had been inspired by an offbeat instrumental called "Moondog Symphony" that had been recorded by New York street musician Louis T. Hardin, aka "Moondog". Freed adopted the record as his show's theme music. His on-air manner was energetic, in contrast to many contemporary radio presenters of traditional pop music, who tended to sound more subdued and low-key in manner. He addressed his listeners as if they were all part of a make-believe kingdom of hipsters, united in their love for black music.[7]

Later that year, Freed promoted dances and concerts featuring the music he was playing on the radio. He was one of the organizers of a five-act show called "The Moondog Coronation Ball" on March 21, 1952 at the Cleveland Arena.[8] This event is known as the first rock and roll concert. Crowds attended in numbers far beyond the arena's capacity, and the concert was shut down early due to overcrowding and a near-riot.[8] Freed gained a priceless notoriety from the incident. WJW immediately increased the airtime allotted to Freed's program, and his popularity soared.[7]

In those days, Cleveland was considered by the music industry to be a "breakout" city, where national trends first appeared in a regional market. Freed's popularity made the pop music business sit up and take notice. Soon, tapes of Freed's program began to air in the New York City area over station WNJR, (now WNSW) Newark, NJ. [7]

Hardin, the original Moondog, later took a court action suit against the station WINS for damages against Freed for infringement in 1956, arguing prior claim to the name "Moondog", under which he had been composing since 1947. Hardin collected a $6,000 judgement from Freed, as well as him giving up further usage of the name Moondog.[9]

WINS New York[edit]

In 1954, following his success on the air in Cleveland, Freed moved to WINS (1010 AM) in New York City. The station eventually became an around-the-clock Top 40 rock-and-roll radio station, and would remain so until April 19, 1965—long after Freed left and three months after he had died— when it became an all-news outlet. While in New York, Life magazine credited Freed as the originator of the rock 'n roll craze.[10]

Brooklyn Paramount[edit]

