Alvar Aalto portrayed on a stamp published in 1976.
|Born||Hugo Alvar Henrik Aalto
3 February 1898
|Died||11 May 1976
|Awards||RIBA Gold Medal
AIA Gold Medal
Säynätsalo Town Hall
|Projects||Helsinki City Centre|
Hugo Alvar Henrik Aalto (3 February 1898 – 11 May 1976) was a Finnish architect and designer, as well as a sculptor and painter. His work includes architecture, furniture, textiles and glassware. Aalto's early career runs in parallel with the rapid economic growth and industrialization of Finland during the first half of the twentieth century and many of his clients were industrialists; among these were the Ahlström-Gullichsen family. The span of his career, from the 1920s to the 1970s, is reflected in the styles of his work, ranging from Nordic Classicism of the early work, to a rational International Style Modernism during the 1930s to a more organic modernist style from the 1940s onwards. What is typical for his entire career, however, is a concern for design as a Gesamtkunstwerk, a total work of art; whereby he – together with his first wife Aino Aalto – would design not just the building, but give special treatments to the interior surfaces and design furniture, lamps, and furnishings and glassware. The Alvar Aalto Museum, designed by Aalto himself, is located in what is regarded as his home city Jyväskylä.
- 1 Biography
- 2 Awards
- 3 Works
- 4 Quotes
- 5 Memorials
- 6 Notes
- 7 Footnotes
- 8 References
- 9 Other Reading
- 10 External links
Hugo Alvar Henrik Aalto was born in Kuortane, Finland. His father, Johan Henrik Aalto, was a Finnish-speaking land-surveyor and his mother, Selly (Selma) Matilda (née Hackstedt) was a Swedish-speaking postmistress. When Aalto was 5 years old, the family moved to Alajärvi, and from there to Jyväskylä in Central Finland. Aalto studied at the Jyväskylä Lyceum school, completing his basic education in 1916. In 1916 he then enrolled to study architecture at the Helsinki University of Technology. His studies were interrupted by the Finnish War of Liberation, which he fought in. He fought on the side of the White Army and fought at the Batttle of Lankiphja and the Battle of Tampere. He built his first piece while still a student, a house for his parents, at Alajärvi. Afterwards, he continued his education, graduating in 1921.
After graduating, Alvar toured Sweden and Western Europe for two years, and for a period of time worked at the Office of Projects in Göteborg, Sweden. In 1922, he accomplisehd his first independent piece at the Industrial Exposition in Tampere. In 1923 he returned to Jyväskylä, where he opened his first architectural office. Jyväskylä would become a notable city for his architecture, with more buildings designed by him than in any other city.[broken citation] In 1925, he married architect Aino Marsio. Their honeymoon journey to Italy sealed an intellectual bond with the culture of the Mediterranean region that was to remain important to Aalto for the rest of his life. The Aaltos moved their office to Turku in 1927, and started collaborating with architect Erik Bryggman. The office moved again in 1933 to Helsinki.
The Aaltos designed and built a joint house-office (1935–36) for themselves in Munkkiniemi, Helsinki, but later (1954–56) had a purpose-built office built in the same neighbourhood - the latter building nowadays houses the Alvar Aalto Academy. Aino and Alvar Aalto had 2 children, a daughter Johanna "Hanni" Alanen, born Aalto, 1925, and a son Hamilkar Aalto, 1928. In 1926 the young Aaltos designed and had built a summer cottage in Alajärvi, Villa Flora. In 1938, he visited the United States. Aino Aalto died of cancer in 1949. In 1952 Aalto married architect Elissa Mäkiniemi (died 1994), who had been working as an assistant in his office. In 1952 Aalto designed and had built a summer cottage, the so-called Experimental House, for himself and his new wife in Muuratsalo in Central Finland. Alvar Aalto died on 11 May 1976, in Helsinki.
