Anna and the King of Siam (film)

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Anna and the King of Siam
Anna and the king of siam75.jpg
Original U.S. Poster
Directed by John Cromwell
Produced by Louis D. Lighton
Screenplay by Talbot Jennings
Sally Benson
Based on 1944 novel by Margaret Landon
Starring Irene Dunne
Rex Harrison
Linda Darnell
Music by Bernard Herrmann
Cinematography Arthur C. Miller
Edited by Harmon Jones
Distributed by Twentieth Century Fox
Release dates June 20, 1946 (U.S. release)
Running time 128 min
Language English

Anna and the King of Siam is a 1946 drama film directed by John Cromwell. An adaptation of the 1944 novel by Margaret Landon, it was based on the fictionalized diaries of Anna Leonowens, an Anglo-Indian woman who claimed to be British and became governess in the Royal Court of Siam (now modern Thailand) during the 1860s. Darryl F. Zanuck read Landon's book in galleys and immediately bought the film rights.

The story mainly concerns the culture clash of the Imperialist Victorian values of the British Empire with the supposedly autocratic rule of Siam's King Mongkut. The successful film starred Rex Harrison as the king and Irene Dunne as Anna. At the 19th Academy Awards ceremony, the film received two Oscars; for Best Cinematography and Best Art Direction (Lyle R. Wheeler, William S. Darling, Thomas Little, Frank E. Hughes).[1] Nominations also went to Bernard Herrmann's score, to the screenplay and to supporting actress Gale Sondergaard.

Landon's novel was later adapted by Rodgers and Hammerstein for their 1951 stage musical The King and I and subsequent 1956 film of the same name. American film director Andy Tennant remade the film in 1999 as Anna and the King with Jodie Foster and Chow Yun-fat.

The portrayal of Tuptim in Anna and the King of Siam, is considerably less sympathetic than in the musical version The King and I, as the 1946 film shows animosity between Tuptim and Anna, while the musical makes her into a romantic character. Also, Tuptim is ultimately executed cruelly by the king, following an episode in Leonowens's book, while in the musical, her fate is made ambiguous.[2]

Summary of the film[edit]

Anna Leonowens (Irene Dunne) and her son Louis (Richard Lyon) arrive in Bangkok in 1862 to tutor the King's (Rex Harrison) children. She believes she is sufficiently acquainted with Asian customs to know what is proper in Siam, having read a book summarizing the same. However, when the Kralahome or Prime Minister (Lee J. Cobb) comes out to welcome her, he asks her a number of personal questions, and she does not know that this is common courtesy in Siam. Her letter from the King asking her to come to Siam includes a promise that she will have a house of her own away from the Palace, but the Kralahome says she will have to stay in the harem for now (although she'll have a private room there).

Anna goes to the Kralahome's office the next day and apologizes for her misunderstanding, asking him to introduce her to the King so she can get the house business straightened out and start her school. He says it is New Year in Siam and the King is busy with many festivities and ceremonies, but he will work her into the schedule. When he does so, he tells her that it is polite to prostrate oneself before the King; Anna refuses, and says she will bow as she would to her own Queen.

Mongkut (Rex Harrison) challenges her with personal questions; she responds with nonsense answers. Liking her spirit, he introduces her to his many wives and his 67 children, asking that she instruct the wives in English as well as the children. She is enchanted, but reminds him that he promised her a house. He refuses to remember that he promised such a thing and insists she live in the palace, where she will be more accessible in case students (or himself) have questions. When she insists, she is shown a sleazy house in the fishmarket, but rejects it and stays in the palace, starting her school there. Lady Thiang, the head wife (Gale Sondergaard) knows English and translates. Among other things, Anna teaches proverbs and songs about promises and home or houses. Soon even the royal secretary is singing "Home! Sweet Home!" under his breath as he works.

Meanwhile the Kralahome comes in and tells Mongkut that Cambodia, once a part of Siam, has sold out to the French, who have established a protectorate. The King says his plan is to hold onto Siam, to save what he can. He finally cedes to Anna on the matter of the house; she likes it, but plans to leave. However, the Kralahome tells her to stay, because Mongkut is a complex man who needs her influence.

Mongkut begins summoning Anna in the middle of the night to discuss how the Bible should be interpreted, and other scholarly matters. On the way back from one of these sessions, she discovers a chained slave with a baby. This is L'Ore, who belongs to Lady Tuptim (Linda Darnell), the new favorite. Tuptim is very young and very bitter about being brought to the Palace and shut up behind the walls, even though the King likes her. She refuses to let L'Ore go, even though L'Ore's husband has offered to pay for her. As he has done several times in the past, Crown Prince Chulalongkorn (Tito Renaldo) questions her about these matters, but she puts him off. Lady Thiang, the crown prince's mother, is concerned, but Anna gives her the brush-off too, saying they will talk "later, when she has time".

Anna tells the King about L'Ore, reminding him that it's his own law that slaves must be freed if the money is offered. This law protects all. The King asks if Queen Victoria is above the law. Anna explains that she is not and neither is President Lincoln. She tells about the fight against slavery in America, and about the Civil War. He writes to Lincoln offering to send pairs of elephants that can be used as army transport (an actual incident); Lincoln writes back, thanking him for the offer but explaining that elephants would not do well in American climates. Tuptim shows Anna a jeweled glass pomegranate the King gave her for freeing her slave, but then believes that the King listened to Anna about this, not to her. "If I am not first here, what is left for me?"

