And Then There Were None (1945 film)
| And Then There Were None | |
|---|---|
original movie poster |
|
| Directed by | René Clair |
| Produced by | René Clair Harry M. Popkin |
| Written by | Dudley Nichols Agatha Christie (Novel) |
| Starring | Barry Fitzgerald Walter Huston Louis Hayward Roland Young |
| Music by | Mario Castelnuovo-Tedesco |
| Cinematography | Lucien N. Andriot |
| Editing by | Harvey Manger |
| Distributed by | Twentieth Century Fox Film Corporation |
| Release date(s) | October 30, 1945 |
| Country | United States |
| Language | English |
And Then There Were None is a 1945 film adaption of Agatha Christie's best-selling mystery novel And Then There Were None directed by René Clair.
The film changes certain characters' names and adheres to the ending of the play rather than that of the novel. Though its subject matter is dark, the screenplay injects considerable humor into the proceedings, lightening the tone of Christie's grim book. It was directed by René Clair from a screenplay by Dudley Nichols. Its cast featured Barry Fitzgerald, Walter Huston, Louis Hayward, Roland Young, June Duprez, Mischa Auer, C. Aubrey Smith, Judith Anderson, Richard Haydn and Queenie Leonard as the people stranded on the island. The film could arguably be seen as a precursor to the modern slasher film, though it certainly isn't gory, and the deaths are not played up for their horror, as they are in slasher films today.
The film won best film at the Locarno International Film Festival.
Though it was produced by a major studio, 20th Century Fox, the copyright was allowed to lapse and the film is now in the public domain. Several different editions of varying quality have been released to home video formats.[1]
Contents |
[edit] Plot
The film begins with ten strangers being summoned to Indian Island, a small island off the coast of Devon, by a mysterious note. Once there they discover that their unknown host, a certain "Mr. Owen", has not arrived yet. Though this fact is somewhat odd, they are told that Mr. Owen plans on arriving for dinner and so they all retire to their rooms to prepare for the evening.
When they all sit down to dinner Mr. Owen still has not arrived, so they eat their meal and then relax in the living room. Suddenly a voice on a gramophone record proceeds to accuse all of them of past murders that the law was unable to prosecute them for.
The guests vehemently deny any wrongdoing, and the decision is made to leave the island immediately. Rogers, however, tells them that there is no way to get the boat from the mainland. There is no phone on the island, and the boat only comes twice a week; it will not be back until Monday morning, while it is now only Friday night. At this point Starloff confesses that the accusations against him are true. His only punishment was to have his driving license revoked. Soon thereafter he takes a drink of whiskey and chokes to death. Though Dr. Armstrong confirms that there was poison in Starloff's glass, he is unable to ascertain whether his death was murder or suicide. At the same time Rogers also discovers that one of ten little Indian figurines on the dinner table has broken.
The next morning the guests arise and prepare for breakfast, only to be greeted with ominous news: Mrs. Rogers has died in her sleep, victim of an apparent overdose of sedative (she became extremely upset due to the accusations of the night before). Another figurine is also missing. With two deaths in twelve hours, the remaining guests decide to form a search party and canvass the island, as they believe that Mr. Owen, whoever he might be, is hiding somewhere. But a search of both the house and the outside area proves fruitless, as no one is found. They come back to the house for lunch, only to discover the body of Gen. Mandrake, a knife protruding from his back. This time the evidence is conclusive: Mr. Owen has invited them here to exact punishment for their past crimes...but there is no one else on the island. It is the judge who arrives at the answer. Since there truly is no one else among them, there is only one explanation: Mr. Owen is one of them.
Their suspicions now aroused, the guests take care to remain in sight of each other at all times. Quincannon decides to hold a secret vote, whereby everyone writes down their suspect and puts it into a hat. Rogers receives two votes, more than anyone else. The guests decide that they would feel safer with him not sleeping in the house, so Rogers spends the night in the washhouse. The guests ask him to keep the key to the dining room, which contains the Indian figurines, as they intend to lock him out of the house, and that way Mr. Owen will not have access to the figures in any possible way (if Rogers is the killer, he will not be able to get into the house, and if he is innocent, the real culprit will not have access either). But when they wake up the next morning they find Rogers dead, his head split open with an axe, and another little figure missing. They are suspicious of Miss Brent, who claims to have been out for a walk by the ocean that morning. As Vera prepares breakfast in the kitchen, Miss Brent advises her to be cautious of Lombard, who has taken a bit of an interest in her. Alone with Vera, Miss Brent tells her version of the story regarding the gramophone's accusation. She says that her young nephew had been quite rebellious, and since whipping did no good she had him placed in a reformatory; he then hanged himself. Later that day Miss Brent's lifeless body is found in her room, dead of a lethal injection. Dr. Armstrong searches his medical kit and discovers his hypodermic needle missing, apparently the same one used to kill Miss Brent. It is also established that Lombard carried a revolver to the island with him, but it is now missing as well.
