Anna Maria Luisa de' Medici

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Anna Maria Luisa de' Medici
Electres Anna Maria Luisa de' Medici.jpg
Electress Palatine; Duchess of Neuburg, Jülich and Berg, of Cham and the Upper Palatinate; Countess of Megen
Tenure 5 June 1691 – 8 June 1716
Spouse Johann Wilhelm, Elector Palatine
Full name
Anna Maria Luisa de' Medici
House House of Medici
House of Wittelsbach
Father Cosimo III de' Medici, Grand Duke of Tuscany
Mother Marguerite Louise d'Orléans
Born (1667-08-11)11 August 1667
Palazzo Pitti, Florence, Tuscany
Died 18 February 1743(1743-02-18) (aged 75)
Palazzo Pitti, Florence, Tuscany
Burial Basilica of San Lorenzo, Florence 43°46′30″N 11°15′13″E / 43.774991°N 11.253659°E / 43.774991; 11.253659Coordinates: 43°46′30″N 11°15′13″E / 43.774991°N 11.253659°E / 43.774991; 11.253659

Anna Maria Luisa de' Medici (11 August 1667 – 18 February 1743) was the last scion of the House of Medici. A patron of the arts, she bequeathed the Medici's large art collection, including the contents of the Uffizi, Palazzo Pitti and the Medicean villas, which she inherited upon her brother Gian Gastone's death in 1737, and her Palatine treasures to the Tuscan state, on the condition that no part of it could be removed from "the Capital of the grand ducal State....[and from] the succession of His Serene Grand Duke."[1][2]

Anna Maria Luisa was the only daughter of Cosimo III de' Medici, Grand Duke of Tuscany, and Marguerite Louise d'Orléans, a niece of Louis XIII of France. On her marriage to Elector Johann Wilhelm II, she became Electress Palatine, and, by patronising musicians, she earned for the contemporary Palatine court the reputation of an important music centre. As Johann Wilhelm had syphilis the union produced no offspring, which, combined with her siblings' barrenness, meant that the Medici were on the verge of extinction.

In 1713 Cosimo III altered the Tuscan laws of succession to allow the accession of his daughter, and spent his final years canvassing the European powers to agree to recognise this statute. However, in 1735, as part of a territorial arrangement, the European powers appointed Francis Stephen of Lorraine as heir, and he duly ascended the Tuscan throne in her stead. After the death of Johann Wilhelm, Anna Maria Luisa returned to Florence, where she enjoyed the rank of first lady until the accession of her brother Gian Gastone, who banished her to the Villa La Quiete. When Gian Gastone died in 1737, Francis Stephen's envoy offered Anna Maria Luisa the position of nominal regent of Tuscany, but she declined. Her death, in 1743, brought the royal House of Medici to an end. Her remains were interred in the Medicean necropolis, the Basilica of San Lorenzo, Florence, which she helped complete.

Biography[edit]

Early life[edit]

Despite her mother's efforts to induce a miscarriage by means of riding,[3] Anna Maria Luisa de' Medici, the only daughter and second child of Cosimo III de' Medici, Grand Duke of Tuscany, and his consort, Marguerite Louise d'Orléans, was born in Florence on 11 August 1667. She was named after her maternal aunt Anne Marie Louise d'Orléans, Duchess of Montpensier.[4]

Her parents' relationship was quarrelsome; Marguerite Louise took every chance to humiliate Cosimo.[5] On one documented occasion, she branded him "a poor groom" in the presence of the Papal nuncio.[5] The enmity between them continued until 26 December 1674; after all attempts at conciliation failed, a stressed Cosimo consented to his wife's departure for the Convent of Montmartre, France. The contract created that day revoked her privileges as a petite fille de France), and declared that upon her death all her assets were to be inherited by her children. Cosimo granted her a pension of 80,000 livres in compensation.[6] She abandoned Tuscany in June 1675; Anna Maria Luisa never saw her again.[7] Although Cosimo doted on his daughter, she was raised by her paternal grandmother, Vittoria della Rovere.[4][8]

Electress Palatine[edit]

