14 November 1906|
Thale, German Empire
|Died||22 April 2002
As an Artist
Born in Thale, Germany, he trained as a teacher. At eighteen he began a relationship with an older man that lasted ten years. He was an actor and production designer. His partner was the Director of the State Archive in Würzburg. Through this contact he met an array of influential and artistic people. He traveled around the world and developed a sense of culture and sophistication.
He devoted himself completely to photography. While living in Freiburg and Vienna he showed his first exhibitions and earned his first commissions. He supplemented his income by providing photographs for newspapers and magazines.
His photographs celebrated life, as well as mourned it at the same time. He sought to simply remember and preserve. He was remembered as an awkward figure on the artistic landscape. He was committed to a search for truthfulness in his art work.
Würzburg is a small town in the southern state of Bavaria. Living in Würzburg in the 1930s was a Jewish wine merchant by the name of Dr. Leopold Obermayer. Obermayer apparently complained to the local police department that his mail was being opened. The complaint was investigated by the Gestapo, who took the liberty to search Obermayer's home and discovered a number of photographs of young men in his safe. One of these photographs was of Albrecht Becker. Becker was brought in for questioning in 1935 on suspicion of violating Paragraph 175. Becker reportedly declared: "Everybody knows I'm a homosexual." Both Obermayer and Becker were put on trial. Becker was sentenced to three years in prison at Nürnberg. Obermayer was also convicted of violating Paragraph 175, but as a Jew was sent to Dachau. He was tortured there and sent to Mauthausen, where he died.
Towards the end of the war as the need to replace losses increased Becker was released in order to serve in the Wehrmacht. He served on the Russian front until 1944. Becker spoke of his experiences during the war in the 2000 documentary Paragraph 175.
During the 1970s Becker's photography encompassed an eclectic range of subjects, including ushers at the Vienna Opera, monks in an Augustinian monastery, Berlin gravediggers and the ruins of Kustrin. At the center of his work was the human body. He would photograph it either as a whole or part.
He died in Hamburg, Germany.
Exceptionally handsome and a good dresser, he was a man who attracted attention. He had a desire to live a full life. He was interested in travel, the arts, theater and photography. His photography attempted to capture the fragility of life, those moments that are just beyond capturing. Asked about the part played by impermanence in his artist work, he answered: "That's what attracts me to it." He photographed in a manner that recognized fragility. (http://www.schwulesmuseum.de/html/au_fr_1_3 mdfkautter-en.htm)
- "Becker, le marqué" (PDF) (in French). Retrieved 19 December 2010.
- Rosa von Praunheim filmography (in German). Retrieved 19 December 2010.