Amadis or Amadis de Gaule (Amadis of Gaul) is a tragédie en musique in a prologue and five acts by Jean-Baptiste Lully to a libretto by Philippe Quinault based on Nicolas Herberay des Essarts' adaptation of Garci Rodríguez de Montalvo's Amadis de Gaula. It was premiered by the Paris Opera at the Théâtre du Palais-Royal sometime from January 15 to 18, 1684. There was a later production at Versailles without scenery or machines in 1685.
Amadis was the first tragédie en musique to be based on chivalric rather than mythological themes; Lully's last three completed operas followed in this course. Louis XIV of France chose the theme. In the dance troupe the principal male dancers were Pierre Beauchamp, Louis-Guillaume Pécour and Lestang, and the principal female dancers were La Fontaine, Carré and Pesan. There were eight revivals of the opera in Paris between 1687 and 1771. Between 1687 and 1729 it was produced in Amsterdam, The Hague, Marseille, Rouen, Brussels, Lunéville, Lyon, and Dijon. Today the most famous aria from Amadis is Amadis' much anthologized monologue from act two, "Bois épais". At the beginning of the same act Arcabonne sings "Amour, que veux-tu de moy?", as once did ‘every cook in France’, according to Le Cerf de la Viéville (Comparaison, 1704–6)
The opera went by the title Amadis until 1699 when another opera, Amadis de Grèce, by André Cardinal Destouches appeared. After this, the Lully-Quinault work was billed as Amadis de Gaule. This was also the title of an adaptation of the Quinault libretto with music by Johann Christian Bach, which premiered in Paris in 1779.
|Cast||Voice type||Premiere, c. January 15–18, 1684
(Conductor: - )
|Alquif, sorcerer, husband of Urgande (prologue)||baritone|
|Urgande, sorceress, wife of Alquif (prologue)||soprano|
|Amadis, son of King Perion of Gaul||haute-contre||Louis Gaulard Dumesny|
|Oriane, daughter of King Lisuart of Britain||soprano||Fanchon Moreau|
|Florestan, illegitimate son of King Perion||baritone||Jean Dun|
|Corisande, Florestan's beloved, ruler of Gravesande||soprano|
|Arcabonne, sorceress, sister of Arcalaus and Ardan Canile||soprano||Marie Le Rochois|
|Arcalaüs, sorcerer knight and brother of Ardan Canile and Arcabonne||baritone|
|Ghost of Ardan Canile||baritone|
|Followers, knights, soldiers, demons, nymphs, shepherds and shepherdesses, captives and gaolers, enchanted heroes and heroines etc.|
A complex story of love and chivalry depicting the faithful love of Amadis and Oriane, opposed by the sorcerer family of Arcabonne and Arcalaus, with another pair of lovers, Florestan and Corisande, as a subplot.
- Amadis Soloists, La Simphonie du Marais, conducted by Hugo Reyne (Accord, live recording, 3 CDs, 2006)
- Sawkins 2001, p. 515, and césar give the date as January 15; La Gorce 2001 gives the date as January 16; and Rosow 1992, vol. 1, p. 103, gives the more traditional date of January 18.
- Rosow 1992, pp. 103–104.
- Sérié, p.74
- Holden, Amanda (2001). The New Penguin Opera Guide. New York: Penguin Putnam. ISBN 0-14-029312-4.
- La Gorce, Jérôme de (2001). "Lully. (1) Jean-Baptiste Lully [Lulli, Giovanni Battista] (i)" in Sadie 2001.
- Rosow, Lois (1992). "Amadis" in Sadie 1992, vol. 1, pp. 103–104.
- Sadie, Stanley, editor (1992). The New Grove Dictionary of Opera (4 volumes). London: Macmillan. ISBN 978-1-56159-228-9.
- Sadie, Stanley, editor (2001). The New Grove Dictionary of Music and Musicians, 2nd edition. London: Macmillan. ISBN 978-1-56159-239-5 (hardcover), OCLC 419285866 (eBook), and Grove Music Online.
- Sawkins, Lionel. "Amadis" in Holden 2001, p. 515.
- Sérié, Pierre (2012). "Plot and libretto", in the book accompanying Didier Talpain's recording of J.C. Bach's Amadis de Gaule (Ediciones Speciales)