1955 'Easter Jubilee' performers included; LaVern Baker, The Three Chuckles, Danny Overbea, The Moonglows, Eddie Fontaine, The Penguins, Red Prysock, Al Sears, Sam The Man' Taylor, Mickey Baker 1955 'Holiday Jubilee' performers included The Bonnie Sisters, Count Basie, LaVern Baker, Boyd Bennett, The Wrens (R&B band), The Valentines (doo-wop band), Don Cherry, The Chuckles, The Cadillacs, The Heartbeats, Gloria Mann, Joe Williams (jazz singer), Sam Taylor, Al Sears. 'First Anniversary Rock'n Roll Party' broke all-time records for Paramount Theatre (Brooklyn). On Wednesday September 14, 1955 Variety (magazine) announced that Alan Freed gross at Brooklyn Paramount was $155,000. On September 17, 1955 Cashbox (magazine) announced that Freed gross rose to $178,000 with attendance of over 100,000. The performers at this show included Tony Bennett, Al Hibbler, Lillian Briggs, Chuck Berry, Nappy Brown, The Nutmegs, Red Prysock, The Cardinals, The Harptones, The Rhythmettes, The Four Voices (1950s group). Freed asked Sam Taylor (saxophonist) and Al Sears to take bows. '1955 Christmas Jubilee' performers: Jackie Wilson, The Olympics (band), Rosie of Rosie and the Originals, Carlos Bros., Al Kasha, H.B. Barnum, The Penguins, Gerry Granahan, Christy Cummins, Don and Dewey, Johnny Otis and his Big Band. 1956 'Easter Jubilee of Stars' performers Frankie Lymon and The Teenagers, The Platters, The Rover Boys, Dorie Anne Gray, The Willows, The Flamingos, The Valentines, The Jodimars, Ruth McFadden, The Royaltones, and The Cleftones. 1956 'The Big Beat' performers: Bill Haley & His Comets, Chuck Berry, The Everly Brothers, The Elegants, Jo Ann Campbell, Kalin Twins, Frankie Lymon, Jimmy Clanton, The Pony Tails, Teddy Randazzo, Ed Townsend, Jack Scott (singer), Bobby Freeman, Bo Diddley, Larry Williams, Duane Eddy, Gino & Gina, Bobby Hamilton, and The Cleftones. 1956 'Rock N Roll' performers Fats Domino, Big Joe Turner, Fats Domino, Penguins, The Harptones, Jean Chapel, Zirino and the Bowties, Joe Turner, Cleftones, Jimmy Cavallo and his Housewreckers, Mabel King, Jimmy Wright, Al Sears, Freddie Mitchell, and Panama Francis. 1956 'Christmas Jubilee' performers: Screamin' Jay Hawkins, Shirley Goodman and Lee, Lillian Briggs, The Moonglows, George Hamilton IV, The Heartbeats, The Three Friends, G-Clefs, Barbie Gaye, Jessie Belvin, The Dells, Mac Curtis, Eddie Cooley and the Dimples. 1957 'Holiday Jubilee' performers: The Platters, Frankie Lymon And The Teenagers, Ruth Brown, The Cleftones, Nappy Brown, The Cadillacs, Ron Robinson, The Duponts, Maureen Cannon, Buddy Knox, Jimmy Bowen, and Rhythm Orchids. 1957 'Easter Jubilee of Stars' performers: Charlie Gracie, Buddy Knox, Jimmy Bowen and the Rhythm Orchids, The Cleftones, Bo Diddley, Billy Mason and the Rhythm Jesters, Anita Ellis, G Clefs, Bobby Marchan, The Rosebuds, The Pearls, The Solitaires, The Cellos. 1957 Summer Festival' performers: La Vern Baker, Clyde McPhatter, Chuck Berry, The Teenagers featuring Frankie Lymon, The Moonglows, Big Joe Turner, Screamin' Jay Hawkins, Jodie Sands, Lewis Lymon and Teen Chords, Everly Brothers, Johnnie and Joe, Teddy Randazzo, The Dubs. 1957 'Third Anniversary Show' performers: Little Richard, Mickey and Sylvia, The Diamonds, The Cleftones, Buddy Holly, The Crickets, The Moonglows, The Five Keys, Jimmie Rogers, Shaye Cogan, Ocie Smith, The Del Vikings. Jo-Ann Cambell, Larry Williams. 1957 'Christmas Jubilee' performers: Fats Domino, The Everly Brothers, The Rays, The Crickets, Paul Anka, Jerry Lee Lewis, Lee Andrews and The Hearts, Jo-Ann Cambell, The Shepherd Sisters, Danny and the Juniors, The Teenagers, Little Joe, The Dubs, Thurston Harris, The Twintones, Terry Noland. 1958 'The Big Beat' performers: Jerry Lee Lewis, Buddy Holly & The Crickets, Chuck Berry, Frankie Lymon, The Diamonds, Billie Ford & The Thunderbirds, Dicky Doo & The Don'ts, The Chantels, Larry Williams, Screamin' Jay Hawkins, The Pastels, Jo-Ann Campbell, Ed Townsend. 1958 'Christmas Jubilee' performers: The Everly Brothers, Chuck Berry, Frankie Avalon, Jimmie Clanton, Harvey and the Moonglows, Jackie Wilson, Johnnie Ray, Jo-Ann Campbell, Bo Diddley and Band, The Flamingos, Baby Washinton, The Crests, The Nu-Tornadoes, The Cadillacs, Dion and the Belmonts, Inga Freed, Ed Townsend, Gino and Gina, King Curtis, Georgie Auld, Earl Warren, Ritchie Valens. 1959 'Easter Jubilee' performers: Fats Domino, Jackie Wilson, Bobby Darin, Jimmy Clanton, Duane Eddy, Tommy Leonetti, Dale Hawkins, Larry Williams, Jo-Ann Campbell, Sandy Stewart, Fabian, Thomas Wayne, The Mello Kings, The Cadillacs, Bobby Freeman, The Skyliners, Joe Medlin, Sam Taylor, King Curtis, Georgie Auld, Earl Warren. 1959 'Christmas Jubilee'

Radio Luxembourg[edit]