Early career: classicism
Although he is sometimes regarded as among the first and most influential architects of Nordic modernism, a closer examination of the historical facts reveals that Aalto (while a pioneer in Finland) closely followed and had personal contacts with other pioneers in Sweden, in particular Gunnar Asplund and Sven Markelius. What they and many others of that generation in the Nordic countries had in common was that they started off from a classical education and were first designing in the so-called Nordic Classicism style – a style that had been a reaction to the previous dominant style of National Romanticism– before moving, in the late 1920s, towards Modernism. On returning to Jyväskylä in 1923 to establish his own architect's office, Aalto busied himself with a number of single-family homes, all designed in the classical style, such as the manor-like house for his mother's cousin Terho Manner in Töysa in 1923, a summer villa for the Jyväskylä chief constable in 1923 and the Alatalo farmhouse in Tarvaala in 1924. During this period he also completed his first public buildings, the Jyväskylä Workers' Club in 1925, the Jyväskylä Defence Corps building in 1926 and the Seinajoki Defence Corp building in 1924-29. Aalto also entered several architectural competitions for prestigious state public buildings, both in Finland and abroad, including the two competitions for the Finnish Parliamentary building in 1923 and 1924, the extension to the University of Helsinki in 1931, and the building to house the League of Nations in Geneva, Switzerland, in 1926-27. Furthermore, this was the period when Aalto was most prolific in his writings, with articles for professional journals and newspapers. Among his most well-known essays from this period are "Urban culture" 1924), "Temple baths on Jyväskylä ridge" (1925), "Abbé Coignard's sermon" (1925), and "From doorstep to living room" (1926).
Early career: functionalism
The shift in Aalto's design approach from classicism to modernism is epitomised by the Viipuri Library (1927–35), which went through a transformation from an originally classical competition entry proposal to the completed high-modernist building. Yet his humanistic approach is in full evidence in the library: the interior displays natural materials, warm colours, and undulating lines. Due to problems over financing and a change of site, the Viipuri Library project lasted eight years, and during that same time he also designed the Turun Sanomat Building (1929–30)[nb 1] and Paimio Sanatorium (1929–32). Thus, the Turun Sanomat Building first heralded Aalto's move towards modernism, and this was then carried forward both in the Paimio Sanatorium and in the on-going design for the library. Although the Turun Sanomat Building and Paimio Sanatorium are comparatively pure modernist works, they too carried the seeds of his questioning of such an orthodox modernist approach and a move to a more daring, synthetic attitude. It has been said that his work on two of these three buildings (not the Viipuri Library) showed similarities to Walter Gropius' style, in particular his work on the Bauhaus school of design in Dessau. His work on the Viipuri building started to show his individuality in a departure from the European norms.
Through Sven Markelius, Aalto became a member of the Congres Internationaux d'Architecture Moderne (CIAM), attending the second congress in Frankfurt in 1929 and the fourth congress in Athens in 1933, where he established a close friendship with László Moholy-Nagy, Sigfried Giedion and Philip Morton Shand. It was during this time that he followed closely the work of the main driving force behind the new modernism, Le Corbusier, and visited him in his Paris office several times in the following years.
It was not until the completion of the Paimio Sanatorium (1932) and Viipuri Library (1935) that Aalto first achieved world attention in architecture. His reputation grew in the USA following the critical reception of his design for the Finnish Pavilion at the 1939 New York World's Fair, described by Frank Lloyd Wright as a "work of genius". It could be said that Aalto's international reputation was sealed with his inclusion in the second edition of Sigfried Giedion's influential book on Modernist architecture, Space, Time and Architecture: The growth of a new tradition (1949), in which Aalto received more attention than any other Modernist architect, including Le Corbusier. In his analysis of Aalto, Giedion gave primacy to qualities that depart from direct functionality, such as mood, atmosphere, intensity of life and even national characteristics, declaring that "Finland is with Aalto wherever he goes".
Mid career: experimentation
During the 30's Alvar spent a lot of time experimenting with laminated wood, making sculptures, and abstract reliefs, characterized by irregular curved forms. Utilizing this knowledge he was able to solve technical problems concerning the flexibility of wood and also of working out spatial issues in his designs. Aalto's early experiments with wood and his move away from a purist modernism would be tested in built form with the commission to design Villa Mairea (1939) in Noormarkku, the luxury home of the young industrialist couple Harry and Maire Gullichsen. It was Maire Gullichsen who acted as the main client, and she worked closely not only with Alvar but also Aino Aalto on the design, inspiring them to be more daring in their work. The original design was to include a private art gallery, but this was never built. The building forms a U-shape around a central inner "garden" the central feature of which is a kidney-shaped swimming pool. Adjacent to the pool is a sauna executed in a rustic style, alluding to both Finnish and Japanese precedents. The design of the house is a synthesis of numerous stylistic influences, from traditional Finnish vernacular to purist modernism, as well as influences from English and Japanese architecture. While the house is clearly intended for a wealthy family, Aalto nevertheless argued that it was also an experiment that would prove useful in the design of mass housing. It created zones for different activities within the structure.
