All the Things She Said

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This article is about the t.A.T.u. song. For the Simple Minds song, see All the Things She Said (Simple Minds song).
"All the Things She Said"
Single by t.A.T.u.
from the album 200 km/h in the Wrong Lane
B-side "Stars", "Ya Soshla S Uma"
Released 18 August 2002
Format CD single, Cassette single, digital download
Recorded 2002
Genre Pop rock, electronica[1]
Length 3:34 (album version)
3:29 (radio version)
Label Universal/Interscope
Writer(s) Sergio Galoyan, Trevor Horn, Martin Kierszenbaum, Elena Kiper, Valeriy Polienko
Producer(s) Trevor Horn
Certification Platinum (Sweden)
Platinum (ARIA)
t.A.T.u. singles chronology
"Prostye Dvizheniya"
(2002)
"All the Things She Said"
(2002)
"Not Gonna Get Us"
(2003)
200 km/h in the Wrong Lane track listing
"Not Gonna Get Us"
(1)
"All the Things She Said"
(2)
"Show Me Love"
(3)

"All The Things She Said" is a song recorded by Russian girl group t.A.T.u. for their debut studio album, 200 km/h in the Wrong Lane (2003). "All the Things She Said" was chosen as the lead single from the studio album in Europe on 18 August 2002, until a worldwide release in January 2003. The song was written by Sergio Galoyan, Trevor Horn, Martin Kierszenbaum, Elena Kiper and Valeriy Polienko, while production was handled by Horn. The song is set as a midtempo rock-oriented song that is influenced with musical elements of electronic music and pop music. The song's lyrics is about the relationship between the two girls, how each is continually in the other's thoughts, with the themes relating to homosexuality, bisexuality and love.

Upon its release, "All the Things She Said" received mixed reviews from modern music critics. Many found the song suggestive and believed the song, along with the group's public image, was only created to generate scandal and media attention. However, musically, the song was positively received, many finding it catchy and understandable. Ever since its release, the song has been listed on song lists, including Blender and Pitchfork Media. The song had been performed many times, including on many MTV live shows, along with a megamix with "Not Gonna Get Us" at the MTV Movie Awards.

Commercially, "All The Things She Said" peaked at №20 on the US Billboard Hot 100, becoming the first Russian act to chart there. The song peaked at number one on the UK Singles Chart, and reached the top five in majority of Europe and Oceania. The song's accompanying music video was directed by the group's manager, Ivan Shapovalov, in which the song caused a worldwide controversy due to the kiss between both members, causing petitions and banning in some countries. In 2003, "All The Things She Said" has occupied 7 place in the world on sales results in 4,964,000 copies.

Background[edit]

Behind the story of the single, Elena Kiper explained that the idea came to her when she fell asleep at her dentist's office and had a dream in which she kissed another woman. She woke up saying out loud, "Я сошла с ума!" Ivan Shapovalov is said to have added the second phrase of the chorus, "Мне нужна она" ("I need her").

—The story behind "Ya Soshla S Uma", which eventually became "All The Things She Said".[2]

Prior to becoming t.A.T.u., Yulia and Lena had auditioned as members of Neposedi, a group produced by Ivan Shapolavov and his business partner Alexander Voitinskyi. Shapolavov said the two girls stood out from the rest of the those that auditioned, but fourteen-year-old Katina was initially the only one chosen for the band. While the album was in development, their producer Alexander Voitinskyi left the production, leaving the album unreleased. However, Shapolavov later signed Elena Kiper as the new co-producer and co-writer for the album, who eventually wrote "All The Things She Said". The song's Russian counterpart, "Ya Soshla S Uma", was originally written and recorded in 1999 in Russia.

The song was written as t.A.T.u.'s debut English single by Ivan Shapovalov, Sergio Galoyan, Trevor Horn, Elena Kiper and Valeriy Polienko. The song was mostly produced by English producers, like Horn, and Russian producers. At the time, neither Yulia Volkova nor Lena Katina were fluent in English. Work on the song started after the duo had finished its recording with Neposedi. On the strength of the Neposedi audition, Ivan Shapolavov signed them to Interscope Records through Universal Music Group's offices in Russia.

