Alexander Skabichevsky

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Alexander Skabichevsky
Skabichevsky 7.jpg
Born (1838-09-27)September 27, 1838
Saint Petersburg, Russian Empire
Died January 11, 1911(1911-01-11) (aged 72)
Saint Petersburg, Russian Empire


Alexander Mikhailovich Skabichevsky (Russian: Алекса́ндр Миха́йлович Скабиче́вский, September 27 (o.s., 15), 1838, Saint Petersburg, Russian Empire – January 11, 1911, o.s., December 29, 1910) was a Russian novelist, playwright, literary critic and historian, part of the Narodnik movement, best known for his series of biographies of 19th century Russian writers.[1]


Skabichevsky was born in Saint Petersburg into the family of a minor state official, the descendent of an old noble Polish family. He studied first at the Larin gymnasium, then (in 1856-1861) at Saint Petersburg University. After graduation Skabichevsky went to work at the office of Saint Petersburg governor Prince Suvorov, but only remained there for a short time. 1864 saw him editing the stock market bulletin in Yaroslavl, then he worked for many years as a teacher, in the Larin gymnasium, among other schools.[1]

Literary career[edit]

Skabichevsky made his literary debut in 1859 with an article called The Hunter's Notes, in Rassvet (The Dawn), a magazine for young ladies. In 1862 Otechestvennye zapiski published his drama Kruglitskye. In 1866 Nikolai Nekrasov invited Skabichevsky to work for Sovremennik, but his stint was short: the magazine was closed later that year following the attempt on Alexander II's life. Skabichevsky moved to Otechestvennye zapiski where he became one of the major promoters of Narodnik doctrine; in fact, many saw him as its co-creator, alongside Nikolai Mikhailovsky. Unlike the latter, though, Skabichevsky was more of a literary critic and scholar than a publicist and sociologist. His major sociology study, Notes on Progressive Ideas in Our Society (1870–1872) was, in effect, a philology treatise.[1]

Skabichevsky wrote several literary biographies: Alexander Pushkin (1891), Mikhail Lermontov (1891), Alexander Griboyedov (1893), Nikolai Dobrolyubov (1894) and Aleksey Pisemsky (1894); these became part of the Florenty Pavlenkov-founded Lives of Distinguished People series. Another of his important works was his History of Modern Russian Literature (1848-1890), published in 1890 and reissued six times in its author's lifetime. The book has been credited with making the history of Russian literature the case for academic study for the first time. Nevertheless, some of its ideological aspects caused controversy, and Georgi Plekhanov was among those who criticized them, in his 1897 review.[1]

Skabichevsky's work Notes on the Censorship in Russia: 1700-1763 was valued by specialists. His article Sick Heroes of Sick Literature, in which characters of old such as (Onegin, Chatsky, and Pechorin) were compared favorably to the "nonentities" of Fyodor Sologub, Alexander Kuprin and Anton Chekhov, also made a stir. Skabichevsky's numerous memoirs (invariably ending with 1884, a year he considered fatal for himself due to the closing of Otechestvennye zapiski, after which his career had declined) were of much interest to literary historians, as they featured vivid portraits of Nikolai Nekrasov, Grigory Eliseev, Vasily Sleptsov, Fyodor Reshetnikov, the brothers Kurotchkin and many others. Despite having left behind him a great collection of high quality works, Skabichevsky died in poverty, totally forgotten, and bitterly disillusioned.[1]


Literature was seen as a moral force by Skabichevsky and his fellow Narodniks. Skabichevsky, however, rejected radical realism, claiming that the purpose of art isn't the reproduction of external reality, but rather to reflect the world as it appears to us subjectively. He also criticized the idea of "types" in literature; he thought that the logic of types led to abstract generalizations that obscured the true color and variety of life.[2]

Skabichevsky theorized that there was a pattern in European thought of movements going through two phases: the abstract or philosophical phase and the practical phase. He saw the literature of the 1860s as the abstract phase of Russian literature, while the populism that followed represented the practical phase. He often clashed with the early Russian symbolists, but he saw them as part of the practical phase as well. He felt that some of Ivan Turgenev's stories showed more of an affinity with symbolism than realism, while he had a negative view of the works of Fyodor Tyutchev, generally considered to be a forerunner of symbolism. Skabichevsky found the descriptions of war experiences in Leo Tolstoy's War and Peace to be over-simplified, and held a negative view of some of Anton Chekhov's early works.[2]


  1. ^ a b c d e Гуторов, А.М. (1990). "Skabichevsky, Alexander Mikhailovich" (in Russian). "Russian Writers". Bibliographic Dictionary. Vol 2. М--Я. Edited by P. А. Nikolayeva. "М., "Просвещение"". Retrieved 2011-06-01. 
  2. ^ a b Stacy, Robert H. (1975). Russian Literary Criticism, a Short History. New York: Syracuse University Press. pp. 101–102. ISBN 0-8156-0108-5. Retrieved 2012-01-06.