Mongkut expects English visitors and asks Anna to dress some of his prettiest wives in European style and to provide English-style decor and utensils to show that he is not a barbarian. Much is at stake - foreign papers have written very biased things about Siam, and Britain is thinking about establishing a protectorate. Anna suggests that the King invite consuls to come from other countries at the same time. The party is a great success, combining British, European and Siamese traditions and convincing the visitors that Siam is indeed a civilized nation with a very old and very proud history.

Lady Tuptim, who's been missing for some time, is found in a Buddhist temple, disguised as a young man. She is put on trial and explains; she couldn't stand being shut up, and so disguised herself and went to the monastery because she had nowhere else to go. She was accepted as a novice and studied with Phra Palat (Neyle Morrow), her former fiancé, who'd taken holy vows when Tuptim was presented to the king. No one believes that she was simply in disguise and that Phra Palat had no idea who she was.

Anna runs to the King and begs his help, but he's very insulted that Anna even knows about what happened—it's a private matter as well as something that harms his dignity. Anna unwisely loses her temper and tells the king he has no heart and that he's a barbarian. Protesting her innocence and Phra Palat's, Tuptim is burned at the stake and he with her.

Anna decides that she has had enough and says goodbye to the children. The royal wives read her a letter pleading with her to stay. Lady Thiang is disappointed with Anna, explains her life story through the illustrations on her wallpaper, and says that the crown prince may not grow up to be a good king if Anna doesn't stay to educate him. At the same time, Anna's own son dies in a riding accident. The Kralahome comes to her and reads a proclamation from the King granting the child royal funeral honours. He explains that the King does this by way of apology for what happened with Tuptim. But when the King asks Anna to continue secretarial duties, she says "It's the children I want," and goes on with her school.

The British open a consulate in 1865, the French in 1867, and the USA in 1870. Many years pass, and the crown prince is now a young man. Anna is summoned to the bedside of the King, who is dying. The King says that Anna spoke the truth to him and was a good influence on the children. He expresses his gratitude and dies. The Kralahome asks Anna to stay and help the prince. When Chulalongkorn is crowned, his first act is to abolish the prostration, so that everyone can respect each other and work together.

Cast[edit]

Historical inconsistencies[edit]

  • Anna was Anglo-Indian, and raised in India, not Welsh, as she claimed; she had never even visited Britain before becoming a governess in the court of Siam. Also, she was the widow of a civilian clerk and hotel-keeper, not a British army officer.
  • King Mongkut had been a Buddhist monk for 27 years before succeeding his brother as king, so his portrayal as an arrogant tyrant is highly fictionalised. The film and musical production were based on Margaret Landon's 1944 novel, Anna and the King of Siam, which was in turn based on Leonowens' somewhat fictionalised accounts of her experiences. Landon further fictionalised the story and, like Leonowens herself, made up incidents to make the story more accessible. Both women were dedicated to the women's rights movement and thus present a distorted, prejudiced view of Mongkut and Siamese palace life. To correct the record, well-known Thai intellectuals Seni Pramoj and Kukrit Pramoj wrote The King of Siam speaks in 1948. (ISBN 9748298124)
  • Tuptim's torture and execution by burning at the stake is disputed by a great-granddaughter of the King who claimed also to be Tuptim's granddaughter.
  • Mongkut really did write a letter to Washington offering elephants to be used as stock for breeding American elephants, but the offer was unrelated to the Civil War. His letter, accompanied by some gifts, was addressed to President Buchanan during the last month of his term, "or to whomsoever the people have elected anew as Chief ruler in place of President Buchanan".[3] (Excerpts from the text of the actual letter) The response, dated almost a year later, came from Lincoln, thanking the king for the gifts and good wishes but declining the elephants on the grounds that the latitude of the US made raising elephants impractical.[4]
  • Anna wears hoopskirts throughout the film's timeline up to 1870, but it is not actually known whether they were necessarily worn or fashionable at that time.
  • Anna's son Louis dies as a child in riding accident in the film, and Anna's decision to remain in Siam is prompted both by the King's sincere regret for her loss and her own maternal instincts: Prince Chulalongkorn becomes a sort of foster son for Anna. The historical Louis Leonowens did not die as a child, and in fact outlived his mother.
  • In the film, Anna is present at the death of King Mongkut. The historical Anna had been granted a leave of absence for health reasons in 1867 and was in England at the time of the King's death in 1868; she was not invited to resume her post by the new king.

References[edit]

  1. ^ "NY Times: Anna and the King of Siam". NY Times. Retrieved 2008-12-20. 
  2. ^ Ma, Sheng-mei. "Rodgers and Hammerstein's 'Chopsticks' musicals". Literature/Film Quarterly, Vol. 31, Number 1 (2003), pp. 17–26.
  3. ^ National Archives to Display King of Siam Letter to U.S. President
  4. ^ Lincoln's Response to the King of Siam

External links[edit]