Music and lyrics[edit]

Sergio Galoyan (pictured) served as the writer and composer for "All The Things She Said".

Musically, "All The Things She Said" is a mid-tempo pop rock song influenced by electronica, Europop, R&B and hard rock music. According to the sheet music published at Musicnotes.com by Universal Music Publishing Group, the song is composed in the key of Ab with a time signature in common time, and a moderate groove of 90 beats per minute. Both Volkova and Katina's vocal range is spread between F4 and Db5.[3] The song bases on two main live instrumentation's; piano and electric guitar.[3] According to Musicnotes.com, the song's theme is empowered by girl group-type music.

The song opens with dreamy, trance-gated synthesizers, then shifts into a guitar-based pop rock style with Trevor Horn's trademark drum sound, but it lightens up to include softer R&B sounds in the middle eight measures.[4] In the first verse, both Yulia and Lena "whisper their desires and then blow up the chorus with enough teen confusion and angst to fill up a week of Hollyoaks."[5] Stephen Thomas Erlerwine from Allmusic described the song as a "heavy Europop sound".[6] The Russian edit of the single is significantly different from the English version, and more electronically mastered. According to Pandora.com, the song is mostly focused on a "basic rock structure" with elements of electronica and noticed the songs melodic repetition.[1] According to Telegraph.co.uk, "All these elements lend the song a dark, pop-industrial feel that contrasts harsh textures with a slinky vocal presence." Also confirm that the song describe of "The Sugababes used a banging Gary Numan sample, and breathy come-hither lyrics in much the same way last summer to propel Freak Like Me up the charts."[5]

When Lena Katina was asked about the song's meaning, she stated: "We're singing about love [...] Even all over the world teenagers, can find themselves in our song[s] 'cause we're singing about these problems, we're singing about teenagers, and I think everybody can understand that".[7]

Reception[edit]

Critical reviews[edit]

"All the Things She Said" received mixed reviews from music critics. Allmusic's Stephen Thomas Erlwenine criticised the song's "gimmick suggestive name" but stated it was one of the best album tracks.[6] Andrew Lynch from Entertainment.ie described it as a "raunchy video and a superior synthpop song".[8] PopMatters called complaints about the song "ridiculous" and also added that they do not care if they are "transgender, bisexual, lesbian or gay. In the end, it's about people and yourself feeling safe and better together".[9] Bill Lamb from About.com said, "It has been widely debated whether this song's success can be attributed to good song making or just the novelty of a duo presenting themselves as Russian lesbians." He praised the song, calling it "irrefutable."[10]

Accolades and rankings[edit]

The song was ranked at number 452 in Blender magazine's The 500 Greatest Songs Since You Were Born.[11] The song was listed at number 8 on the AOL's Top 100 Pop Songs of the Decade.[12] Rebecca Bary from The New Zealand Herald listed the song at number five on their Top Ten Best Singles of 2003.[13] She compared the song to Britney Spears and Christina Aguilera, saying "Think [Baby One More Time] spliced with [Dirrty] and you have the biggest one-hit wonder of the year." She continued, saying "When these obnoxious, school-uniformed Russian maybe-lesbians poured their squirrelly hearts out over a repetitive dance beat, you can't deny it worked." Bill Lamb from About.com listed the song on his Top 100 Pop Songs of 2003 at number 31.[14] He also listed it on his Top 10 Contemporary Girl Group Songs at number ten.[10]

The song begun to be listed on lists that encountered themes of sexuality. The song was ranked at the top spot on the Australian Top 50 Lesbian songs, which was voted by users.[15] AfterEllen.com critcized the song for being at the top spot, exclaiming; "“There are so many better songs than that – my mind is blown… I guess it's one of the easier ones to think of in this new generation of lesbians… I just hope they can open up their ears more and discover so many other amazing (really queer) musicians."[16] Stephanie Theobald from The Guardian called it one of her favorite lesbian songs.[17] Though notified as a Gay and Lesbian anthem, Mia Jones from AfterEllen.com did not add the song, because "she is still not a fan."[18]

The song was nominated for "Best Russian Act" at the 2002 MTV Europe Music Awards. The song was then nominated for "Best International Video" at the 2003 MTV Video Music Brazil. The song won both BMI Honors for "Song of the Year" and "Pop Awards".