In 1956, Freed was introduced to European audiences through his appearances in a succession of "rock and roll" movies such as Rock Around The Clock, Don't Knock the Rock and other titles. That same year, while working for WINS in New York City, Freed began recording a weekly half-hour segment of the Radio Luxembourg show called Jamboree that was aired on Saturday nights at 9:30 P.M., Central European Time. The billing of his segment in the 208 magazine program guide described him as "the remarkable American disc-jockey whose programs in the States cause excitement to the fever pitch." Jamboree with Freed was heard throughout the British Isles and much of Europe via the powerful AM nighttime signal of Radio Luxembourg, and outside of Europe by a simultaneous relay via transmission on shortwave. Due to the strange effect that the ionosphere had on the sky wave signal of Radio Luxembourg, it sometimes was heard poorly in parts of southern England with extreme fading, but sounded like a local station in northern England cities such as Liverpool. The Beatles claim to have been influenced by Black artists such as Little Richard and Chuck Berry, both of whom were promoted on Freed's radio shows. After trying band names including "Johnny and the Moondogs" the band was finally known as "The Beatles" after hearing "Alan Freed and The Moondog Show". Ringo Starr confirmed in an August 2011 radio interview that his first exposure to Elvis Presley and Little Richard was through this show. The recordings made by these artists were in turn promoted on sponsored shows paid for by the record labels that were also heard over Radio Luxembourg, which was the only commercial radio station heard in the United Kingdom until 1964.

WABC New York[edit]

After departing from WINS, Freed for a time was employed in New York by WABC (770 AM) around 1958, about two years before it evolved into one of America's great Top 40 stations by launching its Music radio format. At this time, WABC (unlike rocker WINS) was more of a full-service station which began implementing some music programming elements. Freed was employed at the station around the same time as another famous pioneering disc jockey who arose during a different era: Martin Block of WNEW 1130 AM—now WBBR—"Make Believe Ballroom" fame. Freed was fired by WABC (1959) during a dispute where he refused to sign a statement certifying that he had never accepted payola.

Film and television[edit]

Freed also appeared in a number of pioneering rock and roll motion pictures during this period. These films were often welcomed with tremendous enthusiasm by teenagers because they brought visual depictions of their favorite American acts to the big screen, years before music videos would present the same sort of image on the small television screen.

Freed appeared in several motion pictures that presented many of the big musical acts of his day, including:

A photo of Fats Domino singing Blueberry Hill on the 18th November 1956 "Ed Sullivan Show."

In 1957, Freed was given a weekly prime-time TV series, The Big Beat (which predated American Bandstand), on ABC, which was scheduled for a Summer run, with the understanding that if there were enough viewers, the show would continue into the 1957-58 television season. Although the ratings for the first three episodes were strong, the show was suddenly canceled after the fourth episode. During that episode, Frankie Lymon of Frankie Lymon and The Teenagers, after performing his number, was seen dancing with a white girl from the studio audience. Reportedly, the incident offended the management of ABC's local affiliates in the southern states, and led to the show's immediate cancellation despite its growing popularity.[citation needed] During this period, Freed was seen on other popular programs of the day, including To Tell The Truth, where he is seen defending the new "rock and roll" sound to the panelists, who were all clearly more comfortable with swing music: Polly Bergen, Ralph Bellamy, and Kitty Carlisle. (This episode was re-broadcast on Game Show Network on February 4 or 5, 2007, and also on April 23, 2007.)

Freed went on to host a local version of "Big Beat" over WNEW-TV New York until late 1959 when he was fired from the show after payola accusations against Freed surfaced.

Legal trouble, payola scandal[edit]

In 1958, Freed faced controversy in Boston when he told the audience, "The police don't want you to have fun." As a result, Freed was arrested and charged with inciting to riot.[citation needed]

Freed's career ended when it was shown that he had accepted payola (payments from record companies to play specific records), a practice that was highly controversial at the time. There was also a conflict of interest, that he had taken songwriting co-credits (most notably on Chuck Berry's "Maybellene"), which entitled him to receive part of a song's royalties, which he could help increase by heavily promoting the record on his own program. In another example, Harvey Fuqua of The Moonglows insisted Freed's name was not merely a credit on the song "Sincerely" and that he did actually co-write it (which would still be a conflict of interest for Freed to promote).

