My Friends (film)
|Directed by||Mario Monicelli|
|Written by||Pietro Germi
Piero De Bernardi
Duilio Del Prete
|Music by||Carlo Rustichelli|
|Distributed by||Rizzoli Film|
|Running time||140 minutes|
The film, which made it to number one on the Italian box-office in front of Steven Spielberg's Jaws, was followed by two sequels, Amici miei Atto II (1982, also by Monicelli), Amici miei Atto III (1985), directed by Nanni Loy.
Like in many other Monicelli movies, the main theme of Amici miei is friendship, seen from a rather bitter point of view. It tells the story of four middle-aged friends in Florence who organize together idle pranks (called zingarate, "gypsy shenanigans") in a continuous attempt to prolong childhood during their adult life.
Count Mascetti (Ugo Tognazzi) is an impoverished noble who has no means to support his family, but does not renounce high living pleasures anyway, and has an underage mistress, Titti (Silvia Dionisio). Perozzi (Philippe Noiret) is an easy-living journalist harassed by the unceasing disapproval of his wife and his son. Melandri (Gastone Moschin) is a communal architect whose main goal is to find the ideal woman. Necchi (Duilio Del Prete) is the owner of a café and pool hall where the friends usually plan their zingarate.
During the movie they are joined by a renowned, military-like surgeon, Sassaroli (Adolfo Celi), in whose clinic they recover after being hospitalized, injured after a mismanaged zingarata. Melandri falls in love with Sassaroli's wife, exclaiming "I've seen the Madonna!", only to discover she has psychological problems.
The plot is mostly composed of elaborate practical jokes organized by the friends, including the creation of a fake mafia mob in whose "criminal acts" they involve a pensioner, Righi (Bernard Blier), who used to snatch croissants from the cake tray in Necchi's café, and Mascetti's attempts to save his marriage despite his relationship with Titti. The film ends with Perozzi's death, which still does not deprive the friends of their desecrating hijinks, not even in face of their own mortality; Perozzi himself makes a last joke (a "supercazzola") to the priest. When Perozzi's wife, criticized by Melandri for her lack of tears, comments: "One can weep if somebody dies. But here nobody has died", Mascetti replies: "Well, in reality he had never been so much, but I liked him". During the funeral procession they "homage" their dead friend by telling the wide-eyed Righi that Perozzi was killed for being a traitor to their mafia. Melandri starts sobbing, but not for sadness, but for the laugh too Righi that he believed that hoax. Even the friends begin to laugh, almost no longer able to control himself. Righi, believing that they are heartbroken over the loss, begins to be moved for real.
- Ugo Tognazzi as Lello Mascetti
- Gastone Moschin as Rambaldo Melandri
- Philippe Noiret as Giorgio Perozzi
- Duilio Del Prete as Guido Necchi
- Olga Karlatos as Donatella Sassaroli
- Silvia Dionisio as Titti
- Franca Tamantini as Carmen Necchi
- Angela Goodwin as Laura Perozzi
- Milena Vukotic as Alice Mascetti
- Bernard Blier as Niccolò Righi
- Adolfo Celi as Professor Sassaroli
- Maurizio Scattorin as Luciano Perozzi (Perozzi's son)
- The project was begun by Pietro Germi, who could not continue it due to his death. Monicelli, who replaced him, moved the set from Bologna to Florence.
- In the original version Philippe Noiret is dubbed by Renzo Montagnani, who, in the sequels, replaced Del Prete as Necchi.
- One of the most popular scene is that in which the four friends, in order to raise Melandri's mood after his falling out with Sassaroli's ex-wife, organize a zingarata consisting in slapping people stretching out from the windows of a leaving train. One of the victims is Perozzi's son himself.
- The film was shot in Florence and its center was a real bar in Piazza Demidoff, along the River Arno, which then called itself "Bar Amici Miei" and featured posters of the film. In the Nineties it changed its name and was modernized becoming an American bar and losing all connections to the film.
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