Chart performance[edit]

Europe[edit]

Upon its release, the song had chart success. In the United Kingdom, there was a high demand for imports of the single, causing it to debut at number fifty-seven on the UK Singles Chart. It rose to number forty-four, but fell out that week.[19] When it was released in 2003, the song debuted at number one, staying there for four consecutive weeks. It stayed in the charts for fifteen weeks and was certified Silver by the British Phonographic Industry, selling more than 300,000 copies. The song became the group's first and only number one single in that country. It also peaked at number one on the Irish Singles Chart.

In other European markets, it was a success. The song debuted at number forty-two in Switzerland, and eventually peaked at number one for seven consecutive weeks. It stayed on the charts for thirty-two weeks. The song was certified Platinum by IFPI Switzerland, selling over 30,000 copies there. In Denmark, it also peaked at number one. It was certified Gold by IFPI, selling 10,000 copies. It debuted at number eight in Austria, and peaked at number one for five consecutive weeks. It was certified Gold by IFPI, selling 10,000 copies. The song debuted at number fifteen on the French Singles Chart. The song was held off by Star Academy's song "Paris Latino", and peaked at two for three consecutive weeks. It was certified Gold by SNEP, and as of August 2014, it is the 38th best-selling single of the 21st century in France, with 423,000 units sold.[20] The song debuted at number seven on the Dutch Top 40, and spent three consecutive weeks at number two. In Belgium (Flanders), the song debuted at number seventeen. The song then rose to number two, staying there for one week, being held off by Nelly and Kelly Rowland's single "Dilemma". In Belgium (Wallonia), the song debuted at number thirty-nine. The song then rose to number three, and eventually peaked at number three for a sole week. In Sweden, the song debuted at number two, where it eventually peaked and stayed there for eight non-consecutive weeks. The song debuted at number five on the Finnish Singles Chart, and peaked at number three. The song debuted at number seven in Norway and peaked at number two. The song was certified 2x Platinum by IFPI-Norway, selling 60,000 copies there.

The song spent four consecutive weeks at number one on the Italian Singles Chart, and stayed in the charts for sixteen weeks. The song is currently listed on Italy's Best Singles of All Time List at number ninety-one out of 100.[21] The song peaked at number three in Greece as well. The song was certified Gold by IFPI Greece, selling over 12,000 copies there. It peaked at number one on the German Singles Chart, Spanish Singles Chart and in Romania. By the end of the year the song had already reached the number thirty-three position in Switzerland's Year-End chart for 2002[22] with only 2 months on the charts.

Australia and North America[edit]

The song was also a massive success in the Oceanic region. The song had debuted at number one on the Australian Singles Chart for two non-consecutive weeks and stayed in the charts for eleven weeks. The song was certified Platinum by Australian Recording Industry Association (ARIA), selling over 70,000 copies there. The song debuted at number forty-nine on the New Zealand Singles Chart. After four weeks, it rose from number thirty to number two and peaked at number one, staying there for three consecutive weeks. The song was certified Gold by Recording Industry Association of New Zealand (ARIA), selling over 7,500 copies there. In both Australia and New Zealand, it is the group's only top ten single to date. The song peaked at number one in Japan.[citation needed]

In Mid 2003, the song was sent to radio stations in North America. The song became the group's first and only single to chart on the US Billboard Hot 100, where it peaked at №20. The song was sent to radio stations including Top 40/Mainstream/ACC. The song peaked at number eleven on the Top 40 Mainstream and number twenty-six on the Rhythmic Airplay Chart. The song also peaked at number five on the US Hot Dance Club Songs as well. The song was then released to Latin America, where it managed to chart on the Latin Pop Airplay and Latin Tropical Airplay charts, peaking at number thirty-four and eighteen respectively. The song was also a commercial success on the Canadian Hot 100, where it peaked at number three.

Music video[edit]

Background and synopsis[edit]

A shot of Lena Katina (left) and Yulia Volkova (right) in the original video for the Russian version of the song, Ya Soshla S Uma.

The song is well known for its controversial music video, which was directed by t.A.T.u's producer, writer and director Ivan Shapovalov.