In 1669, Anna Maria Luisa was considered as a potential bride to Louis, le Grand Dauphin, the heir-apparent of Louis XIV of France.[9] Cosimo III did not like the idea of a French marriage, and never devoted himself fully to the cause (she was later rejected).[9] Instead, Cosimo offered her to his first choice, Peter II of Portugal. Peter's ministers, fearing that Princess Anna Maria Luisa would dominate Peter II and fearing she might have inherited Marguerite Louise’s manner, declined.[10] In fact, contemporaries thought her traits to be a combination of those of her father and paternal grandmother, Vittoria della Rovere.[10]

Following refusals from Spain, Portugal, France and Savoy, Leopold I, Holy Roman Emperor, suggested Johann Wilhelm, Elector Palatine.[11] James II of England put forward his brother-in-law, Francesco II d'Este, Duke of Modena, but the Princess deemed a duke too lowly in terms of protocol for the daughter of a grand duke.[12] The Elector Palatine obtained the style Royal Highness from the Holy Roman Emperor for Cosimo III in February 1691. (Cosimo had hitherto been outranked by the Duke of Savoy — much to his anger—who derived royal status from his successful pretendership to the abolished Cypriot throne).[11] Consequently, Johann Wilhelm was ultimately chosen. He and Anna Maria Luisa were married by proxy on 29 April 1691. At the accompanying festivities, a contemporary describes the Electress's physical attributes: "In her person, she is tall, her complexion was fair, her eyes large and expressive, both those and her hair were black; her mouth was small, with a fullness of the lips; her teeth were as white as ivory...."[12]

A teenage-girl sports a baroque-style dress enhanced with flowers in the up-folds.
Anna Maria Luisa in Portrait of Anna Maria Luisa de' Medici with flowers by Antonio Franchi, c. 1682–1683

She departed for Düsseldorf, her husband’s capital, on 6 May 1691, accompanied by her younger brother, Gian Gastone. Johann Wilhelm surprised her at Innsbruck, where they officially married. The Palatinate Anna Maria Luisa arrived in was ravaged by the ongoing Nine Years' War, in which Louis XIV assaulted the Palatinate on behalf of his brother, Philippe of France, Duke of Orléans, occupying the city of Philippsburg in the process.[13][14][15]

The Elecress became pregnant in 1692; however, she miscarried.[4] It is thought that soon after arrival she contracted syphilis from the Elector, which explains why Anna Maria Luisa and Johann Wilhelm failed to produce any children.[16][17][18] Anna Maria Luisa and Johann Wilhelm, notwithstanding, shared a harmonious marriage.[19] The Electress spent her time enjoying balls, musical performances and other festivities.[20] He commissioned a theatre for her where the comedies of French playwright Molière were performed.[20] Because Anna Maria Luisa patronised many musicians, the contemporary Palatine court enjoyed regard as an international centre of music.[21] She invited Fortunato Chelleri to court and appointed him maestro di cappella ("music teacher"). Agostino Steffani, a polymath, was sponsored by the Electress from his arrival in Düsseldorf, in 1703, until her return to Tuscany; the Conservatorio library in Florence houses two editions of his chamber duets.[22]

Anna Maria Luisa arranged a marriage for her younger brother at the instigation of their father: On 2 July 1697 Gian Gastone de' Medici married Anna Maria Franziska of Saxe-Lauenburg, heiress of the eponymous duchy, in Düsseldorf.[23] Gian Gastone's wife repulsed him, and for that reason, they separated in 1708.[24]

The same year as Gian Gastone's marriage, the Peace of Ryswick ended the Nine Years' War: French troops withdrew from the Electoral Palatinate and Johann Wilhelm received the County of Megen. Following the revocation of the Edict of Nantes, a document which had hitherto given rights to Calvinists, in 1685, 2,000 French Huguenots emigrated to the Electoral Palatinate.[15] Johann Wilhelm, under criticism for his treatment of the Palatine Protestants from the Elector of Brandenburg introduced a Religionsdeklartion in 1705, which sanctioned religious freedom.[25]

Tuscan succession[edit]

A periwigged man and a woman are seated against a sun-set milieu. The man is embracing a crown with his left hand; while the lady holds an olive branch in her right. The man wears a black armour; the lady, a silk dress.
Anna Maria Luisa and her husband, Johann Wilhelm, Elector Palatine, from a painting after Jan Frans van Douven, 1708

