Allentown (song)

From Wikipedia, the free encyclopedia
Jump to: navigation, search
"Allentown"
Single by Billy Joel
from the album The Nylon Curtain
B-side "Elvis Presley Blvd."
Released 1982
Format 7"
Recorded 1982
Genre Pop rock, soft rock
Length 3:48
Label Columbia
Writer(s) Billy Joel
Producer(s) Phil Ramone
Billy Joel singles chronology
"Pressure"
(1982)
"Allentown"
(1982)
"Goodnight Saigon"
(1983)

"Allentown" is a song by American singer Billy Joel, which was the lead track on Joel's The Nylon Curtain (1982) album, accompanied by a conceptual music video. "Allentown" reached #17 on the Billboard Hot 100,[1] spending six consecutive weeks at that position and certified gold. Despite the song placing no higher than #17 on the weekly Billboard Hot 100 chart, it was popular enough to be placed at #43 on the Billboard year-end Hot 100 chart for 1983.

The song later appeared on Joel's Greatest Hits: Volume II (1985), 2000 Years: The Millennium Concert (2000), The Essential Billy Joel (2001) and 12 Gardens Live (2006) albums.

Upon its release, and especially in subsequent years, "Allentown" has emerged as an anthem of blue collar America, representing both the aspirations and frustrations of America's working class in the late 20th century.

Theme[edit]

The song's theme is of the resolve of those coping with the demise of the American manufacturing industry in the latter part of the 20th century. More specifically, it depicts the depressed, blue-collar livelihood of residents of Allentown, Pennsylvania in the wake of Bethlehem Steel's decline and eventual closure.[1]

The rhythm heard in the introduction, "Hey" part of the chorus and ending is reminiscent of the sound of a rolling mill converting steel ingots into I-beams or other shapes. Such a sound was commonly heard throughout South Bethlehem when the Bethlehem Steel plant was in operation from 1857 through 1995. This gives the song an early industrial music influence in contrast to the prominent acoustic guitar and piano of the rest of the track.

History[edit]

When Joel first started writing the song, it was originally named "Levittown", after the Long Island town right next to Hicksville, the town in which Joel had grown up. He had originally written a chord progression and lyrics for the song, but struggled for a topic for the song. Joel remembered reading about the decline of the steel industry in the Lehigh Valley, which included the small cities of both Bethlehem and Allentown. While the steel industry was based in Bethlehem with none of it in Allentown, Joel named the song "Allentown" because it sounded better and it was easier to find other words to rhyme with "Allentown." Although Joel started writing the song in the late 1970s, it wasn't finished until 1982.[2]

A year after the song was released, the mayor of Allentown sent a letter to Joel about giving some of his royalties to the town. Mayor Joseph Daddona, who sent the letter, said it would help for scholarships for future musicians.[3] On January 20, 1983, the letter was mailed to Joel, and a local paper published an article on the subject the next day, quoting Daddona as saying the following:

Not only would this fund be a great way to share a tiny part of your good fortune to others in Allentown, it would also help keep alive the 'Allentown' song and the Billy Joel legend (which you've already become here).[3]

When Joel performed the song in Leningrad during the concert recorded and later released as Концерт, he introduced the song by analogizing the situation to that faced by Soviet youths:

This song is about young people living in the Northeast of America. Their lives are miserable because the steel factories are closing down. They desperately want to leave... but they stay because they were brought up to believe that things were going to get better. Maybe that sounds familiar.

Reaction to song in Allentown[edit]

Allentown, Pennsylvania, for which the song is named, 2010

The song was met with mixed responses in Allentown. Some criticized the song as degrading and full of working-class archetypes.[4] But when Joel returned to the area following the album's release and the song became a hit record, he was awarded the key to the city by Allentown's mayor, who praised it as "a gritty song about a gritty city."

Before a sold-out crowd at Stabler Arena in neighboring Bethlehem, People magazine reported that Joel was greeted enthusiastically with a five minute standing ovation as he closed his third encore with "Allentown." At the end of the song and extended ovation, Joel was greeted with even more sustained applause when, in an apparent defense of the song's meaning, he pointedly told the Allentown crowd, as is his wont at the end of every one of his concerts: "Don't take any shit from anybody."[5]

Music video[edit]

The video, directed by Russell Mulcahy, was in heavy rotation on MTV during 1982 and 1983. The original airing of the video featured partial male nudity in the opening of the song as steelworkers showered in their locker-room, but this scene was edited from subsequent airings on MTV.

Chart positions[edit]

Chart (1982) Peak
position
Australian Singles Chart 49
Canadian Singles Chart[6] 21
New Zealand Singles Chart 37
U.S. Billboard Hot 100 17
U.S. Billboard Hot Adult Contemporary Tracks 19
U.S. Billboard Mainstream Rock Tracks 28

References[edit]

  1. ^ a b Dean, Maury (2003). Rock N' Roll Gold Rush. Algora. p. 289. ISBN 0-87586-207-1. 
  2. ^ Len Righi (November 30, 2007). "Billy Joel revisits Allentown". The Morning Call. Retrieved 2008-08-08. 
  3. ^ a b Associated Press (January 21, 1983). "Allentown mayor asks Joel for song royalties". Daily Collegian. 
  4. ^ Billy Joel Biography. billyjoel.com. Retrieved on December 7, 2008.
  5. ^ Neuhaus, Cable. "He Sang of Their Troubles, but Grateful Citizens Say Thank You Anyway to Billy Joel". People Magazine (Vol. 19, No.1). Retrieved 2008-06-08. 
  6. ^ http://www.collectionscanada.gc.ca/rpm/028020-119.01-e.php?brws_s=1&file_num=nlc008388.6213&type=1&interval=24&PHPSESSID=af6olf3752fnmkc54vt95flln7

External links[edit]