The video starts with the camera showing a fence and umbrellas, which people are holding on a raining day. After twenty seconds of the video, it then cuts to Yulia singing the song, then having both Yulia and Lena sitting behinds the fence. While everyone on the other side of the fence look at both Yulia and Lena with ignorance (or having a lack of emotion), it then cuts to both of them banging and hitting the fence to be let out. When the second chorus engages, it shows both of the girls coming closer together, and eventually near the finishing of the second chorus, they kiss each other.

On the third chorus, it features the girls kissing each other passionately, with the public looking at this with a poker face expression. The bridge then shows the girls sitting down, with seemingly snow falling down, with the girls gently touching it. At the last bit of the chorus, it shows the girls pointing in different directions, until they both walk around corner and shows a place where the sun is breaking out of the clouds; they clasp hands and walk off together into it. The people on the other side of the fence are left in the eerie green light with rain falling steadily on their heads, and shows that they are the ones that are isolated behind the fence.[23]

Controversy[edit]

The video caused controversy in countries where it was played. It was listed on MuchMusic's 50 Most Controversial Videos at number four. It was listed on FHM Music TV on their Most Sexy Videos at number five. Virgin Media had listed the song on their most Sexiest Music Videos.[24] Standard.co.uk listed the song at two on their top Sexiest Music Videos Ever.[25] Clare Simpson from WhatCulture! listed the music video at number six on their 12 Raunchiest Music Videos ever. She said "I remember when this video came out and being totally fascinated by it – the rampant portrayal of lipstick lesbianism on the music television channels during the day time."[26] MSN eventually called it the most controversial music video.[27] Urban Garden Magazine listed the video on their Most Controversial Music Videos of All Time. The American magazine FHM ranked the video number thirty on their Sexiest Videos of All Time, saying "This video caused uproar across the world" and said the kissing scene was the highlight of the video.[28] Ugo.com also ranked the video at thirty-eight on their Sexiest Video's of All Time.[29] Fuse TV ranked the video at sixty-four on their Sexist Video of All Time.[30]

After its worldwide release, the song received media attention worldwide. ITV banned the video from its show CD:UK, as producer Tammy Hoyle responded "We could not show the video on CD:UK because it is not really suitable for children."[31] In the United Kingdom, television presenters Richard and Judy campaigned to have the video banned from television, claiming it pandered to pedophiles with the use of school uniforms and young girls kissing. However,the campaign failed. The BBC denied that they banned the video from its weekly Top of the Pops music show.[31] MuchMusic had apparent thoughts of banning the music video for airing, but this decision was ultimately scrapped. According to the president of the show, Craig Halket said "We felt that it didn't oversexualize them and they looked of age, I can see the controversy. It's like many videos, including the Christina Aguilera video -- it pushes buttons."[31]

The music video was the subject of much criticism throughout t.A.T.u.'s career. The AllMusic review for 200 km/h in the Wrong Lane labelled the band as a tawdry gimmick.[32] A writer from The Daily Telegraph expressed the video as "cliched", while it " titillating on a very base and adolescent level, only serves to cheapen the song's lyrical impact. The video is also a sign of how blurred the line between entertainment and exploitation has become.[5]

Three years after the release of the single, Volkova announced her pregnancy. This led to accusations of the girls being "fake", in giving the impression that they were lesbians, although Yulia and Lena have said in the past they are not "together" or "in a relationship".[33] The girls do support the LGBT community.[34]

Modern usage and legacy[edit]

""Our first video was about love between two girls," Katina says. "We do not pretend to be lesbians -- we've never said we were. Julia just had a baby and currently has a girlfriend, and we've both always had boyfriends. We share a special bond."

