Amati

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Amati is the last name of a family of Italian violin makers, who flourished at Cremona from about 1538 to 1740. Their importance is considered equal to those of the Bergonzi, Guarneri and Stradivari families. Today, violins created by Nicolò Amati are evaluated at around $600.000.[1]

Family members[edit]

Andrea Amati[edit]

Andrea Amati (ca. 1505 – ca. 1578) designed and created the violin, viola and cello known as the "violin family". He standardized the basic form, shape, size, materials and method of construction. Makers from nearby Brescia experimented, such as Gasparo da Salò, Micheli, Zanetto and Pellegrino but it was Andrea Amati in Cremona Italy, who gave the modern violin family their definitive profile. The first violin was ordered by Lorenzo De Medici in 1555. His letter to Amati stated the instrument was to be "made of the highest quality materials like that of a lute, but simple to play". The first violin was intended to be used by illiterate musicians, so the design was simple and it was easy to play. What became of this first violin is not known. A number of his instruments survive dating between 1538 (Amati made the first Cello called 'The King' in 1538 [1]) and 1574. The largest number these are from 1560, a set for an entire orchestra of 38 ordered by Catherine De Medici the regent queen of France and bear hand painted royal French decorations in gold including the motto and coat of arms of her son Charles IX of France. Of these 38 instruments ordered, Amati created violins of two sizes, violas of two sizes and large sized cellos. They were in use until the French revolution of 1789 and only 14 of these instruments survived. His work is marked by selection of the finest materials, great elegance in execution, soft clear amber soft translucent varnish and an in depth use of acoustic and geometrical principles in design. [2]

Antonio and Girolamo Amati[edit]

Andrea Amati was succeeded by his sons Antonio Amati (born ca. 1537-1607) and Girolamo Amati (ca. 1551–1630). "The Brothers Amati", as they were known, implemented far-reaching innovations in design, including the perfection of the shape of the f-holes. They are also thought to have pioneered the modern alto format of viola, in contrast to older tenor violas, but the widespread belief that they were the first ones to do so is incorrect given that Gasparo da Salo made violas ranging from altos of 39 cm to tenors of 44.7 cm.

Nicolo Amati[edit]

Nicolò Amati (December 3, 1596 – April 12, 1684) was the son of Girolamo Amati. He was the most eminent of the family. He improved the model adopted by the rest of the Amatis and produced instruments capable of yielding greater power of tone. His pattern was unusually small, but he also made a wider model now known as the "Grand Amati", which have become his most sought-after violins.

Of his pupils, the most famous were Antonio Stradivari and Andrea Guarneri, the first of the Guarneri family of violin makers. (There is much controversy regarding the apprenticeship of Antonio Stradivari. While Stradivari's first known violin states that he was a pupil of Amati, the validity of his statement is questioned.)

Girolamo Amati (Hieronymus II)[edit]

The last maker of the family was Nicolo's son, Girolamo Amati, known as Hieronymus II (February 26, 1649 – February 21, 1740). Although he improved on the arching of his father's instruments, by and large they are inferior and no match for the greatest maker of his day, Antonio Stradivari.[citation needed]

Extant Amati instruments[edit]

This violin, now at the Metropolitan Museum of Art, may have been part of a set made for the marriage of Philip II of Spain to Elisabeth of Valois in 1559, which would make it one of the earliest known violins in existence.

In popular culture[edit]

See also[edit]

Notes[edit]

  1. ^ Violin Price Histories, violinadvisor.com, accessed 18 martie 2014
  2. ^ Dilworth, John. "The Violin and Bow-Origins and Development." The Cambridge Companion to the Violin. Ed. Robin Stowell. Cambridge: Cambridge University Press, 1992. 1–29.

References[edit]

  • Public Domain This article incorporates text from a publication now in the public domainChisholm, Hugh, ed. (1911). "Amati". Encyclopædia Britannica (11th ed.). Cambridge University Press. 
  • Dilworth, John (1992) "The Violin and Bow-Origins and Development" in: The Cambridge Companion to the Violin; ed. Robin Stowell. Cambridge: Cambridge University Press; pp. 1–29.

External links[edit]