Cosimo III wished to alter the male-only Tuscan line of succession so as to allow the accession of his daughter, Anna Maria Luisa, in the event of a male-line succession failure. But his plan was met with fierce opposition from the European powers.[26] Charles VI, Holy Roman Emperor, Tuscany's nominal feudal over-lord, subscribed, but only if he should succeed her.[26] Cosimo and herself were at odds with the proposal. Without a concord in sight, the "Tuscan question" became dormant.[27]

Some years later, as the question of the succession became more urgent, Cardinal Francesco Maria de' Medici, Cosimo III's brother, was released from his vows and coerced into marrying the incumbent Duke of Guastalla's elder daughter, Eleanor, in 1709.[28] The Electress urged him to care for his health and "give us the consolation of a little prince."[28] However, two years later, he died without issue, taking with him any hope of an heir.[29]

Following the death of his heir apparent, Ferdinando, in 1713, Cosimo deposited a bill in the Senate, Tuscany's titular legislature, promulgating that if Cosimo and his new heir apparent, Gian Gastone, were to predecease the Electress, she would ascend the throne.[30] Charles VI was furious; he replied that the Grand Duchy was an imperial fief and therefore he alone possessed the prerogative to alter the laws of succession.[31] To complicate things further, Elisabeth Farnese, heiress of the Duchy of Parma, the second wife of Philip V of Spain, as a great-granddaughter of Margherita de' Medici, exercised a claim to Tuscany.[31][32][33] In May 1716, Charles VI, who constantly changed his stance on the issue, told Florence that the Electress's succession was unquestioned, but added that Austria and Tuscany must soon reach an agreement regarding which royal house was to follow the Medici.[34]

In June 1717, Cosimo declared his wish that the House of Este should succeed the Electress. Charles VI had previously offered the Grand Duke territorial compensation—in the form of the State of Presidi—if he chose quickly, but reneged.[35] In 1718, Charles VI repudiated Cosimo's decision, declaring a union of Tuscany and Modena (the Este lands) unacceptable.[35] Hereafter, a stalemate existed between them.[36]

Return to Florence[edit]

A widow draped in mourning points to a portrait of her husband's remains, which are embellished with the regalia of his realm.
Anna Maria Luisa in The Electress Palatine in mourning dress by Jan Frans van Douven, 1717. She points to the portrait of Johann Wilhelm's remains, adorned with the Palatine regalia, in the milieu.

The Elector Palatine died in June 1716. His widow, Anna Maria Luisa, returned to Florence in October 1717.[37] Dowager Grand Princess Violante Beatrice, her brother Ferdinando's widow, and Anna Maria Luisa did not enjoy an amiable relationship. Upon hearing of Anna Maria Luisa's intention to return, Violante Beatrice prepared to depart for Munich, her brother's capital, but Gian Gastone wished her to stay, so she did.[38] To keep the two ladies from quarrelling over precedence, Cosimo III defined Violante Beatrice's status just before the Electress's arrival by appointing her Governess of Siena.[39]

On 4 April 1718 England, France and the Dutch Republic (and later Austria) selected Don Carlos of Spain, the elder child of Elisabeth Farnese and Philip V of Spain, as the Tuscan heir (with no mention of Anna Maria Luisa).[40] By 1722, the Electress was not even acknowledged as heiress, and Cosimo was reduced to a spectator at the conferences for Tuscany's future.[41] In the midst of this, Marguerite Louise, Anna Maria Luisa's mother, died. Instead of willing her valuables to her children, as prescribed by the 1674 agreement, they went to the Princess of Epinoy, a distant relative.[42]