With only five guests remaining tensions are running high. When the lights begin to flicker, Blore goes to check the generator, accidentally causing it to short circuit, and the house is plunged into darkness. Quincannon advises Armstrong that this was probably a ploy by the killer, but since he and Armstrong have been together the entire time, this means that they can trust one another. As everyone sits down to dinner that night Armstrong and Quincannon tell the others that they believe the best chance of surviving Mr. Owen's trap is to confess the truth. Quincannon reveals that the accusation against him is true; he sentenced Edward Seton, who was innocent, to death in order to ruin the reputation of his defending council. Armstrong also admits to the death of his patient due to being drunk. Though hesitant at first, Blore also confesses to perjuring his testimony against an innocent man. Lombard likewise states that the record's accusation was true. But when it comes time for Vera to tell her story, she says that she is cold and goes to her room to get a coat while the others wait for her in the dining room. After a few moments they hear her terrified shriek and rush out of the room. In the confusion of the moment a single gunshot is heard. They find Vera cowering in a corner of the hallway, and she tells them that when she went into her room she felt something like a cold hand. Blore goes to investigate and finds a piece of seaweed that Miss Brent had brought back to the house earlier hanging from the ceiling of Miss Claythorne's room. They then realize that Quincannon is not among them. Blore believes that the judge fired the shot at one of them in the dark. They make their way downstairs and discover Lombard's gun on the staircase. They make their way back to the dining room and find Quincannon dead from a gunshot to the head.
After depositing Quincannon's body in his room, Dr. Armstrong asks Vera for the truth about her sister's fiance. Though reluctant, she insists that she is innocent of the accusation and goes to her room. Armstrong tells Blore and Lombard that to his mind this indicates Vera is quite likely to be Mr. Owen. Armstrong says that prior to his death, Quincannon advised him that only the person who had not committed a crime would be interested in meting out "justice". Blore seems to accept this explanation, but Lombard is highly skeptical. They all retire to their rooms. Later that night Vera wakes up to find Lombard standing outside her patio, wanting to be let in. She admits him only after he lets her take his gun for protection. Philip says that he wants to be with Vera when the real Mr. Owen comes into the room, which he suspects will be very soon. In the meantime he asks her again about the accusation against her, and Vera repeats that she is innocent of the crime. She explains to him that it was her sister who killed the man, and she helped conceal the murder and took care of her sister until she died. They then hear someone walking around outside the room, and Philip goes to investigate. Before leaving, however, he reveals that he is not really Philip Lombard. Vera and Philip go to Blore's room and find him there, but Armstrong is missing from his room. When the three of them go to the dining room they discover another missing figure, but they believe that Armstrong is trying to make them believe he is dead.
The next morning Blore is checking around the house with binoculars, as they all wait for the boat to arrive. He is murdered when a large stone structure falls on him. Lombard and Vera find his body, and Philip takes the binoculars and sees what the detective was looking at. He and Vera make their way to the island's beach and find Armstrong's corpse. Lombard states that he has been dead for hours, as there are no footprints around the body. As they are the only two left, Vera believes that Lombard is the murderer. Lombard, however, cannot bring himself to believe that Vera is a killer. He tells her that his real name is Charles Morley, and that he knew Philip Lombard very well. He found Mr. Owen's invitation and came to the island, impersonating Lombard to see if the invitation had anything to do with his friend's death. Charles tells her to aim the gun away from him and pull the trigger. When he falls she is to go to the mansion. She does so, he collapses, and she makes her way back to the house. Once inside she is confronted with the true culprit: Judge Quincannon. Quincannon tells her that all his life he searched for perfect human justice, and this weekend was his way to bring it about. After learning that he was terminally ill he concocted this plan. As part of his scheme he deceived Armstrong into thinking that the two of them could discover who the murderer was; together they faked the judge's death, but it wasn't until the last minute that Armstrong realized he had been made a fool of and Quincannon killed him. Quincannon drinks a glass of poisoned whiskey and tells Vera that she has two options. She can commit suicide by hanging herself here, privately, or wait to be convicted at trial (as the murders will undoubtedly be blamed on her, as she is the last person alive) and be hanged publicly. Right before he dies, however, Charles appears behind Vera and Quincannon realizes that two will survive and will be able to tell what actually happened on Indian Island. At that moment, the boatman arrives to take them back to the mainland.
