Alice N' Chains

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Alice N' Chains
Alice N' Chains.jpg
(Clockwise from top left)
Nick Pollock, Johnny Bacolas,
Layne Staley, James Bergstrom
Background information
Origin Seattle, Washington, USA
Genres Glam metal
Years active 1986–1987
Associated acts Sleze, Alice in Chains, My Sister's Machine, Second Coming, Mad Season, Tanks of Zen, Soulbender, The Crying Spell, Lotus Crush
Past members Layne Staley
Nick Pollock
Johnny Bacolas
James Bergstrom

Alice N' Chains was an American glam metal band from Seattle, Washington formed in 1986 by former members of Sleze. Towards the end of their run as Sleze, discussions arose about changing their name to Alice in Chains.[1] However, due to concerns over the reference to female bondage, the group ultimately chose to spell it as Alice N' Chains.[1] They performed under this moniker over about a 12-month period and recorded two demos before breaking up on friendly terms in 1987.[2] One of its members ultimately took the name that he and his former bandmates had initially flirted with when he joined a different group a few months later that ultimately became known as Alice in Chains.

History[edit]

Vocalist Layne Staley, guitarist Nick Pollock, bassist Johnny Bacolas, and drummer James Bergstrom began performing in what would become the last lineup of Sleze in 1986 when founding member Bacolas rejoined after a brief stint in another band called Ascendant and took up the bass slot for the first time; originally he played guitar. After his return, Bacolas says the band began to discuss changing their name to Alice in Chains due to a conversation he had with Russ Klatt, singer from Slaughterhouse Five:

[W]e were talking about different concepts for backstage passes. It would say, like, 'Sleze: The Welcome to Wonderland Tour.' That ended up turning into a discussion - we were talking about changing the band name. And we were saying, 'Alice in Wonderland? How about this, how about that? Maybe...Alice in Chains? We could put her in bondage stuff!' I liked the ring [of] 'Alice in Chains' - I remember I came back to the next band rehearsal and I told the guys. The issue was the reference to bondage, which our parents would not go for. Layne's mom was very hardcore Christian. So we ended up changing it to Alice 'N Chains, which made it more like 'Alice and Chains.[1]

However, Staley's mother Nancy McCallum has said she still did not approve of this at first:

I had a sense of humor about the name Sleze. But when [Layne] came home and said they were changing the name to Alice 'N Chains, I was not happy. I said, 'Honey, that is female bondage. You don't want to choose a name like that - it's going to push your female audience away. I really feel strong about this.' He was adamant and I was adamant. For the first time in my life, I didn't have much of a conversation with him for about two weeks, because I was concerned, and also offended. How could my child possibly choose a name like 'Alice N' Chains?[3]

According to Staley, the reason they chose this name because they "dressed in drag and played speed metal".[4] The band performed around the Seattle area playing Slayer and Armored Saint covers.

Discography[edit]

Alice N' Chains recorded two demos known primarily as "Demo No. 1" and "Demo No. 2"; both from 1987. Physical copies of the cassettes are extremely rare as only 100 of "Demo No. 1" were made, although bootleg copies can be found on filesharing programs.

The first demo was produced by Tim Branom and Alice 'N Chains, engineered by Enemy drummer Peter Barnes, and recorded at London Bridge Studios in Seattle, WA. The engineers Rick Parashar and Raj Parshar mentioned were, in fact, Barnes and Branom. The demo was fairly elaborate, contained a horn section, took several months to record and ended up costing the band $1,600. According to Branom, the tracks "Fat Girls" and "Over the Edge" were recorded back when the band was still known as Sleze with Mike Mitchell on bass.

The second demo was recorded by PC Ring at his home studio and it was produced by Alice N' Chains. The tracks "Don't Be Satisfied", "Hush, Hush" and "Football" were songs written back when the band was known as Sleze.

Demo No. 1 track listing[edit]

  1. "Lip Lock Rock" – 4:24
  2. "Fat Girls" – 3:39
  3. "Over the Edge" – 2:43

Demo No. 2 track listing[edit]

  1. "Sealed with a Kiss" – 2:49
  2. "Ya Yeah Ya" – 3:11
  3. "Glamorous Girls" – 2:48
  4. "Don't Be Satisfied" – 3:27
  5. "Hush, Hush" – 2:29
  6. "Football" – 2:01

Post-Alice N' Chains[edit]

Shortly after Alice N' Chains broke up, Staley joined a different group of musicians led by guitarist Jerry Cantrell that eventually took up the name Alice in Chains. This band rose to international fame as part of the grunge movement of the early 1990s, along with other Seattle bands such as Nirvana, Pearl Jam, and Soundgarden. Staley also formed the supergroup Mad Season along with Pearl Jam guitarist Mike McCready and Screaming Trees drummer Barrett Martin.

Following the demise of Alice N' Chains, Nick Pollock formed the band My Sister's Machine, taking up mostly vocal duties as their primary lyricist. He also later formed and sang with the bands Soulbender and Tanks of Zen, which is currently his primary musical endeavor.

Bergstrom became a founding member of the band Second Coming and was later joined by Bacolas, who replaced Ron "Junkeye" Holt on bass. Staley made a guest appearance on their debut album L.O.V.Evil. This band signed to Capitol Records in May of 1998 and recorded two more studio albums and one extended play before breaking up in 2008. Since then, Bacolas has recorded and released music with the bands The Crying Spell and Lotus Crush.

References[edit]

  1. ^ a b c Prato, Greg (April 2009). Grunge Is Dead: The Oral History of Seattle Rock Music. pp. 215–216.
  2. ^ Boehm, Mike (May 15, 1992). "MSM: Newest Vein of Gold in Seattle's Hard-Rock Quarry". Los Angeles Times. Tribune Company. Retrieved December 5, 2011. 
  3. ^ Prato, Greg (April 2009). Grunge Is Dead: The Oral History of Seattle Rock Music. p. 216.
  4. ^ Music Bank (album notes). Alice in Chains. Columbia Records. 1996. 69580. 

External links[edit]