On 25 October 1723, six days before his death, Cosimo III distributed a final proclamation commanding that Tuscany shall stay independent; Anna Maria Luisa shall succeed uninhibited after Gian Gastone; the Grand Duke reserves the right to choose his successor.[43] Unfortunately for Cosimo, Europe completely ignored it.[43] Gian Gastone, now the Grand Duke, and Anna Maria Luisa were not on good terms. He despised the Electress for engineering his unhappy marriage with Anna Maria Franziska of Saxe-Lauenburg, while she detested his liberal policies: he repealed all of his father's anti-Semitic statutes and revelled in upsetting her.[44] Consequently, the Electress was compelled to abandon her apartment in the left wing of the royal palace, the Pitti, for the Villa La Quiete.[44] She refurbished La Quiete's house and gardens with the assistance of Sebastiano Rapi, the gardener of the Boboli Gardens, and the architects Giovanni Battista Foggini and Paolo Giovanozzi.[45][46] In the period 1722–1725, the Electress embellished the villa further by commissioning twelve statues of various religious figures.[4]

A decaying Tuscan villa stands against a clear-sky.
The Villa la Quiete in 2008. The villa served as Anna Maria Luisa's residence for the duration of the reign of her brother, Gian Gastone.

In spite of their mutual dislike, the Electress and Violante Beatrice attempted to improve Gian Gastone's poor public image together.[47] Rumours abounded that the Grand Duke had died; it was a rarity for the public to see him.[48] To dispel the said rumours, the Electress compelled him to make an appearance—his last one—in 1729, on the feast day of the patron saint of Florence, John the Baptist.[48] The Ruspanti, Gian Gastone's morally corrupt entourage, hated the Electress; and she, them. Violante Beatrice tried to withdraw the Grand Duke from their sphere of influence by organising banquets. His conduct at these literally sent those in attendance scrambling for their carriages: he vomited repeatedly into his napkin, belched and told rude jokes.[49] These distractions ceased upon Violante Beatrice's death in 1731.[50]

In 1736, during the War of the Polish Succession, Don Carlos was banished from Tuscany as part of a territorial swap, and Francis III of Lorraine was made heir in his stead.[51] In January 1737, the Spanish troops, who had occupied Tuscany since 1731, withdrew; 6,000 Austrian soldiers took their place.[52]

Gian Gastone died from "an accumulation of diseases" on 9 July 1737, surrounded by prelates and his sister.[53] Anna Maria Luisa was offered a nominal regency by the Prince de Craon, the Grand Duke's envoy, until Francis III could arrive in Florence, but declined.[54] At Gian Gastone's demise, all the House of Medici's allodial possessions, including £2,000,000[55] liquid cash, a vast art collection, robes of state and lands in the former Duchy of Urbino, were conferred on Anna Maria Luisa.[2] In regards to this, her most notable act was the Patto di Famiglia ("Family Pact"), signed on 31 October 1737.[56] In collaboration with the Holy Roman Emperor and Francis of Lorraine, she willed all the personal property of the Medici's to the Tuscan state, provided that nothing was ever removed from Florence.[57]

Death and legacy[edit]

The "Lorrainers," as the occupying forces were dubbed, were popularly loathed. The Viceroy, the Prince de Craon, whom the Electress disliked for his "vulgar" court, allowed the Electress to live undisturbed in her own wing of the Pitti, living in virtual seclusion, only on occasion receiving a select-number of guests under a black dais in her silver-clad audience room.[58][59] She occupied herself financing and overseeing the construction of the Basilica of San Lorenzo—started in 1604 by Ferdinando I de' Medici, Grand Duke of Tuscany—to the tune of 1,000 crowns per week, and she donated much of her fortune to charity: £4,000 per annum.[60][61] This is equivalent to £559 thousand in present day terms.[62] On 19 February 1743, Anna Maria Luisa de' Medici, Dowager Electress Palatine, died of an "oppression on the breast".[61] Sir Horace Mann, 1st Baronet, a British resident in Florence, recalled in a letter that "The common people are convinced she went off in a hurricane of wind; a most violent one began this morning and lasted for about two hours, and now the sun shines as bright as ever..."[63] The royal line of the House of Medici went extinct with her death.[61] Her will, having been completed just months before, according to Sir Horace Mann, left £500,000[64] worth of jewellery to the Grand Duke Francis and her lands in the former Duchy of Urbino to the Marquis Rinuccini, her main executor and a minister under her father, Cosimo III.[65] She was interred in the crypt that she helped to complete, San Lorenzo; although not entirely finished at the time of her death, her testament stipulated that part of the revenue of her estate should "be used to continue, finish and perfect...the said famous chapel [San Lorenzo]".[66]

