Alma Mater (Illinois sculpture)
|Year||1929, 2012-2014 (Restored)|
|Location||Campustown, Urbana, Illinois|
|Owner||University of Illinois|
The Alma Mater is a bronze statue by sculptor Lorado Taft, a beloved symbol of the University of Illinois at Urbana-Champaign. The statue was removed from its site at the entrance to the university for restoration in 2012 and was returned to its site in the spring of 2014. The 10,000-pound statue depicts a mother-figure wearing academic robes and flanked by two attendant figures representing "Learning" and "Labor", after the University's motto "Learning and Labor." Sited at the corner of Green St and Wright St. at the heart of campus, and the edge of Campustown, the statue is iconic for the university and a popular backdrop for student graduation photos. It is appreciated for its romantic, heraldic overtones and warmth of pose.
The Alma Mater is a bronze figure of a woman in academic robes. She stands in front of a stylized throne or klismos with her arms outstretched in welcome. The attendant figure "Labor" is a male who stands to her proper right and wears a blacksmith's apron. At his feet lays a sheaf of papers. The proper left figure "Learning" is a female robed a classical gown with a sun bas-relief on front. Learning and Labor extend their hands in a handshake over the throne. The work stands approximately 13-feet tall. The granite base carries three inscriptions:
- Front: "ALMA MATER / To thy happy children / of the future / those of the past / send greetings"
- Left (Green St side): "Given to the university / by the sculptor / the alumni fund / and the senior classes of / 1923, 1924, 1925, 1926, 1927, 1928, 1929."
- Right (Altgeld side): "Her children arise up and call her Blessed" Proverbs 31-28.
The long flowerbed stretching from the front of the Alma Mater to the corner of Green Street and Wright Street is known as the Alma Mater Plaza.
Lorado Taft wrote in correspondence that he began sculpting on the theme of "Labor and Learning" while home from Paris in 1883, after having graduated from the University of Illinois in 1879. Taft envisioned a sculpture that students would climb on and, indeed, climbing on the statue and sitting on the throne have become campus traditions.
The 1883 piece was a relief with just two figures and was not preserved. He began to seek funding for the project in 1916, a year after Daniel Chester French's Alma Mater was unveiled at Columbia University. Taft was familiar with French's reserved, seated Alma Mater treatment and desired to create a more generous and "cordial" figure suitable for a Midwest mother." He began to correspond that year about the work, writing of it on a grand scale and in terms of the figures in position, pose and dress. The central matriarch would stand "at least twelve feet high" and risen from her throne, advancing a step with outstretched arms, "a gesture of generously greeting her children." On the theme of the motto, he would pose two more figures on the same scale yet subordinate. He based Learning on Lemnia Athena as an heraldic gesture, clasping hands with a sturdy figure of Labor over the back of the chair. The subordination of figures was accomplished by sculpting them "with less accent" so as to make them appear "out of focus." According to financier Roland R. Conklin, an alumnus of the class of 1880, an initial completion date of October, 1918 was pushed back due to Taft's other commissions. Having secured the necessary patronage, Taft and Conklin announced the gift on November 27, 1916. The plaster cast was presented at the annual convocation of the Alumni Association at 3:00 PM on June 13, 1922. So although the plaque beneath has stated the statue was conceived in 1922, it was nearly half a century in the making.
The Alma Mater was cast in 1929 by the American Art Bronze Foundry with materials paid for by donations by the Alumni Fund and the classes of 1923-1929, and with time donated by the sculptor himself. Taft insisted that his aim was not personal glory: he wished that his signature appear on the bronze and nowhere else, and even spoke decidedly of forgoing the dedication ceremony. But attend he did, and at the statue's dedication on June 11, 1929, the university bestowed on Taft an honorary Doctor of Laws degree.
For 33 years, the statue's provisional location was on the south campus behind Foellinger Auditorium, but the Alumni Association moved Alma Mater to Altgeld Hall on August 22, 1962 despite student dissent. The Daily Illini protested the new location as in the "worst possible taste; it makes the Alma Mater a debased, commercial ‘advertisement’ for the University.” Taft, whose father was the first geology professor at the University, lived for many years in Champaign at 601 E. John Street, less than two blocks from the site at Altgeld.
|University of Illinois Facilities & Services - Conservation of the Alma Mater, University of Illinois, 2013 (6:31)|
|Alma Mater Update, February 2014, University of Illinois, (3:39)|
On August 7, 2012 the statue was removed for a planned, $100,000 restoration to repair surface corrosion, cracks, and water penetration into the sculpture. According to the campus historic preservation officer, a previous 1981 attempt to waterproof the statue by university staff had the unintended effect of sealing water inside the sculpture, causing serious internal damage. The statue was restored by Conservation Sculpture and Objects Studio Inc. of Forest Park, Illinois.
The Alma Mater was expected to make its return before the commencement for the Class of 2013. However, reports from the director of the restoration, Andrzej Dajnowski, have said the damage was worse than original estimates and that the timeline has been extended. Restoration costs have tripled original estimates to more than $360,000. The statue was not returned until April 2014. Some rumors amongst the student body speculated that the statue had actually been damaged, lost, or stolen.
Anticipating student reaction to the statue's absence for the 2013 commencement, the University announced extensive plans to provide alternative photo opportunities, including replica statues by School of Art and Design to be placed around campus, green screen photos for a virtual photo with the statue, and improving other landmarks on the campus.
The University decided to restore the original bronze color of the statue rather than leave the natural green patina that is associated with the image. Initially, the restoration committee had not announced a decision on the issue. The oxidation was removed by laser, and the metal was sealed with a wax compound.
Symbol and Impact
The Alma Mater has long been a public symbol of the University of Illinois. Her image is currently the profile image for the official University Twitter account, figures prominently on the University website, and the statue is featured on the i-Card, the official university identification card for the flagship Urbana-Champaign campus.
The statue is sometimes adorned to reflect current events. In 2005, during the Final Four, the Alma Mater sported an Illini jersey. In late 2007, the Alma Mater was decorated with a variety of red, orange, and blue roses to signify the Illinois football team's 2008 Rose Bowl appearance. In 2010, the Alma Mater was decorated with a UIUC cap and gown custom-made by Herff Jones to signify the University's graduation exercises.
In the 2012-13 absence of the statue, it was popular for students to don costumes mimicking the Alma Mater's robes and pose on the empty granite base.
|Wikimedia Commons has media related to Alma Mater by Lorado Taft.|
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