Freed lost his own show on the radio station WABC; then he was fired from the station altogether on November 21, 1959.[12] He also was fired from his television show (which for a time continued with a different host). In 1960, payola was made illegal. In 1962, Freed pleaded guilty to two charges of commercial bribery, for which he received a fine and a suspended sentence.

Personal life[edit]

On August 22, 1943, Freed was married to Betty Lou Bean. The couple had two children. A daughter; Alana Freed (deceased) and a son; Lance Freed. On December 2, 1949, the couple divorced. On August 12, 1950 Freed married again to Marjorie J. Hess. During this time, the couple had two children, Sieglinde Freed and Alan Freed, Jr. The couple divorced on July 25, 1958. Freed married for a third time on August 13, 1959, to Inga Lil Boling, with whom he remained until his death on January 20, 1965.

Later years and death[edit]

Freed's punishment from the payola scandal created side effects of negative publicity were such that no prestigious station would employ him, and he moved to the West Coast in 1960, where he worked at KDAY/1580 in Santa Monica, California. At this time, Freed introduced Gil Friesen to Jerry Moss which led to the ampersand of A&M Records. In 1962, after KDAY refused to allow him to promote "rock and roll" stage shows, Freed moved to WQAM in Miami, Florida, but that association lasted two months. During 1964, he returned to the Los Angeles area and worked at KNOB/97.9.[13][14]

He died in a Palm Springs, California hospital on January 20, 1965 from uremia and cirrhosis brought on by alcoholism. He was 43 years old. Freed was initially interred in the Ferncliff Cemetery in Hartsdale, New York. In March 2002, Judith Fisher Freed, carried his ashes to the Rock and Roll Hall of Fame in Cleveland, Ohio.[15] On August 1, 2014, the Hall of Fame asked Alan Freed's son, Lance Freed, to permanently remove the ashes, which he did.[16][17] The Freed family later announced the ashes would be interred at Cleveland's Lake View Cemetery.[1]

Legacy[edit]

In March of 1978, a motion picture entitled American Hot Wax, produced by Art Linson, was inspired by Freed's contribution to the rock and roll scene. Although director Floyd Mutrux created a fictionalized account of Freed's last days in New York radio by utilizing real-life elements outside of their actual chronology, the film does accurately convey the fond relationship between Freed, the musicians he promoted, and the audiences who listened to them. The film starred Tim McIntire as Freed. Richard Perry played the roll of a musical producer. Several notable personalities who would later become well-known celebrities starred in the movie, including Jay Leno and Fran Drescher. Laraine Newman played the role of Carole King. The film included cameo appearances by Chuck Berry, Screamin' Jay Hawkins, Frankie Ford and Jerry Lee Lewis, performing in the recording studio and concert sequences.

On January 23, 1986, Freed was part of the first group inducted into the Rock and Roll Hall of Fame, which was built in Cleveland in recognition of Freed's involvement in the promotion of the genre. In 1988, he was also posthumously inducted into the National Radio Hall of Fame. On December 10, 1991, Freed was given a star on the Hollywood Walk of Fame. VH1 series, Behind The Music produced and episode 092 on Alan Freed featuring Roger Steffens. In 1998 The Official Website of Alan Freed went online with the jumpstart from Brian Levant and Michael Ochs archives as well as a home page biography written by Ben Fong-Torres. On February 26, 2002, Freed was honored at the Grammy Awards with the Trustees Award.

Freed was used as a character in Stephen King's Nightmares & Dreamscapes as an evil version of himself, who enthusiastically announces the names of deceased rock 'n' roll legends in You Know They Got a Hell of a Band as part of an upcoming concert to perform. He was portrayed by Mitchell Butel in the television adaptation on the Nightmares & Dreamscapes mini-series. The Cleveland Cavaliers' mascot Moondog is named in honor of Freed.