Anna Maria Luisa's single most enduring act was the Family Pact. It ensured that all the Medicean art and treasures collected over nearly three centuries of political ascendancy remained in Florence. Cynthia Miller Lawrence, an American art-historian, argues that Anna Maria Luisa thus provisioned for Tuscany's future economy through tourism.[67] Sixteen years after her death, the Uffizi Gallery, built by Cosimo the Great, the founder of the Grand Duchy, was made open to public viewing.[68]

In 2012 after concern caused by the 1966 Flood of the Arno River, her bones were exhumed. A scientific examination found no traces of syphilis, which she had long been thought to have died from.[69]

Ancestors[edit]

Titles, styles, honours and arms[edit]

Styles of
Anna Maria Luisa, Electress Palatine
A quartered shield. Upper left and lower right are a blue and grey diamond crosshatch. Upper right and lower left are a crowned yellow lion rampant on a black field. Over all, in the centre, is a small red shield bearing a gold cross atop the middle of three gold hills.
Reference style Her Serene Highness
Spoken style Your Serene Highness
Alternative style Madam

Titles and styles[edit]

  • 11 August 1667 – 29 April 1691: Her Highness Princess Anna Maria Luisa
  • 29 April 1691 – 8 June 1716: Her Serene Highness[70] The Electress [Palatine of the Rhine]
  • 8 June 1716 – 18 February 1743: Her Serene Highness The Dowager Electress [Palatine of the Rhine]

References[edit]

Citations[edit]

  1. ^ Casciu, pp. 80–88
  2. ^ a b Young, p 502; p 508
  3. ^ Acton, p 101
  4. ^ a b c d Galleria Palatina (2006). "Anna Maria Luisa de' Medici – Biografia" (in Italian). www.polomuseale.firenze.it. Retrieved 16 November 2009. [dead link]
  5. ^ a b Acton, p 93
  6. ^ Acton, pp. 133–135
  7. ^ Strathern, p 389
  8. ^ Young p 471
  9. ^ a b Acton, p 151
  10. ^ a b Acton, p 165
  11. ^ a b Acton, p 181
  12. ^ a b Acton, p 182
  13. ^ Wilson, p 88
  14. ^ Pevitt, p 14
  15. ^ a b Otterness, p 14
  16. ^ Hale, p 189
  17. ^ Hale, pp. 188–189
  18. ^ Hibbert, p 304
  19. ^ Lawrence, p 230
  20. ^ a b Mosco, p 185
  21. ^ Chelleri, Fortunato; Vavoulis, Vavoulis, p ix
  22. ^ Timms, p 116
  23. ^ Acton, pp. 208–211
  24. ^ Strathern, p 404
  25. ^ Otterness, p 15
  26. ^ a b Acton, p 255
  27. ^ Acton, p 256
  28. ^ a b Acton, p 246
  29. ^ Acton, p 251
  30. ^ Young, p 479
  31. ^ a b Acton, p 261
  32. ^ Solari, p 282
  33. ^ Young, p 480
  34. ^ Acton, p 262
  35. ^ a b Acton, p 267
  36. ^ Young, p 482
  37. ^ Acton, p 264
  38. ^ Acton, p 265
  39. ^ Acton, pp. 265–266
  40. ^ Solari, pp. 281–282
  41. ^ Acton, p 275
  42. ^ Acton, pp. 272–273
  43. ^ a b Acton, pp. 275–276
  44. ^ a b Acton, p 280
  45. ^ Institute and Museum of the History of Science (11 January 2008). "Villa La Quiete – Pharmacy of the former Montalve Conservatory". brunelleschi.imss.fi.it. Retrieved 18 October 2009. 
  46. ^ Mosco, p 190
  47. ^ Acton, p 288
  48. ^ a b Strathern, p 407
  49. ^ Acton, p 188
  50. ^ Strathern, p 410
  51. ^ Crankshaw, p 24
  52. ^ Hale, p 192
  53. ^ Young, p 494
  54. ^ Acton, p 304
  55. ^ This is equivalent to £291 million in present day terms. UK CPI inflation numbers based on data available from Measuring Worth: UK CPI
  56. ^ Napier, p 595
  57. ^ Young, pp. 502–503
  58. ^ Hibbert, p 308
  59. ^ Young, pp. 497 - 498
  60. ^ Acton, p 310
  61. ^ a b c Acton, p 309
  62. ^ UK CPI inflation numbers based on data available from Gregory Clark (2014), "What Were the British Earnings and Prices Then? (New Series)" MeasuringWorth.
  63. ^ Strathern, p 411
  64. ^ This is equivalent to £72.6 million in present day terms. UK CPI inflation numbers based on data available from Measuring Worth: UK CPI
  65. ^ Young, pp. 508–509
  66. ^ Bertelli, p 229
  67. ^ Lawrence, p 235
  68. ^ Diaz-Andreu, p 62
  69. ^ [1]
  70. ^ Young, p 501

