All's Well That Ends Well (Chiodos album)

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All's Well That Ends Well
Studio album by Chiodos
Released July 26, 2005
(reissued October 17, 2006)
Recorded February 2005, at Audiolux Studios, Elmore, Ohio
Genre Post-hardcore
Length 42:15 (reissue 53:03)
Label Equal Vision
Producer Marc Hudson
Chiodos chronology
All's Well That Ends Well
Bone Palace Ballet
2006 reissue cover
Professional ratings
Review scores
Source Rating
Absolute Punk 79% [1]
Allmusic 3.5/5 stars [2]
Alternative Press 5/5 stars [3] 8/10 stars [4]

All's Well That Ends Well is the debut album by American post-hardcore band Chiodos, released through Equal Vision Records in July 2005. Four music videos for the songs "One Day All Women Will Become Monsters", "The Words 'Best Friend' Become Redefined", "Baby, You Wouldn't Last a Minute on the Creek", and "All Nereids Beware" have been produced for the promotion of the album. The album has sold more than 200,000 copies as of 2008.[5][6]

Track listing[edit]

No. Title Length
1. "Prelude"   0:48
2. "All Nereids Beware"   4:05
3. "One Day Women Will All Become Monsters"   3:32
4. "Expired in Goreville"   2:55
5. "Baby, You Wouldn’t Last a Minute on the Creek"   4:40
6. "The Words 'Best Friend' Become Redefined"   3:36
7. "Interlude, Pt. 1"   0:59
8. "There's No Penguins in Alaska"   4:33
9. "Interlude, Pt. 2"   1:16
10. "We’re Gonna Have Us a Champagne Jam"   4:19
11. "No Hardcore Dancing in the Living Room"   5:10
12. "Who's Sandie Jenkins"   1:59
13. "To Trixie and Reptile, Thanks for Everything"   4:17
Total length:

Re-release Bonus Tracks[edit]

  1. "Baby, You Wouldn’t Last a Minute on the Creek" (Acoustic) – 4:39
  2. "Queen of Diamonds" (Live/Acoustic/Demo) – 2:17
  3. "Lindsay Quit Lollygagging" (Acoustic) – 3:57

Re-release DVD[edit]

Live At The Metro - Chicago

  • "There's No Penguins In Alaska"
  • "Baby, You Wouldn’t Last a Minute on the Creek"

Live At Bamboozle - New Jersey

  • "The Words 'Best Friend' Become Redefined"
  • "All Nereids Beware"

Live At The Chain Reaction - California

  • "To Trixie And Reptile, Thanks For Everything" (Acoustic)

Home Movies

  • On Tour With Chiodos
  • Recording 'Lindsay Quit Lollygagging'


  • The song "One Day Women Will All Become Monsters" is a reference to Shakespeare's play King Lear. Many of the lyrics from the song as well as the title of the song are taken almost word for word from the play.
  • The song "To Trixie And Reptile, Thanks For Everything" is a reference to old girlfriends of band members Craig Owens and Bradley Bell[7]
  • The song "There's No Penguins In Alaska" is made up from a number of Shakespeare's sonnets. The chorus comes from line 5 of Shakespeare's Fifth, the term "murderous shame" is borrowed from line 14 of his Ninth, and the lyrics "The worst was this; my love was my decay" are taken from line 14 of his Eightieth.
  • The line "star-crossed lovers" from the song "Expired In Goreville" is derived from William Shakespeare's Romeo and Juliet.
  • Sandie Jenkins is a woman from Bradley Bell's church who would call his mother, and he could not recall where he had met her, thus the track title.
  • In a Podcast interview with AP Magazine, Craig Owens revealed that the song "Baby, You Wouldn't Last a Minute on the Creek" is lyrically about Craig wanting to quit the band, not about the end of a relationship like majority assumed.
  • The song title "There's No Penguins in Alaska" was originally a Snapple fact from inside of the cap.
  • The end of the song "Baby, You Wouldn't Last A Minute On The Creek" is actually the first track, "Prelude", in reverse.
  • In the song, "All Nereids Beware", the opening line "This spring of love resembles the uncertain glory of an April day" is a modern adaptation of a line said by Proteus in the Shakespearean play The Two Gentlemen of Verona.
  • The Phrase "I'll Stop Stabbing When You Stop Screaming" is printed on the side of the liner behind the CD tray.


  • Produced, Engineered and mixed by Marc Hudson
  • Mastered by Alan Douches, at West West Side Music, West New York / Tenafly, New Jersey
  • Art direction and design by Paul A. Romano (



Year Chart Position
2005 U.S. Billboard Top 200 164
Independent Albums 11
Top Heatseekers 3