American Pie (album)
| American Pie | ||||
|---|---|---|---|---|
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| Studio album by Don McLean | ||||
| Released | October 1971 | |||
| Recorded | May 1971 - June 1971 | |||
| Genre | Folk, folk rock | |||
| Length | 36:24 | |||
| Label | United Artists Records (original) Liberty Records (reissue) Capitol Records (2003 reissue) |
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| Producer | Ed Freeman | |||
| Don McLean chronology | ||||
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| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
American Pie is the title of a 1971 music album by Don McLean, best known for its title track about The Day the Music Died. The third track, "Vincent," is a tribute to the famed artist Vincent Van Gogh.
The original 1971 LP is dedicated to Buddy Holly,[2] and was reissued in 1980 minus the track "Sister Fatima".[3] The original United Artists Records inner sleeve featured a free verse poem written by McLean about the late William Boyd, also known as Hopalong Cassidy, along with a picture of Boyd in full Hopalong regalia. This sleeve was removed within a year of the album's release. The words to this poem appear on a plaque at the hospital where Boyd died. The Boyd poem and picture tribute do appear on a special remastered 2003 CD.[4]
Contents |
[edit] Influence
The track Empty Chairs from the album is the song which inspired Lori Lieberman to write the poem upon which the song Killing Me Softly is based.
[edit] Track listing
All tracks composed and arranged by Don McLean; except where indicated
The original release (UAS-5535, 1971 United Artists Records)
- "American Pie"
- "Till Tomorrow"
- "Vincent"
- "Crossroads"
- "Winterwood"
- "Empty Chairs"
- "Everybody Loves Me, Baby"
- "Sister Fatima"
- "The Grave"
- "Babylon" (Traditional, based on the canon By the Waters of Babylon by Philip Hayes[5])
The 1980 reissue (LN-10037, 1980 Liberty Records, Inc.) did not include "Sister Fatima" in early releases, but it was eventually added under the same serial number.
- "American Pie" - 8:27
- "Till Tomorrow" - 2:11
- "Vincent (Starry, Starry Night)" - 3:55
- "Crossroads" - 3:34
- "Winterwood" - 3:09
- "Empty Chairs" - 3:24
- "Everybody Loves Me, Baby" - 3:37
- "The Grave" - 3:08
- "Babylon" - 1:40
The 2003 remaster contains 12 tracks in total [1]:
- "American Pie"
- "Till Tomorrow"
- "Vincent (Starry, Starry Night)"
- "Crossroads"
- "Winterwood"
- "Empty Chairs"
- "Everybody Loves Me, Baby"
- "Sister Fatima"
- "The Grave"
- "Babylon"
- "Mother Nature"
- "Aftermath"
[edit] Personnel
- Don McLean - vocals, guitar, banjo
- Warren Bernhardt - piano ("Crossroads")
- Ray Colcord - electric piano
- Tom Flye - drums ("The Grave"), engineering
- Ed Freeman - string arrangements
- Paul Griffin - piano ("American Pie")
- Lee Hays - arranger
- Mike Mainieri - marimba, vibraphone
- Roy Markowitz - drums, percussion
- Gene Orloff - concert master
- Bob Rothstein - bass, vocals
- David Spinozza - electric guitar ("American Pie")
- West Forty Fourth Street Rhythm and Noise Choir - chorus
[edit] Chart positions
| Chart (1972) | Peak position |
|---|---|
| Billboard 200 | 1 |
| Australian Kent Music Report Albums Chart | 1 |
[edit] Notes
- ^ Allmusic review
- ^ Back cover of the 1971 United Artists LP (UAS-5535)
- ^ Back cover of the 1980, Liberty Records re-issue (LN-10037).
- ^ inner sleeve, 2003 Capitol Records CD remaster (72435-84729-2-9)
- ^ The Muses Delight: Catches, Glees, Canzonets and Canons by Philip Hayes (London, 1786)
| Preceded by Music by Carole King |
Billboard 200 number-one album January 22, 1972 – March 10, 1972 |
Succeeded by Harvest by Neil Young |
| Preceded by Imagine by John Lennon |
Australian Kent Music Report number-one album April 3, 1972 – June 18, 1972 |
Succeeded by Harvest by Neil Young |
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