Freed is also mentioned in The Ramones' song "Do You Remember Rock 'n' Roll Radio?" as one of the band's idols in rock and roll ("Do you remember Murray the K/Alan Freed/and high energy?). Others to mention Freed include "Ballrooms of Mars" by Marc Bolan, "They Used to Call it Dope" by Public Enemy, "Payola Blues" by Neil Young, "Done Too Soon" by Neil Diamond, and "The Ballad of Dick Clark" by Skip Battin, a member of the Byrds. Archival samples of his broadcast are featured in Ian Hunter's "Cleveland Rocks." "The King Of Rock n' Roll" is a song about Freed from Cashman & West on their 1973 ABC album Moondog Serenade. On July 15, 2014 Alan Freed crossed over to Millennials with the viewing of Drunk History. The End of Alan Freed, Season 2, Episode 3.

References[edit]

  1. ^ a b 19 Action News Digital Team (August 13, 2014). "Alan Freed may have left the Rock and Roll hall of Fame, but he's staying in Cleveland for good". Cleveland, Ohio: WOIO. 
  2. ^ Obituary Variety, January 27, 1965, page 54.
  3. ^ Edits to family religious/ethnic background and army service by one of Freed's children.
  4. ^ Larkin, Colin. "Freed, Alan". Encyclopedia of Popular Music (4th ed.). 
  5. ^ Jude Sheerin (20 March 2012). "How the world's first rock concert ended in chaos". BBC News. 
  6. ^ a b "Encyclopedia of Cleveland History, Rock'n'Roll". Retrieved 6 November 2014. 
  7. ^ a b c d Miller, James. Flowers in the Dustbin: The Rise of Rock and Roll, 1947-1977. Simon & Schuster (1999), pp. 57-61. ISBN 0-684-80873-0.
  8. ^ a b Sheerin, Jude (March 21, 2012). "How the world's first rock concert ended in chaos". BBC News. Retrieved March 12, 2014. 
  9. ^ Scotto, Robert Moondog, The Viking of 6th Avenue: The Authorized Biography Process Music edition (22 November 2007) ISBN 0-9760822-8-4 ISBN 978-0-9760822-8-6 (Preface by Philip Glass)
  10. ^ LIFE Apr 18, 1955. page 166
  11. ^ bkoganbing (7 December 1956). "IMDb.com". IMDb. Retrieved 6 November 2014. 
  12. ^ Curtis, James M. (1987-06-15). Rock eras: interpretations of music and society, 1954-1984. Popular Press. p. 37. ISBN 978-0-87972-369-9. Retrieved 20 November 2011. 
  13. ^ Los Angeles Radio People, Where are They Now? – F, retrieved 2012-03-06.
  14. ^ AlanFreed.Com: death certificate, retrieved 2012-03-06.
  15. ^ Vigil, Vicki Blum (2007). Cemeteries of Northeast Ohio: Stones, Symbols & Stories. Cleveland, OH: Gray & Company, Publishers. ISBN 978-1-59851-025-6
  16. ^ Alan Duke, CNN (3 August 2014). "Rock and Roll Hall of Fame to remove Alan Freed's ashes - CNN.com". CNN. Retrieved 6 November 2014. 
  17. ^ Roger Friedman. "Rock Hall Gets Burned For Removing Famed DJ’s Ashes From Exhibit". Showbiz411. Retrieved 6 November 2014. 

Further reading[edit]

  • Wolff, Carlo (2006). Cleveland Rock and Roll Memories. Cleveland, OH: Gray & Company, Publishers. ISBN 978-1-886228-99-3
  • Big Beat Heat: Alan Freed and the Early Years of Rock & Roll, by Jackson, John A. - Schirmer Books, 1991. ISBN 0-02-871155-6
  • The Pied Pipers of Rock Roll: Radio Deejays of the 50s and 60s, by Smith, Wes (Robert Weston). - Longstreet Press, 1989. ISBN 0-929264-69-X
  • Rock Around the Clock: The Record That Started the Rock Revolution by Dawson, Jim (Backbeat Books/Hal Leonard), 2005. ISBN 0-87930-829-X

External links[edit]

The Alan Freed Tribute Page:http://www.jonnieking.net/gpage38.html