Bibliography[edit]

  • Acton, Harold (1980). The Last Medici. Macmillan. ISBN 0-333-29315-0
  • Bertelli, Sergio (2003). The King's Body: Sacred Rituals of Power in Medieval and Early Modern Europe. Pennsylvania State University Press. ISBN 978-0-271-02344-1
  • (Italian) Casciu, Stefano. (1993). Anna Maria Luisa de' Medici Elettrice Palatina: (1667–1743). Bruschi. ISBN 88-8347-359-0.
  • Chelleri, Fortunato; Vavoulis, Vavoulis (2000). Keyboard Music. A-R Editions. ISBN 978-0-89579-457-4.
  • Crankshaw, Edward (1969). Maria Theresa. Longmans, Green & Co.
  • Diaz-Andreu, Margarita (2008). A World History of Nineteenth-Century Archaeology: Nationalism, Colonialism, and the Past. Oxford University Press. ISBN 978-0-19-921717-5.
  • Hale, J.R. (1977). Florence and the Medici. Orion. ISBN 1-84212-456-0.
  • Hibbert, Christopher (1979). The Rise and Fall of the House of Medici. Penguin. ISBN 978-0-14-005090-5
  • Lawrence, Cynthia Miller (1997). Women and Art in Early Modern Europe: Patrons, Collectors and Connoisseurs. Pennsylvania State University Press. ISBN 978-0-271-01969-7.
  • Mosco, Marilena (2004). The Museo degli argenti: collections and collectors. Giunti. ISBN 88-09-03793-6.
  • Napier, Edward Henry (1846). Florentine History: from the Earliest Authentic Records to the Accession of Ferdinand the Third: Volume V. Moxon.
  • Otterness, Philip (2007). Becoming German: The 1709 Palatine Migration to New York. Cornell University Press. ISBN 978-0-8014-7344-9.
  • Pevitt, Christine (1997). The Man Who Would Be King: The Life of Philippe d'Orleans, Regent of France. Weidenfeld and Nicolson. ISBN 0-297-81317-X.
  • Solari, Giovanna (1968). The House of Farnese: A Portrait of a Great Family of the Renaissance. Doubleday & Co.
  • Strathern, Paul (2003). The Medici: Godfathers of the Renaissance. Vintage. ISBN 978-0-09-952297-3.
  • Timms, Colin (2003). Polymath of the Baroque: Agostino Steffani and His Music. Oxford University Press. ISBN 978-0-19-515473-3.
  • Wilson, Peter (1998). German Armies: War And German Society, 1648–1806. Routledge. ISBN 978-1-85728-106-4.
  • Young, G.F. (1920). The Medici: Volume II. John Murray.

External links[edit]

Media related to Anna Maria Luisa de' Medici at Wikimedia Commons

Anna Maria Luisa de' Medici
Born: 11 August 1667 Died: 18 February 1743
German royalty
Preceded by
Elizabeth Amelie of Hesse-Darmstadt
Electress Palatine (consort)
1691–1716
Succeeded by
Elizabeth Augusta of Sulzbach
Duchess consort of Jülich, Cleve and Berg
1691–1716
Preceded by
Countess Alexander Otto von Velen
Countess consort of Megen
1697–1716
Preceded by
Theresa Kunegunda Sobieska
Duchess consort of the Upper-Palatinate
1707–1714
Succeeded by
Theresa Kunegunda Sobieska
Duchess consort of Cham
1707–1714