His increased fame led to offers and commissions outside Finland. In 1941 he accepted an invitation as a visiting professor to MIT, in the USA. This was during the Second World War, and he involved his students in designing low-cost, small-scale housing for the reconstruction of war-torn Finland. While teaching at MIT, Aalto also designed the student dormitory, Baker House, completed in 1948. The dormitory lay along the Charles River and its undulating form provided maximum view and ventilation for each resident. This building was the first building of Aalto's redbrick period. Originally used in Baker House to signify the Ivy League university tradition, on his return to Finland Aalto used it in a number of key buildings, in particular, in several of the buildings in the new Helsinki University of Technology campus (starting in 1950), Säynätsalo Town Hall (1952), Helsinki Pensions Institute (1954), Helsinki House of Culture (1958), as well as in his own summer house, the so-called Experimental House in Muuratsalo (1957).
In the 50's he immersed himself in his sculpting, be it with bronze, marble, or mixed media. This paid off as he produced an outstanding piece for the memorial of the Battle of Suomussalmi (1960), located on the battlefield. It consists of a leaning bronze pillrr on a pedestal.
Mature career: monumentalism
The early 1960s and 1970s (up until his death in 1976) were marked by key works in Helsinki, in particular the huge town plan for the void in centre of Helsinki adjacent to Töölö Bay and the vast railway yards, and marked on the edges by significant buildings such as the National Museum and the main railway station, both by Eliel Saarinen. In his town plan Aalto proposed a line of separate marble-clad buildings fronting the bay which would house various cultural institutions, including a concert hall, opera, museum of architecture and headquarters for the Finnish Academy. The scheme also extended into the Kamppi district with a series of tall office blocks. Aalto first presented his scheme in 1961, but it went through various modifications during the early 1960s. Only two fragments of the overall plan were ever realized: the Finlandia Hall concert hall (1976) fronting Töölö Bay, and an office building in the Kamppi district for the Helsinki Electricity Company (1975). The Miesian formal language of geometric grids employed in the buildings was also used by Aalto for other sites in Helsinki, including the Enso-Gutzeit building (1962), the Academic Bookstore (1962) and the SYP Bank building (1969).
Following Aalto's death in 1976 his office continued to operate under the direction of his widow, Elissa, completing works already to some extent designed. These works include the Jyväskylä City Theatre and Essen opera house. Since the death of Elissa Aalto the office has continued to operate as the Alvar Aalto Academy, giving advice on the restoration of Aalto buildings and organising the vast archive material.
Aalto's awards included the Royal Gold Medal for Architecture from the Royal Institute of British Architects (1957) and the Gold Medal from the American Institute of Architects (1963). He was elected a Foreign Honorary Member of the American Academy of Arts and Sciences in 1957. He also was a member of the Academy of Finland, and was its president from 1963 to 1968. From 1925 to 1956 he was a member of the Congrès International d'Architecture Moderne.
Aalto's career spans the changes in style from (Nordic Classicism) to purist International Style Modernism to a more personal, synthetic and idiosyncratic Modernism. Aalto's wide field of design activity ranges from the large scale of city planning and architecture to interior design, furniture and glassware design and painting. It has been estimated that during his entire career Aalto designed over 500 individual buildings, approximately 300 of which were built, the vast majority of which are in Finland. He also has a few buildings in France, Germany, Italy and the USA.
Aalto's work with wood, was influenced by early Scandinavian architects; however, his experiments and departure from the norm brought attention to his ability to make wood do things not previously done. His techniques in the say he cut the beech tree, for example, and also his ability to use plywood as structural and aesthetic. Other examples include the rough-hewn vertical placement of logs at his pavilion at the Lapua expo, looking similar to a medieval barricade, at the orchestra platform at turku and the Paris expo at the World Fair, he used varying sizes and shapes of planks. Also at Paris and at Villa Mairea he utilized birch boarding in a vertical arrangement. Also his famous undulating walls and ceilings made of red pine. In his roofing, he created massive spans (155 foot at the covered statium at Otaniemi) all without tie rods. His stairway at Villa Mairea, he evokes feelings of a natural forest by binding beech wood with withes into columns.
