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Anna Held, 1902
|Born||Helene Anna Held
19 March 1872
|Died||12 August 1918
New York City, New York
Born in Warsaw, Congress Poland, Russian Empire she was the daughter of a Jewish glove maker, Shimmle (aka Maurice) Held, and his French-Jewish wife, Yvonne Pierre. Sources of her year of birth range from 1865 to 1873. In 1881, antisemitic pogroms forced the family to flee to Paris, France. When her father's glovemaking business failed, he found work as a janitor, while her mother operated a kosher restaurant. Held began working in the garment industry, then found work as a singer in Jewish theatres in Paris and, later, after her father's death, London, where her roles included the title role in a production by Jacob Adler of Abraham Goldfaden's Shulamith; she was also in Goldfaden's ill-fated Paris troupe, whose cashier stole their money before they ever played publicly. As a young woman in France, Held became a Roman Catholic. She remained so the rest of her life, and declined even to acknowledge her Jewish heritage.
Her vivacious and animated personality proved popular, and her career as a stage performer began to gain momentum. She was soon known for her risqué songs, flirtatious nature and willingness to show her legs on stage. Around this time, she became the wife of a much-older Uruguayan playboy, Maximo Carrera, with whom she had a daughter, Liane (1895–1988), shortly after their 1894 marriage, and who became an actress and producer, sometimes billed as Anna Held, Jr.
Touring through Europe she was appearing in London in 1896 when she met Florenz Ziegfeld. Ziegfeld asked her to return to New York City with him and she agreed. He set about creating a wave of public interest in her, by feeding stories about her to the American press, such as her having had ribs surgically removed. By the time Held and Ziegfeld arrived in New York, she was already the subject of intense public speculation. When she finally performed (in a revival of A Parlor Match), the critics were dismissive of her, but the public liked her.
From 1905 Held enjoyed several successes on Broadway which, apart from bolstering Ziegfeld's fortune, made her a millionaire in her own right. Ziegfeld's talent for creating publicity stunts ensured that Held's name remained well known. Held suggested the format for what would eventually become the famous Ziegfeld Follies in 1907, and helped Ziegfeld establish the most lucrative phase of his career. Held could not perform in the first Follies as she had become pregnant by Ziegfeld. She later miscarried or had an abortion. In 1909 he began an affair with the actress Lilliane Lorraine; Held remained hopeful that his fascination would pass and he would return to her, but instead he turned his attentions to another actress Billie Burke, whom he would marry in 1914.
Held spent the years of World War I working in vaudeville and touring France, performing for French soldiers and raising money for the war effort. She came to be regarded as a war heroine for her contributions, and was highly regarded for the courage she displayed in traveling to the front lines, to be where she could do the most good. She returned to the United States and starred in the film Madame la Presidente (1916).
The year 1917 was one of constant touring for Held, and as the year wore on her health began to deteriorate. She collapsed onstage in 1918, and died after a few months from multiple myeloma at age 46. She is interred at Cemetery of the Gate of Heaven in Hawthorne, New York. Ziegfeld was castigated by the media—the same media he had so studiously courted—for his mistreatment of Held and apparent indifference to her illness, and his notable absence from her funeral.
The film The Great Ziegfeld (1936) tells a sanitized version of the story of the Ziegfeld-Held relationship. Luise Rainer won an Academy Award for her performance as Held. Ziegfeld and Burke were played by William Powell and Myrna Loy. In 1978 Columbia Pictures released a made-for-television film, Ziegfeld: The Man & His Women. first telecast on NBC. This was a much more open and perhaps truthfully told movie about Ziegfeld and the women in his life, than the 1936 film. Anna was portrayed by Barbara Parkins.
The American poet Carl Sandburg wrote a memorial poem for Anna Held after Held's death, An Electric Sign goes Dark, in the collection Smoke and Steel.
In 1976 Anna Held's daughter, Liane Carrera (died 1988), opened a museum of her mother's personal and stage items in San Jacinto, California. A few years after the museum opened, it was looted by robbers and all the displayed material was stolen.
- Anna Held (1901 Biograph)Close-Up version *short
- Anna Held II (1901 Biograph)Full-Shot version *short
- The Comet (1910)*short
- Elevating an Elephant (1913) *short
- Popular Players off the Stage (1913) *short
- Madame la Presidente (1916)
- Great Stars of the American Stage by Daniel C. Blum Profile #38 c. 1952(this 2nd edition c.1954)
- http://www.musicals101.com/ziegheld.htm Ziegfeld 101- Anna Held
- Anna Held museum
U.S. Passport Applications, 1795-1925 Record for Miss Anna Held, filled out in her own hand shows date of birth March 19, 1872. Found on Ancestry.com
- Eve Golden, Anna Held and the Birth of Ziegfeld's Broadway, Lexington: University Press of Kentucky, 2000
|Wikimedia Commons has media related to Anna Held.|
- "Anna Held" in the 1901-1905 Jewish Encyclopedia.
- Anna Held at the Internet Broadway Database
- Anna Held at the Internet Movie Database
- NY Times article announcing Anna's death
- Anna Held picture gallery
- Anna Held and Forrest Stanley still from her 1916 film Madame La Presidente
- Anna's feature film Madame La Presidente at silentera database
- Anna Held portraits(NY Public Library)
- portrait gallery(University of Washington, Sayre collection)