The nonsense poem Ten Little Indians is recited and sung throughout the film; and each death in the film corresponds in order, and means of death, to the corresponding death in the poem.
[edit] Cast
- Barry Fitzgerald...Judge Quincannon
- Walter Huston...Dr. Edward G. Armstrong
- Louis Hayward...Philip Lombard/Charles Morley
- June Duprez...Vera Claythorne
- Roland Young...Detective William Henry Blore
- Mischa Auer...Prince Starloff
- C. Aubrey Smith...General Mandrake
- Judith Anderson...Emily Brent
- Richard Haydn...Thomas Rogers
- Queenie Leonard...Ethel Rogers
- Harry Thurston...Fred Narracott
[edit] Screenplay
[edit] Differences from the novel
This adaptation of the novel took, overall, fewer liberties with Christie's plot than some of the other versions. Most of changes were made in order to comply with the strict Hays Code, which included changing the backstories behind Miss Brent's and Vera Claythorne's crimes, since a film that would imply such themes as child murder and teenage pregnancy would never be allowed to be viewed by the general public.
The ending, though, is radically altered. Only the 1987 Soviet film version kept the novel's ending. This film, like all the other Western versions, changed the shooting of Philip Lombard (played by Louis Hayward) and the suicide of Vera Claythorne's character (played by June Duprez) in favour of a happier Hollywood-ish ending. Vera only pretends to shoot Lombard so that the real murderer will believe he is dead. In this, the film follows the altered denouement Christie herself had rewritten for her 1943 stage version of the book. There is one major alteration — in the play, Vera thinks she has shot Lombard, after which the murderer appears and attacks her; Lombard, who was only grazed, comes to at the last minute and shoots the murderer as he is about to strangle the terrified girl. The film, however, simply has Vera help Lombard fake his death outside the mansion, then confront the culprit who commits suicide after revealing his motive and murder techniques. All in all, the end result is the same; the two major characters are left alive and innocent of the crimes they were accused of. Later remakes in 1966, 1975, and 1989 (all using the title Ten Little Indians), also used Christie's revised finale.
One final alteration is the title. Christie's novel was originally titled Ten Little Niggers and then it was changed to Ten Little Indians, the title it is primarily known by today. Along with Joseph Conrad's The Nigger of the Narcissus the title stands as an indicator of the casual acceptance in the late 1890s through the 1930s of the virulently racist term.
[edit] See also
[edit] Copyright status
This film's copyright registration is as follows
© Popular Pictures, Inc.; 27 September 1945 LP 95.
The copyright was renewed R543668; 10 January 1973.[2]
The basis on which the film is assumed to be in the public domain is not stated on this page, nor in the List of Films in the Public Domain.[3]
[edit] References
Hurst, Walter (2008). Film Superlist: Motion Pictures in the U.S. Public Domain (1940-1949). Hollywood Film Archive. ISBN 0913616273.
[edit] Notes
- ^ "And Then There Were None" at the Internet Archive Retrieved August 2, 2009
- ^ * Film Superlist: Motion Pictures in the U.S. Public Domain 1940-1949 , which incorporates the Cumulative Copyright Catalog 1940-1949 (with 18,767 films), published in 1953. The most recent edition (2008) has an appendix of copyright search reports for approximately 450 selected movies without renewals. (ISBN 978-0-913616-27-7), page 13.
- ^ See also "And Then There Were None" at the Internet Archive Retrieved August 2, 2009
[edit] External links
- And Then There Were None (1945 film) at the Internet Movie Database
- And Then There Were None (1945 film) is available for free download at the Internet Archive [more]
|
|||||||||||