Aalto claimed that his paintings were not made as individual artworks but as part of his process of architectural design, and many of his small-scale "sculptural" experiments with wood led to later larger architectural details and forms. These experiments also led to a number of patents: for example, he invented a new form of laminated bent-plywood furniture in 1932.[nb 2] His experimental method had been influenced by his meetings with various members of the Bauhaus design school, especially László Moholy-Nagy, whom he first met in 1930. Aalto's furniture was exhibited in London in 1935, to great critical acclaim, and to cope with the consumer demand Aalto, together with his wife Aino, Maire Gullichsen and Nils-Gustav Hahl founded the company Artek that same year. Aalto glassware (Aino as well as Alvar) is manufactured by Iittala. Aalto was one of the first architects outside of Germany, France, and Holland to master modern architecture.
Aalto's 'High Stool' and 'Stool E60' (manufactured by Artek) are currently used in Apple stores across the world to serve as seating for customers. Finished in black lacquer, the stools are used to seat customers at the 'Genius Bar' and also in other areas of the store at times when seating is required for a product workshop or special event.
See List of Alvar Aalto's works also.
- 1921–1923: Bell tower of Kauhajärvi Church, Lapua, Finland
- 1924–1928: Municipal hospital, Alajärvi, Finland
- 1926–1929: Defence Corps Building, Jyväskylä, Finland
- 1927–1935: Municipal library, Viipuri, Finland (now Vyborg, Russia)[nb 3]
- 1928–1929, 1930: Turun Sanomat newspaper offices, Turku, Finland
- 1928–1932: Paimio Sanatorium, Tuberculosis sanatorium and staff housing, Paimio, Finland
- 1931: Toppila paper mill in Oulu, Finland
- 1931: Central University Hospital, Zagreb, Croatia (former Yugoslavia)
- 1932: – Villa Tammekann, Tartu, Estonia
- 1934: Corso theatre, restaurant interior, Zürich, Switzerland
- 1936–1938: Ahlstrom Sunila Pulp Mill, Housing, and Town Plan, Kotka
- 1937–1939: Villa Mairea, Noormarkku, Finland
- 1939: Finnish Pavilion, at the 1939 New York World's Fair
- 1945: Sawmill at Varkaus
- 1947–1948: Baker House, Massachusetts Institute of Technology, Cambridge, Massachusetts, USA
- 1949–1966: Helsinki University of Technology, Espoo, Finland
- 1949–1952: Säynätsalo Town Hall, 1949 competition, built 1952, Säynätsalo (now part of Jyväskylä), Finland
- 1950–1957: Kansaneläkelaitos (National Pension Institution) office building, Helsinki, Finland
- 1951-1971: University of Jyväskylä various buildings and facilities on the university campus, Jyväskylä, Finland
- 1952–1958: House of Culture, Helsinki, Finland
- 1953: The Experimental House, Muuratsalo, Finland
- 1956-1958: Home for Louis Carre, Bazoches, France
- 1956-1958: Church at Vuoksenniska, Imatra, Finland
- 1958: Post and telegraph office, Baghdad, Iraq
- 1958–1987: Town centre, Seinäjoki, Finland
- 1958–1972: KUNSTEN Museum of Modern Art Aalborg, Aalborg, Denmark
- 1959-1962: Community Center, Wolfsburg, Germany
- 1959–1962: Enso-Gutzeit Headquarters, Helsinki, Finland
- 1959-1962: Town center (Town library, Lakeuden Risti church and central administrative buildings), Seinajoki
- 1962: Aalto-Hochhaus, Bremen, Germany
- 1964-1965: Institute of International Education, New York City
- 1965: Regional Library of Lapland, Rovaniemi, Finland
- 1962–1971: Finlandia Hall, Helsinki, Finland
- 1963–1965: Building for Västmanland-Dala nation, Uppsala, Sweden
- 1967-1970: Library at the Mount Angel Abbey, St. Benedict, Salem, Oregon, USA.
- 1965–1968: Nordic House, Reykjavík, Iceland
- 1973: Alvar Aalto Museum aka Taidemuseo, Jyväskylä
- 1959–1988: Essen opera house, Essen, Germany
Furniture and glassware
- 1932: Paimio Chair
- 1933: Three-legged stacking Stool 60
- 1933: Four-legged Stool E60
- 1935-6: Armchair 404 (a/k/a/ Zebra Tank Chair)
- 1939: Armchair 406
- 1954: Floor lamp A805
- 1959: Floor lamp A810
- 1936: Aalto Vase
- "God created paper for the purpose of drawing architecture on it. Everything else is at least for me an abuse of paper." Alvar Aalto, Sketches, 1978, 104.
