He held the primary responsibility for designing the elaborate furnishings of the San Carlo, which in 1737 was the new opera house in Naples. Alexandre Dumas, in his The Bourbons of Naples recounts the commonly repeated, yet likely apocryphal, tale that the king was so taken by the beauty of the theater that he personally presented Carasale to the public for applause, remarking that the only thing lacking from the new theater was a private passageway for royalty from the adjacent Royal Palace. The anecdote says that, a few hours later, upon completion of the opera (Achille in Sciro by Domenico Sarro), Carasale approached the king and notified him that the passageway was ready.
Earlier, Carasale had been the architect given the task of redesigning San Carlo's predecessor, the small San Bartolomeo theater, so that it might be converted into a church. He also worked on the interiors of a number of Neapolitan churches. Apparently, Carasale was imprisoned in the fortress of Sant'Elmo on charges of embezzling funds meant for the San Carlo theater. Some sources says that he "died in disgrace." 
- Felice de Filippis (ed.). Il Teatro di S. Carlo. (Naples: Ente Autonomo del Teatro di San Carlo, 1951).
- William Holmes. Opera Observed. (Chicago: University of Chicago Press, 1993) p. 98
- Dumas, Book 1, Chapter 4
- Guido Pannain: Cronache Sancarliane, p. 7. (Article in F. de Filippis, pp. 6 - 34).
- Caserta: The Italian Versailles, A. Howard Cady ,The American magazine, Volume 40, page 154
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