Ambrogio Minoja

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Ambrogio Minoja
Ambrogio Minoja by Luigi Rados.jpg
Ambrogio Minoja on a stipple engraving by Luigi Rados (1773-1840).
Born (1752-10-22)22 October 1752
Ospedaletto Lodigiano
Died 3 August 1825(1825-08-03) (aged 72)
Naples
Nationality Italian
Occupation Composer
Style Early Romanticism

Ambrogio Minoja (22 October 1752 – 3 August 1825) was a classical composer from Italy, born in Ospedaletto Lodigiano, in the territory of Lodi, in the region of Lombardy.[1] He was professor of composition and writer on vocal music, having written Solfeggi, and Lettera sopra il canto (Luigi Mussi, Milan).

Biography[edit]

Minoja began his musical studies when he was fourteen years old, acquiring further musical training from renowned professor Nicola Sala, in Naples.[2] On his return to Milan from Rome in 1772, where he stayed for a short period of time, he was appointed first klavier player at the theatre, succeeding then Giovanni Battista Lampugnani as director of music. From 1789 to 1809 he was maestro al cembalo[n 1] at Teatro alla Scala (1789-1809). A highly esteemed composer, chapel-master and honorary member at the Royal Conservatory of Music in Milan, he became inspector of studies at the conservatory from 1814 to 1824.

Musical works[edit]

Minoja was a composer of opera and church-music. He composed two operas, which were performed successfully, Tito nelle Gallie (1787) and Zenobia (1788), a march and a funeral symphony on the death of General Hoche, having him received then a gold medal from Napoleon Bonaparte,[3] and four Quartets known by the title of I Divertimenti della Campagna.[4]

Additional informations[edit]

Notes[edit]

  1. ^ Maestro al cembalo means leader at the harpsichord. The term was commonly used in 18th-century operatic contexts.

References[edit]

  1. ^ W. L. Hubbard (2005). The American History and Encyclopedia of Music: Musical Biographies Part Two. Kessinger Publishing Co. p. 60. ISBN 1-4179-0713-4. 
  2. ^ Busby, Thomas (1825). Concert room and orchestra anecdotes of music and musicians, ancient and modern, Vpl. 1. Clementi. p. 43. 
  3. ^ Moore, John Weeks Moore (1854). Complete encyclopædia of music: elementary, technical, historical, biographical, vocal, and instrumental. J. P. Jewett. p. 602. 
  4. ^ Parthenon. Parthenon: A magazine of art and literature. London: Black, Young and Young. p. 385.