- "We should work for simple, good, undecorated things" and he continues, "but things which are in harmony with the human being and organically suited to the little man in the street." Alvar Aalto, speech in London 1957.
Aalto has been commemorated in a number of ways:
- Alvar Aalto is the eponym of the Alvar Aalto Medal, now considered one of world architecture’s most prestigious awards.
- Aalto was featured in the 50 mk note in the last series of the Finnish markka (before its replacement by the Euro in 2002).
- The centenary of Aalto's birth in 1998 was marked in Finland not only by several books and exhibitions but also by the promotion of specially bottled red and white Aalto Wine and a specially-designed cup-cake.
- In the year of his death, 1976, Aalto was commemorated on a Finnish postage stamp.
- Aalto University, a new Finnish university (an amalgamation of Helsinki University of Technology, Helsinki School of Economics and TaiK) established in 2010, is named after Alvar Aalto.
- An Alvar Aallon katu (Alvar Aalto Street) can be found in three different Finnish cities: Jyväskylä, Oulu and Seinäjoki.
- Chilvers, Ian (2004)
- architect.architecture.sk (2013)
- www.alvaraalto.fi/ (2011)
- Thorne, John (1984)
- Pelkonen, Eeva-Liisa (2009); p. 12
- Labò, Mario (1968); p. 1
- Hoiberg, Dale H. (2010)
- Brown, Theodore S. (1969)
- www.infoa (2013)
- Aalto, Alvar (1998)
- Pallasmaa, Juhani (2005)
- Tourney, Michele (2013)
- Schildt, Göran (1994)
- Labò, Mario (1968); p. 2
- Labò, Mario (1968); p. 3
- Aalto, Alvar (1998). Schildt, Goran, ed. Alvar Aalto in His Own Words. Helsinki, Finland: Rizzoli. ISBN 978-0847820801.
- architect.architecture.sk (2013). Architecture.sk "Alvar Aalto : architect biography".
- Brown, Theodore M. (1969). "Alto, Hugo Alvar Henrik". In Myers, Bernard S. McGraw-Hill Dictionary of Art. I: AA-Ceylon. New York, NY: McGraw-Hill Book Company. p. 4. LCCN 68-26314.
- Chilvers, Ian, ed. (2004) . "Aalto, Alvar". The Oxford Dictionary of Art (3rd ed.). Oxford, UK: Oxford University Press. p. 1. ISBN 0-19-860476-9.
- Hoiberg, Dale H., ed. (2010). "Aalto, (Hugo) Alvar (Henrik)". Encyclopedia Britannica. I: A-Ak - Bayes (15th ed.). Chicago, IL: Encyclopedia Britannica, Inc. pp. 2–3. ISBN 978-1-59339-837-8.
- Labò, Mario (1968) . "Aalto, Hugo Alvar Henrik". In Crandall, Robert W. Encyclopedia of World Art. I: Aalto-Asia Minor, Western. New York, NY: McGraw Hill Book Company, Inc. LCCN 59-13433.
- Pallasmaa, Juhani (2005). Alvar Aalto: Villa Mairea 1938-39 (2nd ed.). Ram Pubns & Dist. ISBN 978-9525371314.
- Pelkonen, Eeva-Liisa (2009). Alvar Aalto: Architecture, Modernity, and Geopolitics. New Haven, CT: Yale University Press. ISBN 978-0300114287.
- Schildt, Göran (1994). Alvar Aalto, A life's work: Architecture, Design and Art. Helsinki, Finland: Otava Pub. Co. ISBN 978-9511129752.
- Thorne, John, ed. (1984). "Aalto, Alvar". Chambers Biographical Dictionary (Revised ed.). Chambers. p. 1. ISBN 0-550-18022-2.
- Tourney, Michele (2013). "Book of Members, 1780-2010: Chapter A" (PDF). American Academy of Arts and Sciences. Retrieved 2013-11-13.
- www.alvaraalto.fi (2011). "Alvar Aalto Museo" [Alvar Aalto Museum].
Göran Schildt has written and edited many books on Aalto, the most well-known being the three-volume biography, usually referred to as the definitive biography on Aalto.
- Schildt, Göran (1984). Alvar Aalto. The Early Years. New York, NY: Rizzoli. ISBN 978-0847805310.
- Schildt, Göran (1987). Alvar Aalto. The Decisive Years. New York, NY: Rizzoli. ISBN 978-0847807116.