—t.A.T.u member Lena Katina, interviewed by Billboard.[35]

The song has appeared in multiple television events. It was WWE pro wrestler Victoria's theme song from December 2002 to May 2004. Also, the song was played during the final scenes of the Birds of Prey series on the WB network, in the 2003 episode "Devil's Eyes". This theme was also featured as the opening song of the Chinese drama, Legend of the Heavenly Stones, as a Chinese language dub.[36]

The song was parodied on the Australian sketch show Comedy Inc..[37] The video was also parodied on The Frank Skinner Show with Skinner playing Volkova and Jennie McAlpine playing Katina.[38] Leigh Francis parodied the video in the second series of his comedy program Bo' Selecta![39]

In an interview with The Independent, Yulia claimed that the song had helped people to be honest about their sexual orientations. She said "People used to call us and say 'Thank you. That helped us to come out, [...] You helped us to feel like people.'"[40] She then said "It was our teenage years, [...] You have to try everything. It felt at the time like it was real love – it felt like there was nothing more serious... Now when you look back at it, of course, it's ridiculous."[40]

Live performances[edit]

t.A.T.u. performed the song on many television shows in the United States. They first appeared on The Tonight Show with Jay Leno, where the girls created confusion, because they kissed each other without first having been granted permission to do so.[41] They performed the single on Jimmy Kimmel Live!, AOL sessions, MADtv, Carson Daly Show, TRL and the 2003 MTV Movie Awards. They also performed the song on shows in many other countries such as CD:UK in the UK and Top of the Pops in Italy. On most of the shows, the girls only lip synced because of Yulia's vocal cyst. In some of these shows, the girls were not taken seriously, and there were jokes about their "relationship". When asked if they were lesbians, they always said they only "loved each other". The girls were also criticized for not kissing on TV shows like they used to do in their concerts.[who?]

Track listings[edit]

Release history[edit]

Region Date
Europe 18 August 2002 (2002-08-18)
United Kingdom 27 January 2003 (2003-01-27)

Charts and certifications[edit]

Year-end charts[edit]

(2003) Position
Australian Singles Chart[85] 14
Finland (Suomen virallinen lista)[86] 14
French Singles Chart[87] 16
Netherlands (Mega Top 100)[88] 21
UK Singles Chart[89] 6

Decade-end charts[edit]

(2000–2009) Position
German Singles Chart[90] 57

References[edit]

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  84. ^ "British single certifications – t.A.T.u. – All the Things She Said". British Phonographic Industry.  Enter All the Things She Said in the field Search. Select Title in the field Search by. Select single in the field By Format. Click Go
  85. ^ "ARIA Charts - End of Year Charts - Top 100 Singles 2003". Aria.com.au. Retrieved 19 August 2011. 
  86. ^ The first is the list of the best-selling domestic singles of 2002 in Finland, the second is that of the foreign singles:
  87. ^ "Disque en France". Disque en France. Retrieved 9 April 2012. 
  88. ^ "JAAROVERZICHTEN - SINGLE 2002" (in Dutch). Hung Medien. Retrieved 27 August 2013.
  89. ^ "The Official UK Singles Chart : 2003". Ukchartsplus.co.uk. Retrieved 2 April 2014. 
  90. ^ "Die ultimative Chart Show | Hits des neuen Jahrtausends". RTL.de. Archived from the original on 19 July 2011. Retrieved 19 August 2011. 

External links[edit]

Preceded by
"Dilemma" by Nelly featuring Kelly Rowland
Swiss Singles Chart number-one single
15 December 2002 – 2 February 2003
Succeeded by
"We Have a Dream"
by Deutschland sucht den Superstar
Preceded by
"Every Little Part of Me" by Julie
Danish Singles Chart number-one single
10 January 2003
Succeeded by
"Every Little Part of Me" by Julie
Preceded by
"Sound of the Underground" by Girls Aloud
Irish Singles Chart number-one single
1 February 2003 – 22 February 2003
Succeeded by
"Beautiful" by Christina Aguilera
Preceded by
"Stop Living the Lie" by David Sneddon
UK Singles Chart number-one single
2 February 2003 – 1 March 2003
Preceded by
"Lose Yourself" by Eminem
Austrian Singles Chart number-one single
2 February 2003 – 2 March 2003
Succeeded by
"Tomorrow's Heroes" by Starmaniacs
New Zealand RIANZ Singles Chart number-one single
2 March 2003 – 16 March 2003
Succeeded by
"Beautiful" by Christina Aguilera
Preceded by
"Lost Without You" by Delta Goodrem
Australia ARIA Singles Chart number-one single (first run)
16 March 2003
Succeeded by
"Lost Without You" by Delta Goodrem
Australia ARIA Singles Chart number-one single
(second run)

30 March 2003
Succeeded by
"In da Club" by 50 Cent