- Schildt, Göran (1991). Alvar Aalto. The Mature Years. New York, NY: Rizzoli. ISBN 978-0847813292.
- Alvar Aalto Archive Staff (1994). The Architectural Drawings of Alvar Aalto 1917-1939: Aalto's Own Home in Helsinki, the Finnish Pavilion at the 1937 World's Fair in Paris, and Other Buildings and Projects, 1932-1937. Garland Architectural Archives. Routledge.
- Schildt, Göran (1994). Alvar Aalto: The Complete Catalogue of Architecture, Design and Art. New York, NY: Rizzoli. ISBN 978-0847818181.
- Other books
- Laaksonen, Esa (2013). Alvar Aalto Architect. 5: Paimio Sanatorium 1928-32. Rakennustieto Publishing. ISBN 978-9516829541.
- Holma, Maija; Pallasmaa, Juhani; Suominen-Kokkonen, Renja (2003). Alvar Aalto Architect. 6: The Aalto House 1935-36. Alvar Aalto Foundation. ISBN 978-9525498011.
- Kaorvanmaa, Pekka (2007). Alvar Aalto Architect. 7: Sunila 1936-1954. Ram Distribution. ISBN 978-9525498035.
- Alvar Aalto Architect. 9: Villa Mairea.
- Aalto, Alvar (2008). Alvar Aalto Architect. 13: University of Technology, Otaniemi 1949-74. Ram Distribution. ISBN 978-9525498080.
- Aalto, Alvar (2008). Alvar Aalto Architect. 20: Maison Louis Carre 1956-63. Ram Distribution. ISBN 978-9525498066.
- Heporauta, Arne (1998). Alvar Aalto Arkkitehti: 1898–1976. Helsinki, Finland: Rakennustieto Oy. ISBN 978-9516825468.
- Korvenmaa, Pekka; Treib, Marc (2002). Reed, Peter, ed. Alvar Aalto: Between Humanism and Materialism. New York, NY: The Museum of Modern Art. ISBN 978-0870701078.
- Ruusuvuori, Aarno, ed. (1978). Alvar Aalto 1898–1976. Helsinki, Finland: The Museum of Finnish Architecture. ASIN B0000ED4GS.
- Jormakka, Kari; Gargus, Jacqueline; Graf, Douglas The Use and Abuse of Paper. Essays on Alvar Aalto. Datutop 20: Tampere 1999.
- Aalto research
- The extensive archives of Alvar Aalto are nowadays kept at the Alvar Aalto Museum, Jyväskylä, Finland. Material is also available from the former offices of Aalto, at Tiilimäki 20, Helsinki, nowadays the headquarters of the Alvar Aalto Foundation.
- Since 1995 the Alvar Aalto Museum and Aalto Academy has published a journal, Ptah, which is devoted not only to Aalto scholarship but also to architecture generally as well as theory, design and art.
|Wikimedia Commons has media related to Alvar Aalto.|
- Alvar Aalto Foundation Custodian of Aalto's architectural drawings and writings.
- Alvar Aalto at the Museum of Modern Art
- Alvar Aalto biography at FinnishDesign.com
- Short Biographies: Alvar Aalto
- Aalto bibliography – From the official site
- Alvar Aalto – Design Dictionary Illustrated article about Alvar Aalto
- Alvar Aalto Biography in Spanish about Alvar Aalto
- Modern Furniture and the history of Moulded Plywood Role played by Alvar Alto in the use of Moulded plywood for furniture.
- Alvar Aalto in German, French and Italian in the online Historical Dictionary of Switzerland.
- Alvar Aalto at Find a Grave
- Map of the Alvar Aalto works - Wikiartmap, the art map of the public space
- Artek.fi, Aalto furniture; company founded by Aalto.
- Alvar Aalto glassware, iittala.com
- Between Humanism and Materialism New York Museum of Modern Art exhibit site. Contains an especially useful timeline of his life and career.
- Buildings and reviews
- Checkonsite.com - Alvar Aalto architecture guide.
- "Ahead of the curve" The Guardian – Fiona MacCarthy recalls a shared lunch of smoked reindeer and schnapps in his elegant Helsinki restaurant
- Baker House
- North Jutland Museum
- S. Maria Assunta – Riola BO Italy
- Alvar Aalto Collection Tomorrow's Antique Alvar Aalto furniture collection.
- Coliseum-shop.com Alvar Aalto Furniture Selection.
- Aalto.com – Alvar Aalto Collection Shop dedicated to Alvar Aalto designs.